Three Summits Complete Band - Score

THREE SUMMITS
Concerto for Trombone
Version for Solo Trombone and Wind Ensemble
James M. David
Commissioned by a consortium of professional trombonists
© 2023, Oakdale Road Music/James M. David, ASCAP, all rights reserved

THREE SUMMITS: Concerto for Trombone
for solo trombone and wind ensemble
Instrumentation:
Piccolo
2 Flutes
Oboe
2 Bassoons
Clarinet in B-flat 1
Clarinet in B-flat 2
Clarinet in B-flat 3
Bass Clarinet
2 Alto Saxophones
Tenor Saxophone
Baritone Saxophone
Solo Trombone
3 Trumpets in B-flat
4 Horns in F
2 Trombones
Bass Trombone
Euphonium
Tubas
Contrabass (doubles tuba, available on request)
Harp (optional but strongly recommended)
Timpani
Percussion 1: Glockenspiel, Xylophone, Small Woodblock, Crash Cymbals
Percussion 2: Crotales, Vibraslap (jawbone), Medium Triangle
Percussion 3: Vibraphone, Chimes, Tambourine, Hi-Hat, Ice Bell or Ride Cymbal, Medium Triangle, Vibraslap (shared w/ Perc. 2 if needed)
Percussion 4: Hi-Hat, China Cymbal, Splash Cymbal, Suspended Cymbal, Sizzle Cymbal, Tambourine (mounted)
Percussion 5: Medium Tam-Tam, Bass Drum, Kick Bass Drum, Bongos, 4 Concert Toms, Snare Drum, Bell Tree, Small Triangle
Duration:
I. Mount of the Holy Cross – ca. 5 minutes
II. Town of Independence, Population 1 – ca. 5 minutes
III. Race to the Clouds – ca. 6 minutes
Total Duration: ca. 16 minutes
Program Notes:
I will lift up mine eyes unto the hills - from whence cometh my help? – Psalm 121, verse 1
Like so many artists, I have always been drawn to mountains, from the ancient peaks of Appalachia in my native Georgia to the proud
Rockies in my adoptive Colorado. The perfect natural analog for struggle and triumph, mountains have long represented a sense of
transcendence and spirituality. My trombone concerto Three Summits is an homage to three famous peaks of Colorado and draws on the
Southern Gospel music traditions of my youth. Hopefully, a spiritual journey from anguish to elation will be heard in this ambitious solo
work for my native instrument.
First is Mount of the Holy Cros seen from Vail Valley, a 14,000-foot peak with a snowfield in the shape of the Christian Cross. This
movement depicts an intrepid climb to such a challenging summit by a hearty but youthful mountaineer. A rolling triple rhythm alongside
a defiant quartal melody dominates the trudging ascent. Many challenges and shifts of pace are encountered as the trail becomes more and
more perilous. At long last, the hiker sees the cross and hums the hymn “The Old Rugged Cross” as the top is finally reached with a
breathless “Amen” cadence.
Town of Independence, Population 1 - The ghost town of Independence sits near Colorado’s highest peak, Mt. Elbert, in a pristine alpine
valley where only one resident remained after the brutal 1899 winter. Hushed, faintly remembered campfire songs waft through the naked
aspens, frozen lakes, and skeletal cabins. The lone pioneer shouts to the heavens the shape note hymn “Wayfaring Stranger” only to fall
silent again lost in memory.
Last is the notorious Pikes Peak Hill Climb also known as the Race to the Clouds. Early each summer since 1916, daring auto racers
summit the only 14,000-foot Colorado summit accessible by motor vehicle. Raucous engines and death-defying curves provide for an
aggressive and white-knuckle ride to the top. A joyous “gospel shout” concludes the concerto with a jangling tambourine backbeat and one
more glissando for the trombone. This work was commissioned by a consortium of professional trombonists lead by Dr. Drew Leslie,
Colorado State University and Dr. Chris Van Hof, Ball State University.

Composer Biography:
Dr. James M. David (b. 1978) is an internationally recognized composer who currently serves as professor of music composition at
Colorado State University and is particularly known for his works involving winds and percussion. His symphonic works for winds have
been performed by numerous prominent professional and university ensembles including the U.S. Air Force Band, the U.S. Army Field
Band, the Dallas Winds, the Des Moines Symphony, the Showa Wind Symphony (Japan), and the North Texas Wind Symphony among
many others. His compositions have been presented at more than sixty national and international conferences throughout North and
South America, Asia, Europe, Africa, and Australia. These events include the Midwest International Band and Orchestra Clinic, the
American Bandmasters Association Convention, the College Band Directors National Association Conferences, the College Music Society
National Conference, the Society of Composers, Inc. National Conference, eight International Clarinet Fests, the International Horn
Symposium, the World Saxophone Congress, the International Trombone Festival, and the Percussive Arts Society International
Convention. Among the distinctions David has earned as a composer are winner of the 2022 William D. Revelli Composition Contest, an
ASCAP Morton Gould Award, the National Band Association Merrill Jones Award, national first-place winner in the MTNA Young
Artists Composition Competition, two Global Music Awards, and national first-place winner in the National Association of Composers
(USA) Young Composers Competition. Commissions include projects for Joseph Alessi (New York Philharmonic), John Bruce Yeh
(Chicago Symphony Orchestra), Zachary Shemon (Prism Quartet), the Aries Trombone Quartet, BlueShift Percussion Quartet, Gerry
Pagano (St. Louis Symphony), The Playground Ensemble, the National Band Association, and the Atlantic Coast Conference Band
Directors Association.
As a native of southern Georgia, Dr. David began his musical training under his father Joe A. David, III, a renowned high school band
director and professor of music education in the region. This lineage can be heard in his music through the strong influence of jazz and
other Southern traditional music mixed with contemporary idioms. He graduated with honors from the University of Georgia and
completed his doctorate in composition at Florida State University under Guggenheim and Pulitzer recipients Ladislav Kubik and Ellen
Taaffe Zwilich. His works are represented on over twenty commercially released recordings on the Naxos, Summit, Mark, Albany, Parma,
MSR Classics, GIA Windworks, and Luminescence labels and are published by Murphy Music Press, C. Alan Publications, Potenza
Publishing, and Excelsia Music.
Three Summits: Concerto for Trombone was commissioned by a consortium of professional and university trombonists including:
Drew Leslie, Colorado State University, co-lead commissioner
Chris Van Hof, Ball State University, co-lead commissioner
Lee Allen, Juilliard School, Tianjin
Hana Beloglavec, Florida State University College of Music
Megan Boutin, Texas A&M University, Commerce
Josh Bynum, Hodgson School of Music (University of Georgia)
Tim Conner, Frost School of Music (University of Miami)
Justin Cook, University of Central Arkansas
Bruce Faske, Arkansas State University
Mark Hetzler, University of Wisconsin – Madison
Daniel Hinman, Kansas State University
Yu Tamaki Hoso, international solo artist
Brittany Lasch, Jacobs School of Music (Indiana University)
Ben McIlwain, University of Southern Mississippi
Frank Meredith, Colgate University
Cory Mixdorf, University of Arkansas
John Neurohr, Central Washington University
Christian Paarup, freelance solo artist
Bradley Palmer, Schwob School of Music (Columbus State University)
Sarah Paradis, Boise State University
Jemmie Robertson, University of Florida
Louis Setzer, Northern Kentucky University
Alex van Duuren, University of Tennessee, Knoxville
Justin Waller, East Tennessee State University
Daniel Watt, University of Wyoming
Jonathan Whitaker, University of Arkansas
Jeremy Wilson, Vanderbilt University
Colin Wise, United States Navy Band

Transposed Score
Piccolo
Flute 1
Flute 2
Oboe
Bassoon 1-2
Clarinet in B 1
Clarinet in B 2
Clarinet in B 3
Bass Clarinet
Alto Sax. 1-2
Tenor Sax
Baritone Sax
Solo Trombone
Trumpet in B 1
Trumpet in B 2-3
Horn in F 1,3
Horn in F 2,4
Trombone 1-2
Bass Trombone
Euphonium
Tuba
Harp
Timpani
Percussion 1
Percussion 2
Percussion 3
Percussion 4
Percussion 5
6
8
6
8
6
8
6
8
6
8
6
8
I. Mount of the Holy Cross
Emphatic, Determined ( q. = 54 )
f
f
f
f
f
f
F
Crotales
f
f
F-A-B-D
f
Med. Triangle
Í
Í
Í
Í
Í
Í
f
f
f
f
gliss.
Í
f
f
OOoPOOOO
Sus. Cym.
w/ soft mall.
p
2
f
f
T H R E E S U M M I T S
f
f
f
f
f
Glock.
Concerto for Trombone
f
3
f
3
3
Í
Í
Í
OOoPOpOo
Í
gliss.
9
8
9
8
9
8
9
8
9
8
9
8
6
8
6
8
6
8
6
8
6
8
6
8
1
4
p
f
f
f
f
f
A to A
f
f
f
f
F
Í
F
p
p
Í
ƒ
Í
F
F
OOoPOOOO
James M. David (2023)
4
4
4
4
4
p
3
© 2023, Oakdale Road Music/James M. David, ASCAP
5
6

Picc.
Fl. 1
7
6
8
15
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
A. Sx. 1-2
T. Sx.
6
8
6
8
solo
F
π
f
F
P
4
π
solo
P
π
π
p
f
B. Sx.
Solo Tbn.
B Tpt. 1
B Tpt. 2-3
F Hn. 1,3
Hn. 2,4
Tbn. 1-2
6
8
F
P
p
st. mute
> >
f
st. mute
f
> >
p
p
>
>
f
> >
f
B. Tbn.
Euph.
Tuba
Hp.
Timp.
Perc. 1
6
8
6
8
π
F
solo, cue Bsn.
π
P
p
F to E
F
one player
4
P
f
Perc. 2
Perc. 3
Perc. 4
Vibraphone motor off
f
> >
p
f
Perc. 5
7
8
9
10
11
12
13
14
15
16
17
18
T H R E E S U M M I T S - p. 2

Picc.
Fl. 1
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
A. Sx. 1-2
T. Sx.
B. Sx.
p
p
p
π
>
>
F
F
> >
> >
f
> >
>
>
>
>
> >
f
> >
f
f
> >
> >
f
> >
f
f
f
f
p
p
p
p
f
f
26
F
P
P
F
P
p
P
Solo Tbn.
B Tpt. 1
B Tpt. 2-3
F Hn. 1,3
Hn. 2,4
Tbn. 1-2
B. Tbn.
Euph.
F
p
4
p
tutti
P
f
f
> >
f
f
p
p
> >
f
f
f
f
> >
4
P
P
P
P
f
f
p
f
p
P
F
- .
.
-
Tuba
Hp.
f
f
E - E
p
Timp.
Perc. 1
P
f
p
Perc. 2
Perc. 3
Perc. 4
Perc. 5
19
20
21
China Cym.
w/ soft mall.
p
Sm. Triangle
f
22
f
23
24
25
P
26
27
28
China Cym.
w/ soft mall.
p
29
T H R E E S U M M I T S - p. 3

Picc.
Fl. 1
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
A. Sx. 1-2
T. Sx.
B. Sx.
Solo Tbn.
B Tpt. 1
B Tpt. 2-3
F Hn. 1,3
Hn. 2,4
Tbn. 1-2
p
F
F
F
F
4
p
p
f
3
Í
> >
> >
f
ƒ
F
ƒ
ƒ
F
> >
Í
> >
f
ƒ
> >
f
F
>
>
f
p
Í
f
F
f
Í
ƒ
open
> >
f
p
p
P
> >
f
f
f
f
open
B. Tbn.
Euph.
Í
F
Tuba
Hp.
Timp.
Perc. 1
F
F
Í
f
Í
oOoPoOOO
ƒ
Perc. 2
Perc. 3
Perc. 4
Perc. 5
F
f
F
30
Sm. Tam-Tam
strike w/ tri. beater
31
32
33
34
35
36
China Cym.
w/ soft mall.
p
37
ƒ
ƒ
f
Med. Triangle
38
T H R E E S U M M I T S - p. 4

Picc.
Fl. 1
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
A. Sx. 1-2
T. Sx.
B. Sx.
Solo Tbn.
B Tpt. 1
B Tpt. 2-3
F Hn. 1,3
Hn. 2,4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Hp.
Timp.
Perc. 1
p
p
Í
Í
p
Í
f
f
F
F
Í
. . . . . . .
. . .
Í
F
f
f
f
f
6
ƒ
ƒ
ƒ
ƒ
ƒ
ƒ
f
> >
> >
> >
>
>
f
f
f
f
D - D
p
p
p
p
p
9
8
9
8
9
8
9
8
9
8
9
8
f
F
f
f
P
F
P
- . . . . . .
P
P
F
P
F
F
3
6
8
6
8
6
8
- . . . >
. . . >
6
8
6
8
6
8
f
f
3
3
4
3
4
3
4
3
4
3
4
3
4
Perc. 2
Perc. 3
Perc. 4
Perc. 5
Sus. Cym.
w/ soft mall.
p
p
3
39 f
f
40
p
41
F
f
42
43
44
T H R E E S U M M I T S - p. 5

Picc.
Fl. 1
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
A. Sx. 1-2
T. Sx.
B. Sx.
Solo Tbn.
B Tpt. 1
B Tpt. 2-3
F Hn. 1,3
Hn. 2,4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Hp.
3
4
( e = e )
3
4
3
4
3
4
3
4
6
6
>
^ ^ ^ ^ ^
6
46 Nervous ( q = ca. 82 )
f
f
f
f
f
f
f
f
>
ß
f
f
f
f
f
6
6
6
6
. . . . .
3
>
>
>
>
>
4
4
4
4
4
. . .
3
4
3
4
3
4
gliss.
3
4
3
4
π
π
π
>
f
f
f
f
f
one player
p
P
Timp.
Perc. 1
Perc. 2
Perc. 3
3
4
p
f
Sm. Woodblock
f
6
F
>
4
3
4
Vibraphone
p hold pedal down
Perc. 4
Perc. 5
China Cym.
w/ soft mall.
p
45
f
46
f
4 Toms
47
48
49
Sus. Cym.
w/ stick, short crash
S
50
51
p
Sus. Cym.
w/ light stick, near center
52
53
T H R E E S U M M I T S - p. 6

Picc.
Fl. 1
4
3
4
4
60
3
4
F
Fl. 2
F
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
4
3
4
4
3
4
P
P
B Cl. 3
B. Cl.
A. Sx. 1-2
T. Sx.
p
4
3
4
4
3
4
P
B. Sx.
Solo Tbn.
B Tpt. 1
B Tpt. 2-3
5
slide gliss.
4
3
4
4
3
3
4
f
f
5
ƒ
one player
F Hn. 1,3
mute
p
Hn. 2,4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Hp.
Timp.
Perc. 1
Perc. 2
π
st. mute
p
solo, cue B. Cl.
w/ soft mall.
π
4
4
3
4
3
4
4
4
3
4
3
4
P
P
P
F
one player
P
Perc. 3
Perc. 4
P
F
Perc. 5
54
55
56
57
58
59
60
61
62
T H R E E S U M M I T S - p. 7

Picc.
Fl. 1
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
P
P
4
4
f
f
f
f
f
f
f
B Cl. 3
B. Cl.
A. Sx. 1-2
T. Sx.
4
F
f
P
B. Sx.
Solo Tbn.
B Tpt. 1
B Tpt. 2-3
6
f
.
.
. . . . . .
5
4
#2 4 2 4 2 4 2 4 2 4 2 4 2
>
Í
3 5
>
Í
2 4 2 4 2 4 2 4 2 4 4
3 5
F Hn. 1,3
Hn. 2,4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Hp.
Timp.
Perc. 1
st. mute
P
D - D
P
4
4
F
F
f
f
f
open
tutti
Perc. 2
Perc. 3
Tambourine
f
Perc. 4
Perc. 5
63
64
65
66
67
Bongos w/ sticks
f
68
69
T H R E E S U M M I T S - p. 8

Picc.
Fl. 1
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
A. Sx. 1-2
T. Sx.
B. Sx.
Solo Tbn.
B Tpt. 1
B Tpt. 2-3
F Hn. 1,3
Hn. 2,4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Hp.
1 3 1 3 1 3 5 3 1 3 5 3 1 3
>
Í
3 5
1 3 1 3 1 3
>
Í
3
ƒ
5
4
5
4
5
4
5
4
5
4
Í
Í
Í
st. mute
S
st. mute
S
st. mute
S
Í
3 3
ƒ
3 3
ƒ
ƒ
3
ƒ
F
>
3
3
3
> >
>
>
>
cresc. poco a poco
p
p
p
3 3
ƒ
D - D
S
S
S
Í
3
3
3
3
Í
F
Í
Í
Í
3
3
p
p
p
3
3
4
3
4
3
4
3
4
3
4
F
f
S F
S
F
F
S
f
^
^
f
f
> ^
^
ƒ
^ ^
f
^ ^
f
f
f
f
f
accel.
. . . .
^
^
6
6
6
. . . .
^
^
^
^
.
^
^
.
Timp.
Perc. 1
5
4
Í
3
4
f
Perc. 2
3
f
3
Sm. Woodblock
f
Perc. 3
Perc. 4
Perc. 5
Sizzle Cym.
w/ soft mall.
p
71
ƒ
70
72
73
74
75
T H R E E S U M M I T S - p. 9

Picc.
Fl. 1
Fl. 2
>
S
>
SF
>
S
78
6
6
6
Driving Forward ( q = 108 )
>
S
>
S
>
S
4
3
4
4
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
A. Sx. 1-2
T. Sx.
B. Sx.
Solo Tbn.
B Tpt. 1
B Tpt. 2-3
F Hn. 1,3
Hn. 2,4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
SF
SF
SF
^
^
>
^
^
^ ^
^ ^
76
^
^
^ ^ >
> >
^ ^
^
^
77
3
gliss.
S
S
S
F
open
F
F
OOOPOOOO
F
f
78
F
F
F
F
F
Vibraphone
F
79
80
81
3
f
4
4
4
4
4
F
82
3
B.D. + Tam-Tam
w/ reg. mall.
83
3
84
3
4
3
4
3
4
3
4
3
4
85
ƒ
4
4
4
4
4
>
>
f
>
>
f
>
>
>>
ƒ
open
open
> >
> >
f
> >
f
f
f
f
China Cym.
w/ soft mall.
f
f
f
p
86
Crotales
T H R E E S U M M I T S - p. 10

Picc.
Fl. 1
Fl. 2
Ob.
94
f
f
f
6
f
> >
ƒ
> >
ƒ
> >
ƒ
5
4
p
p
4
Bsn. 1-2
B Cl. 1
B Cl. 2
f
p
p
f
F
5
4
ƒ
4
B Cl. 3
B. Cl.
A. Sx. 1-2
T. Sx.
f
> >
3
>
>
3
p
p
p
p
F
5
4
ƒ
4
B. Sx.
Solo Tbn.
B Tpt. 1
B Tpt. 2-3
F Hn. 1,3
>
>
3
3
> >
F
5
5
> >
ƒ
>>
ƒ
>>
ƒ
>
>
ƒ
5
4
P
P
>
>
3
ƒ
3
F
4
Hn. 2,4
Tbn. 1-2
> >
3
ƒ
> >
3
F
B. Tbn.
p
ƒ
Euph.
p
ƒ
Tuba
Hp.
Timp.
Perc. 1
f
f
OOoPoOOo
f
p
p
p
ƒ E - E
6
f
f
5
4
5
4
ƒ
ƒ
oOoPoOOo
4
4
Perc. 2
Perc. 3
Perc. 4
Perc. 5
f
87
hold pedal down
F
88
89
90
91
92
Sizzle Cym.
w/ soft mall.
p
93
f
94
ƒ
f
Sm. Tam-Tam
strike w/ tri. beater
95
T H R E E S U M M I T S - p. 11

Picc.
Fl. 1
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
4
4
p
P
P
one player
F
F
3
4
3
4
f
f
f
accel.
B Cl. 3
B. Cl.
A. Sx. 1-2
T. Sx.
4
p
P
p
p
F
P
3
4
F
B. Sx.
Solo Tbn.
B Tpt. 1
B Tpt. 2-3
4
gliss.
p
con vib.
P
3
-
.
P
.
> >
3
3
4
>
Í
>
. >
f
.
F Hn. 1,3
Hn. 2,4
Tbn. 1-2
B. Tbn.
Euph.
p
F
one player
p
one player
p
p
P
P
F
P
F
tutti
cresc. poco a poco
P
tutti
Tuba
Hp.
Timp.
Perc. 1
4
4
p
F
F
P
3
4
3
4
cresc. poco a poco
f
Perc. 2
Perc. 3
Perc. 4
Perc. 5
96
97
98
99
100
101
102
T H R E E S U M M I T S - p. 12

Picc.
Fl. 1
Fl. 2
104 Joyous ( q = 126 )
f
ƒ
ƒ
4
3
4
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
A. Sx. 1-2
T. Sx.
B. Sx.
Solo Tbn.
B Tpt. 1
B Tpt. 2-3
F Hn. 1,3
Hn. 2,4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Hp.
>
. >
ƒ gliss.
.
ƒ
ƒ
> >
>
f
> >
ƒ
> >
>
f
>
>
> >
>
f
>
> >
> >
f
>
>
>
>
ƒ
>
> > >
f
> > > >
3
f
f
p
p
f
f
f
f
>
>
>
>
> >
> >
> >
f
F
P
p
P
F
P
tutti
“
p
p
p
P
p
The Old Rugged Cross - Bennard
P
P
cresc. poco a poco
cresc. poco a poco
cresc. poco a poco
cresc. poco a poco
cresc. poco a poco
cresc. poco a poco
cresc. poco a poco
cresc. poco a poco
cresc. poco a poco
4
4
4
4
3
4
3
4
3
4
3
4
Timp.
Perc. 1
6
ƒ
ƒ
P
4
3
4
Perc. 2
Perc. 3
Perc. 4
Sus. Cym.
w/ soft mall.
p
ƒ
Med. Triangle
ƒ
f
Sus. Cym.
w/ light stick, near center
p
Perc. 5
103
104
105
106
107
108
109
110
111
T H R E E S U M M I T S - p. 13

Picc.
Fl. 1
Fl. 2
3
4
f
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
3
4
f
f
> >
f
ƒ
F
f
F
B Cl. 3
B. Cl.
A. Sx. 1-2
T. Sx.
3
4
f
> >
f
>
>
f
ƒ
p
F
B. Sx.
Solo Tbn.
B Tpt. 1
B Tpt. 2-3
F Hn. 1,3
Hn. 2,4
Tbn. 1-2
3
4
> >
ƒ
>
>
> >
f
> >
f> >
f
f
f
ƒ
ƒ
ƒ
ƒ
p
p
F
F
>
>
3
p
B. Tbn.
f
F
p
Euph.
f
F
Tuba
Hp.
3
4
f
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
3
4
ƒ
f
p
F
f
π
p
Perc. 5
112
113
114
115
116
117
118
T H R E E S U M M I T S - p. 14

Picc.
Fl. 1
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
A. Sx. 1-2
T. Sx.
B. Sx.
Solo Tbn.
B Tpt. 1
B Tpt. 2-3
F Hn. 1,3
Hn. 2,4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
3
p
3
p
3
p
3
p
3
p
3
p
p
3
p
3
F
p
119
F
F
F
F
F
F
p
p
p
p
120
^ ^ ^
f
^ ^ ^
f
^ ^ ^
f
f
^ ^ ^
f
^
^ ^
f
^ ^ ^
f
f
^
^ ^
f
f
f
^ ^ ^
f
^ ^ ^
f
^ ^ ^
f
^ ^ ^
f
f
f
f
f
f
choke
^ ^ ^
f
Sus. Cym.
w/ stick, short crash
ƒ
121
7
8
7
8
7
8
7
8
7
8
7
8
molto rall.
let ring
let ring
122
4
4
4
4
4
4
f
gliss.
6
oOoPOoOo
Sm. Tam-Tam
strike w/ tri. beater
Ï
p
123
ad lib.
3
4
3
4
3
4
3
4
3
4
3
4
S
S
>
>
ƒ
S
S
S
S
ƒ
ƒ
S
ƒ
ƒ
124
125
Very Dramatic ( q = 100 )
5
4
5
4
5
4
5
4
5
4
5
4
ƒ
ƒ
ƒ
ƒ
ƒ
> > >
Í
Í
f
f
Í
f
B.D. + Tam-Tam
w/ reg. mall.
125
ƒ
ƒ
3
2
3
2
3
2
3
2
3
2
3
2
T H R E E S U M M I T S - p. 15

Picc.
Fl. 1
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
A. Sx. 1-2
T. Sx.
3
2
3
2
3
2
allarg.
4
4
4
a tempo
ƒ
ƒ
ƒ
ƒ
ƒ
ƒ
Í
P
6
P
Í
P
> >
>
>
>
>
ƒ
ƒ
Í
ƒ
ƒ
ƒ
Í
ƒ
3
4
3
4
3
4
f
f
f
F
f
f
f
4
4
4
B. Sx.
Solo Tbn.
B Tpt. 1
B Tpt. 2-3
F Hn. 1,3
Hn. 2,4
Tbn. 1-2
B. Tbn.
Euph.
3
2
>
> > ,
Í
Í
4
> >
Ï
ƒ
ƒ
ƒ
ƒ
’’
Í
P
P
ƒ
3
P
Í
Í
Í
Í
> >
ƒ
ƒ
ƒ
ƒ
ƒ
Í
Í
Í
f
Í
Í
gliss.
3
4
F
F
4
Tuba
Hp.
3
2
E - E
4
Í
OOoPoOOo
Í
OoOPOppp
3
4
4
Timp.
Perc. 1
3
2
Í
ƒ
4
Í
6
ƒ
Í
6
ƒ
3
4
4
Perc. 2
Perc. 3
Perc. 4
Sizzle Cym.
w/ soft mall.
p
ƒ
Sus. Cym. + China Cym. + Splash Cym.
Sus. Cym.
w/ soft mall.
p
ƒ
China Cym.
w/ soft mall.
f
126
128
Perc. 5
127
129
130
131
T H R E E S U M M I T S - p. 16

Picc.
Fl. 1
Fl. 2
4
p
p
3
4
4
poco rit.
P
P
P
Calm ( q = 72 )
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
A. Sx. 1-2
T. Sx.
4
4
p
p
p
F
F
F
3
4
3
4
F
F
F
F
F
4
4
p
p
p
p
p
p
p
p
π
π
π
π
U
U
U
U
B. Sx.
Solo Tbn.
B Tpt. 1
B Tpt. 2-3
4
F
3
4
P
4
p
U
F Hn. 1,3
F
π
U
Hn. 2,4
Tbn. 1-2
π
U
B. Tbn.
π
U
Euph.
Tuba
Hp.
Timp.
Perc. 1
4
4
F
3
4
3
4
4
4
p
OOoPoOOo
π
π
p
π
U
U
Perc. 2
Perc. 3
Perc. 4
p
p
3
Vibraphone
π
Perc. 5
132
133
134
135
136
T H R E E S U M M I T S - p. 17

Piccolo
Flute 1
Flute 2
II. Town of Independence, Population 1
3
4
Distant ( q = 54 )
one player
π
4
3
4
p
one player
4
3
4
p
Oboe
Bassoon 1-2
Clarinet in B 1
Clarinet in B 2
Clarinet in B 3
Bass Clarinet
3
4
π
two players
4
solo
P Í
3
4
p
π
two players
4
3
4
Alto Sax. 1-2
Tenor Sax
3
4
4
3
4
4
3
4
Baritone Sax
Solo Trombone
Trumpet in B 1
Trumpet in B 2-3
3
4
4
1 Harmon mute 4 1 4
π
stem out
3
4
1 4 1
F
4
con vib.
p
4
1 2
cresc. poco a poco
3
4
1 2 1 2
Horn in F 1,3
Horn in F 2,4
Trombone 1-2
Bass Trombone
Euphonium
Tuba
Harp
3
4
OOoPOOOO
P
6
4
F
6
f
6
3
3
4
P
4
3
4
Timpani
Percussion 1
Percussion 2
Percussion 3
Percussion 4
3
4
Glock.
3
P w/ soft mall.
Vibraphone
6
P hold pedal down
4
F
3
P
F
6
Crotales
f
3
f
6
3
3
F
3
4
p
F
P
F
4
3
4
Percussion 5
1
2
3
4
T H R E E S U M M I T S - p. 18
P
Sm. Triangle
5
6
7

Picc.
Fl. 1
4
5
4
>
solo, cue Ob.
S
3
12
4
p
tutti
p
5
4
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
F
4
Í
5
4
>
3
S
solo
tutti
3
S
4
P
π
tutti
p
5
4
B Cl. 3
B. Cl.
A. Sx. 1-2
T. Sx.
F
F
tutti
4
Í
Í
5
4
4
5
4
B. Sx.
Solo Tbn.
B Tpt. 1
B Tpt. 2-3
F Hn. 1,3
4 2 4 2 1 2 4 2 4
3 5 3
gliss.
f
4
S
p
5
4
Harmon mute
f
Harmon mute
f
4
P
5
4
Hn. 2,4
Tbn. 1-2
p
B. Tbn.
Euph.
Tuba
Hp.
Timp.
Perc. 1
F
4
4
Í
Í
Í
P
F
5
4
5
4
f
p
4
4
P
F
OOOPOOpO
5
4
5
4
Perc. 2
Perc. 3
Perc. 4
Perc. 5
8
Sus. Cym.
w/ soft mall.
p
9
Marimba
F
f
f
Bell Tree
(quick gliss.)
10
F
Sm. Triangle
Sizzle Cym.
w/ soft mall.
p
P
11
P
f
12
13
T H R E E S U M M I T S - p. 19

Picc.
Fl. 1
5
4
3
4
4
Fl. 2
Ob.
3
F
Bsn. 1-2
B Cl. 1
B Cl. 2
5
4
3
3
3
4
F
F
3
f
ƒ
ƒ
4
3
3
B Cl. 3
ƒ
B. Cl.
A. Sx. 1-2
T. Sx.
5
4
3
4
ƒ
4
3
B. Sx.
Solo Tbn.
B Tpt. 1
B Tpt. 2-3
5
4
3
4
S
F
5
ƒ
1 4 1 4 6 4 1 4 6 4
3 5
4
f
1
Harmon mute
f
Harmon mute
f
F Hn. 1,3
Hn. 2,4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
5
4
5
4
P
3
3
F
3
3
14
f
F - F
3
4
3
4
P
F
F
F
15
3
3
Sus. Cym.
w/ soft mall.
p
16
Crotales
f
f
B - B
3
F
3
f
f
17
F - F
China Cym.
ƒ
w/ soft mall.
p
18
4
4
f
f
f
ƒ
Marimba
ƒ
f
f
OOOPOOOO
Bell Tree
(quick gliss.)
19
T H R E E S U M M I T S - p. 20

Picc.
21
Fl. 1
Fl. 2
solo
3
F
3
f
F
3
Ob.
solo
F
3
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
A. Sx. 1-2
T. Sx.
B. Sx.
Solo Tbn.
B Tpt. 1
B Tpt. 2-3
F Hn. 1,3
Hn. 2,4
Tbn. 1-2
f
f
3
f
p
p
3
3 3
3
3
π
π
π
π
f
3
F
open
F
open
open
π
p
p
p
p
p
P
3
3
3
3
F
F
F
F
F
F
p
p
p
p
p
3
3
P
p
p
p
solo, cue Ob.
3
3
F
3
5
B. Tbn.
Euph.
Tuba
Hp.
Timp.
π
3
f
π
π
p
p
P
A - A
F
F
F
A - A
p
p
p
p
Perc. 1
Perc. 2
Perc. 3
Perc. 4
P
3
f
p
ped. ad lib.
p
Sus. Cym.
w/ soft mall.
f
Perc. 5
20
21
22
23
24
25
26
27
T H R E E S U M M I T S - p. 21

Picc.
Fl. 1
Fl. 2
Ob.
f
30
5
4
3
f
3
f
tutti
3
f
4
3
f
3
f
3
3
5
4
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
A. Sx. 1-2
T. Sx.
B. Sx.
Solo Tbn.
B Tpt. 1
B Tpt. 2-3
F Hn. 1,3
Hn. 2,4
Tbn. 1-2
f
f
f
f
f
f
f
f
f
p
p
p
P
P
P
p
p
5
4
5
4
5
4
F
F
F
F
p
p
f
gliss.
3
f
4
4
4
f
f
f
f
f
f
f
ƒ
f
f
f
f
f
f
f
f
f
f
5
4
5
4
5
4
B. Tbn.
Euph.
f
f
p
f
f
Tuba
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
F
f
28
f
p
29
5
4
5
4
Sm. Tam-Tam
strike w/ tri. beater
3
3
f
P
3 3 5
30
4
4
OpOPOOOO
ƒ
6
ƒ
ƒ
ƒ
Crash Cym.'s
31
f
China Cym.
w/ soft mall.
p
Crotales
OOoPOOOO
6
f
32
5
4
5
4
T H R E E S U M M I T S - p. 22

Picc.
Fl. 1
Fl. 2
5
4
5
ƒ
5
ƒ
3
5 3
ƒ
3
3
3 5
p
4
3
4
38
a tempo
one player
π
4
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
5
4
3
ƒ
5 3
5
3
ƒ
3
3
5
4
p
3
4
π
two players
4
B Cl. 3
B. Cl.
A. Sx. 1-2
T. Sx.
B. Sx.
Solo Tbn.
B Tpt. 1
B Tpt. 2-3
F Hn. 1,3
Hn. 2,4
Tbn. 1-2
5
4
5
4
3 5 3
f
f
f
f
ƒ
3
f
f
f
f
3
4
4
π
p
π
π
2 quasi-cadenza 1 2 1
π
π
π
π
π
3
4
3
4
2 4 2 1 2 4 4 4 2 1 2
3 5 3
1 2 4
1
π
4
4
B. Tbn.
π
Euph.
p
Tuba
Hp.
5
4
C - C
6
4
p
3
4
C - C
P
6
4
Timp.
Perc. 1
5
4
ƒ
4
π
3
4
Glock.
3
P w/ soft mall.
4
Perc. 2
3
3
Perc. 3
Perc. 4
Perc. 5
p
Sm. Tam-Tam
strike w/ tri. beater
ƒ F
3 5 6
33
B.D.
w/ reg. mall.
Sus. Cym.
w/ soft mall.
f
3
S
34
35
36
37
6
P hold pedal down
38
T H R E E S U M M I T S - p. 23

Picc.
Fl. 1
4
3
4
n
( e = e )
Chanting ( e = 96 )
p
p
Fl. 2
Ob.
π
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
4
solo
P
Í
3
4
n
π
B. Cl.
A. Sx. 1-2
T. Sx.
4
3
4
B. Sx.
Solo Tbn.
B Tpt. 1
B Tpt. 2-3
4
3
4
F Hn. 1,3
Hn. 2,4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
4
4
F
F
6
3
F
6
P
6
3
3
3
6
f
F
3
3
4
3
4
6
6
3
6
Sizzle Cym.
w/ soft mall.
p
41
3
6
6
6
3
f
f
8 5 8 5 8 5 8 5 8 5
8 5
F
p
39
40
42
43
44
45
T H R E E S U M M I T S - p. 24

Picc.
Fl. 1
Fl. 2
Ob.
46
P
P
F sost.
sost.
F
F sost.
Bsn. 1-2
B Cl. 1
B Cl. 2
P
tutti
F
tutti
F sost.
B Cl. 3
B. Cl.
A. Sx. 1-2
F
F
T. Sx.
B. Sx.
Solo Tbn.
“
Wayfaring Stranger - Traditional
p
F
’’
3
B Tpt. 1
B Tpt. 2-3
F Hn. 1,3
Hn. 2,4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
8 7 8 5 4 3 8 5 8 7
8 7 8 5 4 3 8 5 8 7
8 7 8 5 4 3 8 5 8 7
8 7 8 5 4 3 8 5 8 7
8 7 8 5 4 3 8 5 8 7
8 7
8 5
4 3 8 5 8 7
F
8 5 8 5 8 5 8 5 8 5 8 5
F
F
F
F
F
F
F
P
P
P
P
P
Perc. 4
Perc. 5
46
47
48
49
50
51
F
52
53
T H R E E S U M M I T S - p. 25

Picc.
Fl. 1
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
A. Sx. 1-2
T. Sx.
B. Sx.
Solo Tbn.
B Tpt. 1
B Tpt. 2-3
F Hn. 1,3
Hn. 2,4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
f
f
f
f
f
F
F
F
F
F
8 5 4 3 8 5 8 7 8 5 8 7
8 5 4 3 8 5 8 7 8 5 8 7
8 5 4 3 8 5 8 7 8 5 8 7
8 5 4 3 8 5 8 7 8 5 8 7
8 5 4 3 8 5 8 7 8 5 8 7
8 5 4 3
8 5 8 7 8 5 8 7
ƒ
Crash Cym.'s
ƒ
ƒ
Chimes
F
3
f
F
poco rit.
f
3
56
Shouting ( e = 88 )
ƒ
ƒ
ƒ
ƒ
ƒ
ƒ
f
f
f
f
f
“
- - -
f
f
f
f
f
f
f
f
- - -
- - -
f
F
f
F
ƒ
- - -
Perc. 5
Tam-Tam + B.D.
w/ reg. mall.'s
54
55
56
ƒ
57
58
59
60
T H R E E S U M M I T S - p. 26

Picc.
Fl. 1
- - -
- - -
allarg.
3
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
S
S
B Cl. 2
B Cl. 3
B. Cl.
A. Sx. 1-2
S
S
S
S
T. Sx.
B. Sx.
Solo Tbn.
- - -
gliss.
- - -
S
S
3
molto vib.
B Tpt. 1
B Tpt. 2-3
F Hn. 1,3
Hn. 2,4
Tbn. 1-2
S
S
B. Tbn.
Euph.
S
S
Tuba
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
8 7 8 5 8 7 8 5 8 7 8 5 4 8 7 8 5 8 7 8 5 8 7 8 5 4 8 7 8 5 8 7 8 5 8 7 8 5 4 8 7 8 5 8 7 8 5 8 7 8 5 4 8 7 8 5 8 7 8 5 8 7 8 5 4 8 7
8 5 8 7 8 5 8 7 8 5 4
S
S
Perc. 4
Perc. 5
61
62
63
Tam-Tam
ƒ
64
B.D.
ƒ P
65
Sm. Tam-Tam
strike w/ tri. beater
3
66
ad lib.
T H R E E S U M M I T S - p. 27

Picc.
Fl. 1
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
A. Sx. 1-2
67
Tempo I: Defiant ( q = 54 )
ƒ
5 6
ƒ
S
ƒ
ƒ
ƒ
S
ƒ
5
5
5
5
ƒ
ƒ
5
6
6
S
5
5
S
S
5
p
5
π
5
π
π
π
π
π
Cadenza: Freely ( q = ca. 50 )
T. Sx.
B. Sx.
Solo Tbn.
S
Ï
S
4 2 4 etc.
3 5
’’
S
S
3 5
tongued, ad lib.
6
P
1 4
p
3 4
3
B Tpt. 1
B Tpt. 2-3
F Hn. 1,3
Hn. 2,4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
S
S
S
S
S
ooOPOOOo
ƒ
6
S
S
S
S
S
S
opOPoOOo
6
p
p
4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4 4 4 3 4
ƒ
ƒ
p
ƒ Crash Cym.'s
π
π
π
π
Perc. 4
Perc. 5
S
67
Sizzle Cym.
w/ soft mall.
p
68
ƒ
69
f
Tam-Tam
scrape w/ tri. beater
70
71
72
73
T H R E E S U M M I T S - p. 28

Picc.
Very Slow ( q = 40 )
Fl. 1
Fl. 2
Ob.
Bsn. 1-2
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
A. Sx. 1-2
p
p
p
p
p
n
n
n
n
n
T. Sx.
B. Sx.
Solo Tbn.
B Tpt. 1
B Tpt. 2-3
F Hn. 1,3
1 2 4 2 4 2 1 2 4 2 4 2 1
F
1 1
p
2 1 2 1 2 1 2 1 2 1 1
f
gliss.
F
Harmon mute
F
Harmon mute
con vib.
π
π
senza vib.
U
n
Hn. 2,4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Hp.
F
F
F
f
OpoPOOOO
6
3
π
π
π
solo, cue B. Cl.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
3
P
Vibraphone
Glock.
6
F
3
hold pedal down
p
3
Perc. 5
74
75
76
f
Bell Tree
(quick gliss.)
77
78
T H R E E S U M M I T S - p. 29

Piccolo
Flute 1
Flute 2
Oboe
Bassoon
Clarinet in B 1
Clarinet in B 2
Clarinet in B 3
Bass Clarinet
Alto Sax. 1-2
Tenor Sax
Baritone Sax
Solo Trombone
Trumpet in B 1
Trumpet in B 2-3
Horn in F 1,3
Horn in F 2,4
Trombone 1-2
III. Race to the Clouds
3
4
Relentless ( q = 144 )
3
4
3
4
3
4
6
f
5
f
p
5
5
P
p
f
P
P
f
4
4
4
4
Í
S
S
S
Í
f S
f S
Í
f
f
f
f
f
F
F
F
F
F
-
F
.
-
.
one player
F
-
.
F
.
5
4
5
4
5
4
gliss.
5
4
6
f
5
5
n
n
n
n
n
-
.
>
>
5
5
gliss.
4
4
4
4
Í
Í
S
f
f
f
f
f
F
Bass Trombone
Euphonium
P
Í
Í
F
Í
F
Tuba
Harp
Timpani
Percussion 1
3
4
3
4
oOoPOOOO
ƒ
gliss.
6
F
4
4
Í
f
P
5
4
5
4
gliss.
6
f
4
4
Í
P
Percussion 2
Percussion 3
Percussion 4
Percussion 5
Sus. Cym.
w/ soft mall.
p
1
Hi-Hat, closed
w/ sticks
P
f
2
S
choke
S.D. (stick shot)
3
4
5
T H R E E S U M M I T S - p. 30
6
F
ƒ
Vibraslap
China Cym.
w/ soft mall.
f
7

Picc.
Fl. 1
Fl. 2
Ob.
Bsn.
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
A. Sx. 1-2
T. Sx.
p
p
p
p
p
p
P
P
P
P
P
5
4
5
4
5
4
6
f
f
f
f
5
5
5
f
5
12
4
4
4
tutti
Í
P
P
P
P
P
P
B. Sx.
Solo Tbn.
B Tpt. 1
B Tpt. 2-3
F Hn. 1,3
Hn. 2,4
Tbn. 1-2
-
. - .
F
-
. -
-
.
.
- .
.
-
P
P
.
5
4
!
! ! ! ! >
.
! !
f
4
Í
. . .
f
f
Harmon mute
Harmon mute
f P
f P
f
.
. . . . . . . .
p
p
>
>
^
^ > ^
B. Tbn.
Euph.
p
Í
P
Tuba
Hp.
F
5
4
ƒ gliss.
6
4
Í
Timp.
Perc. 1
Perc. 2
5
4
f
4
F
Glock.
P
open and closed
Perc. 3
Perc. 4
w/ stick, on bell
P
Sus. Cym.
3 3
ƒ
Perc. 5
8
9
10
11
12
13
14
T H R E E S U M M I T S - p. 31

Picc.
Fl. 1
Fl. 2
5
4
5
5
5
4
3
4
Ob.
5
Bsn.
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
A. Sx. 1-2
T. Sx.
B. Sx.
Solo Tbn.
B Tpt. 1
B Tpt. 2-3
. . . . >
^
. .
. . . . . . . .
5
4
5
4
gliss.
5
4
5
> > >
sÍ
f
f
3
5
4
4
4
f
f
f
>
^
ƒ
gliss.
3
4
3
4
3
4
F
F
ƒ
ƒ
F
ƒ
ƒ
ƒ
gliss.
S
S
S
S
S
. . . . .
F Hn. 1,3
Hn. 2,4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Hp.
Timp.
Perc. 1
Perc. 2
5
4
5
4
D - D
6
ƒ
4
4
f
f
f
f
f
3
4
3
4
F
Í
f
F
Perc. 3
Perc. 4
Perc. 5
15
16
17
China Cym.
w/ soft mall.
S
18
F
Tam-Tam
strike w/ tri. beater
19
3
f
Splash + China Cym.'s
ƒ
20
T H R E E S U M M I T S - p. 32

Picc.
Fl. 1
4
23
5
4
. .
f
. . . .
.
. .
. . . . .
5
8
Fl. 2
Ob.
Bsn.
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
A. Sx. 1-2
T. Sx.
4
4
f
f
. .
F
.
.
.
F .
5
4
5
4
f
. . . . . .
f
.
. .
. .
f
f
. .
f
.
. . .
. .
. . . .
.
. .
f
.
. .
. . . . .
.
.
. . . . . . .
. . . . .
.
.
.
.
5
8
5
8
B. Sx.
Solo Tbn.
B Tpt. 1
B Tpt. 2-3
F Hn. 1,3
. . >
^
>
.
4
>
.
st. mute
.
.
.
F
st. mute
.
.
.
F
. . .
F
f
>
f
.
>
.
.
. .
.
. .
.
. . . .
. >
. >
. . . .
.
.
.
.
. .
. .
.
. .
F
. .
.
.
. >
. >
. .
. .
. . .
.
>
. .
. .
. .
. .
. .
.
.
5
4
f
f
open
open
.
.
. . . . . . . . .
3 3 3
5
8
Hn. 2,4
Tbn. 1-2
B. Tbn.
Euph.
f
.
.
F .
. .
.
F
.
. .
. . .
.
.
.
.
Tuba
Hp.
4
f
5
4
5
8
Timp.
Perc. 1
4
ƒ
F
5
4
5
8
Perc. 2
Perc. 3
Vibraphone
F
no pedal!
F
Tambourine
Perc. 4
Perc. 5
21
22
23
24
25
26
27
T H R E E S U M M I T S - p. 33

Picc.
Fl. 1
Fl. 2
Ob.
Bsn.
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
A. Sx. 1-2
T. Sx.
B. Sx.
Solo Tbn.
B Tpt. 1
B Tpt. 2-3
F Hn. 1,3
Hn. 2,4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Hp.
5
8
5
8
5
8
5
8
5
8
^ ^ ^ ^
^
ƒ
^ ^ ^ ^ ^
ƒ
^ ^ ^ ^ ^
ƒ
^ ^ ^ ^
^
ƒ
^ ^ ^ ^ ^
ƒ
^ ^
^ ^ ^
ƒ
^ ^ ^ ^ ^
ƒ
^
^
^
^
^
ƒ
!
!
!
! !
^ ^ ^ ^ ^
ƒ
^
^
^
^ ^
ƒ
f
f
f
4
4
4
4
4
^
^
^
^
^
. .
> >
F f
^
. . >
>
F f
^
> >
F f
f
> ^ ^ ^ ^ ^ ^ ^
>
ç
f
f
.
F
.
F
F
. .
. .
.
.
^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^
3
> > > >
.
f F
> >
>
>
.
f F
> > > >
f
> > > >
.
.
>
>
>
. . . .
> >
> >
F
3 3
. . . .
F
. . . .
F
. . . . > . . . . .
3 3 3 3
5
8
5
8
5
8
5
8
5
8
^ ^ ^ ^ ^
f
^ ^ ^ ^ ^
f
^ ^ ^ ^
^
f
^
^
^ ^ ^
f
f
^ ^ ^ ^ ^
f
^ ^
^ ^ ^
f
f
f
! !
! ! !
34
4
4
4
4
4
^
^
^
^
^
. .
F
^
^
F
^
. .
F
.
.
F
^
. .
F
>
sÍ
F
.
.
.
.
F
^
. .
F
.
.
F
^
. .
F
.
.
.
.
.
.
Timp.
Perc. 1
5
8
ƒ
4
5
8
4
f
Perc. 2
Perc. 3
Perc. 4
Perc. 5
f
ƒ
4 Toms
28
Hi-Hat
f
Kick B.D. + Tom
29
30
31
32
33
f
Bongos
f w/ sticks
34
T H R E E S U M M I T S - p. 34

Picc.
Fl. 1
Fl. 2
Ob.
Bsn.
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
A. Sx. 1-2
T. Sx.
B. Sx.
Solo Tbn.
. .
. .
.
.
. . . .
.
.
. .
gliss.
. .
ƒ
.
.
>
. .
. . . . .
ƒ
ƒ
.
. . .
. . .
. .
. . . . .
sÍ
gliss.
ƒ
ƒ
.
. .
>
S
>
S
>
S
.
. .
.
.
.
.
>
S
>
S
.
. . .
.
>
- .
. .
. .
.
. . . .
.
.
.
. .
.
. .
gliss.
>
.
.
. . .
f
.
.
. . . . .
.
.
. .
. . .
.
.
. . . .
.
. . . . .
f
f
f
f
f
!
!
!
S
S
S
S
.
. .
.
.
S ƒ
S ƒ
S
.
. .
.
.
.
. .
.
.
>
. >
. >
.
3
3
ƒ
. .
.
.
.
.
>
S
>
S
>
S
. . . .
.
.
>
S
>
S
. .
.
.
.
.
.
. .
B Tpt. 1
B Tpt. 2-3
F Hn. 1,3
Hn. 2,4
Tbn. 1-2
B. Tbn.
. .
. .
.
.
. .
. . . . .
.
. .
.
.
. .
. .
.
.
.
.
. . . . .
.
. .
.
.
. .
.
.
.
.
Euph.
. .
. .
.
.
. .
. . . . .
.
. .
.
.
. .
. .
.
.
.
.
. . . . .
.
. .
.
.
. .
.
.
.
.
Tuba
. . . .
.
.
.
. . .
. . .
.
. .
.
.
. . . .
.
.
.
.
. .
. . .
.
. .
.
.
. . . .
.
.
Hp.
Timp.
Perc. 1
f
Perc. 2
Perc. 3
Perc. 4
S
S
Perc. 5
35
36
37
38
39
40
41
T H R E E S U M M I T S - p. 35

Picc.
Fl. 1
Fl. 2
Ob.
Bsn.
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
A. Sx. 1-2
T. Sx.
B. Sx.
Solo Tbn.
B Tpt. 1
B Tpt. 2-3
F Hn. 1,3
Hn. 2,4
Tbn. 1-2
f
f
f
.
.
. . . . .
S
f
S
f
S
.
. . .
. . .
S
S
.
.
. . . . .
. . . . . ^ ^ ^ ^ ^ ^
3 3
f
43
f
f
f f
f
> >
f
f
f
f
f
3
4
3
4
3
4
3
4
3
3
3
4
4
4
4
. .
.
P
.
P
. .
.
P
. .
.
P
.
.
.
P
.
P
>
. .
. .
.
>
.
5
4
5
4
5
4
5
4
.
. . .
.
.
.
.
.
.
. . .
. . .
.
.
.
.
. .
.
.
.
.
.
.
.
.
.
.
. . . .
. . . . .
> >
.
4
4
4
4
B. Tbn.
Euph.
.
.
.
.
. . . . .
. . . . .
f
f
3
Tuba
Hp.
.
.
. .
. . .
f
f
OOOPoOOo
3
4
4
5
4
4
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
S
42
f
Tambourine (mounted)
f
ƒ
f
Crotales
f
43
3
4
44
4
45
S.D. (rim clicks)
F
5
4
46
4
T H R E E S U M M I T S - p. 36

Picc.
Fl. 1
Fl. 2
4
5
4
3
3
4
Ob.
Bsn.
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
A. Sx. 1-2
T. Sx.
B. Sx.
Solo Tbn.
B Tpt. 1
B Tpt. 2-3
F Hn. 1,3
4
4
4
>
>
5
4
5
4
5
4
3
3
p
3
3
4
4
4
π
p
p
π
> >
>
ƒ
p
p
cresc. poco a poco
cresc. poco a poco
cresc. poco a poco
cresc. poco a poco
cresc. poco a poco
! ! ! ! ! ! !
F cresc. poco a poco
!
!
3
! ! ! ! !
3
3
! . . . . . . . .
3
ƒ
f
ƒ
ƒ
ƒ
ƒ
ƒ
f
f
Hn. 2,4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Hp.
4
5
4
3
4
π
F
cresc. poco a poco
cresc. poco a poco
3
3
3
ƒ
ƒ
ƒ
ƒ
Timp.
Perc. 1
4
5
4
3
3
4
F
3
3
ƒ
Perc. 2
Perc. 3
Perc. 4
Perc. 5
47
f
3
48
49
F
S
hold pedal down
S.D. (stick shot)
50
Sus. Cym.
w/ soft mall.
p
51
3
52
ƒ
ƒ
B.D. + Tam-Tam
w/ reg. mall.
ƒ
53
T H R E E S U M M I T S - p. 37

Picc.
Fl. 1
Fl. 2
f
3 3
56
π
solo
3
4
4
Ob.
P
Bsn.
B Cl. 1
B Cl. 2
B Cl. 3
3
π
p
P
P
p
3
π
π
π
3
4
4
B. Cl.
A. Sx. 1-2
T. Sx.
3
p
3
P
p
3
4
4
B. Sx.
Solo Tbn.
B Tpt. 1
B Tpt. 2-3
F Hn. 1,3
Hn. 2,4
p
f
3
π
π
p
p
3
4
1
π
4
Tbn. 1-2
p
B. Tbn.
Euph.
3
p
p
Tuba
Hp.
p
F
OOoPoOOo
3
3
3
4
3
3 3
4
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
F
F
3
Med. Triangle
3
F
3
3
hold pedal down
3
4
F
3
3 3
3
3 3
4
Perc. 5
54
55
56
57
58
59
60
T H R E E S U M M I T S - p. 38

Picc.
Fl. 1
4
Fl. 2
Ob.
Bsn.
B Cl. 1
B Cl. 2
4
P
P
P
B Cl. 3
B. Cl.
A. Sx. 1-2
T. Sx.
4
P
P
P
B. Sx.
Solo Tbn.
B Tpt. 1
B Tpt. 2-3
4
4 1 4 1
4 6 4 1 4
3
3
P
F
3
f
F Hn. 1,3
Hn. 2,4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Hp.
Timp.
Perc. 1
4
4
P
P
one player
one player
p
p
Perc. 2
Perc. 3
Perc. 4
P
Perc. 5
61
62
63
64
65
66
67
68
T H R E E S U M M I T S - p. 39

Picc.
Fl. 1
Fl. 2
Ob.
Bsn.
B Cl. 1
tutti
F
F
cresc. poco a poco
cresc. poco a poco
74
ƒ
ƒ
3
ƒ
ƒ
ƒ
ƒ
3 3
3 3
3 3
3 3
ƒ
3 3
B Cl. 2
F
cresc. poco a poco
ƒ
3
3
B Cl. 3
B. Cl.
A. Sx. 1-2
T. Sx.
F
F
cresc. poco a poco
cresc. poco a poco
cresc. poco a poco
ƒ
ƒ
ƒ
3
3
3
3
3
B. Sx.
Solo Tbn.
F
3
F
cresc. poco a poco
>
f
ƒ
>
S
slide gliss.
ƒ
. . . . . . . >
B Tpt. 1
B Tpt. 2-3
F Hn. 1,3
Hn. 2,4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
F
F
tutti
P
cresc. poco a poco
cresc. poco a poco
cresc. poco a poco
ƒ
tutti
ƒ
ƒ
3
OOoPOOOo
ƒ
3
Hp.
D - D
ƒ
6
Timp.
Perc. 1
Perc. 2
p
f
p
ƒ
f
3
3 3
Perc. 3
Perc. 4
Perc. 5
69
70
F
71
72
73
p
China Cym.
w/ soft mall.
ƒ
ƒ
B.D. + Tam-Tam
w/ reg. mall.
74
Sus. Cym.
w/ soft mall.
75
p
f
76
T H R E E S U M M I T S - p. 40

Picc.
Fl. 1
Fl. 2
Ob.
Bsn.
B Cl. 1
B Cl. 2
3
3
3
3
3
5
4
5
4
9
8
9
8
>
>
f
>
>
f
> >
f
> >
f
>
>
f
> >
f
f> >
4
4
sub. p
sub. p
B Cl. 3
B. Cl.
A. Sx. 1-2
T. Sx.
B. Sx.
Solo Tbn.
B Tpt. 1
B Tpt. 2-3
F Hn. 1,3
Hn. 2,4
Tbn. 1-2
3
5
4
5
4
> >
>
ƒ
ƒ
ƒ
ƒ
ƒ
ƒ
>
sÍ
p
p
p
3
3 3
3 3
p
p
3 3
>
ƒ
f
f
ƒ
ƒ
ƒ
> >
9
8
9
8
f> >
f
>
>
π
π
π
π
f
4
4
sub. p
sub. p
sub. p
sub. p
sub. p
sub. p
sub. p
sub. p
sub. p
3
B. Tbn.
Euph.
Tuba
Hp.
5
4
ƒ
ƒ
ƒ
3
p
3
p
p
3
f
ƒ
ƒ
9
8
oOoPOooo
Ï
gliss.
f
f
f
4
sub. p
sub. p
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
3
77
5
4
Crotales
ƒ
78
3
p
Bongos
79
F
China Cym.
w/ soft mall.
3 3
ƒ
ƒ
80
9
8
Tambourine
ƒ
81
4
p
p
82
P
Sm. Woodblock
3
83
T H R E E S U M M I T S - p. 41

Picc.
Fl. 1
84
ƒ
ƒ
Fl. 2
ƒ
Ob.
Bsn.
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
A. Sx. 1-2
T. Sx.
B. Sx.
Solo Tbn.
B Tpt. 1
B Tpt. 2-3
F Hn. 1,3
Hn. 2,4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
^
ƒ
p
^
ƒ
^
ƒ
^
ƒ
^
ƒ
p
ƒ
ƒ
^
ƒ
^
ƒ
^
ƒ
^
ƒ
^
ƒ
ƒ
ƒ
ƒ
p
. .
F
. .
F
st. mute
. .
F
p
p
p
.
.
.
.
.
.
cresc. poco a poco
.
.
.
cresc. poco a poco
.
. .
cresc. poco a poco
f
f
f
f
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
f
.
.
.
.
ƒ
.
ƒ
.
ƒ
gliss.
ƒ
ƒ
ƒ
ƒ
>
.
.
F
.
F
.
F
.
.
.
.
p
F
F
F
F
.
.
.
.
. .
.
.
.
.
. .
Hp.
Timp.
Perc. 1
p
ƒ p
ƒ
f
p
Perc. 2
Perc. 3
Perc. 4
ƒ
w/ sticks
P
Hi-Hat, closed
F
Perc. 5
84
85
86
87
88
89
90
91
T H R E E S U M M I T S - p. 42

Picc.
Fl. 1
Fl. 2
Ob.
Bsn.
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
A. Sx. 1-2
T. Sx.
B. Sx.
Solo Tbn.
B Tpt. 1
B Tpt. 2-3
F Hn. 1,3
Hn. 2,4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
.
.
.
.
.
. . . . . .
.
.
.
.
.
.
open and closed
f .
f .
f .
.
f
.
. . .
.
.
.
.
.
. . .
.
.
.
>
. . . . . . >
.
.
.
. .
.
.
>
5
>
ƒ
4
ƒ
ƒ
ƒ
ƒ
ƒ
.
ƒ
5
ƒ
ƒ
4
ƒ
ƒ
ƒ
5
ƒ
4
.
ƒ
ƒ
.
. . . . . . .
!
!
ƒ
5
4
.
. .
.
.
.
. .
ƒ
.
>
. >
ƒ
ƒ
.
5
4
5
Xylophone
4
ƒ
Tambourine
gliss.
. .
.
. .
> >
> > . . > . >
. .
> > . . > . >
. .
> > . . > . >
. .
> >
. .
>
.
. .
. >
> >
. > . >
. .
> > . . > . >
. .
. .
> >
> . > .
. .
> > > . > .
!
! ! !
! ! !
. .
> > > . > .
. . .
> . >
.
.
!
.
.
> >
. .
>
.
>
. .
4
4
4
4
4
4
Perc. 5
92
93
94
95
96
4 Toms
f
97
T H R E E S U M M I T S - p. 43

Picc.
Fl. 1
Fl. 2
Ob.
4
ƒ
ƒ
ƒ
^
^
^
^
ƒ
^
^
^
^
^ ^
^
^ ^ ^
^ ^
^
^
^ ^
^ ^
^
^ ^ ^
^ ^ ^
^
^ ^
Bsn.
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
A. Sx. 1-2
T. Sx.
B. Sx.
Solo Tbn.
B Tpt. 1
B Tpt. 2-3
F Hn. 1,3
Hn. 2,4
Tbn. 1-2
4
4
4
f
. .
.
f
> >
S S
st. mute
.
.
f
st. mute
.
.
f
.
.
f
f
.
.
.
>
ƒ
^ ^ ^
.
.
.
. . .
.
3
.
.
.
.
.
.
f
. . .
. . .
> >
. .
. .
.
.
.
.
.
.
. . . . . . . . >
.
.
.
.
.
.
gliss.
ƒ
^
^
ƒ
^
^
ƒ
^
^
ƒ
ƒ
ƒ
> >
S S
^
^
ƒ
^
^
ƒ
^
^
ƒ
^
^
ƒ
^ ^
^ ^
^
^
^ ^ ^ ^ ^ ^
^ ^
^ ^ ^ ^
> >
^ ^ ^ ^
ƒ
^ ^ ^ ^ ^ ^
^ ^ ^
^
^
^
^ ^ ^
^
^
^
^ ^
^ ^ ^ ^
B. Tbn.
Euph.
.
f
. .
.
f
. .
ƒ
ƒ
Tuba
Hp.
4
ƒ
Timp.
Perc. 1
4
f
S
ƒ
Perc. 2
Perc. 3
Perc. 4
Perc. 5
f
S
98
99
100
101
102
103
T H R E E S U M M I T S - p. 44

Picc.
Fl. 1
Fl. 2
Ob.
Bsn.
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
A. Sx. 1-2
T. Sx.
B. Sx.
^ ^ ^ ^
^ ^
^ ^
^ ^
^ ^
^
^
^
^ ^ ^ ^ ^
^ ^ ^
^
^ ^ ^ ^
^
^
^ ^ ^ ^ ^
^ ^ ^ ^ ^
^ ^ ^ ^ ^
^ ^ ^ ^
^
^
^ ^ ^
^
^ ^ ^ ^ ^
^ ^ ^ ^
^
^ ^ ^ ^
^
3
4
f
f
f
3
4
f
f
f
poco rit.
3
4
109
6
8
Pushing Forward ( q. = 96 )
6
8
6
8
ƒ
ƒ
ƒ
ƒ
ƒ
S
S
p
p
p
p
p
p
ç
ç
p
p
p
F
p
one player
p
p
p
one player
p
Solo Tbn.
B Tpt. 1
B Tpt. 2-3
F Hn. 1,3
Hn. 2,4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
^
^
^ ^
^ ^
3 3
^ ^ ^
^ ^
^ ^ ^
^
^
^ ^ ^
^
^
^ ^
^ ^
^
open
. . . . . . . . . . >
S
^
^ ^ ^
^
^ ^ ^
^
^ ^
^
^
^
^
^ ^ ^
^ ^
f
Crotales
opt.
F
3
4
3
4
3
4
6
8
6
8
6
8
S
S
ƒ
ƒ
ƒ
Glock.
S
S
ç
ç
ç
ƒ
p
p
p
p
p
F
p
p
p
F
p
OOoPoOOo
Perc. 4
Sus. Cym.
w/ soft mall.
F
ƒ
Perc. 5
104
105
106
107
108
109
110
111
112
113
T H R E E S U M M I T S - p. 45

Picc.
Fl. 1
Fl. 2
Ob.
Bsn.
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
A. Sx. 1-2
T. Sx.
P
f
f
f
f
f
9
8
9
8
9
8
> >
f
> >
f
> >
f
> >
f
> >
f
> >
f
> >
f
6
8
6
8
6
8
P
P
F
F
P
B. Sx.
Solo Tbn.
B Tpt. 1
B Tpt. 2-3
F Hn. 1,3
Hn. 2,4
Tbn. 1-2
9
8
> >
sÍ
open
open
f
f
f
f
6
8
P
P
P
P
P
p
p
p
P
B. Tbn.
Euph.
P
P
Tuba
Hp.
Timp.
Perc. 1
9
8
9
8
f
6
8
6
8
P
F
Perc. 2
f
Perc. 3
Perc. 4
Perc. 5
Sizzle Cym.
w/ soft mall.
π
116
117
f
114
115
118
119
120
121
122
T H R E E S U M M I T S - p. 46

Picc.
Fl. 1
123
F
F
4
4
ƒ
ƒ
12
8
accel.
4
Fl. 2
Ob.
Bsn.
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
A. Sx. 1-2
T. Sx.
F
F
P
P
4
ƒ
4
ƒ
12
8
12
8
4
4
B. Sx.
P
Solo Tbn.
B Tpt. 1
B Tpt. 2-3
F Hn. 1,3
Hn. 2,4
Tbn. 1-2
F
P
12
8
> >
sÍ
> >
> >
>
>
> >
ƒ
> > > >
> >
ƒ
ƒ
ƒ
>
>
ƒ
4
B. Tbn.
Euph.
Tuba
Hp.
Timp.
Perc. 1
f
P
gliss.
12
8
12
8
f
4
4
Perc. 2
Perc. 3
Perc. 4
P
Vibraphone
hold pedal down
Sus. Cym.
w/ soft mall.
p
f
f
Perc. 5
128
123
124
125
126
127
129
T H R E E S U M M I T S - p. 47

Picc.
Fl. 1
Fl. 2
4
( q. = q )
f
f
6
f
5
5
131
Faster, Intense ( q = 160 )
7
8
4
f
f
Ob.
f
Bsn.
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
A. Sx. 1-2
T. Sx.
4
4
f
p
P
5
f
p
P
f
S
S
f S
f
S
S
p
Í
Í
p
P
P
P
P
P
7
8
7
8
>
>
>
>
>
4
4
f
f
f
f
f
f
f
B. Sx.
Solo Tbn.
B Tpt. 1
B Tpt. 2-3
F Hn. 1,3
4
f
> >
sÍ
ƒ
f
f
f
p
7
8
4
f
Harmon mute
S
S
Harmon mute
-
f
.
p
p
Hn. 2,4
Tbn. 1-2
B. Tbn.
f
st. mute
f
st. mute
Í
p
f
Euph.
f
f
Tuba
Hp.
Timp.
Perc. 1
4
4
OpoPOOOO
Ï gliss.
6
f
f
p
F
p
7
8
7
8
4
4
f
f
f
Perc. 2
Perc. 3
Perc. 4
p
China w/ sticks
ƒ
w/ sticks, near center
F
Sus. Cym.
F
Perc. 5
130
131
132
133
134
135
T H R E E S U M M I T S - p. 48

Picc.
Fl. 1
Fl. 2
Ob.
p
p
7
8
f
f
f
f
4
Bsn.
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
A. Sx. 1-2
T. Sx.
p
p
p
p
F
F
F
7
8
7
8
F
f
4
4
f
f
f
f
p
Í
Í
p
f
f
F
F
B. Sx.
Solo Tbn.
B Tpt. 1
B Tpt. 2-3
F Hn. 1,3
p
-
.
-
.
-
gliss.
.
gliss.
^
^ ^
^ ^ ^ ^
^
! ! !
7
8
4
f
. . . .
. .
Harmon mute
S
S
Harmon mute
p
p
p
.
. >
.
. . . . . . . . >
.
F
Hn. 2,4
Tbn. 1-2
Í
Í
F
B. Tbn.
p
f
p
Euph.
f
Tuba
Hp.
Timp.
Perc. 1
p
p
7
8
7
8
4
4
f
f
ƒ
p
p
Perc. 2
Perc. 3
Perc. 4
S F
Perc. 5
136
137
138
139
140
141
142
T H R E E S U M M I T S - p. 49

Picc.
Fl. 1
Fl. 2
Ob.
Bsn.
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
A. Sx. 1-2
T. Sx.
B. Sx.
Solo Tbn.
B Tpt. 1
B Tpt. 2-3
F Hn. 1,3
Hn. 2,4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Hp.
Timp.
Perc. 1
Perc. 2
>
. . . . .
f
f
f
f
. .
. . . . . . . . .
f
F
7
8
7
8
7
8
7
8
7
8
7
8
f
ƒ
f
f
!
!
!
!
f
!
!
!
ƒ
ƒ
ƒ
146
4
4
4
4
4
4
>
>
>
>
. .
. .
. .
ƒ>
>
f
>
ƒ >
f
>
ƒ
f>
ƒ
ƒ
>
f
f
>
ƒ
> ^
>
ƒ S
open
ƒ
ƒ
ƒ
. .
. .
f
>
f
f
>
>
f
>
ƒ
f
f
f
st. mute
f
st. mute
Sm. Woodblock
f
ƒ
Vibraslap
. .
. .
. .
.
.
.
.
.
.
^
. .
. .
.
.
.
.
.
.
.
.
.
.
.
.
.
.
gliss.
. . . .
. . . .
. . . .
>
>
>
>
>
^ ^
>
. .
. .
. . . .
>
>
>
>
.
.
.
.
.
.
. . .
. . .
^
3
^ ^
.
.
^
3
^ ^
3
^ ^ ^
.
> ^
.
.
.
.
3
.
.
æ
.
.
^
3
^ ^
.
.
3
^ ^ ^
3
flz.
Perc. 3
Perc. 4
Splash + China Cym.'s
f
Perc. 5
143
144
145
ƒ
146
147
148
149
T H R E E S U M M I T S - p. 50

Picc.
Fl. 1
Fl. 2
Ob.
Bsn.
B Cl. 1
B Cl. 2
. . . .
. . . .
. . . .
>
>
. . .
. . .
. . .
.
.
.
. .
. .
. .
.
.
.
>
>
5
4
5
4
.
.
.
>
.
.
.
>
.
.
>
S
.
.
.
.
>
S
>
S
> >
3
4
3
4
G.P.
2
4
2
4
p
p
p
p
5
5
5
5
156
4
4
. . . .
ƒ
. . . .
ƒ
. . . .
ƒ
. . . .
ƒ
. .
. .
ƒ
. . . .
ƒ
B Cl. 3
B. Cl.
A. Sx. 1-2
T. Sx.
B. Sx.
Solo Tbn.
B Tpt. 1
B Tpt. 2-3
F Hn. 1,3
>
>
>
^ >
. .
. .
. . . .
>
.
.
.
.
.
.
>
.
. .
. . .
>
>
>
>
. . . . . .
. .
. .
>
.
.
5
4
5
4
> >
> >
>
>
> >
. . . >
. . . . > . . . . .
3 3 3 3
S
. .
.
.
>
S
.
.
.
.
>
S
3
4
3
4
2
4
2
4
p
p
3
3
gliss.
4
4
f
f
ƒ
Ï
>
>
>
>
>
Hn. 2,4
Tbn. 1-2
>
>
>
>
>
>
B. Tbn.
Euph.
>
.
.
.
>
>
>
> >
p
3
f
Tuba
Hp.
.
.
.
5
4
> >
> >
3
4
2
4
4
Timp.
Perc. 1
5
4
3
4
2
4
4
ƒ
Xylophone
Perc. 2
Perc. 3
Perc. 4
Perc. 5
150
151
152
153
154
Sus. Cym.
p
155
Ice Bell or Ride Cym. Bell
f
Splash + China Cym.'s
ƒ
ƒ
156
T H R E E S U M M I T S - p. 51

Picc.
Fl. 1
Fl. 2
Ob.
Bsn.
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
A. Sx. 1-2
T. Sx.
B. Sx.
Solo Tbn.
B Tpt. 1
B Tpt. 2-3
F Hn. 1,3
Hn. 2,4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
.
.
.
.
.
.
. . .
. .
.
.
.
.
.
. .
. .
.
. .
.
.
.
.
> >
> >
>
>
>
.
.
.
. .
.
. . .
.
. . .
.
. . . .
. . . .
. . .
.
. . . .
>
>
>
>
>
. . . .
>
>
>
.
.
.
.
.
.
.
.
. .
. . .
.
.
.
^ ^3
^
.
. .
. . .
^ ^3
^
.
^ ^3
^
.
. . . . . . . . . . .
.
.
3 3 3
>
>
>
^ ^3
^
.
.
^ ^3
^
^
>
. . . . .
P
>
^
. . . . .
p
^
>
> ^
open
f
open
f
. . . . .
P
. . . . .
P
^
>
>
^
.
f
.
.
f
.
. . . . . . . .
. . . .
. . . .
. . . . . . . .
p
. . . .
. . . .
. . . . . . . .
.
.
f
cresc. poco a poco
cresc. poco a poco
cresc. poco a poco
cresc. poco a poco
cresc. poco a poco
.
.
.
. .
f . .
. . . . . . . .
F
. .
. .
f
. .
. .
f
. . . . . . . .
. . . . . . . .
.
. .
f . .
. .
f . .
f
f
f
f
f
f
.
p
.
p
.
p
.
.
.
.
F
f
f
f
f
f
f
f
f
.
P
. .
. .
.
.
.
.
.
.
P
.
.
P
>
>
.
P
.
P
.
P
.
.
.
Hp.
Timp.
Perc. 1
3
Perc. 2
Perc. 3
Hi-Hat, closed
w/ sticks
f
Perc. 4
Perc. 5
157
158
159
160
p
161
3
162
f
163
164
T H R E E S U M M I T S - p. 52

Picc.
Fl. 1
Fl. 2
Ob.
Bsn.
B Cl. 1
B Cl. 2
.
.
. . . .
. . .
.
.
.
.
. .
. . .
f
3
4
3
4
^
^
f
^
^
^
^
^
^
^
^
^ ^
^
^
^ ^
^
^
^
^
^
^
^
^
5
8
5
8
^
^
f
^
^
f
^
^
^
^
^
^
^
^
B Cl. 3
.
.
.
.
.
.
.
^
^
^
^
^ ^
^ ^
B. Cl.
A. Sx. 1-2
T. Sx.
B. Sx.
Solo Tbn.
B Tpt. 1
B Tpt. 2-3
F Hn. 1,3
Hn. 2,4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Hp.
. .
.
.
. . .
.
! ! ! ! !
.
.
.
.
.
.
!
.
.
.
. . .
! ! ! ! ! ! !
.
.
.
.
.
.
f
f
f
f
> >
^
! !
ƒ
f
f
f
f
f
f
f
f
! !
!
!
! ! !
>
>
.
3
4
gliss.
3
4
3
4
^
^
^
^
^
^
^
>
^
^
^
^
^
^
^
^
^
^
^
3
^
^
^ ^
^
^
^ ^
^
^
^
^
^
^
^ ^
^ ^
3
^
^
^ ^
^
^
^
^
!
! ! !
! !
^
^
^
^
^
^
^
^
^
^
5
8
5
8
5
8
^
^
^
^
> . . > .
^
^
^
^
^
^
Timp.
Perc. 1
Perc. 2
3
4
^
ƒ
^
Sm. Woodblock
^ ^
^
^
5
8
Perc. 3
Perc. 4
Perc. 5
165
166
ƒ
S.D. (stick shots) + Kick Drum
167
168
169
Bongos
170
171
172
Tambourine (mounted)
ƒ
173
T H R E E S U M M I T S - p. 53

Picc.
Fl. 1
^
^
^
^
^
^
3
4
^ ^ ^
^ ^ ^
^ ^ ^
^
^
^
4
molto rall.
Fl. 2
^
^
^
^
^
^
^ ^ ^
^ ^ ^
Ob.
^
^
^
^
^
^
^ ^
^
^ ^
^
Bsn.
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
A. Sx. 1-2
T. Sx.
B. Sx.
Solo Tbn.
B Tpt. 1
B Tpt. 2-3
^
^
^
^
^
^
^
^
^
^
^
^
>
. . >
^
^
^
^
^
^
^
^
^
^
^ ^
^
^
^
^
> . . > .
^
^
^
^
^
^
^
^
^
^
^
^
^
^
^
^
. . . . . . .
4:3 3
^
^
^
^
3
4
3
4
3
4
^ ^
^
^
^
^
^
^ ^
. . . . . . .
5 3
^ ^
^
^
^
^
^ ^
^
. . . . . . . . .
3 3
4
4
4
>
ç
ƒ
ƒ
ƒ
f
f
f
3
3
3 3
3
f
3
tongued, ad lib.
ƒ
f
3
π
π
π
π
π
π
π
1 4 1 4 7 4 1 4
5 3
F Hn. 1,3
^
^
^
^
^
^
ƒ
π
Hn. 2,4
Tbn. 1-2
ƒ
ƒ
π
π
B. Tbn.
Euph.
ƒ
ƒ
π
π
Tuba
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
174
175
176
3
4
3
4
ƒ
Xylophone
Vibraphone
^ ^ ^
ƒ no pedal!
China w/ sticks
p
177
3
^ ^
^
3
178
4
4
S
ƒ
ƒ
OOoPoOOo
ƒ
ƒ
179
B.D. + Tam-Tam
w/ reg. mall.
f
3
180
3
π
π
181
T H R E E S U M M I T S - p. 54

Picc.
Fl. 1
182
Cadenza: Freely ( q = 60 )
As Before ( q = 160 )
3
4
Slower, with freedom ( q = 108 )
accel.
rit.
4
3
4
accel.
Fl. 2
Ob.
Bsn.
B Cl. 1
B Cl. 2
3
4
4
3
4
B Cl. 3
B. Cl.
A. Sx. 1-2
T. Sx.
3
4
4
3
4
B. Sx.
Solo Tbn.
B Tpt. 1
B Tpt. 2-3
1
π con vib.
1 3 1 3 4 5 4 3 1
flz.
æ
sÍ S
f>
.
.
.
.
> > > >
3
4
^
S
4
. . . . . . . .
P
3
4
>
. . . . . . . .
F
F Hn. 1,3
Hn. 2,4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Hp.
Í
Í
Í
Í
Í
Í
3
4
S
S
S
S
S
S
4
3
4
Timp.
Perc. 1
Í
3
4
S
4
3
4
Perc. 2
Perc. 3
Perc. 4
Perc. 5
182
183
184
China Cym.
w/ soft mall.
S
185
186
Sus. Cym.
w/ soft mall.
p
187
f
S
choke
S.D. (stick shot)
188
189
190
T H R E E S U M M I T S - p. 55

Picc.
Fl. 1
rit.
Slower ( q = 72 )
accel. poco a poco
4
( q = 160 )
Very Dramatic ( q = 60 )
3
4
rit.
198
4
Even Faster ( q = 168 )
Fl. 2
Ob.
Bsn.
B Cl. 1
B Cl. 2
4
3
4
4
p
F
cresc. poco a poco
F
B Cl. 3
F
B. Cl.
A. Sx. 1-2
T. Sx.
B. Sx.
Solo Tbn.
B Tpt. 1
B Tpt. 2-3
4
>
. . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . .
>
3
p
ƒ
4
>
>
>
3
3
4
3
4
gliss.
U
Ï
4
4
p
p
p
π
cresc. poco a poco
cresc. poco a poco
cresc. poco a poco
F Hn. 1,3
Hn. 2,4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Hp.
4
3
4
4
p
p
p
p
p
p
cresc. poco a poco
cresc. poco a poco
cresc. poco a poco
cresc. poco a poco
cresc. poco a poco
cresc. poco a poco
Timp.
Perc. 1
4
3
4
4
p
cresc. poco a poco
Perc. 2
Perc. 3
Perc. 4
Perc. 5
191
192
193
194
195
196
197
198
199
T H R E E S U M M I T S - p. 56

Picc.
Fl. 1
Fl. 2
Ob.
f
f
f
f
7
8
>
>
>
>
4
>
ƒ>
ƒ
>
ƒ
>
ƒ
> >
>
> >
>
> > >
>
> >
>
>
>
>
> > >
> > >
> > >
> > >
>
>
>
>
Bsn.
B Cl. 1
B Cl. 2
B Cl. 3
7
8
>
>
>
4
f S>
>
ƒ
>
> >
ƒ
>
>
ƒ
>
>
> >
> > >
> S>
> >
>
> >
>
>
>
> >
> > >
> >
>
>
F
>
>
B. Cl.
A. Sx. 1-2
T. Sx.
B. Sx.
Solo Tbn.
B Tpt. 1
B Tpt. 2-3
F Hn. 1,3
Hn. 2,4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
7
8
7
8
7
8
7
8
>
>
F
F
ƒ
>
>
>
>
>
OpOPOOOO
ƒ gliss.
6
>
>
4
ossia, smaller noteheads
4
4
4
f > S>
>
>
ƒ
>
ƒ
f S>
ƒ
>
> >
ƒ
>
> >
ƒ
> > >
ƒ
>
ƒ
> >
ƒ S
f S>
f
>
S>
ƒ
>
Crotales
ƒ
S
>
>
>
>
>
> >
>
>
> . > . >
> >
>
>
> >
>
>
ƒ
ƒ
>
>
>
>
Sm. Woodblock
Tambourine
> S>
>
>
S
> >
S
> >
S
> >
ƒ
>
>
ƒ
> >
ƒ
> >
S
> S>
> >
S
>
S
gliss.
S>
>
> >
> >
>
> >
>
> . > . >
> > >
>
> >
> >
>
>
>
>
ƒ
>
F
>
F
>
. . . . >
. >
f
>
> F
>
>
f
F
F
S
Perc. 4
Perc. 5
200
201
B.D. + Tam-Tam
w/ reg. mall.
202
ƒ
203
204
ƒ
205
206
T H R E E S U M M I T S - p. 57

Picc.
Fl. 1
Fl. 2
Ob.
>
ƒ
>
ƒ
>
ƒ
>
ƒ
> > >
> > >
> > >
> >
>
> > > >
> > > >
> > > >
>
> >
>
> >
> >
> >
>
>
Bsn.
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
A. Sx. 1-2
T. Sx.
B. Sx.
Solo Tbn.
B Tpt. 1
B Tpt. 2-3
F Hn. 1,3
Hn. 2,4
Tbn. 1-2
B. Tbn.
f
f
f
f
f
cresc. poco a poco
cresc. poco a poco
cresc. poco a poco
. .
. .
. . >
cresc. poco a poco
gliss.
f
f
F
>
.
>
. . . . . . .
>
. >
>
>
ƒ
>
>
Ï
ƒ
> > >
> > >
f
f
f
f
f
f
f
> > > >
> > > >
gliss.
> >
>
>
>
Euph.
Tuba
cresc. poco a poco
F
f
f
Hp.
Ï
gliss.
6
Timp.
Perc. 1
Perc. 2
cresc. poco a poco
ƒ
ƒ
Ï
Crash Cym.'s
Perc. 3
Perc. 4
Perc. 5
207
208
209
210
211
212
ƒ
213
214
T H R E E S U M M I T S - p. 58

Picc.
Fl. 1
Fl. 2
Ob.
Bsn.
B Cl. 1
B Cl. 2
B Cl. 3
B. Cl.
A. Sx. 1-2
T. Sx.
B. Sx.
Solo Tbn.
B Tpt. 1
B Tpt. 2-3
F Hn. 1,3
Hn. 2,4
Tbn. 1-2
B. Tbn.
Euph.
Tuba
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
>
> >
> >
> >
> >
> >
>
>
215
ƒ
ƒ
ƒ
ƒ
f
ƒ
f
. . . .
F
F
Xylophone
ƒ
216
ƒ
ƒ
^
ƒ
ƒ
. . . .
ƒ
. ƒ
. . . > . .
217
9
8
9
8
9
8
9
8
9
8
9
8
4
4
4
. . . >
> > > >
> >
4
f
4
senza rit.!!
218
3
4
3
4
3
4
3
4
3
4
3
4
Í
5
Ï
5
Ï
Ï
Í
Í
Í
>
f
f
f
Í
Í
Í
Í
A - A
f
Í
Í
6
Ï
Ï
f
f
f
219
p
Sus. Cym.
w/ soft mall.
Ï
gliss.
ç
ç
ç
ç
ç
ç
ç
ç
ç
ç
ç
ç
ç
ç
ç
ç
ç
ç
Vibraslap
ç
Ï
choke
Concert B.D.
dampen!
220
ç
dampen!
T H R E E S U M M I T S - p. 59