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Advanced Photoshop Elements 5.0 For Digital Photographers Philip Andrews INTRODUCTION
ADVANCED PHOTOSHOP ELEMENTS 5.0 FOR DIGITAL PHOTOGRAPHERS Focal Press An imprint of Elsevier Linacre House, Jordan Hill, Oxford OX2 8DP, UK 30 Corporate Drive, Suite 400, Burlington, MA 01803, USA First edition 2007 Copyright © 2007, Philip Andrews. Published by Elsevier Ltd. All rights reserved <strong>The</strong> right of Philip Andrews to be identified as the author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988 No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means electronic, mechanical, photocopying, recording or otherwise without the prior written permission of the publisher Permissions may be sought directly from Elsevier’s Science & Technology Rights Department in Oxford, UK: phone (+44) (0) 1865 843830; fax (+44) (0) 1865 853333; email: permissions@elsevier.com. Alternatively you can submit your request online by visiting the Elsevier web site at http://elsevier.com/locate/permissions, and selecting Obtaining permission to use Elsevier material Notice: No responsibility is assumed by the publisher for any injury and/or damage to persons or property as a matter of products liability, negligence or otherwise, or from any use or operation of any methods, products, instructions or ideas contained in the material herein. Because of rapid advances in the medical sciences, in particular, independent verification of diagnoses and drug dosages should be made British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloging-in-Publication Data A catalog record for this book is available from the Library of Congress ISBN–13: 978-0-240-52057-5 ISBN–10: 0-240-52057-2 For information on all Focal Press publications visit our website at www.focalpress.com Printed and bound in Canada Layout and design by Karen and Philip Andrews in Adobe InDesign CS2 07 08 09 10 11 11 10 9 8 7 6 5 4 3 2 1 Acknowledgements Karen for your support, love and patience always and Adrian and Ellena for keeping me balanced. And as always, my thanks goes to the great team at Focal Press, especially Marie Hooper, Emma Baxter, Stephanie Barrett, Debbie Clark and Margaret Denley – you always make me look good. Cheers to Richard Coencas and Don Day for their technical comments and direction and to the supportive staff at Adobe in the UK, Australia and USA offices. Much appreciation to Mike Leavy, Adobe Engineering Manager for Elements products and Nigel Atherton, editor What Digital Camera and Better Digital Photography magazines for your kind words of introduction to this text. Picture credits With thanks to the great guys at www.ablestock.com for their generous support in supplying the cover picture and the tutorial images for this text. Copyright © 2007 Hamera and its licensors. All rights reserved. All other images and illustrations by Karen and Philip Andrews © 2007. All rights reserved.
Page 4 and 5: Contents Foreword vi Introduction v
Page 6 and 7: 11 Producing Effective Graphics 267
Page 8 and 9: ADVANCED PHOTOSHOP ELEMENTS 5.0 FOR
Page 10 and 11: 1The Next Level Book resources at:
Page 12 and 13: Elements is central >> Photoshop El
Page 14 and 15: The Full editor contains all the fa
Page 16 and 17: sources of pictures provided and fo
Page 18 and 19: changes and use the Auto Contrast f
Page 20 and 21: Take manual control of your tones >
Page 22 and 23: 2Scanner and Camera ADVANCED Book r
Page 24 and 25: Image capture - input resolution AD
Page 28 and 29: Comparing bits ADVANCED PHOTOSHOP E
Page 30 and 31: Local changes are those that are mo
Page 36 and 37: ‘How do I know if my scene has ei
Page 38 and 39: In- camera sharpness adjustment >>
Page 50 and 51: Film and print scanners ADVANCED PH
Page 52 and 53:
Scanning resolution > Adjusting the
Page 54 and 55:
Contrast changes >> Flat pictures c
Page 56 and 57:
2.17 Dust and scratches Suitable fo
Page 58 and 59:
ADVANCED PHOTOSHOP ELEMENTS 5.0 FOR
Page 60 and 61:
Fixing common shooting problems ADV
Page 62 and 63:
Fixing common scanning problems ADV
Page 64 and 65:
3Processing Raw Files ADVANCED Book
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3.01 Enabling your Raw camera Suita
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Page 70 and 71:
Page 72 and 73:
Page 74 and 75:
The Settings menu ADVANCED PHOTOSHO
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Shadows ADVANCED PHOTOSHOP ELEMENTS
Page 80 and 81:
Alternative ACR button layout displ
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Step 1 >> Once you have downloaded
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Step 12 >> The sharpening control i
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4Photo ADVANCED Book resources PHOT
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It is at this point in the process
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Changing names >> Rename a fi le by
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Page 94 and 95:
Another option is to view the photo
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Finding tagged photos or those cont
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Page 100 and 101:
Page 102 and 103:
4.12 Creating Image Stacks Suitable
Page 104 and 105:
5Pathways to Editing in Elements AD
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5.01 Auto Smart Fix Suitable for El
Page 108 and 109:
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Zoom, Move, Crop, Red Eye Removal,
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Manual editing ADVANCED PHOTOSHOP E
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6Image Changes - Beyond the Basics
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Adjusting the magic >> The options
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Contract >> Reduce the size of the
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Page 124 and 125:
Page 126 and 127:
Blending modes and opacity ADVANCED
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Step 1 >> Select Image > Mode > Gra
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Step 1 >> Select the Hue/Saturation
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6.15 The new Convert to Black and W
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Advanced dodging and burning-in ADV
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Dodging and burning-in >> Dodging a
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Step 1 >> Create a new Levels adjus
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After duplicating image and changin
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Texture burn-in >> (a) Original ima
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Step 1 >> Select the Hue/Saturation
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Split toning Split tone >> With the
Page 150 and 151:
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Step 1 >> Make a selection of the p
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Grayscale mask border Grayscale mas
Page 156 and 157:
Adding texture Step 1 >> Zoom in so
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Step 1 >> Create a new layer above
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Step 1 >> Make sure that your pictu
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Step 1 >> Make sure that your pictu
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7Darkroom ADVANCED Book resources P
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Step 4 >> Reduce the opacity of the
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Page 172 and 173:
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Lith printing >> Recreating the hig
Page 176 and 177:
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selection still active the Hue/Satu
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Step 1 >> Open the Levels feature f
Page 182 and 183:
Martin Evening of ‘Adobe Photosho
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Step 1 >> Open a black and white pi
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Page 188 and 189:
Page 190 and 191:
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Step 1 >> Carefully select the main
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Darken highlights Darken mid tones
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Step 1 >> Open both images into the
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Step 7 >> Use the Clone Stamp to ev
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Step 1 >> With the image open in Ph
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Step 1 >> Open the example image. N
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Step 1 >> Start by making an oval s
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Step 1 >> To create this effect we
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8Professional retouching Book resou
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8.02 Softening freckles Suitable fo
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Spot Healing Brush In recognition o
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Healing Brush tool step-by-step: St
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8.05 Tone down skin highlights and
Page 226 and 227:
9Making Better Panoramas ADVANCED B
Page 228 and 229:
Starting a new panorama Editing in
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Advanced shooting techniques ADVANC
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Page 234 and 235:
Page 236 and 237:
DOF is controlled by three distinct
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9.07 Timing Suitable for Elements -
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(b) Repair - In some instances it i
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Step 1 >> Open the images with diff
Page 246 and 247:
Page 248 and 249:
Ensuring consistency >> Using the I
Page 250 and 251:
9.16 High-resolution mosaics Suitab
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Step 1 >> Select the Paper tab from
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OPTION 1: Converting Photomerge out
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10Extending Your Web Abilities ADVA
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make for a better site. Just as the
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Step 1 >> Multi-select the images t
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Page 268 and 269:
Page 270 and 271:
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Step 1 >> Choose the web page color
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Step 1 >> Collect the web assets th
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11Producing Effective Graphics ADVA
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Page 280 and 281:
Page 282 and 283:
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Leading Originally referring to the
Page 288 and 289:
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Step 1 >> To help ensure the accura
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Step 4 >> Apply a second layer styl
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Step 1 >> Open a suitable image doc
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Step 1 >> With a picture document a
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Step 13 >> Using a foreground to tr
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Step 1 >> With a soft-edged brush d
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11.14 Reducing your picture’s col
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Step 1 >> The contrast of the origi
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Step 1 >> Crop the image to a secti
Page 312 and 313:
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(b) Fade to white Step 1 >> To make
Page 316 and 317:
12Free Form Photo Layouts ADVANCED
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Before you start - edit then layout
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Step 7 >> Extra pages and images ca
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Frame and picture combination chang
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Getting new photos to fi t >> The l
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Moving pages >> The position of pag
Page 328 and 329:
Page 330 and 331:
Artwork and Effects > Favorites sec
Page 332 and 333:
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Print Preview ADVANCED PHOTOSHOP EL
Page 336 and 337:
Background DIY Backgrounds in Photo
Page 338 and 339:
13Photo Creations Book resources at
Page 340 and 341:
Page 342 and 343:
13.01 Multimedia slide shows Suitab
Page 344 and 345:
Page 346 and 347:
Step 4 >> Next save the project in
Page 348 and 349:
Page 350 and 351:
Page 352 and 353:
Page 354 and 355:
Page 356 and 357:
14Finely Crafted Output Book resour
Page 358 and 359:
digital printing different shades a
Page 360 and 361:
Page 362 and 363:
Page 364 and 365:
Step 1 >> With your image open in E
Page 366 and 367:
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14.03 Multiple prints on a page Sui
Page 370 and 371:
Color gamut >> The difference betwe
Page 372 and 373:
Page 374 and 375:
Step 1 >> Windows users should sele
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sRGB versus Adobe RGB Printer ADVAN
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Step 4 >> Use the monitor’s built
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Step 1 >> Start by selecting the di
Page 382 and 383:
Testing tones ADVANCED PHOTOSHOP EL
Page 384 and 385:
Step 1 >> Print a full color test i
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Step 4 >> From the Print dialog cli
Page 388 and 389:
Page 390 and 391:
Dye-based Inks - Most standard cart
Page 392 and 393:
Page 394 and 395:
Page 396 and 397:
This approach works by sampling a g
Page 398 and 399:
I still cringe saying it, but it is
Page 400 and 401:
Appendices ADVANCED PHOTOSHOP ELEME
Page 402 and 403:
The modes are grouped into several
Page 404 and 405:
Minimize History states >> The Phot
Page 406 and 407:
Power Retouche - Black & White Stud
Page 408 and 409:
Caption Captions are another way to
Page 410 and 411:
J >> JPEG A file format designed by
Page 412 and 413:
Keyboard shortcuts General >> ADVAN
Page 414 and 415:
Painting >> ADVANCED PHOTOSHOP ELEM
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Index ADVANCED PHOTOSHOP ELEMENTS 5
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Polaroid effect, 161 printers, 374-
Page 420 and 421:
quality and compression, 258-9 Raw
Page 422 and 423:
color management, 362 diffusion pri
Page 424 and 425:
VCD/DVD with Menu project, 335-6, 3
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