INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School

186 Part 9: Writings on Analytical Bibliography � Tanselle: Introduction to Scholarly Editing (2002)
Harold Jenkins, "The Relation Between the Second Quarto and the Folio Text of Hamlet," Studies in
Bibliography 7 (1955): 69-83.
J.K. Walton, The Copy for the Folio Text of Richard III (1955), esp. pp. 62-77. [See review by Fredson
Bowers, Shakespeare Quarterly 10 (1959): 91-96.]
Paul L. Cantrell and George Williams, "Roberts' Compositors in Titus Andronicus Q2," Studies in
Bibliography 8 (1956): 27-38.
George R. Price, "The Manuscript and the Quarto of The Roaring Girl," Library 5th ser. 11 (1956):
180-86.
Paul L. Cantrell and George Williams, "The Printing of the Second Quarto of Romeo and Juliet (1599),"
Studies in Bibliography 9 (1957): 107-28.
R.A. Foakes, "On the First Folio Text of Henry VIII," Studies in Bibliography 11 (1958): 55-60.
W. Craig Ferguson, "The Compositors of Henry IV, Part 2, Much Ado about Nothing, The Shoemakers'
Holiday, and The First Part of the Contention," Studies in Bibliography 13 (1960): 19-29.
Akihiro Yamada, "Bibliographical Studies of George Chapman's The Gentleman Usher (1606) Printed
by Valentine Simmes," Shakespeare Studies [Shakespeare Society of Japan] 2 (1963): 82-113.
Akihiro Yamada, "Bibliographical Studies of George Chapman's Monsieur D'Olive (1606) Printed by
Thomas Creede," Studies in English Literature [Tokyo], 1963 (English no.), pp. 1-48.
Akihiro Yamada, "Bibliographical Studies of George Chapman's All Fools (1605) Printed by George
Eld," Shakespeare Studies [Shakespeare Society of Japan] 3 (1964): 73-99.
Akihiro Yamada, "Bibliographical Studies of George Chapman's May Day (1611) Printed by William
Stansby," Journal of the Faculty of Liberal Arts and Science, Shinshu University No. 15 (1965):
13-34.
Akihiro Yamada, "Bibliographical Studies of George Chapman's The Widow's Tears (1612) Printed by
Richard Bradock," Shakespeare Studies [Shakespeare Society of Japan] 4 (1965-66): 57-83.
Akihiro Yamada, "Bibliographical Studies of George Chapman's An Humorous Day's Mirth (1599)
Printed by Valentine Simmes," Shakespeare Studies [Shakespeare Society of Japan] 5 (1967):
119-49.
Akihiro Yamada, "Bibliographical Studies of George Chapman's The Blind Beggar of Alexandria
(1598)," Shakespeare Studies [Shakespeare Society of Japan] 6 (1967-68): 147-65.
Akihiro Yamada, "Bibliographical Studies of George Chapman's The Memorable Mask of the Middle
Temple and Lincoln's In (1613) Printed by George Eld," Shakespeare Studies [Shakespeare
Society of Japan] 7 (1968-69): 81-111.
Hiroshi Yamashita, "The Printing of Philip Massinger's Plays [The Duke of Milan and The Maid of
Honour]," Shakespeare Studies [Shakespeare Society of Japan] 10 (1971-72): 16-38.
Andrew Cairncross, "Compositors E and F of the Shakespeare First Folio," Papers of the
Bibliographical Society of America 66 (1972): 369-406. [Criticized in T.H. Howard-Hill's
monograph of 1976 listed below.]
Alan E. Craven, "Simmes' Compositor A and Five Shakespeare Quartos," Studies in Bibliography 26
(1973): 37-60.
Alan E. Craven, "Two Valentine Simmes Compositors," Papers of the Bibliographical Society of
America 67 (1973): 161-71.
John O'Connor, "Compositors D and F of the Shakespeare First Folio," Studies in Bibliography 28
(1975): 81-117.
T.H. Howard-Hill, Compositors B and E in the Shakespeare First Folio and Some Recent Studies
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