INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School
INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School
INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School
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Tanselle: Introduction to Scholarly Editing (2002) � Part 9: Writings on Analytical Bibliography 191<br />
Bibliography 4 (1951-52): 93-103.<br />
Allan H. Stevenson, "Shakespearian Dated Watermarks," Studies in Bibliography 4 (1951-52): 159-64.<br />
Allan H. Stevenson, "Watermarks Are Twins," Studies in Bibliography 4 (1951-52): 57-91 (with<br />
addendum on p. 235 [p. 91 in reprint]).<br />
Allan H. Stevenson, "Chain-Indentations in Paper as Evidence," Studies in Bibliography 6 (1954):<br />
181-95.<br />
Curt F. Bühler, "The Printing of a Valerius Maximus Dated 1671," Studies in Bibliography 7 (1955):<br />
177-81.<br />
Allan H. Stevenson, Observations on Paper as Evidence (1961).<br />
Allan H. Stevenson, "Paper as Bibliographical Evidence," Library 5th ser. 17 (1962): 197-212.<br />
Allan H. Stevenson, "Tudor Roses from John Tate," Studies in Bibliography 20 (1967): 15-34.<br />
G.T. Tanselle, "The Bibliographical Description of Paper," Studies in Bibliography 24 (1971): 27-67.<br />
Reprinted in Readings in Descriptive Bibliography, ed. John Bush Jones (1974), pp. 71-115; and<br />
in Selected Studies in Bibliography (1979), pp. 203-43.<br />
Philip Gaskell, A New Introduction to Bibliography (1972; rev. 1974), pp. 57-77.<br />
Thomas L. Gravell, "Watermarks: What They Are and How They Can Be Used," Manuscripts 32<br />
(1980): 4-10.<br />
B.J. McMullin, "Paper-Quality Marks and the Oxford Bible Press 1682-1717," Library 6th ser. 6 (1984):<br />
39-49.<br />
David L. Vander Meulen, "The Identification of Paper without Watermarks: The Example of Pope's<br />
Dunciad," Studies in Bibliography 37 (1984): 58-81.<br />
Jeanne Veyrin-Forrer, "Fabriquer un livre au XVI e siècle," in her La lettre et le texte (1987), pp. 273-319<br />
(see pp. 308-9).<br />
Stephen Spector (ed.), Essays in Paper Analysis (1987). [Contains, among other essays, David<br />
Schoonover, "Techniques of Reproducing Watermarks: A Practical Introduction," pp. 154-67; and<br />
William Proctor Williams, "Paper as Evidence: The Utility of the Study of Paper for Seventeenth-<br />
Century English Literary Scholarship," pp. 191-99.]<br />
David L. Vander Meulen, "The Low-Tech Analysis of Early Paper," Literary Research 13 (1988): 89-94.<br />
Paul Hammond, "The Printing of the Dryden-Tonson Miscellany Poems (1684) and Sylvae (1685),"<br />
Papers of the Bibliographical Society of America 84 (1990): 405-12.<br />
Peter W.M. Blayney, The First Folio of Shakespeare (1991).<br />
John Bidwell, "The Study of Paper as Evidence, Artefact, and Commodity," in The <strong>Book</strong> Encompassed,<br />
ed. Peter Davison (1992), pp. 69-82.<br />
Brett Charbeneau, "Watermarks: Making Use of the Evidence," Hand Papermaking 8.2 (Winter 1993):<br />
15-21.<br />
Thomas O. Calhoun and Thomas L. Gravell, "Paper and Printing in Ben Jonson's Sejanus," Papers of<br />
the Bibliographical Society of America 87 (1993): 13-64.<br />
Paul Needham, "Allan H. Stevenson and the Bibliographical Uses of Paper," Studies in Bibliography<br />
47 (1994): 23-64.<br />
James A. Riddell, "The Concluding Pages of the Jonson Folio of 1616," Studies in Bibliography 47<br />
(1994): 147-54.<br />
David L. Gants, "The Application of Digital Image Processing to the Analysis of Watermarked Paper<br />
and Printers' Ornament Usage in Early Printed <strong>Book</strong>s," in New Ways of Looking at Old Texts II,<br />
This page is from a document available in full at http://www.rarebookschool.org/tanselle/