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INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School

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Tanselle: Introduction to Scholarly Editing (2002) � Part 9: Writings on Analytical Bibliography 185<br />

Bibliography 35 (1982): 173-90.<br />

J.K. Rogers, "The Folio Compositors of Julius Caesar: A Quantitative Analysis," Analytical &<br />

Enumerative Bibliography 6 (1982): 143-72.<br />

R.M. Flores, "The Setting and Printing of the First Edition of Cervantes's Novelas Ejemplares," Studies<br />

in Bibliography 37 (1984): 281-306.<br />

D.F. McKenzie, "Stretching a Point; or, The Case of the Spaced-Out Comps," Studies in Bibliography<br />

37 (1984): 106-21. Reprinted in his Making Meaning: "Printers of the Mind" and Other Essays,<br />

ed. Peter D. McDonald and Michael F. Suarez (2002), pp. 91-106.<br />

Gary Taylor, "Folio Compositors and Folio Copy: King Lear and Its Context," Papers of the<br />

Bibliographical Society of America 79 (1985): 17-74.<br />

Susan Zimmerman, "The Uses of Headlines: Peter Short's Shakespearian Quartos 1 Henry IV and<br />

Richard III," Library 6th ser. 7 (1985): 218-55.<br />

Antony Hammond, "The White Devil in Nicholas Okes's Shop," Studies in Bibliography 39 (1986):<br />

135-76.<br />

MacD. P. Jackson, "Compositors' Stints and the Spacing of Punctuation in the First Quarto (1609) of<br />

Shakespeare's Pericles," Papers of the Bibliographical Society of America 81 (1987): 17-23.<br />

Antony Telford-Moore, "The Printing of John Ford's Love's Sacrifice," Library 6th ser. 14 (1992):<br />

299-336.<br />

MacD. P. Jackson, "Finding the Pattern: Peter Short's Shakespeare Quartos Revisited," Bibliographical<br />

Society of Australia and New Zealand Bulletin 25 (2001): 67-86.<br />

E11. COMPOSI<strong>TO</strong>R IDENTIFICATION: HEADINGS, PREFIXES, STAGE DIRECTIONS<br />

Hinman (1963), 1: 178-79.<br />

Blayney (1982), pp. 177-79.<br />

A.K. McIlwraith, "Some Bibliographical Notes on Massinger," Library 4th ser. 11 (1930-31): 87-91.<br />

R.B. McKerrow, "A Suggestion Regarding Shakespeare's Manuscripts," Review of English Studies 11<br />

(1935): 459-65.<br />

J.D. Jump, "[Fletcher's] Rollo, Duke of Normandy: Some Bibliographical Notes on the Seventeenth-<br />

Century Editions," Library 4th ser. 18 (1937-38): 279-86.<br />

Philip Williams, "Shakespeare's Trolus and Cressida: The Relationship of Quarto and Folio," Studies<br />

in Bibliography 3 (1950-51): 131-43.<br />

Harold Jenkins, "The 1631 Quarto of The Tragedy of Hoffman," Library 5th ser. 6 (1951): 88-99.<br />

George R. Price, "The First Edition of [Middleton's] Your Five Gallants and of Michaelmas Term,"<br />

Library 5th ser. 8 (1953): 23-29.<br />

Alice Walker, Textual Problems of the First Folio (1953). [See reviews by Philip Williams in<br />

Shakespeare Quarterly 4 (1953): 481-83; J.G. McManaway in Papers of the Bibliographical<br />

Society of America 48 (1954): 105-7.]<br />

Philip Williams, "Two Problems in the Folio Text of King Lear," Shakespeare Quarterly 4 (1953):<br />

451-60.<br />

John Russell Brown, "The Printing of John Webster's Plays," Studies in Bibliography 6 (1954): 117-40;<br />

8 (1956): 113-27; 15 (1962): 57-69.<br />

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