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INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School

INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School

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Tanselle: Introduction to Scholarly Editing (2002) � Part 9: Writings on Analytical Bibliography 225<br />

Margaret M. Smith, "The Design Relationship between the Manuscript and the Incunable," in A<br />

Millennium of the <strong>Book</strong>: Production, Design & Illustration in Manuscript & Print, 900-1900, ed.<br />

Robin Myers and Michael Harris (1994), pp. 23-43.<br />

Robert D. Stevick, The Earliest Irish and English <strong>Book</strong>arts: Visual and Poetic Forms before A.D. 1000<br />

(1994).<br />

Richard Beadle and A.J. Piper (eds.), New Science out of Old <strong>Book</strong>s: Studies in Manuscripts and Early<br />

Printed <strong>Book</strong>s in Honour of A.I. Doyle (1995).<br />

Linda L. Brownrigg (ed.), Making the Medieval <strong>Book</strong>: Techniques of Production (1995).<br />

John B. Friedman, Northern English <strong>Book</strong>s, Owners, and Makers in the Late Middle Ages (1995).<br />

Harry Gamble, <strong>Book</strong>s and Readers in the Early Church: A History of Early Christian Texts (1995).<br />

Armando Petrucci, Writers and Readers in Medieval Italy: Studies in the History of Written Culture<br />

(1995).<br />

Ralph Hanna III, Pursuing History: Middle English Manuscripts and Their Texts (1996).<br />

Stephen G. Nichols and Siegfried Wenzel (eds.), The Whole <strong>Book</strong>: Cultural Perspectives on the Medieval<br />

Miscellany (1996).<br />

Jacqueline Cerquiglini-Toulet, The Color of Melancholy: The Uses of <strong>Book</strong>s in the Fourteenth Century<br />

(trans. Lydia Cochrane, 1997).<br />

Peter J. Lucas, From Author to Audience: John Capgrave and Medieval Publication (1997).<br />

P.R. Robinson and Rivkah Zim (eds.), Of the Making of <strong>Book</strong>s: Medieval Manuscripts, Their Scribes and<br />

Readers: Essays Presented to M.B. Parkes (1997).<br />

Jennifer M. Sheppard, The Buildwas <strong>Book</strong>s: <strong>Book</strong> Production, Acquisition, and Use at an English<br />

Cistercian Monastery, 1165-c.1400 (1997).<br />

Toby Barnard, Dáibhí ó Crónín, and Katharine Simms (eds.), "A Miracle of Learning": Studies in<br />

Manuscripts and Irish Learning: Essays in Honour of William O'Sullivan (1998).<br />

Peter Beale, In Praise of Scribes: Manuscripts and Their Makers in Seventeenth-Century England<br />

(1998).<br />

Claudine A. Chavannes-Mazel and Margaret M. Smith (eds.), Medieval Manuscripts of the Latin Classics:<br />

Production and Use (1998).<br />

John L. Sharpe III and Kimberly Van Kampen (eds.), The Bible as <strong>Book</strong>: The Manuscript Tradition<br />

(1998).<br />

Lotte Hellinga and J.B. Trapp (eds.), The Cambridge History of the <strong>Book</strong> in Britain: Volume 3, 1400-<br />

1557 (1999).<br />

Nicolas Barker, "In Praise of Manuscripts," <strong>Book</strong> Collector 49 (2000): 329-48 passim.<br />

Nicolas Barker, "Making the Medieval <strong>Book</strong>," <strong>Book</strong> Collector 49 (2000): 481-501 passim.<br />

A.S.G. Edwards, V. Gillespie, and Ralph Hanna, The English Medieval <strong>Book</strong>: Studies in Memory of<br />

Jeremy Griffiths (2000).<br />

Alan Millard, Reading and Writing in the Time of Jesus (2000).<br />

Derek Pearsall (ed.), New Directions in Later Medieval Manuscript Studies (2000).<br />

Lionel Casson, Libraries in the Ancient World (2001).<br />

Richard H. Rouse and Mdary A. Rouse, Manuscripts and Their Makers: Commercial <strong>Book</strong> Producers<br />

in Medieval Paris, 1200-1500 (2001).<br />

Elizabeth Scala, Absent Narratives: Manuscript Textuality and Literary Structure in Late Medieval<br />

England (2002).<br />

Andrew Taylor, Textual Situations: Three Medieval Manuscripts and Their Readers (2002).<br />

This page is from a document available in full at http://www.rarebookschool.org/tanselle/

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