Layout 4 - Bloomsbury Auctions

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Layout 4 - Bloomsbury Auctions

LONDON

MODERN & CONTEMPORARY PRINTS

Thursday 3rd March 2011


MANAGEMENT BOARD

Stephan Ludwig Executive Chairman

Clive Stewart-Lockhart Deputy Chairman

Rupert Powell Deputy Chairman

Peter Floyd Finance Director

INTERNATIONAL DEPARTMENTS

BLOOMSBURY AUCTIONS

LONDON

Bloomsbury House

24 Maddox Street

London,W1S 1PP

Tel: +44 (0) 20 7495 9494

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info@bloomsburyauctions.com

www.bloomsburyauctions.com

DREWEATTS

DONNINGTON PRIORY

Newbury, Berkshire, RG14 2JE

Tel: +44 (0) 1635 553 553

Fax: +44 (0) 1635 553 599

donnington@dnfa.com

www.dnfa.com/donnington

DREWEATTS

BRISTOL

St. John’s Place, Apsley Road

Clifton, Bristol BS8 2ST

Tel: +44 (0) 117 973 7201

Fax: +44 (0) 117 973 5671

bristol@dnfa.com

www.dnfa.com/bristol

BLOOMSBURY AUCTIONS

ROME

Palazzo Colonna

Via della Pilotta 19

00187, Roma

Tel: +39 06 679 1107

Fax: +39 06 699 23077

rome@bloomsburyauctions.com

www.bloomsburyauctions.com

Liz Peck Chief Operating Officer

Fabio Massimo Bertolo

Alexander Hayter

BOOKS & MANUSCRIPTS

Rupert Powell Deputy Chairman

Dido Arthur Senior Book Specialist

John Collins (Consultant) Book Specialist

Michael Heseltine (Consultant) Book Specialist

Hannah Usher Book Specialist

Simon Luterbacher Manuscripts Specialist

Clive Moss Book Specialist

Roddy Newlands Modern First Editions Specialist

Justin Phillips Continental Specialist

ClaireWilkins Book Specialist

PICTURES AND MAPS

Robert Hall Senior Specialist

MODERN & CONTEMPORARY ART & PRINTS

Alexander Hayter International Head of

Contemporary Art

Mary McCarthy Urban & Contemporary Art

PHOTOGRAPHS

SarahWheeler Specialist

Roland Belgrave (Consultant)

John Cumming (Consultant)

BOOKS & MANUSCRIPTS

Fabio Massimo Bertolo Head of Department,

Auction Manager

Silvia Ferrini Senior Book Specialist & Office Manager

19TH & 20TH CENTURY ART

Luca Santori Head of Department

OLD MASTER PAINTINGS

Valentina Ciancio Head of Department

Adele Coggiola Junior Specialist / Administrator

James Nicholson

Richard Madley

William Richards

POSTERS

Richard Barclay (Consultant)

MARKETING

Richard Caton Group Head of Marketing

PoppyWalker Marketing Assistant

ADMINISTRATION

Graham Argue Saleroom Assistant

Abbie Barker Reception

Robert Cain Saleroom Assistant

Steve Cain Saleroom Manager

Scott Harvey Art Director

Craig Millar IT

Julia Owen Accounts

Elio Stolz Photography

KateTodd Administrator

EmmaTraill Reception

ASIAN CERAMICS &WORKS OF ART

PICTURES

Dan Bray Associate Director

Clive Stewart-Lockhart Deputy Chairman

Clive Stewart-Lockhart Deputy Chairman

James James-Crook Director

CLOCKS & SCIENTIFIC INSTRUMENTS

Archie Parker Specialist

Leighton Gillibrand Director

WINE

COUNTRY SPORTING

Bruce Cairnduff (Consultant)

Geoffrey Stafford Charles Director

Charlie Murphy Specialist

Charlie Murphy Specialist

ADMINISTRATION

DECORATIVE ARTS

Brenda Adams Associate Director,

David Rees Director

Client Accounts

ENGLISH & CONTINENTAL CERAMICS

Helen Barnard Administrator

Geoffrey Stafford Charles Director

Tori Billington Marketing Assistant

Kathy James Administrator

FURNITURE

Rita Lauer Saleroom Assistant

Cristian Beadman Associate Director,

Nick Mann Saleroom Assistant

Furniture & Works of Art

Adam Martin Saleroom Assistant

Ben Millerchip-Brown Associate Director,

Matthew Martin Photography Assistant

Furniture & Carpets

Dave Pincott Photographer

EmmaTerry Specialist

Ruth Rackham Senior Administrator

JEWELLERY, SILVER,WATCHES & OBJECTS OFVERTU & Valuations Coordinator

James Nicholson International Head of Department Gyula Sirok Saleroom Assistant

David Rees Director, Silver & Objects of Vertu

Ian Pickford Silver Consultant

BethWest Specialist

CLOCKS & SCIENTIFIC INSTRUMENTS

Leighton Gillibrand Director

FURNITURE & ORIENTAL CARPETS

Richard Madley Director

MEDALS & MILITARIA

Malcolm Claridge Specialist

PICTURES

Mary McCarthy Urban Art & Contemporary Art

SILVER & JEWELLERY

John Kelly Specialist

STEAM MODEL ENGINEERING

Michael Matthews Specialist (Consultant)

TOYS, COLLECTABLES, RAILWAYANA & BOOKS

Peter Rixon Associate Director

ADMINISTRATION

Kate Hannah Administrator

Sara Lucas Saleroom Assistant

Sara Martineau Photographer

Eve Karbowiak Photographer

JEWELS,WATCHES AND SILVER

Andrea Ansuini Head of Department

Claudia Pozzati Administrator

PHOTOGRAPHS

Silvia Berselli (Consultant)

Marica Rossetti Administrator

ADMINISTRATION

Debora Bifolco Accounts

Viola Marzoli Marketing

ClaudioVennarini Saleroom Manager,

Packaging and Shipping


LONDON

MODERN &

CONTEMPORARY

PRINTS

Thursday 3rd March 2011, 1.00pm


Description and Condition of Lots

Prospective buyers must satisfy themselves concerning

the condition of the goods and the matters referred to in the

catalogue description, in accordance with section 6 of the

Conditions of Sale and Business. Solely as a convenience,

Bloomsbury Auctions may provide condition reports. Many

items are of an age or nature which precludes their being in

perfect condition and some descriptions in the catalogue, or given

by way of condition report (made either orally or in writing), make

reference to damage and/or restoration. We provide this

information for guidance only and the absence of such a reference

does not imply that an item is free from defects or restoration, nor

does a reference to particular defects imply the absence of any

others.

Collation of Books

If, on collation, any NAMED items in this catalogue prove

defective, in text or illustration, the purchaser may reject the

lot provided he returns it within fourteen days stating the defect in

writing.This however will not apply in the case of un-named items,

periodicals, autograph letters, manuscripts, music, maps, atlases,

prints or drawings, nor in respect of damage to bindings, stains,

foxing, marginal wormholes or other defects not affecting the

completeness of the text, nor in respect of lack of list of plates,

inserted advertisements, cancels or subsequently published

volumes, supplements, appendices or plates or error

in the enumerating of the plates, nor in respect of defects

mentioned in the catalogue or announced at the time of sale.

Storage Charges

Purchasers are advised that a storage charge of £1.00 per lot

per day may be levied on all purchases not cleared within five

working days of the sale.

Commission Bids

Bloomsbury will execute bids on your behalf if you are unable to

attend the sale. Commission or absentee bids are accepted either

directly at reception, or can be sent by post, fax, email, telephone

or via the website: www.bloomsburyauctions.com.

Bloomsbury will add these bids to the auctioneers’ sale book and

will undertake to purchase the lots on your behalf as cheaply as

allowed by other bids and reserves.

Bloomsbury does not accept liability for failing to execute

commission bids, or for any errors or omissions.

Shipping

BloomsburyAuctions can accommodate shipping for certain

items, please contact our Cashiers Department formore

information. International Buyers are responsible for all

import/export duties and taxes. An invoice stating the actual

purchase price will accompany all international purchases

Export Licences

A licence from the Museums, Libraries & Archives Council will be

required before items of certain kinds may be exported from the

United Kingdom. Any item containing ivory will require a CITES

licence before it can be exported from the EU.

Payment

Payment will be accepted, if you are a successful bidder, by debit

card issued by a UK bank, in cash (subject to relevant money

laundering regulations), by bank transfer or by all major credit

cards with the exception of American Express and Diners Club.

A surcharge of 3% is payable on all payments made by credit card.

This surcharge does not apply to debit card payments. Payment

may also be made by Sterling personal cheques drawn on a UK

bank account but Bloomsbury regrets that purchases paid for by

this method can not be collected until your cheque has cleared.

2

IMPORTANT NOTICES

Please see Conditions of Business and Conditions of Sale at the back of this catalogue

The symbol ◆ following a lot number indicates that Bloomsbury

Auctions has a financial interest, direct or indirect, in the lot in

question, above & beyond the seller’s commission or buyer’s premium.

Artist’s Resale Rights (“Droit de Suite”)

Lots marked with a delta symbol (δ) are subject to the Artist’s

Resale Right Law.The buyer agrees to pay Bloomsbury Auctions an

amount equal to the resale royalty and we will pay such amount to

the artist’s collecting agent. Resale royalty applies where the

Hammer price is 1,000 Euros or more and the amount cannot be

more than 12,500 Euros per lot.The amount is calculated as follows:

Royalty For the portion of the Hammer Price (in Euros)

4.00% up to 50,000

3.00% between 50,000.01 and 200,000

1.00% between 200,000.01 and 350,000

0.50% between 350,000.01 and 500,000

0.25% in excess of 500,000

Invoices will, as usual, be issued in Pounds Sterling. For the

purposes of calculating the resale royalty the Pounds Sterling/

Euro rate of exchange will be the European Central Bank

reference rate on the day of the sale.

VAT

Zero-rated items such as books, unframed maps and albums are

not subject to VAT on the buyer’s premium. Eligible items such as

manuscripts, prints, photographs, drawings, framed maps,

paintings, pens and other objects are subject to VAT on the buyer’s

premium as part of the auctioneers margin scheme at a rate of

20%.This will be invoiced at a rate inclusive of premium and VAT.

Lots with an asterisk (*) in the catalogue are subject to VAT on the

hammer price as well as the buyer’s premium. Lots marked with a

double asterisk (**) have been imported from outside the EU to be

sold at auction, and therefore the buyer must pay the import at a

rate of 5% on the hammer and 20% on the buyer’s premium.

Valuations

We undertake valuations for Probate and Insurance, fees being

agreed by prior arrangement. If items are subsequently consigned

for sale, the fees will be refunded.

Annual Catalogue Subscriptions

Full Subscription

UK and Europe £600, USA and elsewhere £650

London Book Sales

UK and Europe £200, USA and elsewhere £250

All Book Sales

UK and Europe £380, USA and elsewhere £450

Maps & Atlases

UK and Europe £20, USA and elsewhere £30

LondonVisual Arts Sales

UK and Europe £100, USA and elsewhere £150

AllVisual Arts Sales

UK and Europe £160, USA and elsewhere £200

All Photographs Sales

UK and Europe £40, USA and elsewhere £60

Opening hours:

We are open Monday to Friday 9.30am to 5.30pm

Online Bidding

It is possible to bid live during the auction via the internet, at

www.the-saleroom.com

For more details on the-saleroom.com please call

+44 20 7420 6691 or email support@atgmedia.com


Free live online bidding for this sale:

www.the-saleroom.com www.liveauctioneers.com

Visit our website for current catalogues, colour

illustrations of major lots and a word search service:

www.bloomsburyauctions.com

Buyer’s premium is charged per lot at 22% of the

hammer price up to £300,000, and 12%on the

hammer price in excess of £300,000

Illustrations – Front cover: lot 110 | Back cover: lot 252 | Title page: lot 261

LONDON

MODERN &

CONTEMPORARY

PRINTS

Thursday 3rd March 2011,

at 1.00pm

Sale No. 13384

Specialists

Alexander Hayter

International Head of Department

Modern & Contemporary Art

ahayter@bloomsburyauctions.com

Tanya Grigoroglou

Junior Specialist - Prints

tgrigoroglou@bloomsburyauctions.com

Mary McCarthy

Specialist Urban Art

mmccarthy@dnfa.com

Viewing

Sunday 27th February

11.30am – 4:30pm

Monday 28th February

9.30am – 5.30pm

Tuesday 1st March

9.30am – 5.30pm

Wednesday 2nd March

9:30am – 8.00pm

Catalogues £10 (£12, $22, €18 by post)

Bloomsbury Auctions

Bloomsbury House

24 Maddox Street

London W1S 1PP

Tel: +44 (0)20 7495 9494

Fax: +44 (0)20 7495 9499

info@bloomsburyauctions.com

www.bloomsburyauctions.com


MODERN

BRITISH PRINTS


1 δ

Ivor Abrahams (b. 1935)

Garden Series

two silkscreens with collage in colours, 1971,

each signed and dated in pencil, numbered 71/75,

in original frame,

each 580 x 775mm (22 3/4 x 30 2/4in)

£300-500

2

Craigie Aitchison (1926-2009)

Still life on Vermillion

silkscreen printed in colours, 2008, signed in silver ink,

numbered 14/85, on wove paper, the full sheet printed

to the edges,

550 x 455mm (21 3/4 x 18in)

£500-700

3

Craigie Aitchison (1926-2009)

Priest and Dog

silkscreen printed in colours, 2004, signed and numbered

25/75 verso, published by Advanced Graphics, London,

on wove paper, the full sheet printed to the edges,

152 x 120mm (6 x 4 3/4in)

£400-600

4

Edward Ardizzone (1900-1977)

Shelter Scene

lithograph printed in colours, 1941, published by the

National Gallery, printed byThe Baynard Press,

on wove paper, with full margins,

760 x 1020mm (30 x 40 1/4in)

£600-800

1

2

3

4

LONDON

5


LONDON

5

5

Kenneth Armitage (1916-2002)

Seated Figures

lithograph printed in colours, 1960,

signed and dated in pencil, numbered 203/300,

on Arches paper, with full margins,

379 x 476mm (15 x 183/4in) £300-500

6

6

Edward Bawden (1903-1989)

Campions and Columbine

linocut printed in colours, 1947, signed in pencil,

numbered 271/500, published by Merivale Editions,

printed by Sebastian Carter at the Rampant Lions

Press, on mould-made St Cuthbert’s Mill, Wells,

Somerset, from the library of Vence GerryThe

Weather Bird Press, on wove paper, with full

margins, within the original printed paper folder,

165 x 220mm (61/2 x 83/4in) £400-600

7

7

Edward Bawden (1903-1989)

Interior

lithograph printed in colours, signed in pencil,

numbered 66/100, on wove paper,

with full margins,

410 x 450mm (16 x 173/4in) £700-900

8

8

Robert Barnes; John Henn

A Collection

two etchings with aquatint and three aquatints

printed in colours, each signed and titled in pencil,

numbered variously, on wove paper,

with full margins,

various sizes

£250-350

6 www.bloomsburyauctions.com tel. +44 (0)20 7495 9494


9

9 δ

John Bellany (b. 1942)

Untitled

lithograph, signed in pencil, numbered 52/60,

on BFK Rives paper, the full sheet printed

to the edges,

755 x 565mm (293/4 x 221/4in) £250-300

10

10 δ

Dame Elizabeth Blackadder RA (b.1931)

Fred, from Cats portfolio

etching with aquatint printed in colours, 2003,

signed in pencil, numbered 58/80, published by

Glasgow Print Studio, Glasgow, with their

blindstamp, on wove paper, with full margins,

300 x 355mm (113/4 x 14in)

£400-600

LONDON

11

11 δ

Dame Elizabeth Blackadder RA (b.1931)

Kikko on a Rug, from Cats portfolio

etching and aquatint printed in colours, 2003,

signed in pencil, numbered 58/80, published by

Glasgow Print Studio, Glasgow, with their

blindstamp, on wove paper, with full margins,

300 x 355mm (113/4 x 14in)

£400-600

12

12 δ

Dame Elizabeth Blackadder RA (b.1931)

Amelia Sleeping, from Cats portfolio

etching aquatint printed in colours, 2003, signed in

pencil, numbered 58/80, published by Glasgow

Print Studio, Glasgow, with their blindstamp,

on wove paper, with full margins,

300 x 355mm (113/4 x 14in)

£300-500

7


LONDON

13 (part) 14 (part)

13 δ

Boyd & Evans (b.1944)

A Collection

the set of fourteen etchings with aquatint printed

on seven sheets, 1971, signed, titled and dated in

pencil, numbered variously from the edition of 25,

on wove paper, with full margins,

each 200 x 200mm (8 x 8in)

£500-700

14 δ

John Brunsdon (b.1923)

Solva; Rydal; River Wye

three etchings with aquatint printed in colours,

each signed and titled in pencil, numbered

variously, on wove paper watermarked Crisbrook,

with full margins,

each 450 x 600mm (17 3/4 x 23 1/2in)

£300-500

15

John Buckland-Wright (1897-1954)

Dance (B.W. L35)

wood engraving, 1927, signed, titled and

dated in pencil, numbered 16/30,

with the studio stamp verso,

on Japan paper, with full margins,

123 x 92mm (4 7/8 x 3 7/8in)

£300-500

16

John Buckland-Wright (1897-1954)

Nymph Surprise II (B.W. M54)

engraving, 1935/00, titled and dated in pencil,

numbered 8/30, a posthumous impression,

printed in 2000 by Black Star Press,

with their blindstamp, also with the studio stamp

verso, on wove paper,

225 x 145mm (8 7/8 x 5 11/16in)

£300-500

8 www.bloomsburyauctions.com tel. +44 (0)20 7495 9494


15 16

17

John Buckland-Wright (1897-1954)

Judgement of Paris (B.W. M88)

engraving, c. 1950, titled and dated in pencil, numbered 2/15,

with the studio stamp verso, on wove paper, with full margins,

201 x 277mm (8 x 10 7/8in)

£400-600

17

LONDON

9


LONDON

18 (part)

18

John Buckland-Wright (1897-1954)

Dolores, Algernon Charles Swinburne (B.W. A12)

the very rare set of eleven wood engravings together with the rejected design, 1933, each with the studio

stamp verso, the first edition, privately printed by A.A.M. Stols for Emile, Baron van der Borch van

Verwolde, on laid Japan paper, with full margins, various sizes

£1,200-1,600

10 www.bloomsburyauctions.com tel. +44 (0)20 7495 9494


19

20

John Buckland-Wright (1897-1954)

A Collection

four book plates and a Christmas card, three

wood engravings, and two etchings, one printed

in colours, on various papers, all with full margins,

various sizes

£300-500

LONDON

19

John Buckland-Wright (1897-1954)

Metamorphosis No I: Girl into Bird (B.W. M67)

engraving, 1937, titled and dated in pencil,

numbered 23/30, with the studio stamp verso, the

edition was completed posthumously in 2000 by

Black Star Press, with their blindstamp, on Arches

paper, with full margins,

308 x 156mm (12 x 6 1/8in)

£600-800

20

11


LONDON

21

21

John BucklandWright (1897-1954)

Two Girls (B.W.M.99)

etching, 1954, titled and dated in pencil, numbered

23/30, with the estate stamp verso, on wove paper,

with full margins,

188 x 252mm (71/3 x 10in)

£250-350

22

22

John BucklandWright (1897-1954)

Girl Putting on Shoe I., II., III (B.W.M.101-103)

three etchings printed with tone, 1954, each titled

and dated in pencil, I and II numbered 6/30., III

numbered 6/20, with the estates stamps verso, on

wove paper, with full margins,

each 200mm x 151mm (8in x 6in)

£250-350

23 & 24

No lot

25

25

Reg Butler (1913-1981)

Untitled

lithograph, 1968, signed and dated in pencil,

numbered 61/65, on Arches paper,

the full sheet printed to the edges,

650 x 496mm (255/8 x 191/2in) £300-500

12 www.bloomsburyauctions.com tel. +44 (0)20 7495 9494


26

26

Edward Burra (1905-1976)

Untitled

woodcut, initialled EB in pencil, numbered 29/45,

on Japan laid paper, with full margins,

100 x 150mm (4 x 57/8in) £300-500

27

27

Edward Burra (1905-1976)

Untitled

woodcut, initialled in pencil, numbered 29/45,

on Japan laid paper, with full margins,

150 x 100mm (57/8 x 4in)

£300-500

28

28

Edward Burra (1905-1976)

Untitled

woodcut, initialled in pencil, numbered 29/45,

on Japan laid paper, with full margins,

150 x 100mm (57/8 x 4in)

£300-500

LONDON

29

29

Edward Burra (1905-1976)

Untitled

woodcut, 1971, signed in pencil, numbered 29/45,

on Japan laid paper, with full margins,

350 x 250mm (133/4 x 97/8in) £400-600

13


14

LONDON

33

Lynn Chadwick (1914-2003)

Reclining Figures II

lithograph, 1971, signed, titled, dated and

inscribed E.d. A. in pencil, an artist’s proof aside

from the edition of 100, printed and published by

Erker Presse, St. Gallen, Switzerland, with their

blindstamp, on BFK Rives, with full margins,

sheet 760 x 560mm (30 x 22in)

£250-300

31

30

No lot

31

Lynn Chadwick (1914-2003)

Two Seated Figures on Blue Stripes

lithograph printed in colours, 1974, signed and dated in

pencil, numbered 3/75, on wove paper, the full sheet

printed to the edges,

sheet 805 x 595mm (31 3/4 x 23 1/2in)

£300-500

32

Lynn Chadwick (1914-2003)

Reclining Figures I,

lithograph, 1971, signed and dated in pencil, numbered

16/150, published by Erker Presse, St. Gallen,

Switzerland, with their blindstamp, on BFK Rives

paper, with full margins,

760 x 560mm (30 x 22in)

£150-200

32 33 34

34

Lynn Chadwick (1914-2003)

Seated Figures in Green

lithograph printed in colours, 1973, signed and

dated in pencil, numbered 8/99, on wove paper,

with full margins,

680 x 465mm (26 3/4 x 18 1/3in)

£250-250

www.bloomsburyauctions.com tel. +44 (0)20 7495 9494


35 δ

Maurice Cockrill (b.1936)

Anthology

the complete portfolio, 1998, comprising eight etchings with aquatint printed in colours,

each signed, titled and dated in pencil, numbered 19/35, with title-page, text and justification,

published by Helmut Pabst, printed by Stoneman Graphics, Cornwall, on Velin Arches Blanc paper,

with full margins,

each 505 x 400mm (19 7/8 x 15 3/4in)

£300-500

36

35 (part)

36

Beryl Cook (1926-2008)

A Bird in the Hand

silkscreen printed in colours, signed in pencil,

numbered 185/350, on wove paper, with full margins,

535 x 635mm (21 x 25in)

£150-200

LONDON

15


LONDON

38

39

37 (part)

37 δ

Robyn Denny (b. 1930)

A Collection

two etchings, one with aquatint, one with

additional handcolouring, printed in colours,

1977-8, each signed and dated, variously

numbered and inscribed, published by Bernard

Jacobson Gallery, London, on wove paper,

various sizes

£300-500

38

Julian Dyson (1936-2003)

Seabird

offset lithograph printed in colours, 2000,

signed, titled and dated in pencil, numbered

15/50, on wove paper, with full margins,

413 x 295mm (16 1/4 x 11 2/3in)

£100-150

39 δ

Mary Fedden (b.1915)

Small Still Life

lithograph printed in colours, 2009, signed in

pencil, numbered 84/125, on hand made Indian

paper, with full margins,

115 x 145mm (4 1/2 x 5 3/4in)

£300-500

16 www.bloomsburyauctions.com tel. +44 (0)20 7495 9494


40

41

LONDON

40

Elisabeth Frink (1930-1993)

The ReevesTale, fromThe CanterburyTales II

Series (w.62)

etching with aquatint, 1972, signed and titled in

pencil, published by Leslie Waddington Prints Ltd,

London, printed at White Ink,

with their blindstamp, on J Barcham Green paper,

with full margins,

495 x 343mm (19 1/2 x 13 1/2in)

£200-300

41

Elisabeth Frink (1930-1993)

The Prioress’sTale, fromThe CanterburyTales II

Series (w.64)

etching with aquatint, 1972, signed and titled in

pencil, numbered 16/50, published by Leslie

Waddington Prints Ltd, London,

printed at White Ink with their blindstamp,

on J Barcham Green paper, with full margins,

495 x 343mm (19 1/2 x 13 1/2in)

£200-300

42

42

Elisabeth Frink (1930-1993)

The ReevesTale, fromThe CanterburyTales I

Series (w.30a)

etching with aquatint, 1970, signed and titled in

pencil, numbered 32/70, published by Leslie

Waddington Prints Ltd, London,

on handmade wove paper, with full margins,

273 x 300mm (103/4 x 113/4in) £200-300

17


LONDON

43

Elisabeth Frink (1930-1993)

The Grey Rider (w.39)

lithograph printed in colours, 1970, signed in

pencil, numbered 381/500, onTH Saunders paper,

with full margins,

sheet 579 x 780mm (22 7/8 x 30 6/8in)

£600-800

44

Elizabeth Frink (1930-1993)

Cyclops, from the Odyssey (w.98)

lithograph printed in colours, 1974, signed and

titled in pencil, numbered 29/30, published by

Leslie Waddington Prints Ltd, London, printed at

Curwen Studio, London, on wove paper,

with full margins,

255 x 160mm (9 7/8 x 6 1/4in)

£600-800

45

Terry Frost (1915-2003)

Lament for Ignacio Sanchez Mejios, from the

Lorca Suite (k.98)

silkscreen printed in colours, signed in pencil,

numbered 22/75, published by Austin Desmond

Contemporary Books, London, printed by Hugh

Stoneman and Alan Cox at the Print Centre,

London, on Somerset Satin wove paper,

the full sheet printed to the edges,

559 x 377mm (22 x 14 7/8)

£600-800

43

18 www.bloomsburyauctions.com tel. +44 (0)20 7495 9494

44

45


46

47

LONDON

46

Terry Frost (1915-2003)

TreeTree, from the Lorca Suite (k.107)

etching with aquatint printed in colours, with

extensive handcolouring in green, 1989, signed in

pencil, numbered 22/75,

published by Austin Desmond Contemporary

Books, London, printed by Hugh Stoneman and

Alan Cox at the Print Centre, London,

on Somerset Satin wove paper, the full sheet

printed to the edges,

559 x 375mm (22 x 14 3/4in)

£600-800

47

Terry Frost (1915-2003)

The Spinster at Mass, from the Lorca Suite (k.101)

etching with aquatint printed in colours with

extensive hand colouring in black and red, 1989,

signed in pencil, inscribed AP I, an artist’s proof

aside from the edition of 75, published by Austin

Desmond Contemporary Books, London, printed

by Hugh Stoneman and Alan Cox at the Print

Centre, London, on Somerset Satin wove paper,

559 x 375mm (22 x 14 3/4in)

£700-900

19


LONDON

48

49

48

Terry Frost (1915-2003)

Five in the Afternoon II (k.121)

etching printed in colours, 1990,

signed and dated in pencil, numbered

29/30, published by Austin Desmond

Contemporary Books, London, printed

by Hugh Stoneman at the Print

Centre, London, on Somerset wove

paper, with full margins,

550 x 370mm (21 3/4 x 14 1/2in)

£600-800

49

Terry Frost (1915-2003)

Untitled (k.73)

lithograph printed in colours, 1975,

signed in pencil, a proof aside from

the edition of 75, published by the

United Kingdom National Committee

for the International Association of

Art, as part of their Portfolio of Prints

by British Artists, printed at

Burleighfield House, Loudwater,

Bucks, on wove paper, the full sheet

printed to the edges,

486 x 686mm (19 1/4 x 27in)

£500-700

20 www.bloomsburyauctions.com tel. +44 (0)20 7495 9494


50

Terry Frost (1915-2003)

Black Sun

monotype in colours, 1999, signed and dated in pencil, on wove paper, the full sheet,

1195 x 880mm (47 x 34 5/8in)

£5,000-7,000

50

LONDON

21


LONDON

51

51

Alistair Grant (1925-1997)

Girl in a Field

etching, 1956, signed, dated and inscribed Artist’s

Proof in pencil, one of a small number of

impressions printed, on J Whatman wove paper,

with full margins,

250 x 375mm (93/4 x 143/4in) £200-300

52

52

Alistair Grant (1925-1997)

Four Children Playing

the rare lithograph printed in colours, 1955, signed

in pencil and dated, numbered 9/14, on J Whatman

wove paper, with full margins,

395 x 550mm (151/2 x 213/4in) £200-300

53

53

Alistair Grant (1925-1997)

Hopscotch

the rare lithograph printed in colours, 1954, one of

only a few impressions pulled, signed and dated in

pencil, on wove paper, with full margins,

305 x 500mm (12 x 193/4in) £200-300

54

54

Alistair Grant (1925-1997)

Three Little Girls

the rare etching, 1955, one of only a few

impressions pulled, signed, titled and dated in

pencil, on wove paper, with full margins,

280 x 345mm (11 x 131/2in) £200-300

22 www.bloomsburyauctions.com tel. +44 (0)20 7495 9494


55

55

Alistair Grant (1925-1997)

Children Paddling

the rare etching, 1955, one of only a few

impressions pulled, signed, titled and dated and

inscribed Epreuvre D’artitste 3rd State in pencil,

on wove paper, with full margins,

300 x 395mm (113/4 x 151/2in) £200-300

56

56

Alistair Grant (1925-1997)

Hoop Rolling

the rare etching, 1955, signed, dated and

numbered 1/25 in pencil, on wove paper,

with full margins,

300 x 395mm (113/4 x 151/2in) £200-300

LONDON

57

57

Alistair Grant (1925-1997)

Plage du Havre

the rare lithograph printed in colours,

signed in pencil, numbered 12/12, on wove paper,

with full margins,

320 x 445mm (121/2 x 171/2in) £200-300

58

58

Alistair Grant (1925-1997)

The Caged Bird

the rare lithograph printed in colours, 1951,

signed and dated in pencil, numbered 2/10,

on wove paper, with full margins,

600 x 430mm (231/2 x 17in)

£200-300

23


LONDON

59 (part) 60 (part)

59

Alistair Grant (1925-1997)

three etchings with aquatint printed in colours,

each signed, titled and inscribed Artist’s proof in

pencil, on wove paper, with full margins,

each 250 x 325mm (9 3/4 x 12 3/4in)

£200-300

61

60

Alistair Grant (1925-1997); Sheila Horton

Untitled

two etchings with aquatint printed in colours,

each signed in pencil, numbered variously, on

wove paper, with full margins, various sizes

£150-200

61

William Greengrass (1896-1970)

The Bathers

the extremely rare linocut printed in

colours, circa 1930, titled in pencil,

possibly a proof, on simile Japan paper,

with full margins,

sheet 244 x 190mm (9 1/2 x 7 1/2in)

£1,000-1,500

24 www.bloomsburyauctions.com tel. +44 (0)20 7495 9494


62 (part)

62 δ

Fernando Guibert (b.1957)

Night;Theatre I

two etchings with aquatint, 2010, each signed in

pencil, inscibed A/P, an artist’s proof, numbered

variously, on wove paper, with full margins,

each 198 x 147mm (7 6/8 x 5 6/8in)

£200-300

63 δ

Fernando Guibert (b.1957)

Oedipus and the Sphinx; Black Bed;

Rape of the Sabines II

three etchings with aquatint, signed in

pencil and inscribed A/P, an artist’s

proof, numbered variously, on wove

paper, with full margins,

various sizes

£250-350

LONDON

64 δ

Fernando Guibert (b.1957)

Girl and Pet

etching with extensive hand-colouring in

watercolour, 2010, signed in pencil and inscribed

A/P, an artist’s proof, on wove paper,

with full margins,

100 x 125mm (4 x 5in)

£150-200

63 (part)

64

25


65

65

StanleyWilliam Hayter (1901-1988)

Le Lecon d’Anatomie (b.&m. 214)

engraving with etching and aquatint printed in

colours, 1954, signed and dated in pencil,

numbered 83/200, published by L’oeuvre Gravée,

Zurich, Switzerland, with their blindstamp, on BFK

Rives paper, with full margins,

405 x 300mm (16 x 113/4in) 26

LONDON

£1,000-1,500

66

66

StanleyWilliam Hayter (1901-1988)

Icarus (b.&m. 288)

engraving with etching printed in colours, 1956,

signed , titled and dated in pencil, inscribed Essai,

an artist’s proof aside from the edition, on laid

paper, with full margins,

345 x 250mm (13 5/8 x 9 7/8in)

£800-1,200

67

67

StanleyWilliam Hayter (1901-1988)

Danse du Soleil (b.&m.197)

engraving with soft-ground etching printed in

colours, 1951, signed in pencil, from the edition of

200, published by La Guilde Internationale de la

Gravure, Geneva, with their blindstamp, printed by

Hayter and Atelier 17, on Arches paper, with full

margins,

393 x 238mm (15 1/2 x 9 3/8in)

£600-800

www.bloomsburyauctions.com tel. +44 (0)20 7495 9494


68

68

StanleyWilliam Hayter (1901-1988)

Aerialistes (b.&m.232)

engraving with soft-ground etching printed in

colours, 1957, signed, titled and dated in pencil,

numbered 5/50, printed by Hayter and Atelier 17,

on Barcham Green paper, with full margins,

346 x 246mm (133/8 x 95/8in) Provenance: Venice Biennale 1958, British Council,

London

£600-800

69

69

StanleyWilliam Hayter (1901-1988)

Wake (b.&m.324)

soft-ground etching printed in colours, 1968,

signed, titled and dated in pencil, numbered 7/50,

printed by Hector Saunier,

on Rives BFK paper, with full margins,

235 x 395mm (91/4 x 151/2in) £400-600

70

70

StanleyWilliam Hayter (1901-1988)

Rubis

soft-ground etching printed in colours, 1967,

signed, titled and dated in pencil, inscribed E,

an artist’s proof aside from the edition of 150,

numbered 1/5, published by the Kunstverein fur

die Rheinlande und Westfalen, Dusseldorf,

printed by Hayter and Atelier 17,

on Rives BFK paper, with full margins,

sheet 546 x 509mm (211/2 x 20in)

£300-500

71 (part)

71

Adrian Heath (1920-1992)

Gastard

a portfolio of six lithographs, printed in colours,

each signed, titled and numbered 11/50 in pencil

verso, printed by Pimlico Press, on wove paper, the

full sheet printed to the edges, in the original grey

paper folder with matching grey slipcase,

each 285 x 260mm (111/4 x 101/4in) £300-500

LONDON

27


LONDON

72

72

Josef Herman (1911-2000);

Patrick Procktor (1936-2003)

The Red Sun; Canterbury Bells

one silkscreen and one etching with aquatint

printed in colours, each signed in pencil,

numbered variously, on wove paper,

with full margins,

various sizes

£150-200

73

Gertrude Hermes (1901-1983)

The Ram No. 5

woodcut with linocut printed in colours, 1958,

signed, titled and dated in pencil, on laid paper,

with full margins,

800 x 585mm (31 1/2 x 23in)

£200-250

74

73

74

Ivon Hitchens (1893-1978)

For John Constable

silkscreen printed in colours, 1976, signed and

titled in pencil, numbered 71/100, inscribed

Betambeau, printed and published by Advanced

Graphics, London, with their blindstamp, on wove

paper, with full margins,

372 x 835mm (14 5/8 x 32 7/8in)

£1,500-2,000

28 www.bloomsburyauctions.com tel. +44 (0)20 7495 9494


75 (part)

75

Andrew Holmes, Jack Miller and Gerard

Hemsworth

American; Rosy Bar, Argenton; Untitled I

three silkscreens printed in colours, 1982-84,

one signed, titled and dated in pencil, numbered

variously, on wove paper, with full margins,

various sizes

£250-350

76 δ

John Hoyland (b. 1934)

NewYork Suite (Brown Block on Pink)

silkscreen printed in colours, 1971, signed and

dated in pencil, numbered 2/100, on wove paper,

with full margins,

914 x 660mm (36 x 26in)

£400-600

77 δ

John Hoyland (b. 1934)

NewYork Suite (Grey, Blue on Green)

silkscreen printed in colours, 1971, signed and

dated in pencil, numbered 73/100, on wove paper,

with full margins,

914 x 648mm (36 x 25 1/2in)

£400-600

76 77

LONDON

29


78

78 δ

John Hoyland (b. 1934)

View

etching with aquatint printed in colours, 1979,

signed and dated in pencil, numbered 22/50,

published by Waddington Graphics, London,

with their blindstamp, printed by Kelpra Studio,

London, with their blindstamp, on wove paper,

with full margins,

686 x 543mm (27 x 213/8in) £300-500

79

79 δ

John Hoyland (b. 1934)

Bouquet

etching with aquatint printed in colours, 1983,

signed and dated in pencil, numbered 35/60,

published by Waddington Graphics, London, with

their blindstamp, on wove paper, with full margins,

982 x 793mm (383/4 x 311/4in) 30

LONDON

£400-600

80

80 δ

John Hoyland (b. 1934)

Fly Away

etching with aquatint and carborundum, 1981,

signed and dated in pencil, numbered 29/60,

published by Waddington Graphics with their

blindstamp, printed by Kelpra Studio, London, with

their blindstamp, on wove paper, with full margins,

565 x 711mm (221/4 x 28in)

£250-350

81

81 δ

John Hoyland (b.1934)

Tree of Life

silkscreen printed in colours, 1996, signed and

dated in pencil, inscribed PP3, a printer’s proof

aside from the edition of 100, on Lana Aquarelle,

with full margins,

760 x 560mm (30 x 22in)

£200-300

www.bloomsburyauctions.com tel. +44 (0)20 7495 9494


82

82 δ

John Hoyland (b.1934)

NewYork Suite

silkscreen printed in colours, 1971,

signed in pencil, numbered 28/100,

on wove paper, with full margins,

1030 x 720mm (40 2/4 x 281/2in) £300-500

82A

82A δ

John Hoyland (b.1934)

NewYork Suite

silkscreen printed in colours, 1971, signed in

pencil, numbered 59/100, on wove paper,

with full margins,

1030 x 720mm (401/2 x 281/2in) £300-500

83

83 δ

Patrick Hughes ( b.1939)

Inside Out; Love Letters

two silkscreens printed in colours, each signed,

titled and dated 1981 and 1982 respectively in

pencil, numbered variously from the edition of 150,

on wove paper, with full margins,

various sizes

£200-300

83A

83A δ

Patrick Hughes (b.1939)

Colour Process

silkscreen printed in colours, 1984, signed, titled

and dated in pencil, numbered 180/250, on wove

paper, with full margins,

575 x 405mm (225/8 x 16in)

£200-300

LONDON

31


84

84 δ

Albert Irvin (b.1922)

ConcordiaI

silkscreen printed in colours, 1997, signed and

titled in pencil, numbered 193/195, printed and

published by Advanced Graphics, London, on wove

paper, with full margins,

315 x 500mm (121/4 x 193/4in) £200-300

85

85 δ

Ben Johnson (b.1946)

Vertical Shadows

three silkscreens printed in colours, 1980-81,

each signed in pencil, numbered variously,

on wove paper, with full margins,

various sizes

32

LONDON

£200-300

86

86

Morris Kestelman (1905-1988)

The Circus

the set of four lithographs printed in colours, circa

1985, each signed in pencil, printer’s proof aside

from the edition, on wove paper, with full margins,

280 x 350mm (11 x 143/4in) £200-300

87

87 δ

David Mach (b.1956)

Untitled

lithograph with handcolouring, signed in pencil,

an artist’s proof aside from the edition,

on wove paper, with full margins,

sheet 500 x 650mm (192/3 x 255/8in) £200-300

www.bloomsburyauctions.com tel. +44 (0)20 7495 9494


88

88

Tim Mara (1948-1997)

Cognotive Assonance; Hand Grip

two etchings printed in colours, 1978-79, signed,

titled and dated in pencil, one inscribed A/P, an

artist’s proof, on wove paper, with full margins,

various sizes

£300-500

89

89

Tim Mara (1948-1997)

Blue Splash; Criss Cross; Red Cellophone

three silkscreens printed in colours, 1980,

each signed, titled, dated in pencil, numbered

22/50, on wove paper, with full margins,

each 460 x 485mm (181/8 x191/8in) £300-500

90

90

Tim Mara (1948-1997)

Portrait of a Woman with Striped Dress;

Self Portrait; Plastic Mac

three lithographs, one printed in colours, 1980-81,

each signed, titled and dated in pencil,

numbered variously, on wove paper,

various sizes

£400-600

91

91 δ

Jock McFayden (b.1950)

Untitled

lithograph, 1982, signed and dated in pencil,

numbered 10/30, on wove paper, the full sheet

printed to the edges,

765 x 570mm (293/4 x 221/2in) £200-300

LONDON

33


92

92 δ

Stephen McKenna (b. 1939)

Five Lithographs

the portfolio comprising five lithographs printed in

colours, each signed in pencil, numbered 19/40,

on wove paper, with full margins, published by

The Orchard Gallery, Derry and EdwardTotah

Gallery, London,

overall size 565 x 445mm (221/4 x 171/4in) £200-300

93

93 δ

Bruce McLean (b. 1944)

Green Fish on Red; Green Fish onYellow

two silkscreens printed in colours, both 1984,

each signed and dated in pencil, numbered

variously, on wove paper, with full margins,

each 770 x 640mm (311/4 x 251/4in) 34

LONDON

£300-500

94

94 δ

Bruce McLean (b. 1944)

Maroon Heads on Grey; Green Fish on Blue

two silkscreens printed in colours, both 1984,

each signed and dated in pencil, numbered

variously from the edition of 10, on wove paper,

with full margins,

each 770 x 640mm (311/4 x 251/4in) £300-500

95

95 δ

Bruce Mclean (b.1944)

Footballers

three silkscreens printed in colours, each signed

in pencil, numbered variously, on wove paper,

the full sheets printed the edges,

1175 x 870mm (461/2 x 341/2in) £600-800

www.bloomsburyauctions.com tel. +44 (0)20 7495 9494


96

96 δ

Bruce Mclean (b.1944)

Lobster Factor; Burnt

two silkscreens printed in colours, each signed

and titled in pencil, numbered variously,

on wove paper, with full margins,

various sizes

£300-500

97

97

Jack Miller (1945-2004)

A Collection

five silkscreens, printed in colours, 1973-76,

signed, titled and dated in gold pen, each

inscribed A/P, all artist’s proofs aside from the

edition, on glossy wove paper, with full margins,

various sizes

£400-600

98

98

John Minton (1917-1957)

Corsican Series

four lithographs printed in colours, on wove paper,

with full margins,

165 x 235mm (61/2 x 91/4in) £150-200

99

99

John Minton (1917-1957)

Corsican Series

four lithographs printed in colours, on wove paper,

with full margins,

165 x 235mm (61/2 x 91/4in) £150-200

LONDON

35


LONDON

100

101

100

Henry Moore (1898-1986)

Reclining Figure

lithograph printed in colours, 1974,

signed in pencil, numbered XIX/XX,

an artist's proof aside from the

edition of 60, printed by Curwen

Prints Ltd, London, onTH Saunders

paper, with full margins,

211 x 290mm (8 1/4 x 11 3/9 in )

£500-700

101

Henry Moore (1898-1986)

Square Forms (c.51)

lithograph, 1963, signed and dated in

pencil, numbered 57/65, published by

Galerie Wolfgang Ketterer, Stuttgart

& Felix H. Man, Lodon, with their

blindstamp, on BFK Rives paper, with

full margins,

sheet 502 x 648mm (19 3/4 x 25 1/2in)

£800-1,200

36 www.bloomsburyauctions.com tel. +44 (0)20 7495 9494


102

103

102

Henry Moore (1898-1986)

Mother and Child IX (c.679)

etching with aquatint printed in colours, 1983,

signed in pencil, numbered PLIX 52/65, published

by Raymond Spencer Company for the Henry

Moore Foundation, Much Hadham, on Arches

paper, with full margins,

213 x 203mm (8 3/8 x 8in)

£600-800

103

Henry Moore (1898-1986)

Mother and Child XIII (c.683)

etching with aquatint printed in colours, 1983,

signed in pencil, numbered PL XIII 52/65, published

by Raymond Spencer Company for the Henry

Moore Foundation, Much Hadham, on Arches

paper, with full margins,

322 x 250mm (12 5/8 x 9 7/8in)

£1,000-1,200

104

104

Henry Moore (1898-1986)

Mother and Child XV (c.685)

etching with aquatint printed in colours, 1983,

signed in pencil, numbered PL XV 52/65, published

by Raymond Spencer Company for the Henry

Moore Foundation, Much Hadham, on Arches

paper, with full margins,

205 x 290mm (81/8 x 113/8in) £600-800

LONDON

37


LONDON

105

105

Paul Nash (1889-1946)

Paths into the Wood

woodcut, 1921, signed, titled and dated in pencil,

the edition was 50, on Japan paper, with full margins,

125 x 102mm (5 x 4in)

£700-900

106

Paul Nash (1889-1946)

The Dyke by the Road

woodcut, 1922, signed, titled and dated in pencil,

inscribed ‘for Anna & Maresco, ‘special proof’,

on Japan paper, with full margins,

125 x 178mm (5 x 7in)

£1,000-1,500

106

38 www.bloomsburyauctions.com tel. +44 (0)20 7495 9494


107

108

LONDON

107 δ

Brendan Neiland (b.1941)

Christ Church

four silkscreens printed in colours,

each signed and titled in pencil,

numbered variously from the edition of 195,

on wove paper, with full margins,

each 405 x 505mm (16 x 20in) or the reverse

£400-600

108 δ

Brendan Neiland (b.1941)

Times Square; Winter Landscape;

Autumn Landscape

three silkscreens printed in colours, 1982-83,

signed, titled and dated in pencil,

numbered variously, on wove paper,

with full margins,

various sizes

£300-500

39


LONDON

109

Ben Nicholson (1894-1982)

Turkish Sundial, Column andTree (L.45)

etching, 1967, signed and titled in pencil,

numbered 10/50, printed by Lanfranca,

Lugano with his blindstamp, on wove paper,

with full margins

sheet 410 x 380mm (16 1/4 x 15in)

£2,500-3,500

109

40 www.bloomsburyauctions.com tel. +44 (0)20 7495 9494


111

Sidney Nolan

(1917-1992)

Township (with Ned

on Horseback)

silkscreen printed in colours,

signed in pencil, numbered

59/75, on wove paper,

with full margins,

480 x 640mm

(19 x 25 1/4in)

£2,000-3,000

110

111

LONDON

110

Sidney Nolan (1917-1992)

Landscape (with Ned and Rifle)

silkscreen printed in colours, signed in

pencil, numbered 65/75, on wove paper,

with full margins,

630 x 475mm (24 3/4 x 18 3/4in)

£2,000-3,000

41


112

112 δ

Chris Orr (b. 1943)

Arthur

set of twelve lithographs with additional handcoloring

in watercolour, 1978, each signed, titled

and dated in pencil, numbered 49/100, on wove

paper, with full margins, each 255 x 295mm (10 x

111/2in), also including a copy of the book ‘Arthur’

by Chris, within which the works are illustrated

£500-700

113

113

Victor Pasmore (1908-1998)

Linear Development in One Movement

etching with aquatint printed in colours, 1974,

initialled and dated in pencil, numbered 57/60,

on wove paper, with full margins,

330 x 380mm (13 x 5in)

42

LONDON

£600-800

114

114

John Piper (1903-1992),

English, Scottish & Welsh Landscape (l.34)

the book, 1944, comprising twelve lithographs

printed in colours, printed by Curwen Press,

London, on wove paper, bound as published in

printed boards, with an extra suite of twelve

lithographs,

215 x 145mm (81/2 x 53/4in) £200-300

115

115

John Piper (1903-1992)

Westminster School I,

Westminster School II (l. 114-115)

two lithographs printed in colours, both 1961, each

signed in pencil and numbered 69/100, printed by

Curwen Studio, London, on Barcham Green paper,

with full margins, various sizes

£500-700

www.bloomsburyauctions.com tel. +44 (0)20 7495 9494


116

116 δ

Barbara Rae (b.1943)

Landscape

mixed media print in colours with collage, 1984,

signed and dated in white pencil, numbered

68/100, on wove paper, the full sheet printed to the

edges, sheet 560 x 760mm (22 x 30in)

£300-500

117

117

Michael Rothenstein (1908-1993)

Timber Felling in Essex

offset lithograph printed in colours, printed at

Baynard Press for School Prints Ltd, on wove

paper, with full margins,

420 x 680mm (161/2 x 263/4in) £100-150

118

Ceri Richards (1903-1971)

Piano

lithograph printed in colours, 1958, signed and

dated in pencil, numbered 46/150, with the Ceri

Richards blindstamp, printed at Kelpra Studio,

London, with their stamp verso, on wove paper, the

full sheet printed to the edges,

640 x 480mm (25 1/8 x 18 7/8in)

£200-300

118

119

119 δ

Michael Richecoeur (b.1946)

A Collection

five etchings with aquatint printed in colours,

each signed and dated in pencil, numbered

variously, on wove paper, with full margins,

various sizes

£300-500

LONDON

43


120

120

William Scott (1913-1989)

Scalpay VII, from Europaeische Graphile I

lithograph printed in colours, 1963, on wove paper,

the full sheet printed to the edges,

495 x 655mm (191/2 x 253/4in) £400-600

121

121 δ

Roger Selden (b. 1945)

Space One; SpaceTwo

two etchings with aquatint printed in colours,

1988, signed and titled in pencil, each numbered

27/75, on Arches paper, with full margins,

each 830 x 645mm (325/8 x 253/8in) 44

LONDON

£500-700

122

122 δ

Richard Smith (b. 1939)

Drawing Board Blue; Drawing Board Grey;

Three of a Kind

two etchings printed in colours, both 1980, each

signed and dated in pencil, numbered 11/60, on

wove paper, with full margins,

540 x 340mm (211/2 x 131/2in); 490 x 370mm

(173/4 x 141/2in) together with a lithograph

printed in colours, on wove paper,

the full sheet printed to the edges,

710 x 777mm (28 x 305/8in) £300-500

123

123 δ

Kevin Sinnott (b.1947)

Untitled

two lithographs, each signed in pencil, one artist’s

and one printer’s proof, on Somerset paper, the full

sheets printed to the edges,

sheet 545 x 760mm (211/2 x 297/8in) £200-300

www.bloomsburyauctions.com tel. +44 (0)20 7495 9494


124

124 δ

Richard Smith (b.1931)

Over the edge; Burning Bridges

two lithographs printed in colours, 1996, each

signed and dated in pencil, numbered 13/40, on

wove paper, the full sheets printed to the edges,

sheet 720 x 1000mm (282/3 x 393/8in) £300-500

125

125

Graham Sutherland (1903-1980)

Standing Forms

lithograph printed in colours, signed in pencil,

inscribed e.a., artist’s proof aside from an edition

of 40, on wove paper,

the full sheet printed to the edges,

700 x 500mm (271/2 x 193/4in) £200-300

126

126

ValerieThornton (1931-1991)

Cloisters Elne

etching with aquatint, 1980, signed and

dated in pencil, numbered 111/150, on laid paper,

with full margins,

620 x 400mm (243/8 x 153/4in) £200-250

127

127

ValerieThornton (1931-1991)

Untitled

two etchings with aquatint printed in colours,

each signed in pencil, numbered variously,

each on wove paper,

various sizes

£300-500

LONDON

45


128 (part)

128 δ

WilliamTillyer (b.1938)

A Collection

three lithographs printed in colours, circa 1974,

two signed, titled and dated in pencil, numbered

76/90, one signed, numbered from the edition of

100, on wove paper, with full margins, various sizes

£300-500

129 (part)

129 δ

WilliamTillyer (b. 1938)

A Collection

a group of two silkscreens and two etchings

printed in colours, 1974-7, each signed in pencil,

numbered variously, on wove paper,

with full margins,

various sizes

46

LONDON

£300-500

130 (part)

130 δ

WilliamTillyer (b. 1938)

Bel - Air

two lithographs printed in colours, 1975, each

signed, titled and dated in pencil, numbered 33/50,

on wove paper, with full margins,

each 1050 x 600mm (411/4 x 231/4in) £200-250

131

131

JulianTrevelyan (1910-1988)

Me andTom

etching with aquatint printed in colours,

signed and titled in pencil, inscribed AP,

on wove paper, with full margins,

350 x 470mm (133/4 x 181/2in) £500-700

132

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132

FeliksTopolski (1907-1989)

Three Judges

lithograph printed in colours, signed in pencil,

numbered 188/200, published by Advanced

Graphics, London, with their blindstamp,

on Arches paper, with full margins,

390 x 560mm (15 1/4 x 22in)

£150-200

133

133

JohnTunnard (1900-1971)

Holiday

lithograph printed in colours, 1947, on wove paper,

with trimmed margins,

510 x 760mm (20 x 30in)

£100-200

134

134

Various Artists

A Collection

six etchings with aquatint printed in colours,

each signed and titled in pencil, numbered

variously, on wove paper, with full margins,

various sizes

£250-350

135

135

Various Artists

A Collection of British Prints

five lithographs including works by Chloe Cheese,

David Gentleman and John Piper, all but the Piper

signed and numbered in pencil, on wove paper,

with full margins,

various sizes

£300-500

136

136

Various Artists

A Collection

seven prints of various media, including works by

Katherine Hewlett and Andrew Hambleton, each

signed, titled and dated, on wove paper,

all with full margins, various sizes

£200-250

LONDON

47


48

LONDON

137

Various Artists

A Collection

twenty one prints of various media, including

works by F.Hilon, Chris Orr, Jeremy King, each

signed in pencil, on wove paper, all with full

margins, various sizes

£300-500

137

138 (part) 139

138

PaulWearing (1959); Martyn

Brewster (b.1952)

Interior in Blue and Brown;

Heartsong 65’

two monotypes in colours, 1999, one

signed and numbered 2/5 in pencil,

the full sheets, on wove paper,

various sizes

£500-700

139

CarelWeight (1908-1997)

Garden of Eden

two offset lithographs printed in

colours, each signed in blue ink,

printed by Caps Printing Ltd,

on wove paper, with full margins,

540 x 432mm (21 1/4 x 17in)

£200-300

www.bloomsburyauctions.com tel. +44 (0)20 7495 9494


CONTINENTAL

PRINTS

49


140

140

Karel Appel (1921-2006)

Untitled

lithograph printed in colours, signed in pencil,

inscribed H.C., an hors de commerce impression

aside from the edition,

on wove paper, the full sheet,

525 x 270mm (203/4 x 101/2in) £250-300

141

141

Karel Appel (1921-2006)

Untitled

lithograph printed in colours, signed in pencil,

numbered 14/75, on Arches paper,

with full margins,

700 x 470mm (271/2 x 181/2in) 50

LONDON

£200-300

142

142

Karel Appel (1921-2006)

Untitled

lithograph, printed in colours, signed in pencil,

inscribed Bon aTirer, a proof aside from the

edition, on wove paper, with full margins,

510 x 680mm (20 x 261/2in) £400-600

143

143

Arman (1928-2005)

Colere de Violon I (o.& m. 69)

lithograph printed in colours, 1974, signed and

inscribed in pencil, numbered 82/100, published

by Editions d’ Art De Francony, Nice, printed by

Atelier Baviera Saint Paul de Vence with their

blindstamp, on Arches vellum paper, the full sheet

printed to the edges,

sheet 755 x 560mm (30 x 22in)

£250-300

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144

144

Jean Arp (1886-1966), after

Composition

silkscreen printed in colours after a relief,

1930, signed by M. Arp in pencil and numbered

14/150 verso, on wove paper, the full sheet

printed to the edges,

835 x 660mm (327/8 x 26in)

£500-700

145

145

Max Bill (1908-1994)

Composition en deux parties

silkscreen printed in colours, 1934-1973,

signed in pencil, numbered 14/150,

on wove paper, with full margins,

500 x 600mm (19 3/4 x 23 3/8 in)

£300-500

146

146

Max Bill (1908-1994)

16 Constellations

the complete portfolio comprising sixteen

lithographs printed in colours, 1974, each signed in

pencil and numbered 50/125, published by Societe

Internationale d’Art XXe Siecle, Paris, with titlepage,

text and justification, this copy signed and

numbered 50/125 in red ink on the justification,

loose in the original brown portfolio,

each on wove paper, with full margins,

each sheet 510 x 355mm (20 x 14in)

£500-700

LONDON

51


LONDON

147

148

147

Bernard Buffet (1928-1999)

Microscope

lithograph printed in colours, 1969, signed and

dated in pencil verso, on Arches paper,

with full margins,

546 x 425mm (21 1/2 x 16 1/2in)

£300-500

148

Bernard Buffet (1928-1999)

Insecte

etching printed in colours, 1964, signed in pencil,

numbered 4/50, on Arches paper, with full margins,

480 x 620mm (19 x 24 1/2in)

£1,000-1,200

52 www.bloomsburyauctions.com tel. +44 (0)20 7495 9494


149

Marc Chagall (1887-1985)

Nu Devant la Fenêtre (c.90)

lithograph, 1953, signed in pencil, numbered 64/75,

on Arches paper, with full margins,

413 x 565mm (16 1/4 x 22 1/4in)

£4,000-6,000

149A

Marc Chagall (1887-1985)

Self Portrait with easel and lovers

the rare etching, c.1965, there is no recorded

edition, on wove paper, with full margins

300 x 220mm (12 x 8 3/4in)

£1,200-1,800

149

149A

LONDON

53


LONDON

151

150

150

Giorgio de Chirico (1888-1978)

Cavallo a Villa Franconieri

lithograph printed in colours, 1954, signed in

pencil, numbered 50/120, C.M. Fabriano wove

paper, the full sheet printed to the edges,

290 x 420mm (11 1/2 x 16 1/2in)

£1,000-1,500

151

Jean Cocteau (1889-1963),

L’Ange Heurtebise

the book, 1925, comprising a crayon drawing

on the title page by Jean Cocteau, signed in

black crayon, and a heliogravure by Man

Ray, with text and justification, this copy

numbered 90, the total edition was 300, on

Arches paper, the full sheets loose with the

original paper, wrappers and glasine covers,

380 x 285mm (15 x 11 1/4in)

£1,500-2,000

54 www.bloomsburyauctions.com tel. +44 (0)20 7495 9494


152

152

Jean Cocteau (1889-1963)

Untitled

lithograph printed in colours, 1972, signed in

pencil, numbered 120/350, on wove paper,

the full sheet printed to the edges,

750 x 570mm (291/2 x 221/2in) £300-500

153

153

Jean Cocteau (1889-1963)

Ange

hand-painted and glazed ceramic plate, 1963,

signed and dated in pencil, numbered 6/15 verso,

produced by Atelier Madeleine-Jolly, Villefranche,

360mm (14in) in diameter

£800-1,200

LONDON

154

154

Jean Cocteau (1889-1963)

Faune

hand-painted and glazed ceramic plate, 1963,

signed and dated in pencil, numbered 6/25verso,

produced by Atelier Madeleine-Jolly, Villefranche,

360mm (14in) in diameter

£800-1,200

155

155

Jean Cocteau (1889-1963)

Homme de profil

hand-painted and glazed ceramic plate, signed in

pencil, numbered 14/30 verso, produced by Atelier

Madeleine-Jolly, Villefranche,

360mm (14in) in diameter

£800-1,200

55


LONDON

156

156

James Coignard (1925-2008)

Chaises sur la montagne

the complete portfolio comprising three drypoints

with collage and additional hand-colouring, 1994,

each signed and inscribed HC X/XX in pencil, an

hors de commerce impression aside from the

edition of 75, with title-page and justification,

published by Edition Raphael, Frankfurt,

the full sheet overall 460 x 330mm (18 x 13in)

£300-500

157

Salvador Dali (1904-1989)

Venus et l’amour, from Suite mythologique

nouvelle (m.&l.483)

etching with drypoint printed in colours, 1971,

signed in pencil, inscribed E.A., an artist’s proof

aside from the edition of 120, on Japan paper, with

full margins,

585 x 395mm (23 x 15 1/2in)

£500-700

157 158

56 www.bloomsburyauctions.com tel. +44 (0)20 7495 9494


158

Salvador Dali (1904-1989)

The Visceral Circle of the Cosmos, from the

Conquest of the Cosmos (m.&l.647)

drypoint with lithograph printed in colours, 1974,

signed in pencil, numbered 84/195, on Arches

paper, with full margins,

750 x 560mm (29 1/2 x 22in)

£800-1,200

159

Salvador Dali (1904-1989)

Martian Dali Equipped with a Holo-Electronic

Double Microscope,the Conquest of the Cosmos

(m.&l.644)

drypoint with lithograph printed in colours, 1974,

signed in pencil, numbered 30/195, on Arches

paper, with full margins,

750 x 555mm (29 1/2 x 21 3/4in)

£800-1,200

159

160

Salvador Dali (1904-1989)

Spring,The Seasons (m.&l.1368)

etching with stencil and gilding printed in colours,

1971, signed in pencil, numbered 218/250, on

Arches paper, with full margins,

395 x 245mm (15 1/2 x 9 1/2in)

£300-500

160

LONDON

57


LONDON

161

Salvador Dalí (1904-1989)

Song of Songs. 9 Plates (m.&l.468-470,473,475-479)

nine etchings with aquatint printed in colours with

extensive additions in gold paint from the set of

twelve, 1971, each signed in pencil, numbered

variously from the edition of 250, on Arches paper,

with full margins

each 400 x 250mm (15 3/4 x 9 3/4in)

£4,000-6,000

58 www.bloomsburyauctions.com tel. +44 (0)20 7495 9494


162

162

Salvador Dali (1904-1989)

TheTwelveTribes of Israel

the complete set of thirteen etchings with drypoint and extensive pochoir-colouring in

watercolour, 1973, each signed in pencil, number SA167/195, published by Leon Amiel, Paris &

NewYork, on Arches paper, with full margins, loose in the original blue buckram covered

portfolio with the title on the uppers,

each 495 x 355mm (19 1/2 x 14in) or the reverse

£7,000-9,000

LONDON

59


163

163

Salvador Dali (1904-1989)

La Parola Divina, (m. & l. 1441)

lithograph printed in colours, 1973, signed in

pencil, numbered 10/250, on Arches paper,

with full margins,

560 x 400mm (22 x156/8 in.)

£200-300

164

164

Salvador Dali (1904-1989)

Les Dames de la Renaissance, from Suite

mythologique nouvelle (m.&l.492)

etching with drypoint printed in colours, 1971,

signed in pencil, numbered 144/150, on Rives BFK

paper, with full margins,

390 x 575mm (151/4 x 221/2in) 60

LONDON

£400-600

165

165

Salvador Dali (1904- 1989)

The Beloved feeds;The Bridegroom leaps,

from the Song of Songs

two etchings with extensive additions in gold

paint, 1971, each signed in pencil, various numbers

of 250, on Arches paper, with full margins, each

395 x 245mm (151/2 x 95/8in) £300-500

166

166

Salvador Dali (1904-1989)

Don Quixote and Sancho Panza (m.&l. 1001)

lithograph printed in colours, 1957, signed in

pencil, numbered 150/150, on Japan paper,

with full margins,

580 x 460mm (223/4 x 18in)

£300-500

www.bloomsburyauctions.com tel. +44 (0)20 7495 9494


167

167

Salvador Dali (1904-1989)

Don Quixote a la tete qui eciate (m.& l.1013)

lithograph printed in colours, 1956/7, signed in

pencil, numbered 140/300, on Japan paper,

with full margins,

590 x 480mm (23 x 19in)

£300-500

168

168

Salvador Dali (1904-1989)

Four Dreams of Paradise ( m.&l.1394-1397)

the set of four lithographs printed in colours,

1973, each signed in pencil, numbered 1/1000,

on Arches paper, with full margins,

each sheet 720 x 540mm (281/4 x 211/4in) £1,000-1,500

169

169

Salvador Dali (1904-1989)

Portrait de Sigismund, from Calderón’s, Life is a

Dream (m.& l. 524)

etching with aquatint printed in colours, signed in

pencil, inscribed E.A., an artist’s proof aside from

the edition of 250, on Richard de Bas paper,

with full margins,

335 x 265mm (131/4 x 101/2in) £300-500

170

170

Maurice Denis (1870-1943)

Les pélerins d’Emmaus

lithograph printed in colours, 1895, signed in

pencil, numbered 35/100, on simile-Japan paper,

with full margins,

300 x 460mm (113/4 x 181/8in) £800-1,200

LONDON

61


LONDON

171

172

62 www.bloomsburyauctions.com tel. +44 (0)20 7495 9494

173

171

Piero Dorazio (1927-2005)

Untitled

two lithographs printed in colours, 1995, each signed and

dated in pencil, numbered from the edition of 150,

published by Erker Presse, St. Gallen, Switzerland, on

wove paper, with full margins,

each sheet 240 x 360mm (9 1/2 x 14 1/4in); with a lithographic

poster by Dorazio for the exhibition at the Erker-Galerie

£300-500

172

Piero Dorazio (1927-2005)

Untitled

three lithographs, two printed in colours, 1984-1995,

each signed and dated in pencil, on wove paper,

with full margins,

various sizes

£400-600

173

Raoul Dufy (1877-1953)

Deux femmes

etching, signed in pencil, on Arches laid paper,

with full margins,

342 x 495mm (13 1/2 x 19 1/2in)

£400-600


174

Raoul Dufy (1877-1953),

after by JacquesVillon

Fete Nautique (g.&p.E 649)

etching with aquatint printed in

colours, 1926-7, signed in

pencil, numbered 50/200, on

wove paper, with full margins,

463 x 525mm (18 1/4 x 20 3/4in)

£800-1,200

175

Raoul Dufy (1877-1953), after

La Baie des Anges, Nice

heliogravure printed in colours,

1950, signed in pencil,

numbered 166/200, on BFK

Rives paper, with full margins,

440 x 540mm (17 1/4 x 21 1/4in)

£1,200-1,800

174

175

LONDON

63


176 (part)

176

Raoul Dufy (1877-1953)

La Fanfare

lithograph printed in colours, printed by W.S. Cowell,

published by School Prints Ltd, on wove paper,

495 x 757mm (191/2 x 293/4in) together with

JohnTunnard (1900-1971)

Holiday, a lithograph printed in colours, 1947,

on wove paper, 510 x 760mm (20 x 30in)

£400-600

177

177

George Grosz (1893-1959)

Eva

photo-lithograph, 1923, signed in pencil, plate 51

from Ecce Homo, on machine made wove paper,

with full margins,

300 x 200mm (113/4 x 8in)

64

LONDON

£600-800

178

178

Oskar Kokoschka (1886-1980)

Untitled

lithograph printed in colours, 1955, signed,

dated and inscribed in pencil,

on wove paper, with full margins,

495 x 660mm (191/2 x 26in)

£300-500

179

179

Wassily Kandinsky (1866-1944), after

Quadrate

lithograph printed in colours, 1960, numbered

222/300, published my Maeght Editeur, Paris,

with their blindstamp, on BFK Rives paper,

with full margins,

375 x 54mm (143/4 x 211/4in) £300-500

www.bloomsburyauctions.com tel. +44 (0)20 7495 9494


180

180

Wassily Kandinsky (1866-1944), after

Dans le Cercle Noir

lithograph printed in colours, 1960, numbered

87/300, published by Maeght Editeur, Paris, with

their blindstamp, on Arches paper, with full

margins,

380 x 435mm (15 x 17in)

£300-500

181

181

André Lanskoy (1902-1976)

Untitled

lithograph printed in colours, signed in pencil,

numbered 9/120, on wove paper, with full margins,

540 x 400mm (211/4 x 153/4in) £200-250

182

182

Fernand Léger (1881-1955)

Untitled

lithograph printed in colours, inscribed H/C, an

hors de commerce impression aside from the

edition, on wove paper, with full margins,

600 x 440mm (235/8 x 173/8 in)

£200-300

183

183

Marino Marini (1901-1980)

Cavallo Cavalie (g.s.2)

silkscreen printed in colours,1969, signed in pencil,

numbered XIX/LX, on wove paper with full margins

500 x 420mm (193/4 x 161/2in) £400-600

LONDON

65


LONDON

184

Henri Matisse (1869-1954)

Monsieur Loyal

pochoir printed in colours, 1947, as included in Jazz, published byTériade,

on Arches paper, the full sheet printed to the edges,

419 x 325mm (16 1/2 x 12 3/4in)

£3,000-5,000

184

66 www.bloomsburyauctions.com tel. +44 (0)20 7495 9494


185

186 (part) 187

LONDON

185

Henri Matisse (1869-1954)

Teeny (D. 723)

linocut, 1938, from the unsigned

edition of approximately 1500,

published in XXe Siecle No 4, there

was also a signed and numbered

edition of 100, on wove paper, with

full margins,

293 x 216mm (11 1/2 x 8 1/2in)

£600-800

186

Henri Matisse (1869-1954);

David Hockney (b. 1937)

Les Betes de la Mer ; Le Nid du Duc

two offset lithographic posters in

colours, each on wove paper, with

full margins,

various sizes

£200-300

187

Joan Miro (1893-1983)

Untitled

lithograph printed in colours, 1971,

signed in pencil, numbered 39/120,

from Ubu. Baleares, on Arches paper,

the full sheet printed to the edges,

480 x 589mm (18 1/4 x 23 1/4in)

£700-900

67


LONDON

189

188

188

Joan Miró (1893-1983)

Le Lézard aux Plumes d’Or

two lithographs printed in colours, proofs

aside from the edition of 100 copies, on

wove paper, with full margins,

360 x 500mm (14 1/4 x 19 3/4in)

£800-1,200

189

Piet Mondrian, after by Max Bill (1908-1994)

Composition D

silkscreen printed in colours, 1932, signed

in pencil verso, numbered 14/150, on wove

paper, with full margins,

654 x 600mm (25 3/4 x 23 5/8in)

£800-1,200

68 www.bloomsburyauctions.com tel. +44 (0)20 7495 9494


190

190 δ

Mimmo Paladino (b.1948)

Untitled

lithograph printed in colours with additions in gold

foil, 1996, signed and dated in pencil, numbered

1/1, on wove paper, with full margins,

230 x 160mm (9 x 61/4in) £400-600

192

192

Pablo Picasso (1881-1973)

Verve Vol. III 8, nos. 29/30

the book comprising twelve

lithographs in colours, 1954, full

sheets, bound as issued in lithograph

boards,

260 x 360mm (10 1/2 x 14 1/4in)

£500-700

LONDON

191

191 δ

Mimmo Paladino (b.1948)

Untitled

lithograph printed in colours with additions in gold

foil, 1996, signed and dated in pencil, numbered

1/1, on wove paper, with full margins,

190 x 160mm (71/2 x 61/4in) £400-600

69


LONDON

193

193

Pablo Picasso (1881-1973)

Hibou au Fond Blanc (Block 408)

lithograph, 1947, signed in pencil, numbered 29/50, on Arches paper,

the full sheet printed to the edges,

655 x 495mm (253/4 x 191/2in) £4,000-6,000

70 www.bloomsburyauctions.com tel. +44 (0)20 7495 9494


193A

193A

Pablo Picasso (1881-1973)

L’Age du Soleil

the book, 1950, comprising one heliogravure,

with title-page, text and justification, this copy

numbered 43, the edition was 1000, on wove paper,

bond as issued in original printed paper wrappers,

235 x 178mm (91/4 x 7in)

£300-500

194

194

Pablo Picasso (1881-1973), after

La Ronde de la Jeunesse; Fleurs et Mains

two lithographs, printed in colours,

each on Arches paper, with full margins,

each sheet 650 x 490mm (251/2 x 191/8in) £300-500

LONDON

195

195

Arthur Luis Piza (b. 1928)

Cuneiforme Rouge

etching with aquatint printed in colours, 1974,

signed in pencil, numbered 21/99,

on Arches paper, with full margins,

265 x 240mm (10½ x 9½in)

£400-600

196

196

Arthur Luis Piza (b. 1928)

Formes Dispersee

etching with aquatint printed in colours, 1959,

signed in pencil, numbered 72/85,

on Arches paper, with full margins,

565 x 465mm (22¼ x 18¼in)

£400-600

71


LONDON

197

197

Arthur Luis Piza (b.1928)

Futur

etching with aquatint printed in colours, circa

1980, signed in pencil, numbered 17/99, on wove

paper, with full margins,

105 x 95mm (4 1/8 x 33/4in) £100-150

198 (part)

198

Hector Saunier (b.1936); David Leverett (b.1938)

Eucalyptus; Untitled I

one engraving with etching and one silkscreen

printed in colours, each signed in pencil,

numbered variously, on wove paper, with full margins,

various sizes

£200-300

199

199

Emilio Scanavino (1922-1986) andWalterValentini

(b.1928)

Un Lavoro Difficile, Little Johnny’s Foolish

Invention

two books, 1970, each comprising one lithograph,

signed and numbered in pencil, published by

M’arte Edizioni, Milan, on wove paper,

bound as issued in the original linen-covered

boards and slipcases,

300 x 200mm (113/4 x 8in)

£500-700

72 www.bloomsburyauctions.com tel. +44 (0)20 7495 9494


200

Hans Richter (1888-1976)

Immagini eTesti

the book, 1971, comprising

two lithographs printed in

colours, each signed in

pencil, numbered 61/124,

with title-page text and

justification, this copy

numbered 61, published

by M’arte Edizioni, Milan,

on wove paper, the full

sheets, loose in the

original grey card boards

and matching slipcase,

400 x 300mm (15 3/4 x 11 3/4in)

£700-900

201

Marco Richterich

(1929-1997)

A Collection

two etchings with

aquatint, each signed and

inscribed in pencil, an

artist’s proof aside from

the editions, on wove

paper, with full margins,

various sizes

£150-200

202

FelixVallotton (1865-1925)

La Guitare

woodcut, 1897, initialled in

black ink, numbered 18/25,

in pencil, on Japan paper,

with full margins,

220 x 178mm (9 x 7in)

£800-1,200

200

202

201

LONDON

73


LONDON

203

204 (part)

203

Various Artists

Derriere Le Miroir

six copies of the publication,

volumes 147, 169, 186, 203, 216 and

231, including original lithographs

by Chagall, Miro, Van Velde,

each 380 x 280mm (15 x 11in)

£700-900

204

Various Artists

A Collection

twenty-one etchings, 1961,

including works by Meret

Openheim, Stanley William

Hayter, Roberto Crippa and

Conei, as included in the

International Surrealist and the

International Surrealist and

International Avant-garde

portfolios, each volume lacking

some of the plates, various sizes

£700-900

74 www.bloomsburyauctions.com tel. +44 (0)20 7495 9494


205

205

VictorVasarely (1906-1997)

Untitled

silkscreen printed in colours, signed in pencil,

numbered 56/200, on BFK Rives paper, with full

margins,

440 x 480mm (171/4 x 19in)

£200-300

206

206

VictorVasarely (1906-1997)

Chess (blue)

silkscreen printed in colours, 1950, signed in

pencil, numbered 30/100, on wove paper, the full

sheet printed to the edges,

450 x 402mm (173/4 x 153/4in) £400-600

LONDON

207

207

VictorVasarely (1906-1997)

Nethe

silkscreen printed in colours, 1956, signed in

pencil, numbered 32/138, on wove paper, with full

margins,

370 x 312mm (141/2 x 121/4in) £400-600

208

208

VictorVasarely (1906-1997)

Latorca

silkscreen printed in colours, 1953, signed in black

ink, numbered 32/138, on wove paper, the full sheet

printed to the edges,

460 x 400mm (18 x 153/4in) £400-600

75


CONTEMPORARY

PRINTS


209

209 δ

Frank Auerbach (b.1931)

Playing Cards,Two Heads of JYM

silkscreen printed in colours, 1969, signed in

pencil, numbered 33/70, on wove paper,

with full margins,

813 x 610mm (32 x 24in)

£500-700

210

LONDON

210 δ

Peter Blake (b. 1932)

Artist and Model

offset lithograph printed in colours, 2008, signed,

titled and dated in pencil, numbered 180/300, on

wove paper, with full margins,

sheet 380 x 285mm (15 x 11 1/4in)

£400-600

211

211 δ

Peter Blake (b. 1932),

Tattooed Lady

silkscreen, 1985, signed in pencil, numbered

80/100, published by Waddington Graphics,

London, with their blindstamp, on wove paper,

with full margins,

sheet 1220 x 805mm (48 x 313/4in) £700-900

77


212

212 δ

Peter Blake (b. 1932)

For the Auction ‘Pictures at an Exhibition’

inkjet print in colours, 2003, signed and dated in

pencil, inscribed AP and annotated in pencil, on

wove paper, with full margins,

400 x 335mm (153/4 x 131/4in) £300-500

213

213 *

Alexander Calder (1898-1976)

Untitled

lithograph, printed in colours, signed in pencil,

inscribed E/A, an artist’s proof, aside from the

edition, on wove paper, with full margins,

775 x 1150mm (301/2 x 451/2in) 78

LONDON

£800-1,200

214

214

Alexander Calder (1898-1976)

Beastie, from Flying Colors Series

lithograph printed in colours, 1974, signed in

pencil, on wove paper, with full margins,

sheet 509 x 660mm (20 x 26in)

£300-500

215

215

Alexander Calder (1898-1976)

Soucoupes dans le noir

lithograph, 1969, signed in pencil, numbered 3/75,

on wove paper, with full margins,

1100 x 750mm (43 x 291/2in) £300-500

www.bloomsburyauctions.com tel. +44 (0)20 7495 9494


216

216

Patrick Caulfield (1936-2005)

Fern Pot (c. 59)

silkscreen printed in colours, 1979-80, signed in

pencil, numbered 55/65, published by Waddington

Graphics, London, with their blindstamp, printed

by Kelpra Studio, London, with their stamp verso,

on wove paper, the full sheet printed to the edges,

838 x 596mm (33 x 231/2in) £500-700

217

217

Patrick Caulfield (1936-2005),

Curtains drawn back from balconies of shores,

from Some Poem

silkscreen printed in colours, 1973, signed in

pencil, numbered 18/100, from Edition C, published

by Petersburg Press in association with

Waddington Galleries, London, on stiff wove paper,

with full margins,

405 x 355mm (16 x 14in)

£400-600

218 & 219

No lots

220

220

Christo & Jeanne-Claude (b.1935; and 1935-2009)

The Umbrellas, Japan

offset lithograph printed in colours, 1984-1991,

signed in black crayon, the edition was 300,

published by Poligrafa, Barcelona, on smooth

wove paper, the full sheet,

640 x 950mm (251/4 x 371/4in) £200-300

LONDON

79


221

221

Christo & Jeanne-Claude (b.1935; and 1935-2009)

Wrapped Walkways, Loose Park, Kansas City

offset lithograph printed in colours, 1977-78,

signed in black crayon, the edition was 300,

published by Poligrafa, Barcelona, on smooth

wove paper, the full sheet,

640 x 950mm (251/4 x 371/4in) £200-300

222

222

Christo & Jeanne-Claude (b. 1935; 1935-2009),

The Umbrellas,

offset lithograph printed in colours, 1986, on

smooth wove paper, signed in blue crayon, the

edition was 300, published by Poligrafa, Barcelona,

the full sheet,

650 x 560mm (253/4 x 22in)

80

LONDON

£200-300

223

223 δ

Michael Craig-Martin (b.1941)

Anthology

silkscreen printed in colours, 2006, signed and

dated in pencil, numbered 15/60, published by

IMMA, Dublin, on wove paper, with full margins,

sheet 340 x 360mm (131/2 x 14in)

£800-1,200

224

224

Ray Elman (b.1955)

Sax; Making a Point

two silkscreens with collage, one printed in

colours, 1979; with Jean Marie Haessle, Breakout,

lithograph printed in colours, each signed, titled

and dated in pencil, numbered from editions of 160

and 295, on wove paper, with full margins,

various sizes

£300-500

www.bloomsburyauctions.com tel. +44 (0)20 7495 9494


225

225 δ

Mark Francis (b.1962)

Untitled

monotype in colours, 1989, signed and dated in

pencil, on wove paper, with full margins,

395 x 395mm (151/2 x 151/2in) £500-700

226

226 δ

Mark Francis (b.1962)

Untitled

monotype in colours, 1990, signed and dated in

pencil, on wove paper, with full margins,

500 x 380mm (193/4 x 15in)

£500-700

227

227 δ

Mark Francis (b.1962)

Untitled

monotype in colours, 1990, signed and dated in

pencil, on wove paper, with full margins,

395 x 395mm (151/2 x 151/2in) £500-700

228

228 δ

Mark Francis (b.1962)

Untitled

monotype in colours, 1989, signed and dated in

pencil, on wove paper, with full margins,

395 x 395mm (151/2 x 151/2in) £500-700

LONDON

81


229

229

David Haiden

Rose Matrix III, Butterfly Matrix,Orchid Matrix II

three silkscreens printed in colours, all 1980,

signed, titled and dated in pencil, numbered

variously on Somerset paper, with full margins,

various sizes

£100-150

230

230 δ

Richard Hamilton (b.1922)

Whitley Bay (v.61)

hand-coloured photograph, 1966, published to be

used as an invitation to an exhibition at the Robert

Fraser Gallery, London, with the printed gallery

details verso, from the edition of an unknown size,

on photographic paper,

104 x 156mm (4 x 61/4in) 82

LONDON

£400-600

231

231 δ

Richard Hamilton (b. 1922)

Kent State (v.77)

television image of the bloody campus riot,

silkscreen printed in colours, 1970, signed in

pencil, numbered 450/5000, published by Dorothea

Leonhart, Munich, with their blindstamp, on wove

paper, with full margins,

720 x 1010mm (281/4 x 393/4in) £200-300

232

232 δ

Damien Hirst (b.1965)

Skull 5

etching with aquatint, 2007, signed in pencil,

numbered XV/XXX verso, published by Charles-

Booth Clibborn under his imprintThe Paragon

Press, London, on wove paper, with full margins,

935 x 850mm (363/4 x 331/2in) £1,500-2,000

www.bloomsburyauctions.com tel. +44 (0)20 7495 9494


233 δ

Damien Hirst (b.1965)

Six pills

inkjet print in colours, 2008, signed in

pencil, numbered 11/75, published by

Other Criteria, London, on wove

paper, with full margins,

504 x 675mm (21 1/4 x 29 1/2in)

£4,000-6,000

234 δ

Damien Hirst (b.1965)

No NewsToday

silkscreen printed in colours, 2006,

signed in pencil, counter-signed by

Bono, numbered 237/300, on wove

paper, with full margins,

690 x 510mm (27 x 20in)

£1,500-2,000

233

234

LONDON

83


84

LONDON

235

www.bloomsburyauctions.com tel. +44 (0)20 7495 9494


235 δ

Damien Hirst (b. 1965)

Souls III

foil block print, 2010, signed in pencil, numbered

9/15, published by Other Criteria, London and Paul

Stolper, London, on wove paper, with full margins,

720 x 510mm (28 1/4 in x 20in)

£3,000-5,000

236

236 δ

Damien Hirst (b.1965)

Untitled, from London portfolio

silkscreen printed in colours, 1992, signed in pencil

and numbered 59/65 verso, published by Charles

Booth-Clibborn under his imprintThe Paragon

Press, London, on wove paper, the full sheet

printed to the edges,

851 x 615mm (33 1/2 x 24 1/4in)

£2,500-3,500

237

237 δ

Damien Hirst (b.1965)

Skull

felt-tip pen on paper, signed and inscribed

for Daniel,

295 x 210mm (11 1/2 x 8 1/4in)

£1,500-1,800

LONDON

85


LONDON

238

238 δ

David Hockney (b. 1937)

The Glass Mountain

etching with softground, 1969, signed in pencil,

a printer’s proof aside from the edition,

watermarked DH and PP, on wove paper,

the full sheet printed to the edges,

445 x 310mm (17 1/2 x 12 1/2in)

£1,000-1,500

239

239 δ

David Hockney (b.1937)

Inside the Castle, from Six FairyTales from the

Brothers Grimm (S.A.C.93)

etching with aquatint, 1969, signed in pencil,

numbered 49/100, on wove paper, with full

margins,

260 x 268mm (10 1/4 x 10 1/2in)

£1,000-1,500

240

240 δ

David Hockney (b. 1937)

Henry AvoidingThe Sun

C-print in colours, 1975, signed in black ink,

numbered 20/80, published by Sonnabend Editions,

NewYork, on photographic paper, with full

margins,

237 x 177mm (93/8 x 7in)

£800-1,200

241

241 δ

David Hockney (b. 1937)

Hollywood Window

C-print in colours, 1973, signed in black ink,

numbered 20/80, published by Sonnabend Editions,

NewYork, on photographic paper, with full

margins,

177 x 237mm (7 x 93/8 in)

£800-1,200

86 www.bloomsburyauctions.com tel. +44 (0)20 7495 9494


242

242 δ

David Hockney (b.1937), after

Celia in a Black Dress and Red Stockings

offset lithographic poster printed in colours, 1981,

on wove paper, with full margins,

885 x 635mm (343/4 x 25in)

£100-150

243

243 δ

Allen Jones (b. 1937)

Miss America (l.&l. 29)

lithograph with offset, printed in colours, 1965,

signed and dated in pencil, numbered 81/200, as

included in the portfolio 11 Pop Artist’s Volume I,

published by Original Editions, NewYork, printed

by the Royal College of Art, London, on wove

paper, the full sheet,

sheet 610 x 505mm (24 x 20in)

£400-600

244

244 δ

Allen Jones (b.1937)

TheTree, from Islands

lithograph printed in colours, 1988, signed,

titled and dated in pencil, numbered 25/60,

on wove paper, the full sheet,

750 x 1065mm (291/2 x 42in)

£300-500

245

245 δ

Allen Jones (b.1937)

Improvisation, from Islands

lithograph printed in colours, 1988, signed,

titled and dated in pencil, numbered 25/60,

on wove paper, the full sheet,

750 x 1065mm (291/2 x 42in)

£300-500

LONDON

246

246

Thomas Kruger

Lakeside

lithograph printed in colours, signed in pencil,

numbered 6/200, on wove paper, with full margins,

250 x 400mm (97/8 x 153/4in) £100-150

87


LONDON

247

247

Yayoi Kusama (b.1929)

Pumpkin

silkscreen printed in colours, 1996, signed, titled

and dated in pencil, numbered 77/120, on Arches

paper, with full margins,

295 x 225mm (115/8 x 87/8in) £500-700

248

248

Yayoi Kusama (b.1929)

Pumpkin

silkscreen printed in colours, 1992, signed, titled

and dated in pencil, numbered 14/150, on Arches

paper, with full margins,

280 x 223mm (11 x 83/4in) £500-700

249

249

Yayoi Kusama (b.1929)

Pumpkin

silkscreen printed in colours, 2004, signed, titled

and dated in pencil, numbered 31/120, on Arches

paper, with full margins,

240 x 280mm (91/2 x 11in)

£500-700

250

250

Yayoi Kusama (b.1929)

Three Pumpkins

silkscreen printed in colours, 1993, signed, titled

and dated in pencil, numbered 122/160, on Arches

paper, with full margins,

240 x 330mm (91/2 x 13in)

£500-700

88 www.bloomsburyauctions.com tel. +44 (0)20 7495 9494


251

251

Yayoi Kusama (b.1929)

Flowers

silkscreen printed in colours, 1999, signed, titled

and dated in pencil , inscribed A.P., an artist’s

proof aside from the edition of 100, on Arches

paper, with full margins,

366 x 442mm (171/4 x 141/4in) £600-800

252

252

Yayoi Kusama (b.1929)

Pumpkin

silkscreen printed in colours, 1996, signed, titled

and dated in pencil, numbered 94/100, on Arches

paper, with full margins,

399 x 325mm (151/3 x 121/3in) £800-1,200

LONDON

253

253

Yayoi Kusama (b.1929)

Pumpkin

silkscreen printed in red, 1994, signed and titled in

pencil, numbered 25/98, on Arches paper,

with full margins,

456 x 520mm (18 x 201/2in) £600-800

254

254

Yayoi Kusama (b.1929)

Flowers

silkscreen printed in colours, 1984, signed, titled

and dated in pencil, numbered 66/100, on Arches

paper, with full margins,

456 x 520mm (18 x 201/2in) £600-800

89


LONDON

255

255

Yayoi Kusama (b.1929)

Flower Basket

silkscreen printed in colours, 1993, signed, titled

and dated in pencil, numbered 29/160, on Arches

paper, with full margins,

215 x 270mm (81/2 x 102/3in) £500-700

256

256

Takashi Murakami (b.1963)

In Cha!

offset lithograph printed in colours, 2010, signed

and dated in black ink, numbered 158/300,

published by Kaikai Kiki,Tokyo,

on wove paper, the full sheet printed to the edges,

500 x 500mm (193/4 x 193/4in) £500-700

257

257

Takashi Murakami (b.1963)

Such Cute Flowers

offset lithograph printed in colours, 2010, signed

and dated in silver felt-tip pen, numbered 76/300,

published by Kaikai Kiki,Tokyo,

on wove paper, the full sheet printed to the edges,

500 x 500mm (193/4 x 193/4in) £500-700

258

258

Takashi Murakami (b.1963)

Flowers in Heaven

offset lithograph printed in colours, 2010, signed

and dated in silver felt-tip pen, numbered 48/300,

published by Kaikai Kiki,Tokyo, on wove paper,

the full sheet printed to the edges,

680 x 680mm (263/4 x 263/4in) £800-1,200

90 www.bloomsburyauctions.com tel. +44 (0)20 7495 9494


259

Takashi Murakami (b.1963)

With Reverence, I Lay Myself BeforeYou- Korin

offset lithograph printed in colours, 2009, signed

and dated in silver felt-tip pen, numbered 120/300,

published by Kaikai Kiki,Tokyo,

on wove paper, the full sheet printed to the edges,

710mm in diameter (28in)

£600-800

260

Takashi Murakami (b.1963)

Kansei Korin Gold

offset lithograph printed in colours, 2010, signed and

dated in silver felt-tip pen, numbered 120/300,

published by Kaikai Kiki,Tokyo, on wove paper, the

full sheet printed to the edges,

710mm (28in) in diameter

£600-800

261

Takashi Murakami (b.1963)

Warhol Silver

offset lithograph printed in colours, 2009, signed

and dated in silver felt-tip pen, numbered 125/300,

published by Kaikai Kiki,Tokyo, on wove paper, the

full sheet printed

to the edges,

710mm (28in) in diameter

£600-800

259

260

261

LONDON

91


LONDON

262

262

Roy Lichtenstein (1923-1997)

Against Apartheid, 1983 (c. III.32)

offset lithograph printed in colours, 1983, signed in

pencil, from an edition of 5000, published by the

artist and Galerie Maeght-Lelong, printed by

Lafayette, Paris, on wove paper, the full sheet

printed to the edges,

sheet 851 x 600mm (331/2 x 235/8in) £400-600

263

Roy Lichtenstein (1923-1997)

Merton of the Movies(c. 61)

silkscreen printed in colours, 1968, signed and

dated in pencil, numbered 144/450, published by

List Art Poster and H.K.L. Ltd.,

on silver foil, the full sheet printed to the edges,

sheet 760 x 509mm (29 15/16 x 20in)

£600-800

264

Roy Lichtenstein; Robert Rauschenberg, after

Maybe He Became Ill

two offset lithographic posters printed in colours,

on wove paper,

various sizes

£200-300

92 www.bloomsburyauctions.com tel. +44 (0)20 7495 9494

263

264


265 (part)

265

Roy Lichtenstein (1923-1997), after

As I Opened Fire (c.a.5)

the set of three offset lithographs printed in

colours, conceived 1966, from the edition of an

unknown size, on wove paper, with full margins,

overall size 647 x 1589mm (251/2 x 621/2in) £300-500

266

266

Peter Max (b.1937)

Angel with Heart

acrylic with photo collage, signed, on laid paper,

the full sheet printed to the edges,

350 x 300mm (133/4 x 117/8in) £400-600

LONDON

267

267 δ

Paul Morrison (b. 1966)

Glebe

silkscreen, 1998, signed, titled and dated in pencil,

numbered 25/75, on BFK Rives paper,

with full margins,

335 x 515mm (14 x 201/4in) £800-1,200

268

268 δ

Paul Noble (b. 1963)

Noband, 2004

etching, 2004, signed and dated in pencil,

numbered 107/250, published for the Whitechapel

Gallery, London, on wove paper, with full margins,

190 x 280mm (73/8 x 11in)

£150-200

93


LONDON

269

269

Sir Eduardo Paolozzi (1924-2005)

‘Futurism’ at Lenabo

silkscreen printed in colours, 1965, published by

Editions Alecto, London, on wove paper, with full

margins,

685 x 548mm (27 x 211/2in) £200-300

270

270

Sir Eduardo Paolozzi (1924-2005)

J.C. (Jesus Christ)

etching, 1986, signed, titled and dated in pencil,

inscribed For Helmut andSalzburg, on wove paper,

with full margins,

102 x 145mm (4 x 53/4in) £150-200

271

271

Sir Eduardo Paolozzi (1924-2005)

Aircrash

photo-etching printed in black, 1981, signed,

titled and dated in pencil, inscribed For Helmut,

on wove paper, with full margins,

113 x 160mm (47/16 x 61/4in) £200-300

272

272

Sir Eduardo Paolozzi (1924-2005)

Untitled

woodcut, signed in blue, inscribed For Helmut,

on Rives B.F.K. paper, with full margins,

130 x 68mm (51/16 x 211/16in) £200-300

94 www.bloomsburyauctions.com tel. +44 (0)20 7495 9494


273 (part)

274

273

Sir Eduardo Paolozzi (1924-2005)

Untitled

two silkscreens printed in colours, both 1980,

on glossy wove paper, with full margins,

with Soho Jazz Festival poster,

offset lithograph, 1987, various sizes

£300-500

LONDON

274

Sir Eduardo Paolozzi (1924-2005)

Bash

silkscreen printed in colours and collage, 1971,

signed and dated in pencil, inscribed p.proof and 1,

aside from an edition of 3000, published by

Dorothea Leonhart, Munich with their blindstamp,

on wove paper, with full margins,

743 x 495mm (29 1/4 x 19 1/2in)

£200-300

275

275

Eduardo Paolozzi (1924-2005)

Zaspiak Blat, from the Ravel Suite

silkscreen printed in colours, 1974, signed and

dated in pencil, numbered 21/100, on wove paper,

with full margins,

510 x 660mm (201/2 x 26in)

£400-600

95


LONDON

276 *

Robert Rauschenberg

(1925-2008)

Hind, from Pages and Fuses (G.637)

silkscreen printed in colours, 1974, signed,

dated, and numbered 12/34 in pencil verso,

published by Gemini G.E.L., Los Angeles,

printed by the Moulin à Papier,

with full margins,

660 x 510mm (26 x 20in)

£1,000-1,500

96 www.bloomsburyauctions.com tel. +44 (0)20 7495 9494


277 δ

Paula Rego (b.1935)

Doctor Dog (r.15)

lithograph printed in colours, 1982,

signed in pencil, a proof aside from

the edition of 50, published by the

EdwardTotah Gallery, London,

printed by Alan Cox at Sky Editions,

on Rives BFK paper, the full sheet

printed to the edges,

710 x 1050mm (28 x 41 1/4in)

£500-700

278 δ

Paula Rego (b.1935), after

Stag

ceramic painted tile, 1989,

with the stamped signature,

numbered 108/150, produced

by Ratton Ceramica, Portugal,

140 x 140mm (5 1/2 x 5 1/2in)

£250-350

277

279 δ

Paula Rego (b.1935), after

Muhler com Salamandra

painted ceramic tile, 1989,

with the stamped signature,

numbered 103/150, produced

by Ratton Ceramica, Portugal,

140 x 140mm (5 1/2 x 5 1/2in)

£250-350

280 δ

Paula Rego (b.1935), after

Rato, Danca, Macaco

three glazed and painted

ceramic tiles, 1987, each with

the stamped signature,

produced by Ratton Ceramica,

140 x 140mm (5 1/2 x 5 1/2in)

£250-350

281 δ

Paula Rego (b.1935), after

Galo com Alcachofra

three painted ceramic tiles,

1987, each with the stamped

signature, numbered 126/150,

produced by Ratton Ceramica,

140 x 140mm (5 1/2 x 5 1/2in)

£250-350

278

279

280

281

LONDON

97


LONDON

282

282 δ

Gerhard Richter (b.1932)

Seestuck

offset lithograph printed in colours, 1991, signed in

black crayon, published by Achenbach Art Editions,

Dusseldorf, on thin wove paper, with full margins,

900 x 700mm (35 1/2 x 27 1/2in)

£1,500-2,000

283 δ

Sophie Ryder (b.1963)

Burmese Cat

bronze wire,

400 x 350 x 580mm (15 3/4 x 13 3/4 x 22 7/8in)

£3,000-5,000

283

98 www.bloomsburyauctions.com tel. +44 (0)20 7495 9494


284

284

Kumi Sugai (1919-1996)

Untitled

lithograph printed in colours, signed in pencil,

numbered 42/99, on wove paper, with full margins,

sheet 755 x 560mm (293/4 x 22in)

£250-300

285

285

Kumi Sugai (1919-1996)

Untitled

lithograph printed in colours, signed in pencil,

numbered 24/99, on wove paper, with full margins,

sheet 755 x 560mm (293/4 x 22in)

£250-300

LONDON

286 (part)

286

Kumi Sugai (1919-1996)

Untitled

two lithographs printed in colours, each signed in

pencil, one inscribed H.C., an hors d’commerce

impression, numbered 59/99, both on wove paper,

with full margins,

each sheet 285 x 242mm (111/4 x 91/2in) £250-300

287

287

Kumi Sugai (1919-1996)

Untitled

lithograph printed in colours, signed in pencil,

numbered H.C.8/20, an hors d’commerce

impression aside from the edition of 99, on wove

paper, with full margins,

sheet 755 x 560mm (293/4 x 22in)

£250-300

99


LONDON

288

288

Kumi Sugai (1919-1996)

Untitled

lithograph printed in colours with embossing,

signed in pencil, numbered 27/99, on wove paper,

with full margins,

sheet 755 x 560mm (293/4 x 22in)

£250-300

289

289

Kumi Sugai (1919-1996)

Untitled

lithograph printed in colours, signed in pencil,

numbered 28/99, on wove paper with full margins,

sheet 755 x 560mm (293/4 x 22in)

£250-300

290

290

Kumi Sugai (1919-1996)

Untitled

lithograph printed in colours, signed in pencil,

numbered 33/99, on wove paper, with full margins,

sheet 755 x 560mm (293/4 x 22in)

£250-300

291

291

Kumi Sugai (1919-1996)

Untitled

lithograph printed in colours, signed in pencil,

numbered 32/99, on wove paper, with full margins,

sheet 755 x 560mm (293/4 x 22in)

£250-300

100 www.bloomsburyauctions.com tel. +44 (0)20 7495 9494


292

293

292

Kumi Sugai (1919-1996)

Untitled

lithograph printed in colours, signed in pencil,

numbered 60/99, on wove paper, with full margins,

sheet 755 x 560mm (29 3/4 x 22in)

£250-300

293 δ

JoeTilson (b.1928)

Transparency

silkscreen printed in colours, 1970, signed in

pencil, numbered 83/500, on wove paper, with full

margins,

700 x 550mm (27 1/2 x 21 5/8in)

£300-500

294

294 δ

JoeTilson (b.1928)

Ziggurat

wood multiple, 2002, signed in pencil verso,

numbered 53/75, in the original wood solander box,

overall size 405 x 295mm (16 x 111/2in) £700-900

LONDON

101


LONDON

295

296

295 δ

GavinTurk (b.1967)

Me as Him

silkscreen on silver leaf, 2006,

signed and dated in pencil,

numbered 6/20, on wove paper,

with full margins,

350 x 350mm (13 3/4 x 13 3/4in)

£2,000-3,000

296 δ

MarkWallinger (b.1959)

Ghost

silkscreen printed in colours, 2001,

signed in pencil, numbered 347/500

verso, published by the

Whitechapel Gallery, London,

on wove paper, with full margins,

510 x 430mm (20 x 17in)

£700-900

102 www.bloomsburyauctions.com tel. +44 (0)20 7495 9494


297

297

AndyWarhol (1928-1987)

Cow (f.&s.ii.11)

silkscreen printed in colours, 1966, published by

Andy Warhol for an exhibition at Leo Castelli

Gallery, NewYork, on wallpaper, with full margins,

1156 x 756mm (451/2 x 293/4in) £1,500-2,000

298

AndyWarhol (1928-1987), after

The Souper Dress

silkscreen printed in colours on cotton paper

A-line dress, circa 1965, with ‘The Souper Dress’

label at the neck, from the edition of an

unknown size,

overall 965 x 572mm (38 x 22 1/2in)

£1,000-1,500

299

AndyWarhol (1928-1987), after

Flowers (see f.&s.)

the complete set of ten silkscreens printed in

colours, each with the Sunday B. Morning rubber

stamp verso, on stiff wove paper, the full

sheets printed to the edges,

each sheet 915 x 915mm (936 x 36in)

£1,500-2,000

298

299

LONDON

103


104

LONDON

300

301

300

AndyWarhol (1928-1987), after

from Campbell Soup II (see f.&s.)

ten silkscreens, originally printed

in 1969, each with the Sunday B.

Morning rubber stamp verso, on

wove paper, the full sheets,

each sheet 890 x 585mm (35 x 23in)

£700-900

301

ZaoWou-Ki (b. 1921)

Untitled, from Noble Prize

portfolio

etching with aquatint printed in

colours, 1974, signed and dated in

pencil, numbered 99/100,

on Arches paper, with full margins,

430 x 610mm (17 x 24in)

£1,000-1,200

www.bloomsburyauctions.com tel. +44 (0)20 7495 9494


BANKSY &

URBAN PRINTS

LONDON

105


LONDON

302

303

304

302 δ

Dan Baldwin (b.1972)

Disney Horror Show Fuck Up No 1

giclée print, 2006, signed in pencil,

numbered 44/150, published by

Harwood King Fine Arts, London,

on wove paper, with full margins,

800 x 800mm (311/2 x 311/2in) Provenance: Harwood King Fine Art

Studios, London

This lot is accompanied by a

certificate of authenticity from

Harwood King Fine Art Studios,

London

£200-300

303 δ

Dan Baldwin (b.1972)

Apocalypse Wow Cont.Triptych

hand finished giclée and

screenprint with dollar bill, printed

paper and bullet collage,

2007 signed in pen, numbered 43/50

published by Harwood King Fine Art

Studios, London, on wove paper,

each 300 x 300mm (113/4 x 113/4in) Provenance: Forster Gallery, London

This lot is accompanied by a

certificate of authenticity from

Forster Gallery

£300-500

304 δ

Dan Baldwin (b. 1972)

Politics Diptych

hand finished giclée, silver leaf and

collage, 2006, signed in pencil,

numbered 131/150

published by Harwood King Fine Art

Studios, London, on wove paper,

each 300 x 300mm (113/4 x 113/4in) Provenance: Harwood King Fine Art

Studios, London

This lot is accompanied by a

certificate of authenticity from

Harwood King Fine Art Studios,

London

£200-400

106 www.bloomsburyauctions.com tel. +44 (0)20 7495 9494


306

305

LONDON

305 δ

Banksy (b.1975)

Bomb Middle England

silkscreen printed in colours, 2003, numbered

337/500, published by Pictures On Walls, London,

on wove paper, with full margins,

sheet 350 x 985mm (133/4 x 383/4in) Provenance: Pictures On Walls, London

Authenticated by Pest Control

Accompanied by a certificate of authenticity from

Pest Control

£1,500-2,000

306 δ

Banksy (b.1975)

Queen Victoria

silkscreen printed in colours, 2003, numbered

266/500, published by Pictures on Walls, London,

with their blindstamp, on wove paper,

with full margins,

670 x 470mm (261/4 x 183/8 in)

Provenance: Pictures On Walls, London

Authenticated by Pest Control.

Accompanied by a certificate of authenticity from

Pest Control

£2,000-2,500

107


108

LONDON

307

308

307 δ

Banksy (b.1975)

Monkey Queen

silkscreen printed in colours, 2003, numbered

446/750, published by Pictures On Walls, London,

on wove paper, with full margins,

sheet 495 x 340mm (191/2 x 131/4in) Provenance: Pictures On Walls, London

Authenticated by Pest Control

Accompanied by a certificate of authenticity from

Pest Control

£1,500-2,000

308 δ

Banksy (b.1975)

Turf War

silkscreen printed in colours, 2003, numbered

395/750, published by Pictures On Walls, London,

on wove paper, with full margins,

sheet 480 x 350mm (183/4 x 133/4in) Provenance: Pictures On Walls, London

Authenticated by Pest Control

Accompanied by a certificate of authenticity from

Pest Control

£1,000-1,500

309

309 δ

Banksy (b.1975)

Napalm

lithograph printed in colours, 2004, numbered

457/600, published by Pictures on Walls, London, with

their blindstamp, on wove paper, with full margins,

370 x 585mm (141/2 x 23in)

Provenance: Pictures on Walls

Authenticated by Pest Control

Accompanied by a certificate of authenticity from

Pest Control

£1,000-1,500

www.bloomsburyauctions.com tel. +44 (0)20 7495 9494


310 δ

Banksy (b.1975)

Weston Super Mare

silkscreen printed in colours, 2004, signed and dated in pencil,

numbered 124/750, published by Pictures On Walls, London,

with their blindstamp, on wove paper, with full margins

sheet 350 x 1000mm (133/4 x 391/2in) Provenance: Pictures On Walls, London

Authenticated by Pest Control

Accompanied by a certificate of authenticity

from Pest Control

£4,000-6,000

311 δ

Banksy (b.1975)

Flying Copper

silkscreen printed in colours, 2004, signed and

dated in pencil, numbered 89/150, published by

Pictures On Walls, London, with their

blindstamp, on wove paper, with full margins,

sheet 1000 x 700mm (391/2 x 271/2in) Provenance: Pictures On Walls, London

Authenticated by Pest Control

Accompanied by a certificate of authenticity

from Pest Control

£5,500-6,500

310

311

LONDON

109


110

LONDON

312 313 314

312 δ

Banksy (b.1975)

WelcomeTo Hell

silkscreen printed in colours,

2004, signed and dated in pencil,

numbered 29/75, published by

Pictures On Walls, London, with

their blindstamp,

on wove paper, with full margins,

sheet 500 x 350mm (193/4 x 133/4in) Provenance: Pictures On Walls,

London

Authenticated by Pest Control

Accompanied by a certificate of

authenticity from Pest Control

£3,000-5,000

313 δ

Banksy (b.1975)

Because I’m Worthless

silkscreen printed in colours, 2004,

numbered 138/175, published by

Pictures on Walls, London, with

their blindstamp, on wove paper,

with full margins,

500 x 350mm (195/8 x 133/4in) Provenance: Pictures On Walls

Authenticated by Pest Control.

Accompanied by a certificate of

authenticity from Pest Control

£1,500-2,000

314 δ

Banksy (b.1975)

Get Out WhileYou Can

silkscreen printed in colours, 2005,

numbered 104/175, published by

Pictures on Walls, London, with

their blindstamp, on wove paper,

with full margins,

500 x 350mm (195/8 x 133/4in) Provenance: Pictures On Walls,

London

Authenticated by Pest Control

Accompanied by a certificate

of authenticity from Pest Control

£1,500-2,000

www.bloomsburyauctions.com tel. +44 (0)20 7495 9494


315 δ

Banksy (b.1975)

I Fought the Law

silkscreen printed in colours, 2005,

signed and dated in pencil,

numbered 125/150, published by

Pictures On Walls, London,

with their blindstamp, on wove paper,

with full margins,

sheet 700 x 700mm (271/2 x 271/2in) Provenance: Pictures On Walls,

London

Authenticated by Pest Control

Accompanied by a certificate of

authenticity from Pest Control

£3,000-5,000

316 δ

Banksy (b.1975)

Grin Reaper

silkscreen printed in colours, 2005,

signed and dated in pencil,

numbered 169/300, published by

Pictures on Walls, London,

with their blindstamp, on wove paper,

the full sheet printed to the edges,

695 x 440mm (273/8 x 171/4in) Provenance: Pictures On Walls

Authenticated by Pest Control

Accompanied by a certificate of

authenticity from Pest Control

£3,000-5,000

315

316

LONDON

111


112

LONDON

317 δ

Banksy (b.1975)

CND Soldiers

silkscreen printed in colours, 2005,

numbered 184/350, published by Pictures

on Walls, London, with their blindstamp,

on wove paper, with full margins,

698 x 498mm (271/2 x 195/8in) Provenance: Pictures on Walls, London

Authenticated by Pest Control

Accompanied by a certificate of

authenticity from Pest Control

£1,000-1,500

317

319 δ

Banksy (b.1975)

Silver Flag

silkscreen printed in colours, 2006,

numbered 573/1000 verso,

published by Pictures On Walls, London,

with their blindstamp, on chromalux

paper, with full margins,

sheet 500 x 680mm (193/4 x 223/4in) Authenticated by Pest Control

Accompanied by a certificate of

authenticity

from Pest Control

£600-800

318

318 δ

Banksy (b.1975)

Jack and Jill

silkscreen printed in colours, 2005, numbered 112/750,

published by Pictures on Walls, London, with their

blindstamp, on wove paper, with full margins,

451 x 648mm (173/4 x 251/2in) Provenance: Pictures on Walls

Authenticated by Pest Control

Accompanied by a certificate of authenticity from

Pest Control

£1,200-1,800

319

www.bloomsburyauctions.com tel. +44 (0)20 7495 9494


320

320 δ

Banksy (b.1975)

Morons

silkscreen printed in colours, 2007,

signed and numbered 220/300 in

pencil, published by Pictures on

Walls, London, with their

blindstamp, on Somerset wove

paper, with full margins,

510 x 710mm (20 x 28in)

Provenance: Pictures On Walls,

London

Authenticated by Pest Control

Accompanied by a certificate of

authenticity from Pest Control

£3,000-5,000

321

No Lot

322

322 δ

Banksy (b.1975)

Applause

silkscreen printed in colours, 2007, signed in pencil, numbered 78 of 150,

published by Pictures On Walls, London, with their blindstamp, on wove paper, with full margins,

760 x 1140mm (30 x 45in)

Provenance: Pictures On Walls

Authenticated by Pest Control

Accompanied by a certificate of authenticity from Pest Control

£3,000-5,000

LONDON

113


114

LONDON

323 324 325

323 δ

Blek Le Rat (b.1951)

Man Who WalksThrough Walls

silkscreen printed in colours, 2006, signed in

pencil, numbered 14/250, published byThe Black

Rat Press, London, on Somerset satin paper,

with full margins,

735 x 535mm (29 x 21in)

Provenance: Black Rat Press, London.

£400-600

324 δ

Blek Le Rat (b.1951)

Resist Against the Imposters

silkscreen printed in colours, 2007, signed in

pencil, numbered 35/85, published byThe Black

Rat Press, London, with their blindstamp,

on Somerset satin paper, with full margins,

650 x 540mm (251/2 x 211/4in) Provenance: Black Rat Press, London

This lot is accompanied by a certificate of

authenticity from Black Rat Press, London

£400-600

325 δ

D* Face

Street Improvements 1

silkscreen printed in colours, 2008, signed in

pencil, numbered 103/150, published byThe Black

Rat Press, London, with their blindstamp,

on Somerset satin paper, with full margins,

sheet 790 x 405mm (31 x 16in)

Provenance: Black Rat Press, London.

This lot is accompanied by a certificate of

authenticity from Black Rat Press.

£150-200

326

326 δ

D*Face

Kant Complain

silkscreen with extensive handcolouring, 2007,

signed in pencil, numbered 29/50,

on Arches 88 paper, with full margins,

760 x 560mm (30 x 22in)

Provenance: OContemporary

This lot is accompanied by a certificate of

authenticity from OContemporary

£500-700

www.bloomsburyauctions.com tel. +44 (0)20 7495 9494


327

327 δ

D*Face

Statue of Liberty

silkscreen printed in colours, 2008, signed in

pencil, inscribed A/P 17/30, an artist’s proof aside

from the edition of 150, published byThe Black Rat

Press, London, with their blindstamp, on wove

paper, with full margins,

545 x 750mm (211/2 x 291/2in) £250-350 328

328 δ

Eelus (b. 1979)

Chewbarber Blue

silkscreen printed in colours, 2006

signed in pencil, numbered 142/200,

published by Pictures On Walls, London,

with their blindstamp,

on wove paper, with full margins,

690 x 490mm (27 x 191/4in) Provenance: Pictures On Walls, London

£100-200

329 δ

Eelus (b. 1979)

Chewbarber Orange

silkscreen printed in colours, 2006,

signed in pencil, numbered 159 of 200,

published by Pictures On Walls, London, with their

blindstamp,

on wove paper, with full margins,

690 x 490mm (27 x 191/4in) Provenance: Pictures On Walls, London

£100-200

329

LONDON

115


116

LONDON

330

330 δ

Connor Harrington (b.1980)

WhereThe Sun Does Shine

lithograph printed in colours, 2007,

signed in pencil, numbered 27/50, published by

Lazarides, London, on Somerset velvet paper,

with full margins,

890 x 690mm (35 x 27in)

Provenance: Lazarides Gallery, London

This lot is accompanied by a receipt of purchase

from Lazarides, London

£300-500

332

331

331 δ

Antony Michallef (b.1975)

No One Understands Me

lithograph printed in colours, 2005

signed in pencil, numbered 55/95, published by

Eyestorm, London,

on Somerset velvet paper, with full margins,

sheet 550 x 420mm (211/2 x 161/2in) Provenance: Eyestorm, London

This lot is accompanied by a certificate of

authenticity from Eyestorm, London

£600-800

332 δ

Antony Michallef (b. 1975)

GirlTokyo

lithograph , 2005, signed in pencil, numbered 55/95,

published by Eyestorm, London, on wove paper,

with full margins,

990 x 730mm (39 x 283/4in) Provenance: Eyestorm, London

This lot is accompanied by certificate of

authenticity from Eyestorm

£800-1,200

www.bloomsburyauctions.com tel. +44 (0)20 7495 9494


333

333 δ

Antony Micallef (b.1975)

My Walk In Harijuku

lithograph printed in colours, 2005, signed in

pencil, numbered 90/95, on Somerset paper,

with full margins,

sheet 742 x 105mm (291/4 x 391/2in) £800-1,200

335

335 δ

Antony Micallef (b.1975)

Shibuya Crossing

lithograph, 2005, signed in pencil, numbered 55/95,

on Somerset paper, with full margins,

490 x 445mm (191/4 x 171/2in) £600-800

334

334 δ

Antony Micallef (b.1975)

Happy Fucked Up Nuclear Girl

lithograph printed in colours, 2005, signed in

pencil , numbered 55/95, on Somerset paper,

the full sheet printed to the edges,

740 x 550mm (291/8 x 213/5in) £800-1,200

LONDON

336

336 δ

Antony Micallef (b.1975)

Giant Freak

lithograph, 2005, signed in pencil, numbered 55/95,

on Somerset paper, with full margins,

492 x 445mm (193/8 x 171/2in) £600-800

117


118

LONDON

337

337 δ

Antony Michallef (b. 1975)

Angel Bomber I

silkscreen, 2006, signed in pencil, numbered

150/250, published by Pictures on Walls, London,

with their blindstamp,

on wove paper, with full margins,

sheet 700 x 500mm (271/2 x 191/2in) Provenance: Pictures On Walls, London

This lot is accompanied by a receipt of purchase

from Pictures On Walls, London

£400-600

339

338

338 δ

Antony Michallef (b. 1975)

Angel Bomber II

silkscreen, 2006, signed in pencil, numbered

150/250, published by Pictures on Walls, London,

with their blindstamp,

on wove paper, with full margins,

sheet 700 x 500mm (271/2 x 191/2in) Provenance: Pictures On Walls, London

This lot is accompanied by a receipt of purchase

from Pictures On Walls, London

£400-600

339 δ

Antony Michallef (b. 1975)

Save my soul

silkscreen printed in colours with additional

handcolouring in pink and yellow, 2005,

signed in pencil, numbered 86/250, published by

Pictures on Walls, London, with their blindstamp,

on wove paper, with full margins,

sheet 700 x 500mm (271/2 x 193/4in) Provenance: Pictures On Walls, London

£800-1,200

www.bloomsburyauctions.com tel. +44 (0)20 7495 9494


340

340 δ

Micallef ( b.1972)

Improvised Minotaur

lithograph printed in colours, 2005, signed in

pencil, numbered 87/400, published by Lazarides,

London, with full margins,

sheet 940 x 650mm (37 x 251/2in) Provenance: Eyestorm, London

This lot is accompanied by a certificate of

authenticity from Eyestorm, London

£800-1,200

342

341

341 δ

Adam Neate (b.1978)

Paved With Gold

giclée print in colours, 2007, signed and dated in

pencil, numbered 65/75, published by Elms

Lesters, London, with their blindstamp, on 310gsm

Hahnemuhle German etching paper, with full

margins,

870 x 700mm (341/4 x 271/2in) Provenance: Elms Lesters, London.

£500-700

LONDON

342 δ

Adam Neate (b. 1978)

Come On

giclée printed in colours, 2007, signed and dated

in pencil, numbered 41/75, published by Elms

Lesters, London, with their blindstamp,

on 310gsm Hahnemuhle German etching paper,

with full margins,

840 x 560mm (33 x 22in)

Provenance: Elms Lesters, London.

£500-700

119


LONDON

343

343 δ

Adam Neate (b.1978)

The Queens Special

giclée printed in colours, 2007, signed and dated in

pencil, numbered 41/75, published by Elms

Lesters, London, with their blindstamp,

on 310gsm Hahnemuhle German etching paper,

with full margins,

910 x 620mm (353/4 x 241/2in) Provenance: Elms Lesters, London.

£500-700

345 δ

Adam Neate (b.1978)

2am Blog

giclée printed in colours, 2007, signed and dated in

pencil, numbered 41/100, published by Elms

Lesters, London, with their blindstamp, on 310gsm

Hahnemuhle German etching paper, with full

margins,

900 x 570mm (351/2 x 221/2in) Provenance: Elms Lesters, London.

£400-600

344

344 δ

Adam Neate (b. 1978)

The Bigger Picture

giclée printed in colours, 2007, signed and dated in

pencil, numbered 41/75, published by Elms

Lesters, London, with their blindstamp, on 310gsm

Hahnemuhle German etching paper, with full

margins,

520 x 1020mm (201/4 x 401/4in) Provenance: Elms Lesters, London.

£500-700

120 www.bloomsburyauctions.com tel. +44 (0)20 7495 9494

345


346

346 δ

Slinkachu (b.1979)

For Sale/Sold

continuous tone photograph on Fuji Crystal

archive paper,

2008, signed in black ink, inscribed AP, an artist’s

proof aside from the edition,

390 x 570mm (151/4 x 221/2in) Provenance: Leonard Street Gallery

This lot is accompanied by a certificate of

authenticity from Leonard Street Gallery

£200-300

348

347

347

Swoon (b.1977)

Argentina

etching with silkscreen printed in colours, 2008,

signed in pencil, from the edition of 95, published

byThe Black Rat Press, London, with their

blindstamp,

on Moulin de Gue paper, with full margins,

550 x 540mm (211/2 x 21in)

£800-1,200

LONDON

348 δ

GeeVaucher (b.1945)

Our Father (Blue)

silkscreen printed in colours, 2008, signed in

pencil, numbered 121/250, published by Pictures

on Walls, London, with their blindstamp,

on wove paper, with full margins,

620 x 449mm (24 1/2 x 17 1/4in)

£200-400

121


INDEX

A

Abrahams, Ivor 1

Aitchison, Craigie 2, 3

Appel, Karel 140, 141, 142

Ardizzone, Edward 4

Arman 143

Armitage, Kenneth 5

Arp, Jean 144

Auerbach, Frank 209

B

Baldwin, Dan 302, 303, 304

Banksy 305, 306, 307, 308, 309, 310

311, 312, 313, 314, 315, 316, 317, 318

319, 320, 322

Barnes, Robert and Henn, John 8

Bawden, Edward 6, 7

Bellany, John 9

Bill, Max 145, 146

Blackadder RA, Dame Elizabeth

10, 11, 12

Blake, Peter 210, 211, 212

Boyd and Evans 13

Brewster, Martin and Wearing, Paul

138

Brunsdon, John 14

Buckland-Wright, John

15, 16, 17, 18, 19, 20, 21, 22

Buffet, Bernard 147, 148

Burra, Edward 26, 27, 28, 29

Butler, Reg 25

C

Calder, Alexander 213, 214, 215

Caulfield, Patrick 216, 217

Chadwick, Lynn 31, 32, 33, 34

Chagall, Marc 149, 149a

Christo & Jeanne-Claude 220, 221, 222

Cockrill, Maurice 35

Cocteau, Jean 151, 152, 153

154, 155

Coignard, James 156

Cook, Beryl 36

Craig-Martin, Michael 223

D

D*Face 325, 326, 327

Dali, Salvador 157, 158, 159, 160, 161

162, 163, 164, 165, 166, 167, 168, 169

de Chirico, Giorgio 150

Denis, Maurice 170

Denny, Robyn 37

Dorazio, Piero 171, 172

Dufy, Raoul 173, 174, 175, 176

Dyson, Julian 38

E

Eelus 328, 329

Elman, Ray 224

F

Fedden, Mary 39

Francis, Mark 225, 226, 227, 228

Frink, Elisabeth 40, 41, 42, 43, 44

Frost,Terry 45, 46, 47, 48, 49, 50

G

Grant, Alistair 51, 52, 53, 54, 55, 56

57, 58, 59, 60

Greengrass, William 61

Grosz, George 177

Guibert, Fernando 62, 63, 64

H

Haiden, David 229

Hamilton, Richard 230, 231

Harrington, Connor 330

Hayter, Stanley William

65, 66, 67, 68, 69, 70

Heath, Adrian 71

Herman, Josef and Prokter, Patrick

72

Hermes, Gertrude 73

Hirst, Damien

232, 233, 234, 235, 236, 237

Hitchens, Ivon 74

Hockney, David 238, 239, 240, 241, 242

Hoyland, John

76, 77, 78, 79, 80, 81, 82, 82a

Hughes, Patrick 83, 83a

I

Irvin, Albert 84

J

Johnson, Ben 85

Jones, Allen 243, 244, 245

K

Kandinsky, Wassily 179, 180

Kestelman, Morris 86

Kokoschka, Oskar 178

Kruger,Thomas 246

Kusama,Yayoi 247, 248, 249, 250, 251

252, 253, 254, 255

L

Lanskoy, André 181

Le Rat, Blek 323, 324

Léger, Fernand 182

Leverett, David and Saunier, Hector

198

Lichtenstein, Roy 262, 263, 265

Lichtenstein, Roy and

Rauschenberg, Robert 264

M

Mach, David 87

Mara,Tim 88, 89, 90

Marini, Marino 183

Matisse, Henri 184, 185, 186

Max, Peter 266

McFayden, Jock 91

McKenna, Stephen 92

McLean, Bruce 93, 94, 95, 96

Micallef, Antony 331, 332, 333, 334

335, 336, 337, 338, 339, 340

Miller, Jack 97

Minton, John 98, 99

Miro, Joan 187, 188

Mondrian, Piet 189

Moore, Henry 100, 101, 102, 103, 104

Morrison, Paul 267

Murakami,Takashi 256, 257, 258

259, 260, 261

N

Nash, Paul 105, 106

Neate, Adam 341, 342, 343, 344, 345

Neiland, Brendan 107, 108

Nicholson, Ben 109

Noble, Paul 268

Nolan, Sidney 110, 111

O

Orr, Chris 112

P

Paladino, Mimmo 190, 191

Paolozzi, Sir Eduardo 269, 270, 271

Pasmore, Victor

272, 273, 274, 275

113

Picasso, Pablo 192, 193, 193a, 194

Piper, John 114, 115

Piza, Arthur Luis

R

195, 196, 197

Rae, Barbara 116

Rauschenberg, Robert 276

Rego, Paula 277, 278, 279, 280, 281

Richards, Ceri 118

Richecoeur, Michael 119

Richter, Gerhard 282

Richter, Hans 200

Richterich, Marco 201

Rothenstein, Michael 117

Ryder, Sophie 283

S

Scanavino, Emilio and

Valentini, Walter 199

Scott, William 120

Selden, Roger 121

Sinnott, Kevin 123,

Slinkachu 346

Smith, Richard 122, 124

Sugai, Kumi 284, 285, 286, 287, 288

289, 290, 291, 292

Sutherland, Graham 125

Swoon 347

T

Thornton, Valerie 126, 127

Tillyer, William 128, 129, 130

Tilson, Joe 293, 294

Topolski, Feliks 132

Trevelyan, Julian 131

Tunnard, John 133

Turk, Gavin 295

V

Vallotton, Felix 202

Various Artists 75, 134, 135, 136, 137

203, 204

Vasarely, Victor 205, 206, 207, 208

Vaucher, Gee 348

W

Wallinger, Mark 296

Warhol, Andy 297, 298, 299, 300

Weight, Carel 139

Wou-Ki, Zao 301


Erwin Blumenfeld (1897 - 1969)

Veiled Beauty, 1938

Sold for £9,500

Photographs and Photobooks

London and Rome, 18th & 20th May 2011

Now Welcoming Consignments

Closing date 18th March 2011

Please contact:

London - Sarah Wheeler swheeler@bloomsburyauctions.com

Rome - Silvia Berselli sberselli@bloomsburyauctions.com

Bloomsbury House

24 Maddox Street, London W1S 1PP

t +44 (0) 20 7495 9494 f +44 (0) 20 7495 9499

info@bloomsburyauctions.com

www.bloomsburyauctions.com

Palazzo Colonna,

Via della Pilotta 19, 00187, Roma

t +39 06 679 1107 f +39 06 699 23077

rome@bloomsburyauctions.com

Free Live Online Bidding


124

These Conditions of Sale and Business constitute the contract between Bloomsbury Auctions (the “Auctioneer”) and the

seller, on the one hand, and the buyer on the other. By bidding at the auction, you agree to be bound by these terms.

INFORMATION FOR BUYERS

1. Introduction. The following informative notes are intended to

assist Buyers, particularly those inexperienced or new to our

salerooms. All sales are conducted on our printed Conditions of

Sale which are readily available for inspection and normally

accompany catalogues. Our staff will be happy to help you if there

is anything you do not fully understand.

2. Agency. As auctioneers we usually contract as agents for the seller

whose identity, for reasons of confidentiality, is not normally disclosed.

Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort

of sum might be involved for the purchase of a particular lot. The

lower estimate may represent the reserve price and certainly will not

be below it. Estimates do not include the Buyer’s Premium or VAT

(where chargeable). Estimates are prepared some time before the

sale and may be altered by announcement before the sale.They are

in no sense definitive.

4. Buyer’s Premium. The Buyer agrees to pay a buyer's premium on

the hammer price of each lot purchased.The buyer's premium is

22% (26.4% including VAT) of the hammer price on each lot up to

and including £300,000, plus 12% (14.40% including VAT) for any

amount in excess of £300,000.VAT at the prevailing rate of 20% is

added to all of these premiums and additional charges as defined

below.

5. VAT. (*) indicates that VAT is payable by the purchaser at the

standard rate (presently 20%) on the hammer price as well as being

an element in the buyer’s premium.This imposition ofVAT is likely to

be because the seller is registered for VAT within the European

Union and is not operating the Dealers Margin Scheme or because

VAT is due at 20% on importation into the UK. The double symbol

(**) indicates that the lot has been imported from outside the

European Union and the present position is that these lots are liable

to a reduced rate of VAT (5%) on the gross lot price (i.e. both the

hammer price and the buyer’s premium). Lots which appear without

either of the above symbols indicate that no VAT is payable on the

hammer price. This is because such lots are sold using the

Auctioneers’ Margin Scheme and it should be noted that the VAT

included within the Premium is not recoverable as input tax.

6. Descriptions and Conditions. Condition reports are provided on

our web site or upon request. The absence of a report does not

imply that a lot is without imperfections.The detail in a report will

reflect the estimated value of the lot, and large numbers of such

requests received shortly before the sale may not receive a

response to all lots. Members of staff are not trained restorers or

conservators and, particularly for higher value lots, you should

obtain an opinion from such a professional. We recommend that

you always view a lot in person.

We are, primarily, agents for the seller. We are dependent on

information provided by the seller and whilst we may inspect lots

and act reasonably in taking a general view about them we are

normally unable to carry out a detailed or any examination of lots

in order to ascertain their condition in the way in which it would

be wise for a buyer to do. Intending buyers have ample opportunity

for inspection of goods and, therefore, accept responsibility for

inspecting and investigating lots in which they may be interested.

Please note carefully the exclusion of liability for the condition of

lots contained in the Conditions of Sale. Neither the seller nor we,

as the auctioneers, accept any responsibility for their condition. In

particular, mechanical objects of any age are not guaranteed to be

in working order. However, in so far as we have examined the

goods and make a representation about their condition, we shall

be liable for any defect which that examination ought to have

revealed to the auctioneer but which would not have been

revealed to the buyer had the buyer examined the goods.

Additionally, in specified circumstances lots misdescribed

because they are ‘deliberate forgeries’ may be returned and

repayment made. There is a 3 week time limit. (The expression

‘deliberate forgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought

for use must be checked over for compliance with safety

regulations by a qualified electrician first.

8. Export of goods. Buyers intending to export goods should

ascertain (a) whether an export licence is required and (b)

whether there is any specific prohibition on importing goods of

that character because, e.g. they may contain prohibited

materials such as ivory. Ask us if you need help.

9. Bidding. Bidders may be required to register before the sale

commences and lots will be invoiced to the name and address on

the registration form. Some form of identification may be

required if you are unknown to us. Please enquire in advance

about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the

auctioneers indicating the maximum amount to be bid excluding

buyers’ premium.They will be executed as cheaply as possible having

regard to the reserve (if any) and competing bids. If two buyers submit

identical commission bids the auctioneers may prefer the first bid

received. Please enquire in advance about our arrangements for the

leaving of commission bids by telephone or FAX.

11. Methods of Payment. Any cheques tendered will need to be

cleared before removal of the goods is permitted. The following

methods of payment are acceptable:

Sterling cheque to be drawn on a UK bank and made payable to

Bloomsbury Auctions’. It will be necessary to allow at least five

working days for the cheque to clear before collecting your purchases.

Bank transfer. All transfers must state the relevant sale number,

lot number and your bid / paddle number. If transferring from a

foreign currency, the amount we receive must be the total due in

pounds sterling (after currency conversion and the deduction of

any bank charges). Our bank details can be found on the reverse

of your invoice or in the sale catalogue under ‘Important Notices’

Debit cards drawn on a UK bank. There is no additional charge for

purchases made with these cards. Debit cards drawn on an overseas

bank or deferred debit cards will be subject to a 3% surcharge.

Sterling cash payments of up to £8,000 and debit cards payments

can be made at the Cashier’s Office, either during or after the sale.

12. Collection and storage. Please note what the Conditions of Sale

state about collection and storage. It is important that goods are

paid for and collected promptly. Any delay may involve the buyer

in paying storage charges.

13. Droit de suite royalty charges. From 14th February 2006 all UK art

market professionals (which includes, but is not limited to;

auctioneers, dealers, galleries, agents and other intermediaries) are

required to collect a royalty payment for all works of art that have

been produced by living artists.This payment is only calculated on

qualifying works of art which are sold for a hammer price more than

the UK sterling equivalent of EURO 1,000 – the UK sterling

equivalent will fluctuate in line with prevailing exchange rates.

It is entirely the responsibility of the buyer to acquaint himself with

the precise EURO to UK Sterling exchange rate on the day of the

sale in this regard, and the auctioneer accepts no responsibility

whatsoever if the qualifying rate is different to the rate indicated.

All items in this catalogue that are marked with δ are potentially

qualifying items, and the royalty charge will be applied if the

hammer price achieved is more than the UK sterling equivalent of

EURO 1,000.The royalty charge will be added to all relevant

buyers’ invoices, and must be paid before items can be cleared.

All royalty charges are passed on to the Design and Artists

Copyright Society (‘DACS’), no handling costs or additional fees

with respect to these charges will be retained by the auctioneers.

The royalty charge that will be applied to qualifying items which

achieve a hammer price of more than the UK sterling equivalent of

EURO 1,000, but less than the UK sterling equivalent of EURO 50,000

is 4%. For qualifying items that sell for more than the UK sterling

equivalent of EURO 50,000 a sliding scale of royalty charges will apply

– for a complete list of the royalty charges and threshold levels, please

see www.dacs.org.uk.There is noVAT payable on this royalty charge.


TERMS OF CONSIGNMENT FOR SELLERS

1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer

to the Seller and if the consignment of goods to us is made by an

agent we assume that the Seller has authorised the consignment

and that the consignor has the Seller’s authority to contract.

Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Commission is charged to sellers at the following rates:- please

enquire at our salerooms.

3. Removal costs. Items for sale must be consigned to the sale room

by any stated deadline and at your expense. We may be able to

assist you with this process but any liability incurred to a carrier

for haulage charges is solely your responsibility.

4. Loss and damage of goods.

(a) Loss and Damage Warranty – Bloomsbury Auctions is not

regulated by the FSA for the provision of insurance to its

clients. However, Bloomsbury Auctions, for its own protection,

assumes liability for property consigned to it at lower pre-sale

estimate. To justify accepting liability, Bloomsbury Auctions

makes a charge of 1.5% of the hammer price plus VAT (subject

to a minimum charge of £1.50) or, if unsold, our lower estimate

of the hammer price.

(b) If the owner of goods consigned instructs us in writing not to

take such action, they then remain at owner’s risk unless and

until the property in them passes to the Buyer or they are

collected by or on behalf of the owner, and clause 4(a) is

inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we

consider that the Lot should be illustrated your permission will be

asked first.The copyright in respect of such illustrations shall be

the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods will normally be offered

subject to a reserve agreed between us before the sale in

accordance with clause 7. We may sell Lots below the reserve

provided we account to you for the same sale proceeds as you

would have received had the reserve been the hammer price. If

you specifically give us a “discretion” we may accept a bid of up

to 10% below the formal reserve.

7. Reserves.

(a) You are entitled to place prior to the auction a reserve on any

lot consigned, being the minimum hammer price at which that

lot may be sold. Reserves must be reasonable and we may

decline to offer goods which in our opinion would be subject to

an unreasonably high reserve (in which case goods carry the

storage and insurance charges stipulated in these Terms of

Consignment).

(b) A reserve once set cannot be changed except with our consent.

(c) Where a reserve has been placed only we may bid on your

behalf and only up to the reserve (if any) and you may in no

circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety

controls. Where such items are accepted for sale you accept

responsibility for the cost of testing by external contractors.

Goods not certified as safe by an electrician (unless antiques) will

not be accepted for sale. They must be removed at your expense

on your being notified. We reserve the right to dispose of unsafe

goods as refuse, at your expense.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by

statute law in the interests of fire safety. Goods found to infringe

safety regulations will not be offered and must be removed at your

expense. We reserve the right to dispose of unsafe goods as refuse,

at your expense.

The rights of disposal referred to in clause 8 and 9 are subject to the

provisions ofTheTorts (Interference with Goods) Act 1977, Schedule

1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to

the provenance etc. of goods where this is relevant. There is

strict liability for the accuracy of descriptions under modern

consumer legislation and in some circumstances responsibility

lies with sellers if inaccuracies occur. We will assume that you

have approved the catalogue description of your lots unless

informed to the contrary. Where we are obliged to return the

price to the buyer when the lot is a deliberate forgery under

Condition 15 of the Conditions of Sale and we have accounted to

you for the proceeds of sale you agree to reimburse us the sale

proceeds.

11. Unsold and withdrawn items. If an item is unsold it may with

your consent be re-offered at a future sale. Where in our opinion

an item is unsaleable you must collect such items from the

saleroom promptly on being so informed. Otherwise, storage

charges may be incurred. We reserve the right to charge for

storage in these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items. These are liable to incur a

charge of 15 % plus VAT on being bought in or withdrawn after

being catalogued.

13. Conditions of Sale. You agree that all goods will be sold on our

Conditions of Sale. In particular you undertake that you have the

right to sell the goods either as owner or agent for the owner.You

undertake to compensate us and any buyer or third party for all

losses liabilities and expenses incurred in respect of and as a

result of any breach of this undertaking. We will also, at our

discretion, and as far as practicable, confirm that an item

consigned for sale does not appear on the Art Loss register,

which is administered by an independent third party.

14. Authority to deduct commission and expenses and retain

premium and interest.

(a) You authorise us to deduct commission at the stated rate and

all expenses incurred for your account from the hammer price

and consent to our right to retain beneficially the premium paid

by the buyer in accordance with our Conditions of Sale and any

interest earned on the sale proceeds until the date of

settlement.

(b) You authorise us in our discretion to negotiate a sale by private

treaty not later than the close of business 48 hours after the

day of sale in the case of lots unsold at auction, in which case

the same charges will be payable as if such lots had been sold

at auction and so far as appropriate theseTerms apply.

15. Warehousing. We disclaim all liability for goods delivered to our

saleroom without sufficient sale instructions and reserve the

right to make minimum warehousing charge of £10 per lot per

day. Unsold lots are subject to the same charges if you do not

remove them within a reasonable time of notification. If not

removed within three weeks we reserve the right to sell them

and defray charges from any net proceeds of sale or at your

expense to consign them to the local authority for disposal.

16. Settlement. After sale settlement of the net sum due to you

normally takes place within 28 days of the sale (by crossed

cheque to the seller) unless the buyer has not paid for the goods.

In this case no settlement will then be made but we will take your

instructions in the light of our Conditions of Sale. You authorise

any sums owed by you to us on other transactions to be

deducted from the sale proceeds. You must note the liability to

reimburse the proceeds of sale to us as under the circumstances

provided for in Condition 10 above.You should therefore bear this

potential liability in mind before parting with the proceeds of

sale until the expiry of 28 days from the date of sale.

125


126

CONDITIONS OF SALE

Bloomsbury Auctions carries on business with bidders, buyers and all

those present in the auction room prior to or in connection with a sale

on the following General Conditions and on such other terms,

conditions and notices as may be referred to herein.

1. Definitions

In these Conditions:

(a) “auctioneer” means the firm of Bloomsbury Auctions or its

authorised auctioneer, as appropriate;

(b) “deliberate forgery” means an imitation made with the intention

of deceiving as to authorship, origin, date, age, period, culture or

source but which is unequivocally described in the catalogue as

being the work of a particular creator and which at the date of

the sale had a value materially less than it would have had if it

had been in accordance with the description;

(c) “hammer price” means the level of bidding reached (at or above

any reserve) when the auctioneer brings down the hammer;

(d) “terms of consignment” means the stipulated terms and rates

of commission on which Bloomsbury accepts instructions from

sellers or their agents;

(e) “total amount due” means the hammer price in respect of the lot

sold together with any premium,Value AddedTax chargeable and

any additional charges payable by a defaulting buyer under these

Conditions;

(f) “sale proceeds” means the net amount due to the seller, being

the hammer price of the lot sold less commission at the stated

rate, Value Added Tax chargeable and any other amounts due to

us by the seller in whatever capacity and however arising;

(g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2.

(h)The singular includes the plural and vice versa as appropriate.

2. Bidding procedures and the Buyer

(a) Bidders are required to register their particulars before bidding

and to satisfy any security arrangements before entering the

auction room to view or bid;

(b) the maker of the highest bid accepted by the auctioneer

conducting the sale shall be the buyer at the hammer price and

any dispute about a bid shall be settled at the auctioneer’s absolute

discretion by reoffering the Lot during the course of the auction or

otherwise. The auctioneer shall act reasonably in exercising this

discretion.

(c) Bidders shall be deemed to act as principals.

(2) Our right to bid on behalf of the seller is expressly reserved up to

the amount of any reserve and the right to refuse any bid is also

reserved.

3. Increments

Bidding increments shall be at the auctioneer’s sole discretion.

4. The purchase price

together with a premium thereon of 26.4% which shall include VAT

on the premium at the rate imposed by law. The buyer will also be

liable for any royalties payable under Droit de Suite as set out under

Information for Buyers above.

5. Value AddedTax

Value AddedTax on the hammer price is imposed by law on all items

affixed with an asterisk or double asterisk. Value Added Tax is

charged at the appropriate rate prevailing by law at the date of sale

and is payable by buyers of relevant Lots. (Please refer to

“Information for Buyers” for a brief explanation of theVAT position).

6. Payment

(1) Immediately a Lot is sold you will:

(a) give to us, if requested, proof of identity, and

(b) pay to us the total amount due or in such other way as is agreed

by us.

(2) Any payments by you to us may be applied by us towards any

sums owing from you to us on any account whatever without

regard to any directions of you or your agent, whether express or

implied.

(3) Buyers who utilise the services of ATG Live Auctions or any other

live internet services are hereby informed that the payment

method details that are provided to ATG Live Auctions or any

other live internet services as part of the process of registration

will, in the absence of compliance with paragraph (1) of this

clause, be utilised by us to settle any amounts owing by such

buyers to us.

7. Title and collection of purchases

(1) The ownership of any Lots purchased shall not pass to you until

you have made payment in full to us of the total amount due.

(2) You shall at your own risk and expense take away any lots that

you have purchased and paid for not later than 3 working days

following the day of the auction or upon the clearance of any

cheque used for payment after which you shall be responsible

for any removal, storage and insurance charges.

(3) No purchase can be claimed or removed until it has been paid

for.

(4) Bloomsbury Auctions can accommodate packing and shipping

for certain items. For lots they are unable to provide this service

for, successful buyers must make these arrangements

independently, though the saleroom may be able to suggest

specialist shipping companies who can advise buyers, this advice

is not a recommendation and the saleroom is not liable for any

aspect of the packaging and shipping process. Please note that

the cost of packaging and shipping depends on the size/weight of

the item(s) purchased, insurance requirements, and the shipping

destination, not on the value of the item(s) purchased. Please

note that any items not collected within one week of the sale date

may be automatically removed to commercial storage and

subject to a storage charge.

8. Remedies for non-payment or failure to collect purchases

(1) If any Lot is not paid for in full and taken away in accordance with

these Conditions or if there is any other breach of these Conditions,

we, as agent for the seller and on our own behalf, shall at our

absolute discretion and without prejudice to any other rights we may

have, be entitled to exercise one or more of the following rights and

remedies:

(a) to proceed against you for damages for breach of contract;

(b) to rescind the sale of that Lot and/or any other Lots sold by us to

you;

(c) to resell the Lot (by auction or private treaty) in which case you

shall be responsible for any resulting deficiency in the total

amount due (after crediting any part payment and adding any

resale costs). Any surplus so arising shall belong to the seller;

(d) to remove, store and insure the Lot at your expense and, in the

case of storage, either at our premises or elsewhere;

e) to charge interest at a rate not exceeding 1.5% per month on the

total amount due to the extent it remains unpaid for more than 3

working days after the sale;

(g) to retain that or any other Lot sold to you until you pay the total

amount due;

(h) to reject or ignore bids from you or your agent at future auctions

or to impose conditions before any such bids shall be accepted;

(i) to apply any proceeds of sale of other Lots due or in future

becoming due to you towards the settlement of the total amount

due and to exercise a lien (that is a right to retain possession of)

any of your property in our possession for any purpose until the

debt due is satisfied.

(2) We shall, as agent for the seller and on our own behalf pursue

these rights and remedies only so far as is reasonable to make

appropriate recovery in respect of breach of these conditions

9. Third party liability

All members of the public on our premises are there at their own

risk and must note the lay-out of the accommodation and security

arrangements. Accordingly neither the auctioneer nor our

employees or agents shall incur liability for death or personal injury

(except as required by law by reason of our negligence) or similarly

for the safety of the property of persons visiting prior to or at a sale.

10. Commission bids

Whilst prospective buyers are strongly advised to attend the auction

and are always responsible for any decision to bid for a particular

Lot and shall be assumed to have carefully inspected and satisfied

themselves as to its condition we will if so instructed clearly and in

writing execute bids on their behalf. Neither the auctioneer nor our

employees or agents shall be responsible for any failure to do so

save where such failure is unreasonable.

Where two or more commission bids at the same level are recorded

we reserve the right in our absolute discretion to prefer the first bid

so made.


11. Warranty of title and availability

The seller warrants to the auctioneer and you that the seller is the true

owner of the property consigned or is properly authorised by the true

owner to consign it for sale and is able to transfer good and marketable

title to the property free from any third party claims.

12. Agency

The auctioneer normally acts as agent only and disclaims any

responsibility for default by sellers or buyers.

13. Terms of sale

The seller acknowledges that Lots are sold subject to the

stipulations of these Conditions in their entirety and on the Terms

of Consignment as notified to the consignor at the time of the entry

of the Lot.

14. Descriptions and condition

(1) Whilst we seek to describe lots accurately, it may be impractical for

us to carry out exhaustive due diligence on each lot. Prospective

buyers are given ample opportunities to view and inspect before any

sale and they (and any independent experts on their behalf) must

satisfy themselves as to the accuracy of any description applied to

a lot. Prospective buyers also bid on the understanding that,

inevitably, representations or statements by us as to authorship,

genuineness, origin, date, age, provenance, condition or estimated

selling price involve matters of opinion.We undertake that any such

opinion shall be honestly and reasonably held and accept liability

for opinions given negligently or fraudulently. Subject to the

foregoing neither we the auctioneer nor our employees or agents

nor the seller accept liability for the correctness of such opinions

and all conditions and warranties, whether relating to description,

condition or quality of lots, express, implied or statutory, are hereby

excluded.This Condition is subject to the next following Condition

concerning deliberate forgeries and applies save as provided for in

paragraph 6 “information to buyers”.

(2) Private treaty sales made under these Conditions are deemed to

be sales by auction for purposes of consumer legislation.

15. Forgeries

Notwithstanding the preceding Condition, any Lot which proves to be

a deliberate forgery (as defined) may bereturned to us by you within 21

days of the auction provided it is in the same condition as when

bought, and is accompanied by particulars identifying it from the

relevant catalogue description and a written statement of defects. If

we are satisfied from the evidence presented that the Lot is a

deliberate forgery we shall refund the money paid by you for the Lot

including any buyer’s premium provided that (1) if the catalogue

description reflected the accepted view of scholars and experts as at

the date of sale or (2) you personally are not able to transfer a good

and marketable title to us, you shall have no rights under this condition.

The right of return provided by this Condition is additional to any

right or remedy provided by law or by these Conditions of Sale.

General

16. We shall have the right at our discretion, to refuse admission to

our premises or attendance at our auctions by any person.

17. (1) Any right to compensation for losses liabilities and expenses

incurred in respect of and as a result of any breach of these

Conditions and any exclusions provided by them shall be

available to the seller and/or the auctioneer as appropriate.

(2). Such rights and exclusions shall extend to and be deemed

to be for the benefit of employees and agents of the seller

and/or the auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by

first class mail, email or Swiftmail in which case it shall be deemed

to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of

particular classes of items in which case the descriptions must

be interpreted in accordance with any glossary appearing at the

commencement of the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us

notwithstanding the strict terms of these Conditions or of theTerms

of Consignment shall affect the position at the relevant time only

and in respect of that particular concession only; in all other respects

these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

127


MODERN & CONTEMPORARY PRINTS

Thursday 3rd March 2011 Sale Code: 13384

Please bid on my behalf at this sale up the the price indicated

below.These bids are made subject to the conditions of sale in

the catalogue. I understand that if my bid is successful a premium

of 22% of the first £300,000 of each lot and 12% thereafter will be

added to the hammer price.

To aid legibility please fill in your details in BLOCK CAPITALS.

Title Initials Surname

Address

Tel Fax

Postcode

Mobile Email

Signed

Date

COMMISSION BIDDING SLIP

+ bids indicate willingness to go up one increment in case of a tie

Please send to:

Bloomsbury Auctions

Bloomsbury House

24 Maddox Street

London W1S 1PP

Tel: +44 (0)20 7495 9494

Fax: +44 (0)20 7495 9499

ktodd@bloomsburyauctions.com

www.bloomsburyauctions.com

Whilst every care is taken in carrying out buyers’

instructions, neither Bloomsbury, nor their staff can

be held responsible for any errors made.

All successful bids are subject to a 22% of the hammer

price up to £300,000, and 12% on the hammer price in

excess of £300,000

Buyers intending to clear purchases without delay are

advised to make arrangements for payment before the

sale, giving satisfactory bank or other references.

Failure to do so may mean that collection will be

delayed until cheques are cleared.

References and this bidding slip should arrive before

the day of the sale.

If you leave an odd bid, the Auctioneer will increase

your bid to the next highest figure.

Bids must be received the day before the sale, in

certain circumstances it may not be possible to

execute bids received on the day of the sale.

Your attention is drawn to our General Conditions of

Sale, available in the catalogue or in the saleroom.

Please note that we accept most major credit/debit

cards for purchases and catalogues

Lot No. Max. Bid Price (£) Ex.Premium & VAT Lot No. Max. Bid Price (£) Ex.Premium & VAT


Richard Hamilton (b.1922)

Picasso’s meninas

etching with aquatint and drypoint, 1973

Est. £15,000-20,000

Modern & Contemporary Prints

We are now accepting consignments for our June sale

Please contact:

Alexander Hayter

ahayter@bloomsburyauctions.com

Tanya Grigoroglou

tgrigoroglou@bloomsburyauctions.com

Bloomsbury House

24 Maddox Street, London W1S 1PP

t +44 (0) 20 7495 9494 f +44 (0) 20 7495 9499

info@bloomsburyauctions.com

www.bloomsburyauctions.com

Free Live Online Bidding


BLOOMSBURY

Bloomsbury House, 24 Maddox Street London W1S 1PP

T +44 (0)20 7495 9494 info@bloomsburyauctions.com

www.bloomsburyauctions.com

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