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Chapter 3 Ben-Hur (1959) The entertainment experience of a lifetime! Director: William Wyler Screenplay: Karl Tunberg Maxwell Anderson, Christopher Fry, Gore Vidal (uncredited) General Lew Wallace (novel) Produced by: Sam Zimbalist for Metro-Goldwyn-Mayer (MGM) Running Time: 222 minutes Cast Judah Ben-Hur Charlton Heston Messala Stephen Boyd Esther Haya Harareet Quintus Arrius Jack Hawkins Sheik Ilderim Hugh Griffith Miriam Martha Scott Tirzah Cathy O’Donnell Simonides Sam Jaffe Balthasar Finlay Currie Pontius Pilate Frank Thring Drusus Terence Longdon Sextus André Morell Tiberius George Relph BEN-HUR (1959) 59
Plot Outline In the Roman province of Judaea in ad 26, the new tribune, Messala, arrives from Rome with his lieutenant, Drusus, to take command of the garrison at Jerusalem. While his father was governor, Messala grew up in the city and now returns to his childhood home with new military authority and adult ambitions. He replaces the weary Sextus, the previous commander, who briefs Messala on the many problems of the troublesome city: the people are “drunk with religion,” and there are wild men preaching in the desert, feeding the fever for a Messiah who will lead them to “an anti-Roman paradise.” Messala is confident he can restore order with the help of the new incoming governor, Valerius Gratus. A centurion arrives to tell Messala he has a visitor: Judah Ben-Hur, a local aristocrat, and Messala’s close boyhood companion, arrives to pay his respects. In the long spear-studded armory room, the old friends share a warm embrace and reminisce fondly about the times of their youth, agreeing that they are “still close in every way.” Messala asks Judah for his help in managing the rebellious people of Jerusalem, but when Judah suggests withdrawing the Roman legions, Messala scoffs at the idea and praises the power and destiny of Roman civilization. Messala warns Judah that the people of Judaea are in danger if they do not obey Rome, and Judah promises to speak out against violence. The next day, Messala visits the villa of the Hur family, where he enjoyed many days as a boy. There to greet him are Judah’s mother, Miriam, and his sister, Tirzah, who has harbored romantic feelings for Messala since she was a girl. Messala flirts with the lovely Tirzah, and gives her a gift: a gem-studded brooch from Libya. After regaling them with tales of his military campaigns, Messala is led out to the stables, where Judah gives him a fine Arabian horse. Messala asks Judah if he has thought about their earlier discussion, and when Judah replies that he has spoken to a few men, Messala insists on knowing the names of those who are against Roman rule. An intense argument ensues, where Messala invites Judah to be a collaborator in Roman rule, but Judah refuses to betray his people. Messala demands to know whether Judah is for him or against him, so when the answer comes, “If that is the choice, then I am against you,” Messala storms away from the villa. Soon after, Judah meets a caravan with his trading goods from Antioch led by Simonides, his chief steward. Simonides has also brought Esther, his daughter by a slave woman in the house of Hur, to ask her master’s permission to marry. When Judah sees Esther, her tranquil beauty captivates him, and he grants Esther her freedom 60 BEN-HUR (1959)
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Big Screen Rome
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BIG SCREEN ROME Monica Silveira Cyr
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Contents List of Illustrations vi A
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11 A Funny Thing Happened on the Wa
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permissions were secured in part wi
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Map 1 The city of Rome in the imper
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R P I D A C I A M O Sarmizegetusa C
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provocative combination of dignity
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chapters examine how both films use
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duty and desire set against the mon
Page 23 and 24: Plot Outline It is the summer of ad
Page 25 and 26: Plate 1 Quo Vadis. Petronius (Leo G
Page 27 and 28: a soldier kills Tigellinus, calling
Page 29 and 30: of Rome. Their obstinate refusal to
Page 31 and 32: he was also condemned to death. The
Page 33 and 34: associated with the Catholic Polish
Page 35 and 36: ambivalent one, given the glitterin
Page 37 and 38: This is the Appian Way, the most fa
Page 39 and 40: suggestive of the illumination she
Page 41 and 42: in historical epic films (Winkler,
Page 43 and 44: narrative and thematic focus also s
Page 45 and 46: later decades evolved into the Amer
Page 47 and 48: Peter. Eunice is the slave of Petro
Page 49 and 50: Chapter 2 The Robe (1953) The great
Page 51 and 52: Plate 3 The Robe. Marcellus (Richar
Page 53 and 54: on the command of the new emperor,
Page 55 and 56: him to retire to the island of Rhod
Page 57 and 58: of the Senate, the institution was
Page 59 and 60: of Caesarea, the prefect would spen
Page 61 and 62: of the changes in Catholicism that
Page 63 and 64: of showing off the enduring power,
Page 65 and 66: have made a great empress, thus hig
Page 67 and 68: would also play Odysseus in Helen o
Page 69 and 70: crime as a Roman citizen who has jo
Page 71 and 72: Hollywood artists who sold out duri
Page 73: Demetrius, and his jealous rage whe
Page 77 and 78: Judah, his mother and sister are le
Page 79 and 80: farewell: they embrace and kiss, an
Page 81 and 82: voice take the sword out of my hand
Page 83 and 84: throughout the countryside around G
Page 85 and 86: of people during its twenty-year ru
Page 87 and 88: Since Ben-Hur was in preparation lo
Page 89 and 90: technology, in particular the newly
Page 91 and 92: forceful, almost fanatical, speeche
Page 93 and 94: emperor’s offer of Roman citizens
Page 95 and 96: Messala, as Esther recounts her mem
Page 97 and 98: The appearances of Jesus are few an
Page 99 and 100: War to condemn oppressive foreign t
Page 101 and 102: poisoned by Rome, as he tells Pilat
Page 103 and 104: CORE ISSUES 1 How does the film por
Page 105 and 106: Plot Outline In the mines of North
Page 107 and 108: Plate 7 Spartacus. Draba (Woody Str
Page 109 and 110: army, losing nineteen thousand men
Page 111 and 112: second broke out in 104 and was que
Page 113 and 114: At this time, gladiatorial combat w
Page 115 and 116: Senate had no choice but to yield.
Page 117 and 118: the Communist Party of the United S
Page 119 and 120: the first time in thirteen years. T
Page 121 and 122: the slave movement with the migrati
Page 123 and 124: From this point, the film divides i
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At the heart of the new slave famil
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Antoninus dies in the arms of Spart
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Plate 8 Spartacus. Varinia (Jean Si
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learning from their mistakes; Gracc
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complaint.” As Gracchus observes
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Spartacus continues the epic cinema
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Plot Outline Part 1. On the battlef
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Plate 9 Cleopatra. Cleopatra (Eliza
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command at Tarsus in Asia Minor, an
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knowing he is the undisputed master
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Later, Ptolemy XIII fled and was fo
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Antony came to Tarsus in Cilicia wh
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for future campaigns. Early in 34 b
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honored her request for burial with
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Extra-cinematic commentary also sug
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The script, based on C. M. Franzero
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Plate 10 Cleopatra. Mark Antony (Ri
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as Caesar, but is best known for hi
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eginning of the second half after t
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desertion: I from myself.” As he
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majesty and power are displayed, Ta
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the United Nations was composed lar
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modern sex scandal. When Cleopatra
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desire for sons, as she articulates
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4 How does the film use the spectac
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kind and rather dim-witted gentlema
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Plate 11 A Funny Thing Happened on
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productions, and often acted in the
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shared experience of every society
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1996, with Nathan Lane, who also wo
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In A Funny Thing Happened on the Wa
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series of preposterous sight gags,
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freedom and the pleasures of uninhi
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Chapter 7 Monty Python’s Life of
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178 MONTY PYTHON’S LIFE OF BRIAN
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autonomous part of the Roman provin
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Silly Walks,” with their in-jokes
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different religious sects, the earn
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censorship that varied from region
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may provide some inspiration for th
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obstacle to group ideals. Because t
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The cartoon construction during the
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Chapter 8 History of the World, Par
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Ancient Background The Roman Empire
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was the protagonist’s inability t
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in classic epics like Quo Vadis, Be
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202 HISTORY OF THE WORLD, PART I (1
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or shocking, hidden by the generic
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3 How does the sequence incorporate
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Plot Outline In the year ad 180, th
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vets them with color codes. Maximus
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from the upper stands. Commodus inf
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to 98. Nerva’s most significant a
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most of the last decade of his reig
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morale of Roman legionaries on long
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unit known for their courage, high
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38). Although dismayed by the games
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In contrast to earlier epics like Q
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gladiator epic that would reflect c
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$3 million. A dedication in the clo
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soft, admiring light of nostalgia.
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The film hinges almost completely o
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with the reluctance of Maximus to a
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attitudes about female political sk
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hero Maximus, an event that leaves
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Earlier epic films traditionally si
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laughs bitterly through tears when
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his new gladiator idol, as he waits
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246 GLADIATOR (2000) Plate 15 Gladi
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“Fear and wonder,” Senator Grac
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the provincial arena in Zucchabar,
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the words of Maximus’ prayer in a
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The field of wheat is thus a symbol
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city, Maximus becomes a symbol both
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2 Reference Maltin, Leonard, et al.
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Killed Spartacus? How Studio Censor
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Index Page numbers in italic refer
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Caesar, Sid 166, 197 Caesarea 44, 6
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Falco (Gladiator) 208, 210, 212 The
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Jackson, Peter 83 Jacoby, Georg 18
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musical scores A Funny Thing Happen
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The Road Warrior 230 The Robe 3, 22
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Via Appia 11, 12, 21, 24, 95, 99, 1
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