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INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School

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Tanselle: Introduction to Scholarly Editing (2002) � Part 9: Writings on Analytical Bibliography 237<br />

Jean F. Preston and Laetitia Yeandle, English Handwriting, 1400-1650: An Introductory Manual (1992).<br />

Michelle P. Brown, A Guide to Western Historical Scripts from Antiquity to 1600 (1993).<br />

David N. Dumville, English Caroline Script and Monastic History: Studies in Benedictinism, A.D. 950-<br />

1030 (1993).<br />

Julian Brown, A Palæographer's View: Selected Writings, ed. Janet Bately, Michelle P. Brown, and Jane<br />

Roberts (1994).<br />

Albertine Gaur, A History of Calligraphy (1994).<br />

Andrew Robinson, The Story of Writing: Alphabets, Hieroglyphics and Pictograms (1995).<br />

William Bright and Peter Daniels (eds.), The World's Writing Systems (1996).<br />

Tamara Plakins Thornton, Handwriting in America: A Cultural History (1997).<br />

Michelle P. Brown, The British Library Guide to Writing and Scripts: History and Techniques (1998).<br />

Michelle P. Brown and Patricia Lovett, The Historical Source <strong>Book</strong> for Scribes (1999).<br />

Laura Kendrick, Animating the Letter: The Figurative Embodiment of Writing from Late Antiquity to the<br />

Renaissance (2000).<br />

J9. EXAMINATION OF AUTHENTICITY<br />

Charles Chabot, The Handwriting of Junius Professionally Investigated, ed. Edward Twisleton (1871).<br />

Albert S. Osborn, Questioned Documents (1910, 1929).<br />

Edward Maunde Thompson, "The Autograph Manuscripts of Anthony Mundy," Transactions of the<br />

Bibliographical Society 14 (1915-17): 325-53.<br />

Edward Maunde Thompson, "The Handwriting of the Three Pages," in Shakespeare's Hand in the Play<br />

of Sir Thomas More, ed. A.W. Pollard (1923), pp. 81-112.<br />

Samuel A. Tannenbaum, Problems in Shakespeare's Penmanship (1927).<br />

Arthur J. Quirke, Forged, Anonymous, and Suspect Documents (1930).<br />

Hugh C.H. Candy, "Milton Autographs Established," Library 4th ser. 13 (1932): 192-200.<br />

Giles Dawson, "Authenticity and Attribution of Written Matter," English Institute Annual, 1942,<br />

pp. 77-100.<br />

R.C. Bald, "The <strong>Book</strong>e of Sir Thomas More and Its Problems," Shakespeare Survey 2 (1949): 44-65.<br />

T. Julian Brown, "The Detection of Faked Literary MSS.," <strong>Book</strong> Collector 2 (1953): 6-23.<br />

Ordway Hilton, Scientific Examination of Questioned Documents (1956, 1982).<br />

John J. Harris, "How Much Do People Write Alike?", Journal of Criminal Law 48 (1958): 647-51.<br />

Wilson R. Harrison, Suspect Documents: Their Scientific Examination (1958, 1966).<br />

R.A. Huber, "On Looking Over Shakespeare's 'Secretarie,'" Stratford Papers on Shakespeare 1960 (1961),<br />

pp. 52-70.<br />

Jean Gayet, "The Expert Examination of Handwriting in the 17th Century," International Criminal Police<br />

Review 169 (1963): 165-76.<br />

Louis Marder, "Shakespearean Frauds and Forgeries," in His Exits and His Entrances: The Story of<br />

Shakespeare's Reputation (1963), pp. 212-32.<br />

This page is from a document available in full at http://www.rarebookschool.org/tanselle/

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