INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School
INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School
INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School
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Tanselle: Introduction to Scholarly Editing (2002) � Part 7: Writings on Post-Medieval Texts 99<br />
1968<br />
Frederick Anderson, "Hazards of Photographic Sources," CEAA Newsletter 1 (March 1968): 5.<br />
Warner Barnes, "Eighteenth- and Nineteenth-Century Editorial Problems: A Selective Bibliography,"<br />
Papers of the Bibliographical Society of America 62 (1968): 59-67.<br />
Center for Editions of American Authors, CEAA Newsletter (8 nos., 1968-75).<br />
Johan Gerritsen, "A Portable Collator Comes Cheaper," Research Opportunities in Renaissance Drama<br />
11 (1968): 29-30.<br />
George Robert Guffey, "Standardization of Photographic Reproductions for Mechanical Collation," Papers<br />
of the Bibliographical Society of America 62 (1968): 237-40.<br />
James C. Maxwell, P.G. Zamberg, and F.W. Bateson, "Textual Criticism and Its Problems," Essays in<br />
Criticism 18.1 (1968): 87-100.<br />
D.I.B. Smith (ed.), Editing Eighteenth-Century Texts (1968).<br />
G.T. Tanselle, "The Use of Type Damage as Evidence in Bibliographical Description," Library 5th ser.<br />
23 (1968): esp. 338-40.<br />
Edmund Wilson, "The Fruits of the MLA," New York Review of <strong>Book</strong>s, 26 September and 10 October<br />
1968. Reprinted as a pamphlet (1968) and in his The Devils and Canon Barham, ed. Leon Edel<br />
(1973), pp. 154-202. [See reply in the CEAA's Professional Standards and American Editions<br />
(1969); and see Michael Hancher, "The Text of 'The Fruits of the MLA,'" Papers of the<br />
Bibliographical Society of America 68 (1974): 411-12.]<br />
1969<br />
Paul Baender, "The Meaning of Copy-Text," Studies in Bibliography 22 (1969): 311-18. [See also G.T.<br />
Tanselle, "The Meaning of Copy-Text: A Further Note," 23 (1970): 191-96.]<br />
L.A. Beaurline, "The Director, the Script, and Author's Revision: A Critical Problem," in Papers in<br />
Dramatic Theory and Criticism, ed. David M. Knauf (1969), pp. 78-91.<br />
O M Brack, Jr., and Warner Barnes (eds.), Bibliography and Textual Criticism: English and American<br />
Literature, 1700 to the Present (1969). [Contains reprinted essays; see Brack's "Introduction,"<br />
pp. 3-22.]<br />
O. Lawrence Burnette, Jr., "Preservation and Dissemination of Historical Evidence," in his Beneath the<br />
Footnote: A Guide to the Use and Preservation of American Historical Sources (1969), pp. 340-78.<br />
[Census of Hinman Collating Machines], Papers of the Bibliographical Society of America 63 (1969):<br />
119-20. Cf. Editorial Quarterly 1 (1975): 12.<br />
Center for Editions of American Authors, Professional Standards and American Editions: A Response to<br />
Edmund Wilson (1969). [Includes William M. Gibson, "The Center for Editions of American<br />
Authors," pp. 1-6; and John H. Fisher, "The MLA Editions of Major American Authors," pp. 20-26.]<br />
Charlton Hinman and Fredson Bowers, Two Lectures on Editing (1969). [Contains Hinman's "Basic<br />
Shakespeare: Steps toward an Ideal Text of the First Folio," pp. 7-19; and Bowers's "Practical Texts<br />
and Definitive Editions," pp. 21-70 (reprinted in his Essays in Bibliography, Text, and Editing<br />
[1975], pp. 412-39).]<br />
William J. Howard (ed.), Editor, Author, and Publisher (1969). [Includes Simon Nowell-Smith, "Authors,<br />
Editors, and Publishers," pp. 8-27; Francess G. Halpenny, "Press Editors and Project Editors," pp.<br />
47-58; and Eleanor D. Kewer, "Case Histories in the Craft of the Publisher's Editor, Culminating in<br />
a Justification of Barbed Wire," pp. 65-73.]<br />
H.G. Jones, "The Publication of Documentary Sources, 1934-1968," in The Records of a Nation: Their<br />
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