INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School

182 Part 9: Writings on Analytical Bibliography � Tanselle: Introduction to Scholarly Editing (2002)
Treatises and Studies by the Faculty of Kinjo Gakuin University 95 (1981): 79-94; "The Spelling
of the Rhymes in the 1590 Quarto of The Faerie Queene," 100 (1983): 83-101.
Gary Taylor, "The Shrinking Compositor A of the Shakespeare First Folio," Studies in Bibliography 34
(1981): 96-117.
Hiroshi Yamashita, "The Printing of The First Part (Books I-III) of The Faerie Queene in 1590," Studies
in Languages and Cultures [University of Tsukuba] 11 (1981): 143-78; 13 (1982): 231-84.
T.H. Howard-Hill, "The Problem of Manuscript Copy for Folio King Lear," Library 6th ser. 4 (1982):
1-24.
J.K. Rogers, "The Folio Compositors of Julius Caesar: A Quantitative Analysis," Analytical &
Enumerative Bibliography 6 (1982): 143-72.
J.C. Ross, "The Printing of Vanbrugh's The Provok'd Wife (1697)," Library 6th ser. 4 (1982): 397-409.
R.M. Flores, "The Setting and Printing of the First Edition of Cervantes's Novelas Ejemplares," Studies
in Bibliography 37 (1984): 281-306.
Paul Werstine, "The Editorial Usefulness of Printing House and Compositor Studies," in Play-Texts in
Old Spelling, ed. G.B. Shand and Raymond C. Shady (1984), pp. 35-64.
George Cheatham, "Confused Lineation: An Indication of Rowley's Hand in Collaboration," Library 6th
ser. 7 (1985): 16-37. [See also 6th ser. 8 (1986): 68-69.]
MacD. P. Jackson, "John Webster and Thomas Heywood in Appius and Virginia: A Bibliographical
Approach to the Problem of Authorship," Studies in Bibliography 38 (1985): 217-35.
S.W. Reid, "B and 'J': Two Compositors in Two Plays of the Shakespeare First Folio," Library 6th ser.
7 (1985): 126-36.
Gary Taylor, "Folio Compositors and Folio Copy: King Lear and Its Context," Papers of the
Bibliographical Society of America 79 (1985): 17-74.
Susan Zimmerman, "The Uses of Headlines: Peter Short's Shakespearian Quartos 1 Henry IV and
Richard III," Library 6th ser. 7 (1985): 218-55.
R.M. Flores, "A Tale of Two Printings: Don Quixote, Part II," Studies in Bibliography 39 (1986):
281-96.
Antony Hammond, "The White Devil in Nicholas Okes's Shop," Studies in Bibliography 39 (1986):
135-76.
MacD. P. Jackson, "Printer's Copy for the First Folio Text of Othello: The Evidence of Misreadings,"
Library 6th ser. 9 (1987): 262-67.
R.M. Flores, "Occurrences of Verbal Forms Ending in s with a Dependent Third Person Object Pronoun
in the First Editions of Parts I and II of Don Quixote," Cervantes 8 (1988): 55-60.
R.M. Flores, "More on the Compositors of the First Edition of Don Quixote, Part II," Studies in
Bibliography 43 (1990): 272-85.
Hiroshi Yamashita, Masatsugu Matsuo, Toshiyuki Suzuki, and Haruo Sato, "Introduction," in A
Comprehensive Concordance to THE FAERIE QUEENE, 1590 (1990), pp. vii-xiii.
Antony Telford-Moore, "The Printing of John Ford's Love's Sacrifice," Library 6th ser. 14 (1992):
299-336.
Thomas O. Calhoun and Thomas L. Gravell, "Paper and Printing in Ben Jonson's Sejanus," Papers of
the Bibliographical Society of America 87 (1993): 13-64.
Adele Davidson, "King Lear in an Age of Stenographical Reproduction, or 'On Sitting Down to Copy
King Lear Again,'" Papers of the Bibliographical Society of America 92 (1998): 297-324.
MacD. P. Jackson, "The Composition of Appius and Virginia (1654)," Papers of the Bibliographical
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