- Page 4 and 5: Perceptual Coherence Hearing and Se
- Page 6 and 7: To My Family, My Parents, and the B
- Page 8 and 9: Preface The purpose of this book is
- Page 10 and 11: Preface ix intertwined with my own
- Page 12 and 13: Contents 1. Basic Concepts 3 2. Tra
- Page 14 and 15: PERCEPTUAL COHERENCE
- Page 16 and 17: 1 Basic Concepts In the beginning G
- Page 18 and 19: Basic Concepts 5 sources moving in
- Page 20 and 21: even though its appearance changes.
- Page 22 and 23: sources. A single sound source is t
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Transformation of Sensory Informati
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Transformation of Sensory Informati
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Transformation of Sensory Informati
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Figure 2.7. Continued
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Transformation of Sensory Informati
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Transformation of Sensory Informati
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Transformation of Sensory Informati
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Transformation of Sensory Informati
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Transformation of Sensory Informati
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Transformation of Sensory Informati
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Transformation of Sensory Informati
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Transformation of Sensory Informati
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Transformation of Sensory Informati
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Transformation of Sensory Informati
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Transformation of Sensory Informati
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Transformation of Sensory Informati
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Transformation of Sensory Informati
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Transformation of Sensory Informati
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Transformation of Sensory Informati
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Transformation of Sensory Informati
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Transformation of Sensory Informati
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Transformation of Sensory Informati
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Transformation of Sensory Informati
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Transformation of Sensory Informati
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Transformation of Sensory Informati
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Transformation of Sensory Informati
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Transformation of Sensory Informati
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Transformation of Sensory Informati
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Transformation of Sensory Informati
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3 Characteristics of Auditory and V
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Information =−Σ. Pr(x i ) log 2
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Characteristics of Auditory and Vis
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Characteristics of Auditory and Vis
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Characteristics of Auditory and Vis
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Characteristics of Auditory and Vis
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Characteristics of Auditory and Vis
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Characteristics of Auditory and Vis
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valleys” that support the high-fr
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Characteristics of Auditory and Vis
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Characteristics of Auditory and Vis
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Phase Relationships and Power Laws
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systems to be. One possibility woul
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Characteristics of Auditory and Vis
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are most active, relatively large c
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(see figure 2.2 based on the Differ
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Characteristics of Auditory and Vis
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epresenting these naturally occurri
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Characteristics of Auditory and Vis
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Characteristics of Auditory and Vis
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found in V1. Even though the filter
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Characteristics of Auditory and Vis
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Figure 3.14. The independent compon
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Characteristics of Auditory and Vis
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Characteristics of Auditory and Vis
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specific persons or objects (e.g.,
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amplitudes of each picture and foun
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4 The Transition Between Noise (Dis
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more cortical levels. For example,
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The Transition Between Noise and St
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The Transition Between Noise and St
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The Transition Between Noise and St
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The Transition Between Noise and St
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about poorer performance by creatin
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Figure 4.8. Continued The Transitio
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Surface Textures Visual Glass Patte
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The Transition Between Noise and St
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Figure 4.11. Continued The Transiti
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(A) (B) (C) The Transition Between
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The Transition Between Noise and St
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The Transition Between Noise and St
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The Transition Between Noise and St
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The Transition Between Noise and St
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The Transition Between Noise and St
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(A) (B) Warbleness The Transition B
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The Transition Between Noise and St
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The Transition Between Noise and St
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The Transition Between Noise and St
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2000 Hz with a single action potent
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The same problem of the multiplicit
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order to create the appearance of s
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Perception of Motion 199 Figure 5.2
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Perception of Motion 201 Figure 5.3
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Perception of Motion 203 together.
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Perception of Motion 205 (The two f
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again, two perceptions can result a
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Perception of Motion 209 Figure 5.6
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Perception of Motion 211 notes of t
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Perception of Motion 213 Braddick (
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larger arrays and Baddeley and Tirp
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Perception of Motion 217 the judgme
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Perception of Motion 219 one color
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To review, neurons sensitive to mot
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Transparency aftereffects do occur
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Perception of Motion 225 stimuli, t
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Perception of Motion 227 Figure 5.1
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Perception of Motion 229 Figure 5.1
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Perception of Motion 231 perception
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Perception of Motion 233 Figure 5.1
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Perception of Motion 235 Figure 5.1
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Perception of Motion 237 same direc
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Time 1, Tone 1 is turned off, at Ti
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6 Gain Control and External and Int
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a signal-to-noise ratio), and Barlo
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Gain Control and External and Inter
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Gain Control and External and Inter
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Gain Control and External and Inter
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Suppose we have a background that h
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Gain Control and External and Inter
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Gain Control and External and Inter
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R Gain Control and External and Int
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Makous (1997) pointed out how diffi
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contrast that defines the boundarie
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per Second Figure 6.10. Continued G
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Gain Control and External and Inter
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ane was linear, the higher sound pr
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(C. D. Geisler, 1998; C. D. Geisler
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Gain Control and External and Inter
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noise visual field. 4 The S + N inp
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B. Murray, Bennett, and Sekular (20
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The authors proposed that the four
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Gain Control and External and Inter
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Efficiency and Noise in Auditory Pr
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etween samples). Spiegel and Green
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Gain Control and External and Inter
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Gain Control and External and Inter
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Gain Control and External and Inter
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In sum, the masking release is grea
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The Perception of Quality: Visual C
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The Perception of Quality: Visual C
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Visual Worlds Modeling the Light Re
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Indirect Illumination Causing Specu
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of an object but also require the c
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assumed, so that the surface irradi
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The Perception of Quality: Visual C
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The Perception of Quality: Visual C
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Relative Power of Basis Functions S
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The Perception of Quality: Visual C
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that the reflectance of the test co
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The Perception of Quality: Visual C
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amount of light transmitted through
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light reflected by all surfaces in
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The Perception of Quality: Visual C
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The Perception of Quality: Visual C
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The Perception of Quality: Visual C
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The Perception of Quality: Visual C
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magenta to white). Then Bloj et al.
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Why is there opponent processing? O
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8 The Perception of Quality: Audito
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exists at several levels: (a) descr
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The Perception of Quality: Auditory
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mode is proportional to the relativ
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The Perception of Quality: Auditory
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The overall result is that the rela
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obvious. The tension on the vocal c
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The Perception of Quality: Auditory
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(termed the amplitude envelopes) ar
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The Perception of Quality: Auditory
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The Perception of Quality: Auditory
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obviously misplaced). The majority
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The Perception of Quality: Auditory
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Pastore (1991) investigated whether
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experience. Erickson (2003) found t
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Rhythmic patterning usually gives i
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The Perception of Quality: Auditory
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Let me summarize at this point. The
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The Perception of Quality: Auditory
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the oddball note to be the one most
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9 Auditory and Visual Segmentation
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Auditory and Visual Segmentation 37
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Auditory and Visual Segmentation 37
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Auditory and Visual Segmentation 37
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processes (e.g., basilar membrane v
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same time, the difficulty of detect
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elease (discussed in chapter 6) dem
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Auditory and Visual Segmentation 38
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(A) Target Rhythm Target + Masking
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to grouping by perceived position d
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4. Convexity: Convex figures usuall
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Auditory and Visual Segmentation 39
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Auditory and Visual Segmentation 39
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Auditory and Visual Segmentation 39
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Auditory and Visual Segmentation 40
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filter inferred from the background
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Auditory and Visual Segmentation 40
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Jackson (1953) found that the sound
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Auditory and Visual Segmentation 40
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Auditory and Visual Segmentation 41
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Auditory and Visual Segmentation 41
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a speaking face is located in front
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was high, then the resolution of th
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Listeners were more likely to repor
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10 Summing Up Perceiving is the con
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Summing Up 423 course of the stimul
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References Adelson, E. H. (1982). S
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References 427 Bermant, R. I., & We
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References 429 Crawford, B. H. (194
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References 431 Feldman, J., & Singh
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References 433 and male voices in t
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References 435 Isabelle, S. K., & C
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References 437 Laughlin, S. B. (200
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References 439 McAdams, S., Winsber
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References 441 Pittinger, J. B., Sh
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References 443 Shamma, S. (2001). O
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References 445 Troost, J. M. (1998)
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References 447 Welch, R. B. (1999).
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Index Boldfaced entries refer to ci
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Barbour, D. L., 83, 367, 426 Barlow
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Color reflectance 1/f c amplitude f
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Figure-ground auditory, 373, 421 in
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Hallikainen, J., 304, 440 Handel, S
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K-order statistics. See Visual text
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separation of things, 5 See also Pe
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Recanzone, G. H., 409-412, 441, 443
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Stream segregation default assumpti
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vibration frequencies of air masses
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Wavelet analysis. See Sparse coding