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INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School

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Tanselle: Introduction to Scholarly Editing (2002) � Part 9: Writings on Analytical Bibliography 187<br />

(1976).<br />

Jeanette W. Mann, "Printer's Copy for The Roman Actor," Papers of the Bibliographical Society of<br />

America 70 (1976): 395-99.<br />

Thomas L. Berger, "The Printing of Henry V, Q1," Library 6th ser. 1 (1979): 114-25.<br />

T.H. Howard-Hill, "New Light on Compositor E of the Shakespeare First Folio," Library 6th ser. 2<br />

(1980): 156-78.<br />

Manfred Draudt, "Printer's Copy for the Quarto of Love's Labour's Lost (1598)," Library 6th ser. 3<br />

(1981): 119-31.<br />

J.K. Rogers, "The Folio Compositors of Julius Caesar: A Quantitative Analysis," Analytical &<br />

Enumerative Bibliography 6 (1982): 143-72.<br />

J.C. Ross, "The Printing of Vanbrugh's The Provok'd Wife (1697)," Library 6th ser. 4 (1982): 397-409.<br />

John Jowett, "Ligature Shortage and Speech-Prefix Variation in Julius Caesar," Library 6th ser. 6<br />

(1984): 244-53.<br />

Paul Mulholland, "The Roaring Girl: New Readings and Further Notes," Studies in Bibliography 37<br />

(1984): 159-70.<br />

Paul Werstine, "The Editorial Usefulness of Printing House and Compositor Studies," in Play-Texts in<br />

Old Spelling, ed. G.B. Shand and Raymond C. Shady (1984), pp. 35-64.<br />

Susan Zimmerman, "The Uses of Headlines: Peter Short's Shakespearian Quartos 1 Henry IV and<br />

Richard III," Library 6th ser. 7 (1985): 218-55.<br />

R.J. Fehrenbach, "Typographical Variation in Ford's Texts: Accidentals or Substantives," in "Concord<br />

in Discord": The Plays of John Ford, 1586-1986, ed. Donald K. Anderson, Jr., (1986), pp. 265-94.<br />

Kim Walker, "The Printing and Publishing of James Shirley's The Dukes Mistris (1638)," Library 6th<br />

ser. 10 (1988): 317-38.<br />

Paul Werstine, "'Foul Papers' and 'Prompt-<strong>Book</strong>s': Printer's Copy for Shakespeare's Comedy of Errors,"<br />

Studies in Bibliography 41 (1988): 232-46.<br />

W. Craig Ferguson, "Compositor Identification in Romeo Q1 and Troilus," Studies in Bibliography 42<br />

(1989): 211-18.<br />

George Walton Williams (ed.), Shakespeare's Speech-Headings (1993).<br />

MacD. P. Jackson, "Stage Directions and Speech Headings in Act 1 of Titus Andronicus Q (1594):<br />

Shakespeare or Peele?", Studies in Bibliography 49 (1996): 134-48.<br />

Lee Bliss, "Scribes, Compositors, and Annotators: The Nature of the Copy for the First Folio Text of<br />

Coriolanus," Studies in Bibliography 50 (1997): 224-61.<br />

John Jowett, "Henry Chettle and the First Quarto of Romeo and Juliet," Papers of the Bibliographical<br />

Society of America 92 (1998): 53-74.<br />

Richard F. Kennedy, "Speech Prefixes in Some Shakespearean Quartos," Papers of the Bibliographical<br />

Society of America 92 (1998): 177-209.<br />

MacD. P. Jackson, "Finding the Pattern: Peter Short's Shakespeare Quartos Revisited," Bibliographical<br />

Society of Australia and New Zealand Bulletin 25 (2001): 67-86.<br />

E12. COMPOSI<strong>TO</strong>R IDENTIFICATION: OMISSIONS, SUBSTITUTIONS, TRANSPOSITIONS<br />

Alice Walker, "Some Editorial Principles (with Special Reference to Henry V)," Studies in Bibliography<br />

8 (1956): 95-111.<br />

This page is from a document available in full at http://www.rarebookschool.org/tanselle/

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