05.01.2013 Views

BALKAN SAINTS - Mirjana Detelić

BALKAN SAINTS - Mirjana Detelić

BALKAN SAINTS - Mirjana Detelić

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

4<br />

re than in their homeland (St Anastasia, for example, was venerated in Constantinople,<br />

Zadar, Rome, and Fulda).<br />

Loma asserts that after settling down in the seventh century in the Byzantine province<br />

of Dalmatia, the Serbs, not unlike theirs kinsmen and neighbours the Croats, found<br />

themselves exposed to the influences of a local Christianity, whose terminology and<br />

nomenclature were basically Latin, though impregnated with Greek admixtures. This<br />

situation is reflected in the oldest loan words and names of Christian provenance in<br />

Serbo-Croatian, and place-names with sut- from Latin sanctus, while some names of<br />

saints were adapted in a phonetic shape based on middle-Greek pronunciation, for<br />

example Ilija (Elijah), Varvara (Barbara), Vlaho (Blasius), and so on. After the schism<br />

and together with the gradual shifting of the centre of their medieval state under<br />

Nemanjic-dinasty southeastward, the Serbs definitely turned to the Eastern Church and<br />

adopted Church Slavonic as their liturgical language. Nevertheless still survive some<br />

remnants of this original syncretism among the orthodox Serbs, not only in onomastics,<br />

but also in their folk calendar, as Loma demonstrates.<br />

Three contributions address devotional themes from the Middle Ages. From the<br />

historians‟ perspective, Tatjana Subotin-Golubović describes the cult of Michael the<br />

Archangel in medieval Serbia, while Danica Popović explores the ecclesiastical and<br />

political programme represented by the eremitism of St Sava of Serbia. The concept of<br />

desert is one of the important categories not only in the history of east-Christian<br />

monasticism, but also in the entire medieval civilisation and its religious mentality. The<br />

art historical view is taken by Branislav Cvetković, discussing the icon and its functional<br />

adaptability in medieval Serbia.<br />

Religion was harnessed to national political agendas both in the time of St Sava and as<br />

medieval attitudes gave way to modern. Miroslav Timotijević describes how leading<br />

members of the ruling Despotic family Branković were remodelled first as saints and<br />

then, in the Nineteenth Century, as historical heroes. They seem to have provided a<br />

model for the parallel veneration of the sainted Stefan Ńtiljanović, popularly though<br />

unofficially viewed as the last Despot of the medieval Serbian state. The growth of<br />

devotion to his relics is traced by Jelena Dergenc.<br />

From here the narrative moves into the field of popular understandings, customs, and<br />

folklore. Gerda Dalipaj reports from her fieldwork on saint‟s day celebrations and animal<br />

sacrifice in the Shpati region of Albania, focusing on how these reflect local social<br />

structure and identities. Raĉko Popov describes the hugely important Balkan devotion to<br />

the conflated saints Paraskeva, also represented as Petka, together providing a saintly<br />

personification of women‟s rest days and other themes. Popov‟s essay traces the cult in<br />

Bulgaria, Serbia, Romania, and Greece, and Paraskeva/Petka‟s personification of Friday,<br />

her role in winter as patron of wolves and mice, and her summer aspect as rival and substitution<br />

of God‟s Mother. Manolis Varvounis surveys the cult of saints in Greek<br />

traditional culture, and Ljupĉo Risteski lays out the concept and the role of saints in Macedonian<br />

popular religion. In Risteski‟s view, the starting point is a notion that self-consciousness<br />

of popular religion is basically Christian, in spite of its scientific definition<br />

and multilevel structure which are conspicuous only from the point of view positioned<br />

outside the traditional culture. Christianity, though, popular as well as official, is based<br />

on the cult of the saints. This cult is here fully analysed on Macedonian folklore material<br />

and widely illustrated by the author‟s field research. Varvounis argues that the cult of

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!