INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School

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182 Part 9: Writings on Analytical Bibliography � Tanselle: Introduction to Scholarly Editing (2002) Treatises and Studies by the Faculty of Kinjo Gakuin University 95 (1981): 79-94; "The Spelling of the Rhymes in the 1590 Quarto of The Faerie Queene," 100 (1983): 83-101. Gary Taylor, "The Shrinking Compositor A of the Shakespeare First Folio," Studies in Bibliography 34 (1981): 96-117. Hiroshi Yamashita, "The Printing of The First Part (Books I-III) of The Faerie Queene in 1590," Studies in Languages and Cultures [University of Tsukuba] 11 (1981): 143-78; 13 (1982): 231-84. T.H. Howard-Hill, "The Problem of Manuscript Copy for Folio King Lear," Library 6th ser. 4 (1982): 1-24. J.K. Rogers, "The Folio Compositors of Julius Caesar: A Quantitative Analysis," Analytical & Enumerative Bibliography 6 (1982): 143-72. J.C. Ross, "The Printing of Vanbrugh's The Provok'd Wife (1697)," Library 6th ser. 4 (1982): 397-409. R.M. Flores, "The Setting and Printing of the First Edition of Cervantes's Novelas Ejemplares," Studies in Bibliography 37 (1984): 281-306. Paul Werstine, "The Editorial Usefulness of Printing House and Compositor Studies," in Play-Texts in Old Spelling, ed. G.B. Shand and Raymond C. Shady (1984), pp. 35-64. George Cheatham, "Confused Lineation: An Indication of Rowley's Hand in Collaboration," Library 6th ser. 7 (1985): 16-37. [See also 6th ser. 8 (1986): 68-69.] MacD. P. Jackson, "John Webster and Thomas Heywood in Appius and Virginia: A Bibliographical Approach to the Problem of Authorship," Studies in Bibliography 38 (1985): 217-35. S.W. Reid, "B and 'J': Two Compositors in Two Plays of the Shakespeare First Folio," Library 6th ser. 7 (1985): 126-36. Gary Taylor, "Folio Compositors and Folio Copy: King Lear and Its Context," Papers of the Bibliographical Society of America 79 (1985): 17-74. Susan Zimmerman, "The Uses of Headlines: Peter Short's Shakespearian Quartos 1 Henry IV and Richard III," Library 6th ser. 7 (1985): 218-55. R.M. Flores, "A Tale of Two Printings: Don Quixote, Part II," Studies in Bibliography 39 (1986): 281-96. Antony Hammond, "The White Devil in Nicholas Okes's Shop," Studies in Bibliography 39 (1986): 135-76. MacD. P. Jackson, "Printer's Copy for the First Folio Text of Othello: The Evidence of Misreadings," Library 6th ser. 9 (1987): 262-67. R.M. Flores, "Occurrences of Verbal Forms Ending in s with a Dependent Third Person Object Pronoun in the First Editions of Parts I and II of Don Quixote," Cervantes 8 (1988): 55-60. R.M. Flores, "More on the Compositors of the First Edition of Don Quixote, Part II," Studies in Bibliography 43 (1990): 272-85. Hiroshi Yamashita, Masatsugu Matsuo, Toshiyuki Suzuki, and Haruo Sato, "Introduction," in A Comprehensive Concordance to THE FAERIE QUEENE, 1590 (1990), pp. vii-xiii. Antony Telford-Moore, "The Printing of John Ford's Love's Sacrifice," Library 6th ser. 14 (1992): 299-336. Thomas O. Calhoun and Thomas L. Gravell, "Paper and Printing in Ben Jonson's Sejanus," Papers of the Bibliographical Society of America 87 (1993): 13-64. Adele Davidson, "King Lear in an Age of Stenographical Reproduction, or 'On Sitting Down to Copy King Lear Again,'" Papers of the Bibliographical Society of America 92 (1998): 297-324. MacD. P. Jackson, "The Composition of Appius and Virginia (1654)," Papers of the Bibliographical This page is from a document available in full at http://www.rarebookschool.org/tanselle/
Tanselle: Introduction to Scholarly Editing (2002) � Part 9: Writings on Analytical Bibliography 183 Society of America 92 (1998): 535-40. MacD. P. Jackson, "Finding the Pattern: Peter Short's Shakespeare Quartos Revisited," Bibliographical Society of Australia and New Zealand Bulletin 25 (2001): 67-86. Paul Werstine, "Scribe to Compositor: Ralph Crane, Compositors D and F, and the First Four Plays in the Shakespeare First Folio," Papers of the Bibliographical Society of America 95 (2001): 315-39. E9. COMPOSITOR IDENTIFICATION: CONTRACTIONS Willard Farnham, "Colloquial Contractions in Beaumont, Fletcher, Massinger, and Shakespeare as a Test of Authorship," PMLA 31 (1916): 326-58. Cyrus Hoy, "The Shares of Fletcher and His Collaborators in the Beaumont and Fletcher Canon," Studies in Bibliography 8 (1955): 129-46; 9 (1956): 143-62; 11 (1958): 85-106; 12 (1959): 91-116; 13 (1960): 77-108; 14 (1961): 45-67; 15 (1962): 71-90. Peter B. Murray, "The Collaboration of Dekker and Webster in Northward Ho and Westward Ho," Papers of the Bibliographical Society of America 56 (1962): 482-86. R.M. Flores, "The Compositors of the First Edition of Don Quixote, Part II," Journal of Hispanic Philology 6 (1981-82): 3-44. J.K. Rogers, "The Folio Compositors of Julius Caesar: A Quantitative Analysis," Analytical & Enumerative Bibliography 6 (1982): 143-72. R.M. Flores, "The Setting and Printing of the First Edition of Cervantes's Novelas Ejemplares," Studies in Bibliography 37 (1984): 281-306. R.M. Flores, "More on the Compositors of the First Edition of Don Quixote, Part II," Studies in Bibliography 43 (1990): 272-85. Paul Werstine, "Scribe to Compositor: Ralph Crane, Compositors D and F, and the First Four Plays in the Shakespeare First Folio," Papers of the Bibliographical Society of America 95 (2001): 315-39. E10. COMPOSITOR IDENTIFICATION: PUNCTUATION AND RELATED SPACING W.W. Greg, "King Lear--Mislineation and Stenography," Library 4th ser. 17 (1936-37): 172-83. Gerald J. Eberle, "Nosce Teipsum (1599) by Sir John Davies: A Bibliographical Puzzle," Studies in Bibliography 1 (1948-49): 135-48. Peter Alexander, "Shakespeare's Punctuation," Proceedings of the British Academy 36 (1950): 61-84. Richard E. Hasker, "The Copy for the First Folio Richard II," Studies in Bibliography 5 (1952-53): 53-72. Alice Walker, Textual Problems of the First Folio (1953). [See reviews by Philip Williams in Shakespeare Quarterly 4 (1953): 481-83; J.G. McManaway in Papers of the Bibliographical Society of America 48 (1954): 105-7.] John Russell Brown, "The Compositors of Hamlet Q2 and Merchant of Venice," Studies in Bibliography 7 (1955): 17-40. Harold Jenkins, "The Relation Between the Second Quarto and the Folio Text of Hamlet," Studies in Bibliography 7 (1955): 69-83. D.F. McKenzie, "Shakespearian Punctuation--A New Beginning," Review of English Studies n.s. 10 This page is from a document available in full at http://www.rarebookschool.org/tanselle/
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INTRODUCTION TO SCHOLARLY EDITING S
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CONTENTS Preface • 9-10 Part 1. S
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Tanselle: Introduction to Scholarly
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