INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School

Tanselle: Introduction to Scholarly Editing (2002) � Part 9: Writings on Analytical Bibliography 197
D.F. McKenzie, "Printers of the Mind: Some Notes on Bibliographical Theories and Printing-House
Practices," Studies in Bibliography 22 (1969): 1-75. Reprinted in his Making Meaning: "Printers
of the Mind" and Other Essays, ed. Peter D. McDonald and Michael F. Suarez (2002), pp. 13-85.
William Landram Williamson, "An Early Use of Running Title and Signature Evidence in Analytical
Bibliography [by William F. Poole, 1867]," Library Quarterly 40 (1970): 245-49.
Hiroshi Yamashita, "The Printing of Philip Massinger's Plays [The Duke of Milan and The Maid of
Honour]," Shakespeare Studies [Shakespeare Society of Japan] 10 (1971-72): 16-38.
Peter W.M. Blayney, "'Compositor B' and the Pavier Quartos: Problems of Identification and Their
Implications," Library 5th ser. 27 (1972): 179-206.
Stanley Boorman, "Upon the Use of Running Titles in the Aldus House in 1518," Library 5th ser. 27
(1972): 126-31.
Fredson Bowers, "Was There a Lost 1593 Edition of Marlowe's Edward II?", Studies in Bibliography
25 (1972): 143-48.
Harold F. Brooks, "The Chief Substantive Editions of Oldham's Poems, 1679-1684: Printers,
Compositors, and Publication," Studies in Bibliography 27 (1974): 188-226.
Robert K. Turner, Jr., "The Printers and the Beaumont and Fletcher Folio of 1647: Section 1 (Thomas
Warren's)," Studies in Bibliography 27 (1974): 137-56.
William M. Baillie, "Early Printed Books in Small Formats," Papers of the Bibliographical Society of
America 69 (1975): 197-205.
James P. Hammersmith, "The Printers and the Beaumont and Fletcher Folio of 1647, Section 7," Papers
of the Bibliographical Society of America 69 (1975): 206-25.
Thomas L. Berger, "Running-Title Variants in Chapman's Caesar and Pompey," Papers of the
Bibliographical Society of America 70 (1976): 399-403.
Donald Edge, "Evidence of Cast-Off Copy in Lyly's Endimion and Loves Metamorphosis," Papers of
the Bibliographical Society of America 70 (1976): 517-18.
Philip R. Rider, "The Concurrent Printing of Shirley's The Wittie Faire One and The Bird in a Cage,"
Papers of the Bibliographical Society of America 71 (1977): 328-33.
George R. Price, "The Printing of Love's Labour's Lost (1598)," Papers of the Bibliographical Society
of America 72 (1978): 405-34.
George Walton Williams, "The Composition and Presswork of Henry V, Q1," Library 5th ser. 37
(1978): 170-71.
Thomas L. Berger, "The Printing of Henry V, Q1," Library 6th ser. 1 (1979): 114-25.
Randall McLeod, "A Technique of Headline Analysis, with Application to Shakespeares Sonnets, 1609,"
Studies in Bibliography 32 (1979): 197-210.
J.C. Ross, "The Printing of Vanbrugh's The Provok'd Wife (1697)," Library 6th ser. 4 (1982): 397-409.
Peter W.M. Blayney, "The Disappointment: A Disappointment," Library 6th ser. 6 (1984): 50-60.
R.M. Flores, "The Setting and Printing of the First Edition of Cervantes's Novelas Ejemplares," Studies
in Bibliography 37 (1984): 281-306.
D.F. McKenzie, "Stretching a Point; or, The Case of the Spaced-Out Comps," Studies in Bibliography
37 (1984): 106-21. Reprinted in his Making Meaning: "Printers of the Mind" and Other Essays,
ed. Peter D. McDonald and Michael F. Suarez (2002), pp. 91-106.
MacD. P. Jackson, "John Webster and Thomas Heywood in Appius and Virginia: A Bibliographical
Approach to the Problem of Authorship," Studies in Bibliography 38 (1985): 217-35.
Susan Zimmerman, "The Uses of Headlines: Peter Short's Shakespearian Quartos 1 Henry IV and
This page is from a document available in full at http://www.rarebookschool.org/tanselle/