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INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School

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214 Part 9: Writings on Analytical Bibliography � Tanselle: Introduction to Scholarly Editing (2002)<br />

Brian N. Gerrard, "A New Taxonomy of Post-Impression Corrections," in An Index of Civilisation:<br />

Studies in Printing and Publishing History in Honour of Keith Maslen, ed. Ross Harvey, Wallace<br />

Kirsop, and B.J. McMullin (1993), pp. 45-54.<br />

Brian N. Gerrard, "Rickaby Cancellation: A New Species of Post-Impression Correction," Studies in<br />

Bibliography 46 (1993): 303-20.<br />

B.J. McMullin, "Creating a Good Impression at the Oxford Bible Press in 1743," Studies in Bibliography<br />

51 (1998): 205-12.<br />

James E. May, "Interrelating the Cancellantia and Partial Gatherings in the First Edition of Edward Young's<br />

The Centaur Not Fabulous," Studies in Bibliography 53 (2000): 241-63.<br />

H1. GENERAL<br />

__________<br />

H. Nineteenth and Twentieth Centuries<br />

Michael Sadleir, "The Development during the Last Fifty Years of Bibliographical Study of <strong>Book</strong>s of the<br />

Nineteenth Century," in The Bibliographical Society, 1892-1942: Studies in Retrospect (1945),<br />

pp. 146-58.<br />

Campbell R. Coxe, "The Pre-Publication Printings of Tarkington's Penrod," Studies in Bibliography 5<br />

(1952-53): 153-57. [Includes list of points regarding the identification of impressions through type<br />

or plate damage and variations in paper and inking.]<br />

James Moran, "Filmsetting--Bibliographical Implications," Library 5th ser. 15 (1960): 231-45.<br />

D.W. Krummel, Guide for Dating Early Published Music (1974). [See also Krummel, "Supplement to<br />

Guide for Dating Early Published Music," Fontes artis musicae 24 (1977): 175-84; and index by<br />

Linda I. Solow, 81-94.]<br />

William B. Todd, "The White House Transcripts," Papers of the Bibliographical Society of America 68<br />

(1974): 267-96.<br />

William H. Bond, "Wrappers for The Virginians: Variants Produced by Duplicate Settings," <strong>Book</strong><br />

Collector 24 (1975): 553-57.<br />

Richard Knowles, "Dates for Some Serially Published Shakespeares," Studies in Bibliography 40 (1987):<br />

187-201.<br />

B.J. McMullin, "Astronomical Symbols and Printing in Overtime for the House of Commons, 1826-1837,"<br />

Papers of the Bibliographical Society of America 82 (1988): 99-107.<br />

See also the statements of publishers as recorded in H.S. Boutell, First Editions of To-Day and How to<br />

Tell Them (1929; rev. 1937, 1949, 1965); Nolie Mumey, A Study of <strong>Rare</strong> <strong>Book</strong>s (1930); and Edward<br />

N. Zempel and Linda A. Verkler, A First Edition? (1977; rev. as First Editions, 1984, 1989). (Less<br />

useful lists are in Jack Tannen, How to Identify and Collect American First Editions [1976] and Bill<br />

McBride, A Pocket Guide to the Identification of First Editions [1979; 3rd ed., 1985; 4th ed., 1989]<br />

and Points of Issue [2nd ed., 1987]. Cf. the series "A Collector's Guide to Publishers," in Firsts,<br />

beginning June 1993.)<br />

This page is from a document available in full at http://www.rarebookschool.org/tanselle/

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