INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School

Tanselle: Introduction to Scholarly Editing (2002) � Part 3: Visual Aspects of Texts 41
Randall McLeod, "Un-Editing Shakespeare," Sub-Stance 33/34 (1982): 26-55.
Clyde Thogmartin, "Mr. Dooley's Brogue: The Literary Dialect of Finley Peter Dunne," Visible Language
16 (1982): 184-98.
Dick Higgins, Horizons: The Poetics and Theory of the Intermedia (1983).
Randall McLeod, "Gon. No more, the text is foolish," in The Division of the Kingdoms, ed. Gary Taylor
and Michael Warren (1983), pp. 153-93.
Raymond B. Waddington, "Visual Rhetoric: Chapman and the Extended Poem," English Literary
Renaissance 13 (1983): 36-57.
Fernand Baudin, "The Visual Editing of Texts," Visible Language 18 (1984): 81-86.
Bart Westerweel, Patterns and Patterning: A Study of Four Poems by George Herbert (1984).
Judith E. Preckshot (ed.), "The Book, Inside and Out," Visible Language 19.4 (Autumn 1985): 403-540.
[See especially Steven Winspur, "Poetry, Portrait, Poetrait," pp. 426-38; Ann-Marie Christin, "A
Visionary Book: Charles Nodier's L'Histoire du Roi de Bohême et ses sept châteaux," pp. 462-83
(trans. Janet Solberg); Preckshot, "Press Art: Poets and Their Printing Machines," pp. 499-518;
Renée Riese Hubert, "Readable--Visible: Reflections on the Illustrated Book," pp. 519-38.
Paschal C. Viglionese, "The Inner Functioning of Words: Iconicity in Poetic Language," Visible Language
19 (1985): 373-86.
Willard Bohn, The Aesthetics of Visual Poetry, 1914-1928 (1986).
Cathy N. Davidson, "Ideology and Genre: The Rise of the Novel in America," Proceedings of the
American Antiquarian Society 96 (1986): 295-321.
Cathy N. Davidson, Revolution and the Word: The Rise of the Novel in America (1986).
Dick Higgins (ed.), "Pattern Poetry: A Symposium," Visible Language 20.1 (Winter 1986): 1-147.
[Includes Ulrich Ernst, "The Figured Poem: Towards a Definition of Genre," pp. 8-27; and Higgins,
"The Corpus of Biriths and Other English-Language Pattern Poetry," pp. 28-51.]
W.J.T. Mitchell, Iconology: Image, Text, Ideology (1986).
Stephen C. Foster (ed.), "The Avant-Garde and the Text," Visible Language 21.3/4 (Summer/Autumn
1987).
Richard Bradford, "Speech and Writing in Poetry and Its Criticism," Visible Language 22 (1988): 169-94.
S.K. Heninger, "The Typographical Layout of Spenser's Shepheardes Calender," in Word and Visual
Imagination, ed. K.J. Holtgen (1988), pp. 33-71.
Carolyn Kent (chair), Is the Typography Textual? (Renaissance English Text Society papers, 1988).
Reprinted in New Ways of Looking at Old Texts, ed. W. Speed Hill (1993).
Julia Lupton, "Shakespeare and e.e. cummings: Elizabethan Punctuation and Modernist Poetics," in Period
Styles: A History of Punctuation, ed. Ellen Lupton (1988), pp. 9-11.
Richard Bradford (ed.), "The Printed Poem and the Reader," Visible Language 23.1 (Winter 1989): 1-132.
"Inscriptions in Painting," Visible Language 23.2/3 (Spring/Summer 1989): 141-315.
Emma Kafalenos, "Image and Narrativity: Robbe-Grillet's La belle captive," Visible Language 23 (1989):
375-92.
W.E. Slights, "The Edifying Margins of Renaissance English Books," Renaissance Quarterly 42 (1989):
682-716.
Kimberly Elam, Expressive Typography: The Word as Image (1990).
Eugene Kintgen, "Reconstructing Elizabethan Reading," Studies in English Literature 30 (1990): 1-19.
Christpher Collins, Reading the Written Image: Interpretation, Verbal Play, and the Roots of Iconophobia
(1991).
Margreta De Grazia, Shakespeare Verbatim: The 1790 Apparatus and the Reproduction of Authenticity
(1991).
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