INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School

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42 Part 3: Visual Aspects of Texts � Tanselle: Introduction to Scholarly Editing (2002) Johanna Drucker, "Typographic Manipulation of the Poetic Text in the Early Twentieth-Century-Avant- Garde," in "The Artist's Book: The Text and Its Rivals," ed. Renée Riese Hubert, Visible Language 25.2/3 (Spring 1991): 231-56. David Foxon, Alexander Pope and the Early Eighteenth-Century Book Trade, ed. James L. McLaverty (1991). Alastair Johnson, "The Author as Typographer," Ampersand Summer 1991, pp. 2-5 (followed by "Ampersand Forum: The Wake/Shandy Panel," pp. 6-7, 10-11). John Jowett, "Jonson's Authorization of Type in Sejanus and Other Early Quartos," Studies in Bibliography 44 (1991): 254-65. Reprinted in New Ways of Looking at Old Texts, ed. W. Speed Hill (1993), pp. 175-86. Piotr Rypson, "Seventeenth-Century Visual Poetry from Danzig," Gutenberg Jahrbuch, 1991, pp. 269-304. [See footnote 3 for a list of works on visual poetry.] [Nicolas Barker], "The Author as Editor," Book Collector 41 (1992): 9-27 passim. Tom Conley, The Graphic Unconscious in Early Modern French Writing (1992). William Everson, "The Poem as Icon," in On Printing, ed. Peter Rutledge Koch (1992), pp. 91-113. Roland Greene (ed.), "Material Poetry of the Renaissance / The Renaissance of Material Poetry," Harvard Library Bulletin 3.2 (Summer 1992): 1-104. Alastair Johnston, "Return of the Son of the Author as Typographer: Literary Parlor Games (Or, Typography and the Science of Nonsense)," Ampersand 11.4 (Winter 1992): 2-6. Edward A. Levenston, The Stuff of Literature: Physical Aspects of Texts and Their Relation to Literary Meaning (1992). Douglas McArthur, "Sign Function and Potential of the Printed Word," Visible Language 26 (1992): 282-97. W.E. Slights, "'Marginall Notes That Spoile the Text': Scriptural Annotations in the English Renaissance," Huntington Library Quarterly 55 (1992): 255-78. Paul F. Grendler, "Form and Function in Italian Renaissance Popular Books," Renaissance Quarterly 46 (1993): 451-85. Jerome McGann, Black Riders: The Visible Language of Modernism (1993). Harry Polkinhorn, Introduction to "Visual Poetry: An International Anthology," Visible Language 27.4 (Autumn 1993). Barbara Maria Stafford, "Presuming Images and Consuming Words: The Visualization of Knowledge from the Enlightenment to Post-Modernism," in Consumption and the World of Goods, ed. John Brewer and Roy Porter (1993), pp. 462-77. Evelyn B. Tribble, Margins and Marginality: The Printed Page in Early Modern England (1993). Robin Alston, Books with Manuscript: A Short-Title Catalogue of Books with Manuscript Notes in the British Library (1994). Andrew Blauvelt (ed.), "New Perspectives: Critical Histories of Graphic Design," Visible Language 28.3-4 (1994), 29.1 (1995). Johanna Drucker, The Visible Word: Experimental Typography and Modern Art, 1909-1923 (1994). Ellen J. Esrock, The Reader's Eye: Visual Imaging as Reader Response (1994). Margaret J.M. Ezell and Katherine O'Brien O'Keeffe (eds.), Cultural Artifacts and the Production of Meaning: The Page, the Image, and the Body (1994). Michael Kaufmann, Textual Bodies: Modernism, Postmodernism, and Print (1994). Randall McLeod ("Random Cloud"), "FIAT fLUX," in Crisis in Editing: Texts of the English Renaissance, ed. McLeod (1994), pp. 61-172. Claire Hoertz Badaracco, Trading Words: Poetry, Typography, and Illustrated Books in the Modern This page is from a document available in full at http://www.rarebookschool.org/tanselle/
Tanselle: Introduction to Scholarly Editing (2002) � Part 3: Visual Aspects of Texts 43 Literary Economy (1995). John Brewer and Ann Bermingham (eds.), The Consumption of Culture 1600-1800: Image, Object, Text (1995). Stephen Bury, Artists' Books: The Book as a Work of Art, 1963-1995 (1995). Micheline Cambron, "The Importance of Periodical Format and Style: Understanding the History of Literature in Lower Canada," Facsimile [Canadian Institute for Historical Microreproductions] 14 (November 1995): 12-15. Jeanne S. Chall and Edgar Dale, Readability Revisited (1995). Roger Chartier, Forms and Meanings: Texts, Performances, and Audiences from Codex to Computer (1995). Johanna Drucker, The Alphabetic Labyrinth: The Letters in History and Imagination (1995). Howard Erskine-Hill and Richard A. McCabe, Presenting Poetry: Composition, Publication, Reception (1995). Murray J. Evans, Rereading Middle English Romance: Manuscript Layout, Decoration, and the Rhetoric of Composite Structure (1995). Armando Petrucci, Writers and Readers in Medieval Italy (trans. Charles M. Radding, 1995). Edward Bishop, "Re:Covering Modernism--Format and Function in the Little Magazines," in Modernist Writers and the Marketplace, ed. Ian Willison, Warwick Gould, and Warren Chernaik (1996), pp. 287-319. Hartmut Günter and Otto Ludwig (eds.), Writing and Its Use: An International Handbook of International Research (1996). [Reviewed by Dietmar Winkler in Visible Language 32 (1998): 183-87.] Kevin J. Hayes, A Colonial Woman's Bookshelf (1996). Frederick Kiefer, Writing on the Renaissance Stage: Written Words, Printed Pages, Metaphoric Books (1996). Suzanne Lewis, Reding Images: Narrative Discourse and Reception in the Thirteenth-Century Illuminated Apocalypse (1996). Alberto Manguel, A History of Reading (1996). James Raven, Helen Small, and Naomi Tadmor (eds.), The Practice and Representation of Reading in England (1996). Paul Saenger, "The Impact of the Early Printed Page on the History of Reading," Bulletin du bibliophile, 1996:2, pp. 237-301. Dan Carr, "Beyond Fine Printing: Typographic Punchcutting and the Evolution of a Poet's Voice on the Page," Book Club of California Quarterly News Letter 63.1 (Winter 1997): 3-17. Gérard Genette, Paratexts: Thresholds of Interpretation (trans. of Seuils [1987] by Jane E. Lewin, 1997). Anthony Grafton, The Footnote: A Curious History (1997). David Greetham (ed.), The Margins of the Text (1997). Peter Isaac and Barry McKay (eds.), Images and Texts: Their Production and Distribution in the Eighteenth and Nineteenth Centuries (1997). Michele Moylan and Lane Stiles (eds.), Essays on the Material Text and Literature in America (1997). Everett M. Rogers, A History of Communication Study: A Biographical Approach (1997). Bernard M. Rosenthal, Printed Books with Manuscript Annotations (1997). Dora Thornton, The Scholar in His Study: Ownership and Experience in Renaissance Italy (1997). Mark Balhorn, "Paper Representations of the Non-Standard Voice," Visible Language 32 (1998): 56-74. Frédéric Barbier, "L'histoire, l'historien et la lecture," Gutenberg Jahrbuch, 1998, pp. 264-85. Nicolas Barker, "Print, Picture or Text?", Book Collector 47 (1998): 297-318 passim. This page is from a document available in full at http://www.rarebookschool.org/tanselle/
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INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School

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