INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School

44 Part 3: Visual Aspects of Texts � Tanselle: Introduction to Scholarly Editing (2002)
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(1998).
Stephen Colclough, "Recovering the Reader: Commonplace Books and Diaries as Sources of Reading
Experience," Publishing History 44 (1998): 5-37.
Paul Eggert and Margaret Sankey (eds.), The Editorial Gaze (1998).
Robert N. Essick, "Representation, Anxiety, and the Bibliographic Sublime," Huntington Library
Quarterly 59 (1998): 503-28.
Ann Fidler, "'Till You Understand Them in Their Principal Features': Observations on Form and Function
in Nineteenth-Century American Law Books," Papers of the Bibliographical Society of America 92
(1998): 427-42.
Joanna Gondris (ed.), Reading Readings: Essays on Shakespeare Editing in the Eighteenth Century
(1998).
Monique Hulvey, "Not So Marginal: Manuscript Annotations in the Folger Incunabula," Papers of the
Bibliographical Society of America 92 (1998): 159-76.
Adrian Johns, The Nature of the Book: Print and Knowledge in the Making (1998).
Seth Lerer, "The Wiles of a Woodcut: Wynkyn de Worde and the Early Tudor Reader," Huntington
Library Quarterly 59 (1998): 381-403.
Elizabeth B. Loizeaux and Neil Fraistat (eds.), Reimagining Textuality: Essays on the Verbal, Visual, and
Cultural Construction of Texts (1998).
Alan Marshall, "New Approaches to the Study of 20th-Century Typographical Production," Gutenberg
Jahrbuch, 1998, pp. 256-63.
Pamela Spence Richards (ed.), "The History of Reading and Libraries in the United States and Russia,"
Libraries and Culture 33.1 (Winter 1998): 1-140.
Peter W. Sinnema, The Dynamics of the Pictured Page: Representing the Nation in the ILLUSTRATED
LONDON NEWS, 1842-1892 (1998).
Molly Abel Travis, Reading Cultures: The Construction of Readers in the Twentieth Century (1998).
Ron Broglio, "Becoming-Zoa [Blake]," Visible Language 33 (1999): 128-49.
Markus Hallensleben, "The Work of Art in the Age of Digital Reproduction," Visible Language 33 (1999):
150-71.
Min-Soo Kim, "'An Eccentric Reversible Reaction': Sang's Experimental Poetry in the 1930s and Its
Meaning to Comtemporary Design," Visible Language 33 (1999): 196-235.
Richard Kostelanetz, "Thirty Years of Visible Writing: A Memoir," Visible Language 33 (1999): 7-41.
Joe Bray, Miriam Handley, and Anne C. Henry (eds.), Ma(r)king the Text: The Presentation of Meaning
on the Literary Page (2000).
James Hartley and Matthew Johnson, "Portrait or Landscape? Typographic Layouts for Patient Information
Leaflets," Visible Language 34 (2000): 296-309.
Lucinda Hitchcock, "Word Space/Book Space/Poetic Space: Experiments in Transformation," Visible
Language 34 (2000): 162-97.
Paul Luna, "Clearly Defined: Continuity and Innovation in the Typography of English Dictionaries,"
Typography Papers 4 (2000): 5-56.
Henri-Jean Martin, La naissance du livre moderne (XIV e -XVII e siècles): mise en page et mise en texte du
livre français (2000).
Paul Tankard, "The Rambler's Second Audience: Johnson and the Paratextual 'Part of Literature,''
Bibliographical Society of Australia and New Zealand Bulletin 24 (2000): 239-56.
James Bently (ed.), The Art of the Book from Medieval Manuscript to Graphic Novel (2001).
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