INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School

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228 Part 9: Writings on Analytical Bibliography � Tanselle: Introduction to Scholarly Editing (2002) Ralph Hanna III, "The Growth of Robert Thornton's Books," Studies in Bibliography 40 (1987): 51-61. Ralph Hanna III, "The Production of Cambridge University Library MS. Ff.i.6," Studies in Bibliography 40 (1987): 62-70. Leonard E. Boyle, "'Epistulae Venerunt Parum Dulces': The Place of Codicology in the Editing of Medieval Latin Texts," in Editing and Editors: A Retrospect, ed. Richard Landon (1988), pp. 29-46. Elisa Ruiz Garcia, Manual de codicología (1988). J.P. Gumbert, "Le texte intellectuel, sa forme physique et les termes du métier," in Actes du colloque Terminologie de la vie intellectuelle au moyen âge, ed. O. Weijers (1988), pp. 96-104. Jacques Lemaire, Introduction à la codicologie (1989). [See review by J.P. Gumbert in Quaerendo 20 (1990): 233-39.] Albert H. Tricomi, "Watermark Dating of Robert Davenport's Literary Manuscripts," Papers of the Bibliographical Society of America 83 (1989): 359-64. Linda L. Brownrigg (ed.), Medieval Book Production: Assessing the Evidence (1990). Rosamond D. McKitterick, "Carolingian Book Production: Some Problems," Library 6th ser. 12 (1990): 1-33. Henri-Jean Martin and Jean Vezin (eds.), Mise en page et mise en texte du livre manuscrit (1990). Hope Mayo, "Standards for Description, Indexing and Retrieval in Computerized Catalogs of Medieval Manuscripts," in The Use of Computers in Cataloging Medieval and Renaissance Manuscripts, ed. Menso Folkerts and Andreas Kühne (1990), pp. 19-40. Mary A. and Richard H. Rouse, Authentic Witnesses: Approaches to Medieval Texts and Manuscripts (1991). Mary Erler, "Pasted-In Embellishments in English Manuscripts and Printed Books, c.1480-1533," Library 6th ser. 14 (1992): 185-206. Hope Mayo, "MARC Cataloguing for Medieval Manuscripts: An Evaluation," in Bibliographic Access to Medieval and Renaissance Manuscripts: A Survey of Computerized Data Bases and Information Services, ed. Wesley M. Stevens (1992; Primary Sources & Original Works 1.3/4), pp. 93-152. Vilia Grosso, "Analysis of Ancient Paper and Ink," in The Role of Chemistry in Archaeology, ed. M.C. Ganarkar and N. Rama Rao (1992), pp. 67-75. Robert G. Babcock, Reconstructing a Medieval Library: Fragments from Lambach (1993). Valery N. Aginsky, "Some New Ideas for Dating Ballpoint Inks--A Feasibility Study," Journal of Forensic Sciences 38 (1993): 1134-50. Malachi Beit-Arié, Hebrew Manuscripts of East and West: Towards a Comparative Codicology (1993). Marilena Maniaci and Paola F. Munafò (eds.), Ancient and Medieval Book Materials and Techniques (1993). Joe Nickell, "Stationers' Crests: A Catalog of More Than 200 Embossed Paper Marks, 1835-1901," 45 (1993): 199-216. Claire Bustarret, "L'histoire du papier appliquée à l'étude des manuscrits modernes: la base de données PROFIL," IPH Congress Book 10 (1994): 39-43. Nancy Yanoshak, "Watermarks and the Dating of Old Russian Manuscripts: The Case of Poslanie Mnogoslovnoe," Studies in Bibliography 47 (1994): 252-65. Richard J. Cox, Documenting Localities: A Practical Manual for American Archivists and Manuscript Curators (1996). Christopher de Hamel, "Cutting Up Manuscripts for Pleasure and Profit," in Rare Book School 1995 This page is from a document available in full at http://www.rarebookschool.org/tanselle/
Tanselle: Introduction to Scholarly Editing (2002) � Part 9: Writings on Analytical Bibliography 229 Yearbook (1996), pp. 1-20. William E. Coleman, Watermarks in the Manuscripts of Boccaccio's IL TESEIDA: A Catalogue, Codicological Study and Album (1997). Jenny Sheppard, "Describing Medieval Binding Structures: Experiences of a Census-Taker," Rare Books Newsletter 57 (Winter 1997): 57-70. Mark Bland, "Jonson, Biathanatos and the Interpretation of Manuscript Evidence," Studies in Bibliography 51 (1998): 154-82. Philippe Hoffmann (ed.), Recherches de codicologie comparée: la composition du codex au Moyen Age en Orient et en Occident (1998). J.A. Szirmai, The Archaeology of Medieval Bookbinding (1999). Reviewed by Nicholas Pickwoad in Times Literary Supplement, 1 September 2000, p. 33. See also "The Archaeology of Bookbinding and Book Restoration," Quaerendo 26 (1996): 144-64; reprinted in New Bookbinder 18 (1998): 67- 79. Daniel W. Mosser, "Corrective Notes on the Structures and Paper Stocks of Four Manuscripts Containing Extracts from Chaucer's Canterbury Tales," Studies in Bibliography 52 (1999): 97-114. Linda L. Brownrigg and Margaret M. Smith (eds.), Interpreting and Collecting Fragments of Medieval Books (2000). Daniel W. Mosser, Michael Saffle, and Ernest W. Sullivan II (eds.), Puzzles in Paper: Concepts in Historical Watermarks (2000). [Contains, among other essays, Paul Needham, "Concepts of Paper Study," pp. 1-36; Laetitia Yeandle, "Watermarks as Evidence for Dating and Authenticity in John Donne and Ben Franklin," pp. 81-92; Ulrich Konrad, "Use of Watermarks in Musicology," pp. 93- 106; Stephen Shearon, "Watermarks and Rastra in Neapolitan Music Manuscripts, 1700-1815," pp. 107-24; and Steven Zohn, "Music Paper at the Dresden Court and the Chronology of Telemann's Instrumental Music," pp. 125-68.] Derek Pearsall (ed.), New Directions in Later Medieval Manuscript Studies (2000). Claire Bustarret, "Paper Evidence and the Interpretation of the Creative Process in Modern Literary Manuscripts," L'ésprit createur 41.2 (2001): 16-28. J7. ILLUSTRATION John William Bradley, Illuminated Manuscripts (1909, 1920). John Alexander Herbert, Illuminated Manuscripts (1911). Schools of Illumination (British Museum, 1914-22). Adolph Goldschmidt, German Illumination (1928). Eric Millar, English Illuminated Manuscripts (1928). O.E. Saunders, English Illumination (1928). Daniel Varney Thompson, Jr., and George Heard Hamilton (trans.), De arte illuminandi: The Technique of Manuscript Illumination (1933). This page is from a document available in full at http://www.rarebookschool.org/tanselle/
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INTRODUCTION TO SCHOLARLY EDITING S
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CONTENTS Preface • 9-10 Part 1. S
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Tanselle: Introduction to Scholarly
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INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School

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