INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School

40 Part 3: Visual Aspects of Texts � Tanselle: Introduction to Scholarly Editing (2002)
Jean Hagstrum, The Sister Arts (1958).
E. Williams (ed.), An Anthology of Concrete Poetry (1967).
Mary Ellen Solt and W. Barnstone (eds.), Concrete Poetry: A World View (1969).
Robert Massin, Letter and Image 1970).
Roger W. Westcott, "Linguistic Iconism," Language 47 (1971): 416-28.
David W. Seaman, "The Development of Visual Poetry in France," Visible Language 6 (1972): 19-44.
Mary Ellen Solt, "Typography and the Visual Concrete Poem," Visible Language 6 (1972): 109-22.
Abbie W. Beiman, "Concrete Poetry: A Study in Metaphor," Visible Language 8 (1974): 197-223.
Marie M. Clay, "Research in Brief: Orientation to the Spatial Characteristics of the Open Book," Visible
Language 8 (1974): 275-82.
Aaron Marcus, "An Introduction to the Visual Syntax of Concrete Poetry," Visible Language 8 (1974):
333-60.
Tom Conley, "Verbal Shape in the Poetry of Villon and Marot," Visible Language 9 (1975): 101-22.
Karl Keller, The Example of Edward Taylor (1975).
Terrance J. King, "Radial Design in Wallace Stevens," Visible Language 9 (1975): 25-46.
Milton Konsky (ed.), Speaking Pictures: An Anthology of Pictorial Poetry from the Sixteenth Century to
the Present (1975).
Bob Cobbing and Peter Mayer, Concerning Concrete Poetry (1976, 1978).
Kenneth B. Newell, Pattern Poems: A Historical Critique (1976).
Jerrald Ranta, "Palindromes, Poems, and Geometric Form," Visible Language 10 (1976): 157-72.
John J. White, "The Argument for a Semiotic Approach to Shaped Writings: The Case of Itallian Futurist
Typography," Visible Language 10 (1976): 53-86.
Nina S. Hellerstein, "Paul Claudel and Guillaume Apollinaire as Visual Poets," Visible Language 11
(1977): 245-70.
Dick Higgins, George Herbert's Pattern Poems (1977).
Anthony L. Johnson, "Anagrammatism in Poetry," PTL: A Journal for Descriptive Poetics and Theory of
Literature 2 (1977): 89-118.
Elizabeth Cook, "Figured Poetry," Journal of the Warburg and Courtauld Institutes 42 (1979): 1-15.
Dick Higgins, "The Strategy of Visual Poetry," Precisely 3/5 (1979): 41-59.
Richard Kostelanetz (ed.), Visual Literary Criticism: A New Collection (1979).
David W. Seaman, "Early French Visual Poetry," Precisely 3/5 (1979): 203-37.
Charlene Garry, "Illustrated Books as Original Works of Art: Form as Complement to Content," in Editing
Illustrated Books, ed. William Blissett (1980), pp. 113-24.
Ruth S. Luborsky, "The Allusive Presentation of The Shepheardes Calender," Spenser Studies 1 (1980):
29-67.
James Hartley and Peter Burnhill (eds.), "The Spatial Arrangement of Text," Visible Language 15.1
(1981): 1-120.
D.F. McKenzie, "Typography and Meaning: The Case of William Congreve," in Buch und Buchhandel
in Europa im achtzehnten Jahrhundert, ed. Giles Barber and Bernhard Fabian (1981), pp. 81-125.
Reprinted in his Making Meaning: "Printers of the Mind" and Other Essays, ed. Peter D. McDonald
and Michael F. Suarez (2002), pp. 198-236.
David W. Seaman, Concrete Poetry in France (1981).
Paul H. Bowdre, Jr., "Eye Dialect as a Problem in Graphics," Visible Language 16 (1982): 177-83.
Ulrich Ernst, "Europäische Figurengedichte in Pyramidenform aus dem 16. and 17. Jahrhundert,"
Euphorion 76 (1982): 295-360.
Edward Hodnett, Image and Text (1982).
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