INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School

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188 Part 9: Writings on Analytical Bibliography � Tanselle: Introduction to Scholarly Editing (2002) D.F. McKenzie, "Compositor B's Role in The Merchant of Venice Q2 (1619)," Studies in Bibliography 12 (1959): 75-89. MacD. P. Jackson, "Compositor C and the First Folio Text of Much Ado About Nothing," Papers of the Bibliographical Society of America 68 (1974): 414-18. John S. O'Connor, "A Qualitative Analysis of Compositors C and D in the Shakespeare First Folio," Studies in Bibliography 30 (1977): 57-74. Alan E. Craven, "Compositor Analysis to Edited Text: Some Suggested Readings in Richard II and Much Ado about Nothing," Papers of the Bibliographical Society of America 76 (1982): 43-62. Paul Werstine, "Folio Editors, Folio Compositors, and the Folio Text of King Lear," in The Division of the Kingdoms, ed. Gary Taylor and Michael Warren (1983), pp. 247-312. E13. COMPOSITOR IDENTIFICATION: LIGATURES MacD. P. Jackson, "'A Curious Typesetting Characteristic' in Some Elizabethan Quartos," Library 6th ser. 2 (1980): 70-72. Randall McLeod, "Unemending Shakespeare's Sonnet 111," Studies in English Literature 21 (1981): 75-96. John Jowett, "Ligature Shortage and Speech-Prefix Variation in Julius Caesar," Library 6th ser. 6 (1984): 244-53. MacD. P. Jackson, "Finding the Pattern: Peter Short's Shakespeare Quartos Revisited," Bibliographical Society of Australia and New Zealand Bulletin 25 (2001): 67-86. E14. COMPOSITOR IDENTIFICATION: TURNED TYPES Robin Dix and Trudi Laura Darby, "The Bibliographical Significance of the Turned Letter," Studies in Bibliography 46 (1993): 263-70. E15. LOCALIZATION THROUGH COMPOSITORIAL PRACTICE R.A. Sayce, "Compositorial Practices and the Localization of Printed Books, 1530-1800," Library 5th ser. 31 (1966): 1-45. Reprinted with additions and corrections as Oxford Bibliographical Society Occasional Publication No. 13 (1979). See also: B.J. McMullin, "Gatherings Signed 'W': A Footnote to Sayce," Bibliographical Society of Australia and New Zealand Bulletin 6 (1982): 41-43; Roderick Cave, "Gatherings Signed 'W': A Footnote to a Footnote," 6 (1982): 152; John Harris, "Gatherings Signed 'W': A Further Note," 7 (1983): 124; Ra Foxton, "Another 'W' Gathering," 8 (1984): 219; B.J. McMullin, "Gatherings Signed 'J,'" 17 (1993): 197-98; B.J. McMullin, "W, Bristol, and the Methodist Connexion," 18 (1994): 34-43. C.J. Mitchell, "Quotation Marks, National Compositorial Habits and False Imprints," Library 6th ser. 5 (1983): 359-84. Frans A. Janssen, "Layout as Means of Identification?", Quaerendo 25 (1995): 46-58. This page is from a document available in full at http://www.rarebookschool.org/tanselle/
Tanselle: Introduction to Scholarly Editing (2002) � Part 9: Writings on Analytical Bibliography 189 E16. SIGNATURE POSITIONS Falconer Madan, "The Duplicity of Duplicates," Transactions of the Bibliographical Society 12 (1911- 13): 15-20 (see p. 20). W.W. Greg, "The Triumph of Peace: A Bibliographer's Nightmare," Library 5th ser. 1 (1946-47): 113-26. Harold Jenkins, "The 1631 Quarto of The Tragedy of Hoffman," Library 5th ser. 6 (1951): 88-99. Piet Verkruijsse, "Jedes Buch hat eine Geschichte," Editio 8 (1994): 22-38. E17. DUPLICATE SETTING Martin Boghardt, "Partial Duplicate Setting: Means of Rationalization or Complicating Factor in Textual Transmission," Library 6th ser. 15 (1993): 306-31. F1. GENERAL __________ F. Sixteenth and Seventeenth Centuries: Imposition and Presswork Thomas Bennet, Essay on the XXXIX Articles (1715). [See Strickland Gibson, "Thomas Bennet, a Forgotten Bibliographer," Library 5th ser. 6 (1951): 43-47; and William L. Williamson, "A Quest for Copies of the Articles," Book Collector 27 (1978): 27-39, and "Thomas Bennet and the Origins of Analytical Bibliography," Journal of Library History 16 (1981): 177-86.] A.W. Pollard, "The Printing of the First Folio," in his Shakespeare Folios and Quartos (1909), pp. 131-41. F.P. Wilson, "Shakespeare and the 'New Bibliography,'" in The Bibliographical Society 1892-1942: Studies in Retrospect (1945), pp. 76-135. [See Thomas M. Parrott's letter, Library 5th ser. 3 (1948-49): 63-65.] Reprinted as a separate volume (1970), ed. Helen Gardner. Fredson Bowers, "Bibliographical Miscellanea," Library 5th ser. 1 (1946-47): 131-34. Fredson Bowers, "Notes on Standing Type in Elizabethan Printing," Papers of the Bibliographical Society of America 40 (1946): 205-24. Johan Gerritsen, "The Printing of the Beaumont and Fletcher Folio of 1647," Library 5th ser. 3 (1948- 49): 233-64. E.E. Willoughby, "A Long Use of a Setting of Standing Type," Studies in Bibliography 2 (1949-50): 173-75. D.F. Cook, "Inverted Imposition," Library 5th ser. 12 (1957): 193-96. Charlton Hinman, The Printing and Proof-Reading of the First Folio of Shakespeare (1963). [See esp. 1: 171-78, 226-34.] Akihiro Yamada, "The Printing of Sheet B in the W.A. Clark Library Copy of Monsieur D'Olive (1606)," Journal of the Faculty of Liberal Arts and Science, Shinshu University No. 13 (1963): 43-47. This page is from a document available in full at http://www.rarebookschool.org/tanselle/
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INTRODUCTION TO SCHOLARLY EDITING S
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CONTENTS Preface • 9-10 Part 1. S
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Tanselle: Introduction to Scholarly
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INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School

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