INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School

42 Part 3: Visual Aspects of Texts � Tanselle: Introduction to Scholarly Editing (2002)
Johanna Drucker, "Typographic Manipulation of the Poetic Text in the Early Twentieth-Century-Avant-
Garde," in "The Artist's Book: The Text and Its Rivals," ed. Renée Riese Hubert, Visible Language
25.2/3 (Spring 1991): 231-56.
David Foxon, Alexander Pope and the Early Eighteenth-Century Book Trade, ed. James L. McLaverty
(1991).
Alastair Johnson, "The Author as Typographer," Ampersand Summer 1991, pp. 2-5 (followed by
"Ampersand Forum: The Wake/Shandy Panel," pp. 6-7, 10-11).
John Jowett, "Jonson's Authorization of Type in Sejanus and Other Early Quartos," Studies in
Bibliography 44 (1991): 254-65. Reprinted in New Ways of Looking at Old Texts, ed. W. Speed Hill
(1993), pp. 175-86.
Piotr Rypson, "Seventeenth-Century Visual Poetry from Danzig," Gutenberg Jahrbuch, 1991, pp. 269-304.
[See footnote 3 for a list of works on visual poetry.]
[Nicolas Barker], "The Author as Editor," Book Collector 41 (1992): 9-27 passim.
Tom Conley, The Graphic Unconscious in Early Modern French Writing (1992).
William Everson, "The Poem as Icon," in On Printing, ed. Peter Rutledge Koch (1992), pp. 91-113.
Roland Greene (ed.), "Material Poetry of the Renaissance / The Renaissance of Material Poetry," Harvard
Library Bulletin 3.2 (Summer 1992): 1-104.
Alastair Johnston, "Return of the Son of the Author as Typographer: Literary Parlor Games (Or,
Typography and the Science of Nonsense)," Ampersand 11.4 (Winter 1992): 2-6.
Edward A. Levenston, The Stuff of Literature: Physical Aspects of Texts and Their Relation to Literary
Meaning (1992).
Douglas McArthur, "Sign Function and Potential of the Printed Word," Visible Language 26 (1992):
282-97.
W.E. Slights, "'Marginall Notes That Spoile the Text': Scriptural Annotations in the English Renaissance,"
Huntington Library Quarterly 55 (1992): 255-78.
Paul F. Grendler, "Form and Function in Italian Renaissance Popular Books," Renaissance Quarterly 46
(1993): 451-85.
Jerome McGann, Black Riders: The Visible Language of Modernism (1993).
Harry Polkinhorn, Introduction to "Visual Poetry: An International Anthology," Visible Language 27.4
(Autumn 1993).
Barbara Maria Stafford, "Presuming Images and Consuming Words: The Visualization of Knowledge from
the Enlightenment to Post-Modernism," in Consumption and the World of Goods, ed. John Brewer
and Roy Porter (1993), pp. 462-77.
Evelyn B. Tribble, Margins and Marginality: The Printed Page in Early Modern England (1993).
Robin Alston, Books with Manuscript: A Short-Title Catalogue of Books with Manuscript Notes in the
British Library (1994).
Andrew Blauvelt (ed.), "New Perspectives: Critical Histories of Graphic Design," Visible Language 28.3-4
(1994), 29.1 (1995).
Johanna Drucker, The Visible Word: Experimental Typography and Modern Art, 1909-1923 (1994).
Ellen J. Esrock, The Reader's Eye: Visual Imaging as Reader Response (1994).
Margaret J.M. Ezell and Katherine O'Brien O'Keeffe (eds.), Cultural Artifacts and the Production of
Meaning: The Page, the Image, and the Body (1994).
Michael Kaufmann, Textual Bodies: Modernism, Postmodernism, and Print (1994).
Randall McLeod ("Random Cloud"), "FIAT fLUX," in Crisis in Editing: Texts of the English Renaissance,
ed. McLeod (1994), pp. 61-172.
Claire Hoertz Badaracco, Trading Words: Poetry, Typography, and Illustrated Books in the Modern
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