INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School

Tanselle: Introduction to Scholarly Editing (2002) � Part 3: Visual Aspects of Texts 39
of the Bibliographical Society of America 71 (1977): 49-59.
M.B. Parkes, "Punctuation, or Pause and Effect," in Medieval Eloquence: Studies in the Theory and
Practice of Medieval Rhetoric, ed. James J. Murphy (1978), pp. 127-42.
Bruce Mitchell, "The Dangers of Disguise: Old English Texts in Modern Punctuation," Review of English
Studies n.s. 31 (1980): 385-413.
Donald Hall, "Robert Frost Corrupted," Atlantic Monthly, March 1982, pp. 60-64.
John Bateson, "A Short History of Punctuation," Verbatim 10.2 (Autumn 1983): 6-7.
C.J. Mitchell, "Quotation Marks, National Compositorial Habits and False Imprints," Library 6th ser. 5
(1983): 359-84.
G.B. Shand with Raymond C. Shady (eds.), Play-Texts in Old Spelling (1984). [Includes Robert Kean
Turner, "Accidental Evils," pp. 27-33.]
George B. Killough, "Middle English Verse Punctuation: A Sample Survey," Text 3 (1987): 183-210.
Charles F. Meyer, A Linguistic Study of American Punctuation (1987).
Ellen Lupton (curator), Period Styles: A History of Punctuation [Cooper Union exhibition catalogue]
(1988).
Alan Cruttenden, "Intonation and the Comma," Visible Language 25.1 (Winter 1991): 54-73.
Edward A. Levenston, The Stuff of Literature: Physical Aspects of Texts and Their Relation to Literary
Meaning (1992). [See Chapter 4.]
M.B. Parkes, Pause and Effect: An Introduction to the History of Punctuation in the West (1992).
[Reviewed in Huntington Library Quarterly 57 (1994): 377-82 (Ralph Hanna III); in Library 6th ser.
16 (1994): 232-34 (G.H. Martin); in Analytical & Enumerative Bibliography n.s. 9 (1995): 49-51
(Paul Saenger); in Text 9 (1996): 408-29 (D.C. Greetham); in Quaerendo 27 (1997): 151-62 (J.P.
Gumbert; in Counter [University of Iowa Center for the Book] 7 (Fall 1997): 3-7 (Roderick Cave).]
J.P. Gumbert, "Medieval Points," Quaerendo 27 (1997): 151-62.
Kathryn Sutherland, "Speaking Commas / Reading Commas: Punctuating Mansfield Park," Text 12
(1999): 101-22. Reprinted in Bray (2000).
Joe Bray, Miriam Handley, and Anne C. Henry (eds.), Ma(r)king the Text: The Presentation of Meaning
on the Literary Page (2000). [See especially John Leonard, "Mark, Space, Axis, Function: Towards
a (New) Theory of Punctuation on Historical Principles"; Anne C. Henry, "The Re-mark-able Rise
of '...': Reading Ellipsis Marks in Literary Texts"; and Ros King, "Seeing the Rhythm: An
Interpretation of Sixteenth-Century Punctuation and Metrical Practice."]
Phillip Harth, "The Text of Dryden's Poetry," Huntington Library Quarterly 63 (2001-2): 227-44.
__________
C. Other Visual Aspects of Texts
(The question whether visual design is part of the text of a verbal work is discussed,
in varying degrees of detail, in many of the works on textual criticism and scholarly editing
listed in other parts of this syllabus.)
Max Zobel von Zabeltitz, "Figurengedichte," Zeitschrift für Bücherfreunde, Fall 1926, pp. 21-24.
Thomas H. Johnson, "The Topical Verses of Edward Taylor," Transactions of the Colonial Society of
Massachusetts 34 (1941): 532ff.
Margaret Church, "The First English Pattern Poems," PMLA 61 (1946): 636-50.
William B. Goodman, "Edward Taylor Writes His Love," New England Quarterly 27 (1954): 510-15.
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