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INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School

INTRODUCTION TO SCHOLARLY EDITING ... - Rare Book School

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Tanselle: Introduction to Scholarly Editing (2002) � Part 7: Writings on Post-Medieval Texts 99<br />

1968<br />

Frederick Anderson, "Hazards of Photographic Sources," CEAA Newsletter 1 (March 1968): 5.<br />

Warner Barnes, "Eighteenth- and Nineteenth-Century Editorial Problems: A Selective Bibliography,"<br />

Papers of the Bibliographical Society of America 62 (1968): 59-67.<br />

Center for Editions of American Authors, CEAA Newsletter (8 nos., 1968-75).<br />

Johan Gerritsen, "A Portable Collator Comes Cheaper," Research Opportunities in Renaissance Drama<br />

11 (1968): 29-30.<br />

George Robert Guffey, "Standardization of Photographic Reproductions for Mechanical Collation," Papers<br />

of the Bibliographical Society of America 62 (1968): 237-40.<br />

James C. Maxwell, P.G. Zamberg, and F.W. Bateson, "Textual Criticism and Its Problems," Essays in<br />

Criticism 18.1 (1968): 87-100.<br />

D.I.B. Smith (ed.), Editing Eighteenth-Century Texts (1968).<br />

G.T. Tanselle, "The Use of Type Damage as Evidence in Bibliographical Description," Library 5th ser.<br />

23 (1968): esp. 338-40.<br />

Edmund Wilson, "The Fruits of the MLA," New York Review of <strong>Book</strong>s, 26 September and 10 October<br />

1968. Reprinted as a pamphlet (1968) and in his The Devils and Canon Barham, ed. Leon Edel<br />

(1973), pp. 154-202. [See reply in the CEAA's Professional Standards and American Editions<br />

(1969); and see Michael Hancher, "The Text of 'The Fruits of the MLA,'" Papers of the<br />

Bibliographical Society of America 68 (1974): 411-12.]<br />

1969<br />

Paul Baender, "The Meaning of Copy-Text," Studies in Bibliography 22 (1969): 311-18. [See also G.T.<br />

Tanselle, "The Meaning of Copy-Text: A Further Note," 23 (1970): 191-96.]<br />

L.A. Beaurline, "The Director, the Script, and Author's Revision: A Critical Problem," in Papers in<br />

Dramatic Theory and Criticism, ed. David M. Knauf (1969), pp. 78-91.<br />

O M Brack, Jr., and Warner Barnes (eds.), Bibliography and Textual Criticism: English and American<br />

Literature, 1700 to the Present (1969). [Contains reprinted essays; see Brack's "Introduction,"<br />

pp. 3-22.]<br />

O. Lawrence Burnette, Jr., "Preservation and Dissemination of Historical Evidence," in his Beneath the<br />

Footnote: A Guide to the Use and Preservation of American Historical Sources (1969), pp. 340-78.<br />

[Census of Hinman Collating Machines], Papers of the Bibliographical Society of America 63 (1969):<br />

119-20. Cf. Editorial Quarterly 1 (1975): 12.<br />

Center for Editions of American Authors, Professional Standards and American Editions: A Response to<br />

Edmund Wilson (1969). [Includes William M. Gibson, "The Center for Editions of American<br />

Authors," pp. 1-6; and John H. Fisher, "The MLA Editions of Major American Authors," pp. 20-26.]<br />

Charlton Hinman and Fredson Bowers, Two Lectures on Editing (1969). [Contains Hinman's "Basic<br />

Shakespeare: Steps toward an Ideal Text of the First Folio," pp. 7-19; and Bowers's "Practical Texts<br />

and Definitive Editions," pp. 21-70 (reprinted in his Essays in Bibliography, Text, and Editing<br />

[1975], pp. 412-39).]<br />

William J. Howard (ed.), Editor, Author, and Publisher (1969). [Includes Simon Nowell-Smith, "Authors,<br />

Editors, and Publishers," pp. 8-27; Francess G. Halpenny, "Press Editors and Project Editors," pp.<br />

47-58; and Eleanor D. Kewer, "Case Histories in the Craft of the Publisher's Editor, Culminating in<br />

a Justification of Barbed Wire," pp. 65-73.]<br />

H.G. Jones, "The Publication of Documentary Sources, 1934-1968," in The Records of a Nation: Their<br />

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