Download the 2012 Summer Show Catalogue - Tresco
Download the 2012 Summer Show Catalogue - Tresco
Download the 2012 Summer Show Catalogue - Tresco
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MIXED SHOWS » 2nd, 13th, 23rd AUGUST<br />
Victoria Hilliard, Gary Long, Sue Lewington, Amy Albright, Andrew Tozer, Nicky Walker,<br />
Stuart Kettle and Chris Hankey<br />
AUTUMN SHOW » 9th OCTOBER<br />
Sue Lewington, Marie Mills, Tom Rickman, Teresa Pemberton, Chris Rigby, Richard Tuff<br />
and Geoffrey Bickley<br />
galleryTRESCO<br />
<strong>Tresco</strong> Isles of Scilly Cornwall TR24 0QE<br />
T 01720 424 925 E gallery@tresco.co.uk W gallerytresco.co.uk<br />
brochure design bodesign.co.uk print st austell printing company ltd gallery photo adam white<br />
Colours may vary between <strong>the</strong><br />
originals and <strong>the</strong> printed reproductions.<br />
All measurements shown are in<br />
centimetres and are image size only.<br />
galleryTRESCO<br />
SUMMER SHOWS . <strong>2012</strong><br />
2 JULY Paul Lewin Ellen Watson Amanda Hoskin<br />
12 JULY Neil Pinkett Anthony Garratt Maggie O’Brien<br />
23 JULY Imogen Bone Rosemary Trestini David Rust
Paul Lewin . 2 July <strong>2012</strong><br />
1 Three pines near <strong>the</strong> Great Pool<br />
30 x 43cm oil and acrylic on board £695<br />
3 Morning light on <strong>the</strong> old daffodil fields<br />
29 x 54cm acrylic on board £795<br />
2 January gardens<br />
30 x 57cm acrylic on board £895<br />
4 Neap tide Rushy Porth<br />
30 x 61cm oil and acrylic on board £995<br />
Welcome to our <strong>Summer</strong> <strong>Show</strong>s <strong>2012</strong><br />
“It is a delight for me to introduce ano<strong>the</strong>r<br />
outstanding collection of work from nine very<br />
talented artists. The siren call of Scilly, so<br />
familiar to us all, brings us back to <strong>the</strong> charms<br />
of bobbing boats and scudding clouds, gulls<br />
and oystercatchers on linen white beaches, <strong>the</strong><br />
whisper of Agapanthus dancing in <strong>the</strong> breeze.<br />
Welcome and enjoy.”<br />
galleryTRESCO<br />
How to buy our art<br />
All of <strong>the</strong> art shown is available on receipt of this brochure.<br />
If you are interested in making a purchase please phone<br />
01720 424 925<br />
gallerytresco.co.uk<br />
The exhibition can also be viewed on our web site from<br />
Monday 25 June <strong>2012</strong>.
Paul Lewin . 2 July <strong>2012</strong><br />
5 Splash of sun from Appletree Bay<br />
32 x 31cm acrylic on board £495<br />
6 Tean and St Martin’s<br />
34 x 60cm oil and acrylic on board £1150<br />
7 Samson Hill sunset<br />
30 x 55cm acrylic on board £875<br />
8 Rushy Point rocks<br />
100 x 100cm oil on canvas £3250<br />
9 Pentle evening<br />
120 x 120cm oil on canvas £3995<br />
10 Morning light on Lizard Point<br />
60 x 80cm oil and acrylic on board £225 0
Ellen Watson . 2 July <strong>2012</strong><br />
11 Wind streng<strong>the</strong>ning tide<br />
120 x 150cm mixed media on canvas £2200<br />
12 Plover beach<br />
120 x 150cm mixed media on canvas £2200<br />
13 Stitchwort, common mouse ear and<br />
sea campion<br />
100 x 100cm mixed media on canvas £1200<br />
14 Moonpennies and batchelor’s buttons<br />
80 x 100cm mixed media on canvas £1200<br />
16 Coconut scent in <strong>the</strong> furze<br />
80 x 100cm mixed media on canvas £1200<br />
15 Horse daisies and dog daisies<br />
120 x 150cm mixed media on canvas £2200
Ellen Watson . 2 July <strong>2012</strong><br />
17 Aeoniums [on table]<br />
76 x 76cm mixed media on canvas £1200<br />
18 Scilly supper<br />
120 x 100cm mixed media on canvas £2000<br />
19 Too wet out. Painting Scilly flowers and bowls<br />
80 x 80cm mixed media on canvas £1200<br />
20 Sketching <strong>the</strong> Scillies, with tulips<br />
76 x 76cm mixed media on canvas £1200
Amanda Hoskin . 2 July <strong>2012</strong><br />
21 Beach colours <strong>Tresco</strong><br />
59 x 77cm oil on paper £1800<br />
22 Evening colours on <strong>Tresco</strong><br />
45 x 26cm oil on paper £775<br />
23 Tapestry of colours, Scillies<br />
45 x 26cm oil on paper £775<br />
24 Abstract colours, <strong>Tresco</strong><br />
51 x 58cm oil on paper £1500<br />
25 Rain clouds over <strong>the</strong> islands<br />
24 x 25cm oil on paper £495
Amanda Hoskin . 2 July <strong>2012</strong><br />
26 Foxgloves and cowslips<br />
49 x 36cm oil on paper £800<br />
27 <strong>Summer</strong> blues, Eastern Isles<br />
50 x 37cm oil on paper £1100<br />
28 Beach grasses, St Martin’s<br />
48 x 37cm oil on paper £1100<br />
29 Turquoise colours, Scillies<br />
44 x 53cm oil on paper £1500<br />
30 <strong>Summer</strong> blues, <strong>Tresco</strong><br />
77 x 59cm oil on paper £1800
Neil Pinkett . 12 July <strong>2012</strong><br />
31 From Vane Hill <strong>Tresco</strong><br />
29 x 39cm oil on board £995<br />
32 New Grimsby quay<br />
42 x 60cm oil on board £1950<br />
33 To Bryher from <strong>Tresco</strong><br />
61 x 76cm oil on board £3950<br />
34 Last sun over Samson<br />
29 x 39cm oil on board £995
Neil Pinkett . 12 July <strong>2012</strong><br />
35 Appletree<br />
38 x 29cm oil on board £995<br />
36 Gardens sculpture<br />
28 x 35cm oil on board £995<br />
37 Appletree beach<br />
29 x 28cm oil on board £895<br />
38 Garden palms<br />
38 x 29cm oil on board £995<br />
39 To Blockhouse Point <strong>Tresco</strong><br />
29 x 39cm oil on board £995<br />
40 Green Porth <strong>Tresco</strong><br />
29 x 39cm oil on board £995
Anthony Garratt . 12 July <strong>2012</strong><br />
41 <strong>Tresco</strong> sky study<br />
100 x 100cm mixed media on canvas £1600<br />
42 Lichen, rocks, rockpool, Piper’s Hole<br />
100 x 100cm mixed media on canvas £1600<br />
43 From Piper’s Hole<br />
60 x 60cm mixed media on board £700<br />
44 Hit rock<br />
120 x 150cm mixed media on canvas £2500
Anthony Garratt . 12 July <strong>2012</strong><br />
45 Storm clearing<br />
60 x 140cm mixed media on canvas £1600<br />
46 Lighthouse from chalet<br />
60 x 60cm mixed media on board £700<br />
47 <strong>Tresco</strong> evening colour study<br />
60 x 60cm mixed media on board £700<br />
48 <strong>Tresco</strong> rain study I<br />
25 x 25cm mixed media on board £400<br />
49 <strong>Tresco</strong> rain study II<br />
25 x 25cm mixed media on board £400<br />
50 Appletree Bay toward Samson<br />
120 x 150cm mixed media on canvas £2500
Maggie O’Brien . 12 July <strong>2012</strong><br />
51 Wild agapanthus, Pentle Bay<br />
60 x 80cm oil on canvas £1200<br />
52 Wild flowers above Pentle Bay<br />
60 x 80cm oil on canvas £1200<br />
53 Wild flowers, boat passing<br />
60 x 80cm oil on canvas £1200<br />
54 Evening walk<br />
76 x 102cm oil on canvas £1600
Maggie O’Brien . 12 July <strong>2012</strong><br />
55 Bryher from Maiden Bower,<br />
evening light<br />
20 x 20cm oil on canvas £350<br />
56 Alliums and sea sparkle<br />
36 x 46cm oil on canvas £695<br />
57 New Grimsby morning<br />
40 x 50cm oil on canvas £795<br />
58 Roddies above Appletree Bay<br />
40 x 50cm oil on canvas £795<br />
59 Spring gorse<br />
46 x 60cm oil on canvas £950<br />
60 <strong>Summer</strong> morning, Pentle Bay<br />
40 x 50cm oil on canvas £795
Imogen Bone . 23 July <strong>2012</strong><br />
61 Evening at deep point<br />
40 x 80cm oil on linen £600<br />
62 Sun behind clouds<br />
90 x 60cm oil on canvas £700<br />
63 Tinkler’s Point<br />
60 x 60cm oil on linen £650<br />
64 Sparkle on <strong>the</strong> water<br />
50 x 50cm oil on linen £550
Imogen Bone . 23 July <strong>2012</strong><br />
66 Evening cloud<br />
20 x 20cm oil on linen £200<br />
65 Higher town bay<br />
30 x 80cm oil on canvas £550<br />
67 Dark cloud moving in<br />
20 x 20cm oil on linen £200<br />
68 <strong>Show</strong>er on Bryher<br />
30 x 40cm oil on canvas £450<br />
69 Green sea, white water<br />
60 x 70cm oil on canvas £700<br />
70 Morning clouds<br />
60 x 70cm oil on canvas £700
Rosemary Trestini . 23 July <strong>2012</strong><br />
71 Engrossed<br />
86 x 86cm oil on linen £3900<br />
72 A sudden shower at sunset<br />
81 x 81cm oil on linen £3000<br />
73 Wet day towards Bryher<br />
86 x 86cm oil on linen £3900<br />
74 Alone with your thoughts<br />
66 x 66cm oil on linen £1950<br />
75 Towards Samson<br />
30 x 30cm oil on linen £830
Rosemary Trestini . 23 July <strong>2012</strong><br />
76 Oystercatcher 1<br />
20 x 20cm oil on linen £520<br />
77 Oystercatcher 2<br />
20 x 20cm oil on linen £520<br />
78 Oystercatcher 3<br />
20 x 20cm oil on linen £520<br />
79 Breezy blue day<br />
101 x 101cm oil on linen £5900<br />
80 Oystercatchers<br />
30 x 30cm oil on linen £830
David Rust . 23 July <strong>2012</strong><br />
81 From Middle Down to St Martin’s<br />
37 x 57cm watercolour on paper £890<br />
82 Rushy Bay Bryher<br />
34 x 57cm watercolour on paper £870<br />
83 The Great Par and Gweal Hill Bryher<br />
37 x 57cm watercolour on paper £890<br />
84 Heading to Old Grimsby<br />
24 x 24cm watercolour on paper £420<br />
85 Gweal Hill from Samson Hill, Bryher<br />
376 x 37cm watercolour on paper £840<br />
86 Towards Bryher from Vane Hill <strong>Tresco</strong><br />
56 x 76cm watercolour on paper £1750
David Rust . 23 July <strong>2012</strong><br />
87 Kitchen Porth, Bryher from Frenchman’s Point<br />
37 x 57cm watercolour on paper £890<br />
88 <strong>Tresco</strong> triptych<br />
20 x 36cm x 3 watercolour on paper £900<br />
89 From Pentle Bay to <strong>the</strong> Eastern Isles<br />
37 x 57cm watercolour on paper £890<br />
90 New Grimsby and Bryher from Vane Hill<br />
58 x 56cm watercolour on paper £1450
<strong>Tresco</strong> inspired again with<br />
its dramatic low winter light<br />
creating long shadows on<br />
<strong>the</strong> deserted beaches. The<br />
sea raged, <strong>the</strong> sun shone<br />
and <strong>the</strong> heavens opened,<br />
making for a very diverse<br />
and productive stay.<br />
Paul Lewin<br />
Seasickness forgotten,<br />
boys playing pool, skipper<br />
in <strong>the</strong> New Inn.<br />
May: force five North<br />
Westerly backing South<br />
West. Sixteen degrees<br />
down to a wind chilling<br />
nine. Threatening dark<br />
clouds.<br />
Common mouse-ear,<br />
coconut furze, moon<br />
penny, celandine,<br />
knapweed.<br />
Sketch books filling with<br />
wild flowers and mica sand.<br />
I must give <strong>the</strong>m pride of<br />
place this year, when I'm<br />
back home.<br />
Ellen Watson<br />
For Amanda this collection<br />
is about enjoying <strong>the</strong><br />
process of painting and<br />
interacting with <strong>the</strong><br />
landscape. Using a variety<br />
of materials, oils, sand and<br />
handmade paper she has<br />
interpreted <strong>the</strong> Scillies in a<br />
creative way.<br />
The vivid colours of <strong>the</strong> sea<br />
and sky and rich texture of<br />
<strong>the</strong> plants have been as<br />
always an inspiration and<br />
has given Amanda <strong>the</strong><br />
chance to develop in her<br />
paintings a tapestry of<br />
colour and quality of light<br />
allowing <strong>the</strong> viewer a<br />
chance to get involved with<br />
<strong>the</strong> landscape.<br />
Amanda Hoskin<br />
This has been one of <strong>the</strong><br />
best trips yet, a renewed<br />
appreciation for <strong>the</strong> simple<br />
things.<br />
Neil Pinkett<br />
Each time I visit <strong>Tresco</strong>, I<br />
am reminded that humans<br />
are entirely at <strong>the</strong> mercy of<br />
<strong>the</strong> elements.<br />
I sat on a yellow, lichen<br />
covered rock for three<br />
hours, mesmerised by <strong>the</strong><br />
waves crashing, <strong>the</strong> wind<br />
rushing through <strong>the</strong><br />
grasses and <strong>the</strong> erratic heat<br />
of <strong>the</strong> sun as it found blue<br />
spaces between <strong>the</strong> cloud.<br />
I felt vulnerable and it was<br />
wonderful.<br />
Anthony Garratt<br />
I have spent three days<br />
trying to write this. It’s daft<br />
because it’s something I’ve<br />
done many times – but it’s<br />
getting harder to put my<br />
feelings about <strong>the</strong>se<br />
amazing Islands into words.<br />
As soon as I’m back from a<br />
trip I’m scheming how on<br />
earth I can manage<br />
ano<strong>the</strong>r! It may be<br />
something to do with <strong>the</strong><br />
intensity of looking -<br />
drawing in <strong>the</strong> landscape is<br />
a kind of deep seeing – it<br />
cements things, imprints<br />
<strong>the</strong>m so <strong>the</strong>y become part<br />
of you. I have 100s of<br />
drawings, photographs and<br />
studies from my visits.<br />
I don’t really need <strong>the</strong>m.<br />
They kick start me, inspire<br />
me to make <strong>the</strong> first marks<br />
– but <strong>the</strong>n I’m off. It’s all in<br />
my head.<br />
Maggie O’Brien<br />
The wea<strong>the</strong>r can change<br />
rapidly here and contrary to<br />
popular belief <strong>the</strong> sky isn't<br />
always blue in Scilly. This<br />
climate produces some<br />
spectacular skies. I have<br />
chosen to concentrate this<br />
series of paintings on our<br />
forever changing skies and<br />
subsequent affect on our<br />
landscape.<br />
There is something<br />
overwhelming about <strong>the</strong><br />
uninterrupted view we have<br />
of our sky that gives you a<br />
sense of freedom and<br />
openness.<br />
I hope this comes across in<br />
my paintings.<br />
Imogen Bone<br />
The moment I step from <strong>the</strong><br />
helicopter onto <strong>Tresco</strong>’s soil<br />
time is suspended, I have<br />
never been away. As I ride<br />
on <strong>the</strong> tractor trailer to <strong>the</strong><br />
artist’s chalet I begin to<br />
wonder about <strong>the</strong> paintings<br />
which will emerge in <strong>the</strong><br />
days ahead. Some ideas<br />
creep up unsuspected,<br />
slowly intruding upon <strong>the</strong><br />
artist’s inner eye.<br />
Sometimes I work in my<br />
studio in a state of<br />
frustration, knowing that<br />
<strong>the</strong> painting is not achieving<br />
its full potential. Often it<br />
takes time to emerge <strong>the</strong>n I<br />
suddenly capture its<br />
essence recalling a memory<br />
of something I had always<br />
wanted to say.<br />
This creative process can<br />
only flower when <strong>the</strong> mind<br />
is set free from all stress<br />
and flies like one of <strong>Tresco</strong>’s<br />
oystercatchers free and<br />
wild in <strong>the</strong> sky.<br />
Rosemary Trestini<br />
Over <strong>the</strong> years of visiting<br />
<strong>the</strong> Scilly Isles I've become<br />
more interested in <strong>the</strong><br />
geography and topography<br />
features of <strong>the</strong> islands<br />
when painting, especially<br />
<strong>Tresco</strong> and Bryher.<br />
I think <strong>the</strong>se features<br />
combined with <strong>the</strong> unique<br />
atmosphere of <strong>the</strong> place<br />
are evident in my work in<br />
this year's show.<br />
David Rust