INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School

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214 Part 9: Writings on Analytical Bibliography � Tanselle: Introduction to Scholarly Editing (2002) Brian N. Gerrard, "A New Taxonomy of Post-Impression Corrections," in An Index of Civilisation: Studies in Printing and Publishing History in Honour of Keith Maslen, ed. Ross Harvey, Wallace Kirsop, and B.J. McMullin (1993), pp. 45-54. Brian N. Gerrard, "Rickaby Cancellation: A New Species of Post-Impression Correction," Studies in Bibliography 46 (1993): 303-20. B.J. McMullin, "Creating a Good Impression at the Oxford Bible Press in 1743," Studies in Bibliography 51 (1998): 205-12. James E. May, "Interrelating the Cancellantia and Partial Gatherings in the First Edition of Edward Young's The Centaur Not Fabulous," Studies in Bibliography 53 (2000): 241-63. H1. GENERAL __________ H. Nineteenth and Twentieth Centuries Michael Sadleir, "The Development during the Last Fifty Years of Bibliographical Study of Books of the Nineteenth Century," in The Bibliographical Society, 1892-1942: Studies in Retrospect (1945), pp. 146-58. Campbell R. Coxe, "The Pre-Publication Printings of Tarkington's Penrod," Studies in Bibliography 5 (1952-53): 153-57. [Includes list of points regarding the identification of impressions through type or plate damage and variations in paper and inking.] James Moran, "Filmsetting--Bibliographical Implications," Library 5th ser. 15 (1960): 231-45. D.W. Krummel, Guide for Dating Early Published Music (1974). [See also Krummel, "Supplement to Guide for Dating Early Published Music," Fontes artis musicae 24 (1977): 175-84; and index by Linda I. Solow, 81-94.] William B. Todd, "The White House Transcripts," Papers of the Bibliographical Society of America 68 (1974): 267-96. William H. Bond, "Wrappers for The Virginians: Variants Produced by Duplicate Settings," Book Collector 24 (1975): 553-57. Richard Knowles, "Dates for Some Serially Published Shakespeares," Studies in Bibliography 40 (1987): 187-201. B.J. McMullin, "Astronomical Symbols and Printing in Overtime for the House of Commons, 1826-1837," Papers of the Bibliographical Society of America 82 (1988): 99-107. See also the statements of publishers as recorded in H.S. Boutell, First Editions of To-Day and How to Tell Them (1929; rev. 1937, 1949, 1965); Nolie Mumey, A Study of Rare Books (1930); and Edward N. Zempel and Linda A. Verkler, A First Edition? (1977; rev. as First Editions, 1984, 1989). (Less useful lists are in Jack Tannen, How to Identify and Collect American First Editions [1976] and Bill McBride, A Pocket Guide to the Identification of First Editions [1979; 3rd ed., 1985; 4th ed., 1989] and Points of Issue [2nd ed., 1987]. Cf. the series "A Collector's Guide to Publishers," in Firsts, beginning June 1993.) This page is from a document available in full at http://www.rarebookschool.org/tanselle/
Tanselle: Introduction to Scholarly Editing (2002) � Part 9: Writings on Analytical Bibliography 215 H2. COMPOSITOR IDENTIFICATION Tanselle (1999), section I(b), pp. 14-17. Fredson Bowers, [Discussion of compositorial stints], in Nathaniel Hawthorne's The House of the Seven Gables (Centenary Edition, 1965), pp. xxxviii-lviii. H3. PRESS FIGURES Tanselle (1999), section II(f), pp. 43-51. B.J. McMullin, "Volume XI of Scott's Poetical Works in Octavo, 1830," Library 6th ser. 13 (1991): 351-55. B.J. McMullin, "The Publication of Scott's The Pirate, 1822," Bibliotheck 16 (1989): 1-29. Nan Jaboor and B.J. McMullin, James Ballantyne and Press Figures, with a Checklist of Volumes Printed by James Ballantyne (1803-1833) (1994). [Reviewed by G.T. Tanselle in Papers of the Bibliographical Society of America 92 (1998): 357-60.] B.J. McMullin, "The Lingering Death of the Press Figure," in Order and Connexion: Studies in Bibliography and Book History, ed. R.C. Alston (1997), pp. 39-47. William B. Todd and Ann Bowden, Sir Walter Scott: A Bibliogrphical History 1796-1832 (1998). H4. PAPER John Carter and Graham Pollard, An Enquiry into the Nature of Certain Nineteenth Century Pamphlets (1934), esp. pp. 42-55. Fredson Bowers, Principles of Bibliographical Description (1949), pp. 307-8, 446. G.T. Tanselle, "The Bibliographical Description of Paper," Studies in Bibliography 24 (1971): 27-67. Reprinted in Readings in Descriptive Bibliography, ed. John Bush Jones (1974), pp. 71-115; and in Selected Studies in Bibliography (1979), pp. 203-43. Philip Gaskell, A New Introduction to Bibliography (1972; rev. 1974), pp. 214-30. Joe Nickell, "Paper," in Pen, Ink, & Evidence (1990), pp. 69-111 (and "Paper Identification," pp. 207-8). John Bidwell, "The Study of Paper as Evidence, Artefact, and Commodity," in The Book Encompassed, ed. Peter Davison (1992), pp. 69-82. Lee Brentlinger, "Music Publications Dated by English Watermarks, 1794-c.1830," Papers of the Bibliographical Society of America 92 (1998): 325-48. H5. IMPOSITION AND FORMAT J.D. Thomas, "A Modern Instance," Papers of the Bibliographical Society of America 50 (1956): 302-4. This page is from a document available in full at http://www.rarebookschool.org/tanselle/
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INTRODUCTION TO SCHOLARLY EDITING S
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CONTENTS Preface • 9-10 Part 1. S
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Tanselle: Introduction to Scholarly
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INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School

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