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4<br />
re than in their homeland (St Anastasia, for example, was venerated in Constantinople,<br />
Zadar, Rome, and Fulda).<br />
Loma asserts that after settling down in the seventh century in the Byzantine province<br />
of Dalmatia, the Serbs, not unlike theirs kinsmen and neighbours the Croats, found<br />
themselves exposed to the influences of a local Christianity, whose terminology and<br />
nomenclature were basically Latin, though impregnated with Greek admixtures. This<br />
situation is reflected in the oldest loan words and names of Christian provenance in<br />
Serbo-Croatian, and place-names with sut- from Latin sanctus, while some names of<br />
saints were adapted in a phonetic shape based on middle-Greek pronunciation, for<br />
example Ilija (Elijah), Varvara (Barbara), Vlaho (Blasius), and so on. After the schism<br />
and together with the gradual shifting of the centre of their medieval state under<br />
Nemanjic-dinasty southeastward, the Serbs definitely turned to the Eastern Church and<br />
adopted Church Slavonic as their liturgical language. Nevertheless still survive some<br />
remnants of this original syncretism among the orthodox Serbs, not only in onomastics,<br />
but also in their folk calendar, as Loma demonstrates.<br />
Three contributions address devotional themes from the Middle Ages. From the<br />
historians‟ perspective, Tatjana Subotin-Golubović describes the cult of Michael the<br />
Archangel in medieval Serbia, while Danica Popović explores the ecclesiastical and<br />
political programme represented by the eremitism of St Sava of Serbia. The concept of<br />
desert is one of the important categories not only in the history of east-Christian<br />
monasticism, but also in the entire medieval civilisation and its religious mentality. The<br />
art historical view is taken by Branislav Cvetković, discussing the icon and its functional<br />
adaptability in medieval Serbia.<br />
Religion was harnessed to national political agendas both in the time of St Sava and as<br />
medieval attitudes gave way to modern. Miroslav Timotijević describes how leading<br />
members of the ruling Despotic family Branković were remodelled first as saints and<br />
then, in the Nineteenth Century, as historical heroes. They seem to have provided a<br />
model for the parallel veneration of the sainted Stefan Ńtiljanović, popularly though<br />
unofficially viewed as the last Despot of the medieval Serbian state. The growth of<br />
devotion to his relics is traced by Jelena Dergenc.<br />
From here the narrative moves into the field of popular understandings, customs, and<br />
folklore. Gerda Dalipaj reports from her fieldwork on saint‟s day celebrations and animal<br />
sacrifice in the Shpati region of Albania, focusing on how these reflect local social<br />
structure and identities. Raĉko Popov describes the hugely important Balkan devotion to<br />
the conflated saints Paraskeva, also represented as Petka, together providing a saintly<br />
personification of women‟s rest days and other themes. Popov‟s essay traces the cult in<br />
Bulgaria, Serbia, Romania, and Greece, and Paraskeva/Petka‟s personification of Friday,<br />
her role in winter as patron of wolves and mice, and her summer aspect as rival and substitution<br />
of God‟s Mother. Manolis Varvounis surveys the cult of saints in Greek<br />
traditional culture, and Ljupĉo Risteski lays out the concept and the role of saints in Macedonian<br />
popular religion. In Risteski‟s view, the starting point is a notion that self-consciousness<br />
of popular religion is basically Christian, in spite of its scientific definition<br />
and multilevel structure which are conspicuous only from the point of view positioned<br />
outside the traditional culture. Christianity, though, popular as well as official, is based<br />
on the cult of the saints. This cult is here fully analysed on Macedonian folklore material<br />
and widely illustrated by the author‟s field research. Varvounis argues that the cult of