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Chapter 1 Quo Vadis (1951) The splendor and savagery of the world’s wickedest empire! Director: Mervyn LeRoy Screenplay: John Lee Mahin, S. N. Behrman, Sonya Levien Henryk Sienkiewicz (novel) Produced by: Sam Zimbalist for Metro-Goldwyn-Mayer (MGM) Running Time: 170 minutes Cast Marcus Vinicius Robert Taylor Lygia Deborah Kerr Nero Peter Ustinov Petronius Leo Genn Poppaea Patricia Laffan Tigellinus Ralph Truman Aulus Plautius Felix Aylmer Pomponia Nora Swinburne Eunice Marina Berti Peter Finlay Currie Paul Abraham Sofaer Acte Rosalie Crutchley Ursus Buddy Baer Fabius Nerva Norman Wooland QUO VADIS (1951) 7
Plot Outline It is the summer of ad 64, and the Roman military commander Marcus Vinicius has just returned to Rome after spending three years suppressing a revolt in Britannia. With him is his loyal lieutenant, the tribune Fabius Nerva, and the soldiers of the 14th Legion. On their way into the city, they are stopped by a unit of the Praetorian Guard, with an imperial order to camp outside the city walls. Furious at the insult, Marcus rides straight to the palace of Emperor Nero and demands an audience. With Nero are his courtiers, including the author Petronius and the philosopher Seneca. When Marcus criticizes the order as bad for military morale, he is rebuked by Tigellinus, the ruthless prefect of the Praetorian Guard and Nero’s chief protector. Nero informs Marcus that he is to wait until the next day, when he and his victorious soldiers will ride into the city in triumph, because “the people want spectacle.” As he departs, Marcus shares a private word about the state of the empire with his uncle Petronius, who sends him to pass the night at the house of Aulus Plautius, a retired Roman general, and his wife Pomponia. There Marcus meets the beautiful Lygia, a royal hostage and the adopted daughter of the general, and immediately falls in love with her. Lygia is protected by a giant manservant, Ursus. At dinner that night, Marcus recounts stories of his bloody campaigns, when a new guest, Paul of Tarsus, arrives and is warmly welcomed. After Marcus and Nerva leave to inspect the troops, the family, now revealed to be Christians, discuss with Paul the impending arrival of Peter in Rome. Later that night, Marcus and Lygia meet in the garden, and although they are obviously drawn to each other, they quarrel about his role as a Roman officer. The next morning, Marcus and his legions enter Rome in a spectacular triumph, and as Lygia watches from the crowd, Nero and his new empress, Poppaea, survey the scene from the palace balcony. At the house of Petronius, Marcus asks his astute uncle about the law of hostages, then decides to ask Nero to make Lygia his reward for services rendered. Petronius tries to give his nephew a lovely Spanish slave, Eunice, but the girl, who is secretly in love with Petronius, balks at the order, and Marcus allows her to stay. Lygia is seized from her home and taken to Nero’s palace, where she meets Acte, Nero’s ex-mistress and supervisor of the imperial women’s quarters, who shares with Lygia the Christian sign of the fish. That evening at the victory banquet, Nero entertains his guests with a song he pretends is extemporaneous, while Petronius admonishes him to devote more energy to his art. Marcus attempts to romance Lygia, but she is appalled by his use of force and resists his advances. Poppaea 8 QUO VADIS (1951)
Page 2 and 3: Big Screen Rome
Page 4 and 5: BIG SCREEN ROME Monica Silveira Cyr
Page 6 and 7: Contents List of Illustrations vi A
Page 8 and 9: 11 A Funny Thing Happened on the Wa
Page 10 and 11: permissions were secured in part wi
Page 12 and 13: Map 1 The city of Rome in the imper
Page 14: R P I D A C I A M O Sarmizegetusa C
Page 17 and 18: provocative combination of dignity
Page 19 and 20: chapters examine how both films use
Page 21: duty and desire set against the mon
Page 25 and 26: Plate 1 Quo Vadis. Petronius (Leo G
Page 27 and 28: a soldier kills Tigellinus, calling
Page 29 and 30: of Rome. Their obstinate refusal to
Page 31 and 32: he was also condemned to death. The
Page 33 and 34: associated with the Catholic Polish
Page 35 and 36: ambivalent one, given the glitterin
Page 37 and 38: This is the Appian Way, the most fa
Page 39 and 40: suggestive of the illumination she
Page 41 and 42: in historical epic films (Winkler,
Page 43 and 44: narrative and thematic focus also s
Page 45 and 46: later decades evolved into the Amer
Page 47 and 48: Peter. Eunice is the slave of Petro
Page 49 and 50: Chapter 2 The Robe (1953) The great
Page 51 and 52: Plate 3 The Robe. Marcellus (Richar
Page 53 and 54: on the command of the new emperor,
Page 55 and 56: him to retire to the island of Rhod
Page 57 and 58: of the Senate, the institution was
Page 59 and 60: of Caesarea, the prefect would spen
Page 61 and 62: of the changes in Catholicism that
Page 63 and 64: of showing off the enduring power,
Page 65 and 66: have made a great empress, thus hig
Page 67 and 68: would also play Odysseus in Helen o
Page 69 and 70: crime as a Roman citizen who has jo
Page 71 and 72: Hollywood artists who sold out duri
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Demetrius, and his jealous rage whe
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Plot Outline In the Roman province
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Judah, his mother and sister are le
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farewell: they embrace and kiss, an
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voice take the sword out of my hand
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throughout the countryside around G
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of people during its twenty-year ru
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Since Ben-Hur was in preparation lo
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technology, in particular the newly
Page 91 and 92:
forceful, almost fanatical, speeche
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emperor’s offer of Roman citizens
Page 95 and 96:
Messala, as Esther recounts her mem
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The appearances of Jesus are few an
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War to condemn oppressive foreign t
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poisoned by Rome, as he tells Pilat
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CORE ISSUES 1 How does the film por
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Plot Outline In the mines of North
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Plate 7 Spartacus. Draba (Woody Str
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army, losing nineteen thousand men
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second broke out in 104 and was que
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At this time, gladiatorial combat w
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Senate had no choice but to yield.
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the Communist Party of the United S
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the first time in thirteen years. T
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the slave movement with the migrati
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From this point, the film divides i
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At the heart of the new slave famil
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Antoninus dies in the arms of Spart
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Plate 8 Spartacus. Varinia (Jean Si
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learning from their mistakes; Gracc
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complaint.” As Gracchus observes
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Spartacus continues the epic cinema
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Plot Outline Part 1. On the battlef
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Plate 9 Cleopatra. Cleopatra (Eliza
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command at Tarsus in Asia Minor, an
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knowing he is the undisputed master
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Later, Ptolemy XIII fled and was fo
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Antony came to Tarsus in Cilicia wh
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for future campaigns. Early in 34 b
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honored her request for burial with
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Extra-cinematic commentary also sug
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The script, based on C. M. Franzero
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Plate 10 Cleopatra. Mark Antony (Ri
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as Caesar, but is best known for hi
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eginning of the second half after t
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desertion: I from myself.” As he
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majesty and power are displayed, Ta
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the United Nations was composed lar
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modern sex scandal. When Cleopatra
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desire for sons, as she articulates
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4 How does the film use the spectac
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kind and rather dim-witted gentlema
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Plate 11 A Funny Thing Happened on
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productions, and often acted in the
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shared experience of every society
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1996, with Nathan Lane, who also wo
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In A Funny Thing Happened on the Wa
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series of preposterous sight gags,
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freedom and the pleasures of uninhi
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Chapter 7 Monty Python’s Life of
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178 MONTY PYTHON’S LIFE OF BRIAN
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autonomous part of the Roman provin
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Silly Walks,” with their in-jokes
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different religious sects, the earn
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censorship that varied from region
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may provide some inspiration for th
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obstacle to group ideals. Because t
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The cartoon construction during the
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Chapter 8 History of the World, Par
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Ancient Background The Roman Empire
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was the protagonist’s inability t
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in classic epics like Quo Vadis, Be
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202 HISTORY OF THE WORLD, PART I (1
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or shocking, hidden by the generic
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3 How does the sequence incorporate
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Plot Outline In the year ad 180, th
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vets them with color codes. Maximus
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from the upper stands. Commodus inf
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to 98. Nerva’s most significant a
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most of the last decade of his reig
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morale of Roman legionaries on long
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unit known for their courage, high
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38). Although dismayed by the games
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In contrast to earlier epics like Q
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gladiator epic that would reflect c
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$3 million. A dedication in the clo
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soft, admiring light of nostalgia.
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The film hinges almost completely o
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with the reluctance of Maximus to a
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attitudes about female political sk
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hero Maximus, an event that leaves
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Earlier epic films traditionally si
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laughs bitterly through tears when
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his new gladiator idol, as he waits
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246 GLADIATOR (2000) Plate 15 Gladi
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“Fear and wonder,” Senator Grac
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the provincial arena in Zucchabar,
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the words of Maximus’ prayer in a
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The field of wheat is thus a symbol
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city, Maximus becomes a symbol both
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2 Reference Maltin, Leonard, et al.
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Killed Spartacus? How Studio Censor
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Index Page numbers in italic refer
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Caesar, Sid 166, 197 Caesarea 44, 6
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Falco (Gladiator) 208, 210, 212 The
Page 283 and 284:
Jackson, Peter 83 Jacoby, Georg 18
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musical scores A Funny Thing Happen
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The Road Warrior 230 The Robe 3, 22
Page 289:
Via Appia 11, 12, 21, 24, 95, 99, 1
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