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Download the 2012 Summer Show Catalogue - Tresco

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MIXED SHOWS » 2nd, 13th, 23rd AUGUST<br />

Victoria Hilliard, Gary Long, Sue Lewington, Amy Albright, Andrew Tozer, Nicky Walker,<br />

Stuart Kettle and Chris Hankey<br />

AUTUMN SHOW » 9th OCTOBER<br />

Sue Lewington, Marie Mills, Tom Rickman, Teresa Pemberton, Chris Rigby, Richard Tuff<br />

and Geoffrey Bickley<br />

galleryTRESCO<br />

<strong>Tresco</strong> Isles of Scilly Cornwall TR24 0QE<br />

T 01720 424 925 E gallery@tresco.co.uk W gallerytresco.co.uk<br />

brochure design bodesign.co.uk print st austell printing company ltd gallery photo adam white<br />

Colours may vary between <strong>the</strong><br />

originals and <strong>the</strong> printed reproductions.<br />

All measurements shown are in<br />

centimetres and are image size only.<br />

galleryTRESCO<br />

SUMMER SHOWS . <strong>2012</strong><br />

2 JULY Paul Lewin Ellen Watson Amanda Hoskin<br />

12 JULY Neil Pinkett Anthony Garratt Maggie O’Brien<br />

23 JULY Imogen Bone Rosemary Trestini David Rust


Paul Lewin . 2 July <strong>2012</strong><br />

1 Three pines near <strong>the</strong> Great Pool<br />

30 x 43cm oil and acrylic on board £695<br />

3 Morning light on <strong>the</strong> old daffodil fields<br />

29 x 54cm acrylic on board £795<br />

2 January gardens<br />

30 x 57cm acrylic on board £895<br />

4 Neap tide Rushy Porth<br />

30 x 61cm oil and acrylic on board £995<br />

Welcome to our <strong>Summer</strong> <strong>Show</strong>s <strong>2012</strong><br />

“It is a delight for me to introduce ano<strong>the</strong>r<br />

outstanding collection of work from nine very<br />

talented artists. The siren call of Scilly, so<br />

familiar to us all, brings us back to <strong>the</strong> charms<br />

of bobbing boats and scudding clouds, gulls<br />

and oystercatchers on linen white beaches, <strong>the</strong><br />

whisper of Agapanthus dancing in <strong>the</strong> breeze.<br />

Welcome and enjoy.”<br />

galleryTRESCO<br />

How to buy our art<br />

All of <strong>the</strong> art shown is available on receipt of this brochure.<br />

If you are interested in making a purchase please phone<br />

01720 424 925<br />

gallerytresco.co.uk<br />

The exhibition can also be viewed on our web site from<br />

Monday 25 June <strong>2012</strong>.


Paul Lewin . 2 July <strong>2012</strong><br />

5 Splash of sun from Appletree Bay<br />

32 x 31cm acrylic on board £495<br />

6 Tean and St Martin’s<br />

34 x 60cm oil and acrylic on board £1150<br />

7 Samson Hill sunset<br />

30 x 55cm acrylic on board £875<br />

8 Rushy Point rocks<br />

100 x 100cm oil on canvas £3250<br />

9 Pentle evening<br />

120 x 120cm oil on canvas £3995<br />

10 Morning light on Lizard Point<br />

60 x 80cm oil and acrylic on board £225 0


Ellen Watson . 2 July <strong>2012</strong><br />

11 Wind streng<strong>the</strong>ning tide<br />

120 x 150cm mixed media on canvas £2200<br />

12 Plover beach<br />

120 x 150cm mixed media on canvas £2200<br />

13 Stitchwort, common mouse ear and<br />

sea campion<br />

100 x 100cm mixed media on canvas £1200<br />

14 Moonpennies and batchelor’s buttons<br />

80 x 100cm mixed media on canvas £1200<br />

16 Coconut scent in <strong>the</strong> furze<br />

80 x 100cm mixed media on canvas £1200<br />

15 Horse daisies and dog daisies<br />

120 x 150cm mixed media on canvas £2200


Ellen Watson . 2 July <strong>2012</strong><br />

17 Aeoniums [on table]<br />

76 x 76cm mixed media on canvas £1200<br />

18 Scilly supper<br />

120 x 100cm mixed media on canvas £2000<br />

19 Too wet out. Painting Scilly flowers and bowls<br />

80 x 80cm mixed media on canvas £1200<br />

20 Sketching <strong>the</strong> Scillies, with tulips<br />

76 x 76cm mixed media on canvas £1200


Amanda Hoskin . 2 July <strong>2012</strong><br />

21 Beach colours <strong>Tresco</strong><br />

59 x 77cm oil on paper £1800<br />

22 Evening colours on <strong>Tresco</strong><br />

45 x 26cm oil on paper £775<br />

23 Tapestry of colours, Scillies<br />

45 x 26cm oil on paper £775<br />

24 Abstract colours, <strong>Tresco</strong><br />

51 x 58cm oil on paper £1500<br />

25 Rain clouds over <strong>the</strong> islands<br />

24 x 25cm oil on paper £495


Amanda Hoskin . 2 July <strong>2012</strong><br />

26 Foxgloves and cowslips<br />

49 x 36cm oil on paper £800<br />

27 <strong>Summer</strong> blues, Eastern Isles<br />

50 x 37cm oil on paper £1100<br />

28 Beach grasses, St Martin’s<br />

48 x 37cm oil on paper £1100<br />

29 Turquoise colours, Scillies<br />

44 x 53cm oil on paper £1500<br />

30 <strong>Summer</strong> blues, <strong>Tresco</strong><br />

77 x 59cm oil on paper £1800


Neil Pinkett . 12 July <strong>2012</strong><br />

31 From Vane Hill <strong>Tresco</strong><br />

29 x 39cm oil on board £995<br />

32 New Grimsby quay<br />

42 x 60cm oil on board £1950<br />

33 To Bryher from <strong>Tresco</strong><br />

61 x 76cm oil on board £3950<br />

34 Last sun over Samson<br />

29 x 39cm oil on board £995


Neil Pinkett . 12 July <strong>2012</strong><br />

35 Appletree<br />

38 x 29cm oil on board £995<br />

36 Gardens sculpture<br />

28 x 35cm oil on board £995<br />

37 Appletree beach<br />

29 x 28cm oil on board £895<br />

38 Garden palms<br />

38 x 29cm oil on board £995<br />

39 To Blockhouse Point <strong>Tresco</strong><br />

29 x 39cm oil on board £995<br />

40 Green Porth <strong>Tresco</strong><br />

29 x 39cm oil on board £995


Anthony Garratt . 12 July <strong>2012</strong><br />

41 <strong>Tresco</strong> sky study<br />

100 x 100cm mixed media on canvas £1600<br />

42 Lichen, rocks, rockpool, Piper’s Hole<br />

100 x 100cm mixed media on canvas £1600<br />

43 From Piper’s Hole<br />

60 x 60cm mixed media on board £700<br />

44 Hit rock<br />

120 x 150cm mixed media on canvas £2500


Anthony Garratt . 12 July <strong>2012</strong><br />

45 Storm clearing<br />

60 x 140cm mixed media on canvas £1600<br />

46 Lighthouse from chalet<br />

60 x 60cm mixed media on board £700<br />

47 <strong>Tresco</strong> evening colour study<br />

60 x 60cm mixed media on board £700<br />

48 <strong>Tresco</strong> rain study I<br />

25 x 25cm mixed media on board £400<br />

49 <strong>Tresco</strong> rain study II<br />

25 x 25cm mixed media on board £400<br />

50 Appletree Bay toward Samson<br />

120 x 150cm mixed media on canvas £2500


Maggie O’Brien . 12 July <strong>2012</strong><br />

51 Wild agapanthus, Pentle Bay<br />

60 x 80cm oil on canvas £1200<br />

52 Wild flowers above Pentle Bay<br />

60 x 80cm oil on canvas £1200<br />

53 Wild flowers, boat passing<br />

60 x 80cm oil on canvas £1200<br />

54 Evening walk<br />

76 x 102cm oil on canvas £1600


Maggie O’Brien . 12 July <strong>2012</strong><br />

55 Bryher from Maiden Bower,<br />

evening light<br />

20 x 20cm oil on canvas £350<br />

56 Alliums and sea sparkle<br />

36 x 46cm oil on canvas £695<br />

57 New Grimsby morning<br />

40 x 50cm oil on canvas £795<br />

58 Roddies above Appletree Bay<br />

40 x 50cm oil on canvas £795<br />

59 Spring gorse<br />

46 x 60cm oil on canvas £950<br />

60 <strong>Summer</strong> morning, Pentle Bay<br />

40 x 50cm oil on canvas £795


Imogen Bone . 23 July <strong>2012</strong><br />

61 Evening at deep point<br />

40 x 80cm oil on linen £600<br />

62 Sun behind clouds<br />

90 x 60cm oil on canvas £700<br />

63 Tinkler’s Point<br />

60 x 60cm oil on linen £650<br />

64 Sparkle on <strong>the</strong> water<br />

50 x 50cm oil on linen £550


Imogen Bone . 23 July <strong>2012</strong><br />

66 Evening cloud<br />

20 x 20cm oil on linen £200<br />

65 Higher town bay<br />

30 x 80cm oil on canvas £550<br />

67 Dark cloud moving in<br />

20 x 20cm oil on linen £200<br />

68 <strong>Show</strong>er on Bryher<br />

30 x 40cm oil on canvas £450<br />

69 Green sea, white water<br />

60 x 70cm oil on canvas £700<br />

70 Morning clouds<br />

60 x 70cm oil on canvas £700


Rosemary Trestini . 23 July <strong>2012</strong><br />

71 Engrossed<br />

86 x 86cm oil on linen £3900<br />

72 A sudden shower at sunset<br />

81 x 81cm oil on linen £3000<br />

73 Wet day towards Bryher<br />

86 x 86cm oil on linen £3900<br />

74 Alone with your thoughts<br />

66 x 66cm oil on linen £1950<br />

75 Towards Samson<br />

30 x 30cm oil on linen £830


Rosemary Trestini . 23 July <strong>2012</strong><br />

76 Oystercatcher 1<br />

20 x 20cm oil on linen £520<br />

77 Oystercatcher 2<br />

20 x 20cm oil on linen £520<br />

78 Oystercatcher 3<br />

20 x 20cm oil on linen £520<br />

79 Breezy blue day<br />

101 x 101cm oil on linen £5900<br />

80 Oystercatchers<br />

30 x 30cm oil on linen £830


David Rust . 23 July <strong>2012</strong><br />

81 From Middle Down to St Martin’s<br />

37 x 57cm watercolour on paper £890<br />

82 Rushy Bay Bryher<br />

34 x 57cm watercolour on paper £870<br />

83 The Great Par and Gweal Hill Bryher<br />

37 x 57cm watercolour on paper £890<br />

84 Heading to Old Grimsby<br />

24 x 24cm watercolour on paper £420<br />

85 Gweal Hill from Samson Hill, Bryher<br />

376 x 37cm watercolour on paper £840<br />

86 Towards Bryher from Vane Hill <strong>Tresco</strong><br />

56 x 76cm watercolour on paper £1750


David Rust . 23 July <strong>2012</strong><br />

87 Kitchen Porth, Bryher from Frenchman’s Point<br />

37 x 57cm watercolour on paper £890<br />

88 <strong>Tresco</strong> triptych<br />

20 x 36cm x 3 watercolour on paper £900<br />

89 From Pentle Bay to <strong>the</strong> Eastern Isles<br />

37 x 57cm watercolour on paper £890<br />

90 New Grimsby and Bryher from Vane Hill<br />

58 x 56cm watercolour on paper £1450


<strong>Tresco</strong> inspired again with<br />

its dramatic low winter light<br />

creating long shadows on<br />

<strong>the</strong> deserted beaches. The<br />

sea raged, <strong>the</strong> sun shone<br />

and <strong>the</strong> heavens opened,<br />

making for a very diverse<br />

and productive stay.<br />

Paul Lewin<br />

Seasickness forgotten,<br />

boys playing pool, skipper<br />

in <strong>the</strong> New Inn.<br />

May: force five North<br />

Westerly backing South<br />

West. Sixteen degrees<br />

down to a wind chilling<br />

nine. Threatening dark<br />

clouds.<br />

Common mouse-ear,<br />

coconut furze, moon<br />

penny, celandine,<br />

knapweed.<br />

Sketch books filling with<br />

wild flowers and mica sand.<br />

I must give <strong>the</strong>m pride of<br />

place this year, when I'm<br />

back home.<br />

Ellen Watson<br />

For Amanda this collection<br />

is about enjoying <strong>the</strong><br />

process of painting and<br />

interacting with <strong>the</strong><br />

landscape. Using a variety<br />

of materials, oils, sand and<br />

handmade paper she has<br />

interpreted <strong>the</strong> Scillies in a<br />

creative way.<br />

The vivid colours of <strong>the</strong> sea<br />

and sky and rich texture of<br />

<strong>the</strong> plants have been as<br />

always an inspiration and<br />

has given Amanda <strong>the</strong><br />

chance to develop in her<br />

paintings a tapestry of<br />

colour and quality of light<br />

allowing <strong>the</strong> viewer a<br />

chance to get involved with<br />

<strong>the</strong> landscape.<br />

Amanda Hoskin<br />

This has been one of <strong>the</strong><br />

best trips yet, a renewed<br />

appreciation for <strong>the</strong> simple<br />

things.<br />

Neil Pinkett<br />

Each time I visit <strong>Tresco</strong>, I<br />

am reminded that humans<br />

are entirely at <strong>the</strong> mercy of<br />

<strong>the</strong> elements.<br />

I sat on a yellow, lichen<br />

covered rock for three<br />

hours, mesmerised by <strong>the</strong><br />

waves crashing, <strong>the</strong> wind<br />

rushing through <strong>the</strong><br />

grasses and <strong>the</strong> erratic heat<br />

of <strong>the</strong> sun as it found blue<br />

spaces between <strong>the</strong> cloud.<br />

I felt vulnerable and it was<br />

wonderful.<br />

Anthony Garratt<br />

I have spent three days<br />

trying to write this. It’s daft<br />

because it’s something I’ve<br />

done many times – but it’s<br />

getting harder to put my<br />

feelings about <strong>the</strong>se<br />

amazing Islands into words.<br />

As soon as I’m back from a<br />

trip I’m scheming how on<br />

earth I can manage<br />

ano<strong>the</strong>r! It may be<br />

something to do with <strong>the</strong><br />

intensity of looking -<br />

drawing in <strong>the</strong> landscape is<br />

a kind of deep seeing – it<br />

cements things, imprints<br />

<strong>the</strong>m so <strong>the</strong>y become part<br />

of you. I have 100s of<br />

drawings, photographs and<br />

studies from my visits.<br />

I don’t really need <strong>the</strong>m.<br />

They kick start me, inspire<br />

me to make <strong>the</strong> first marks<br />

– but <strong>the</strong>n I’m off. It’s all in<br />

my head.<br />

Maggie O’Brien<br />

The wea<strong>the</strong>r can change<br />

rapidly here and contrary to<br />

popular belief <strong>the</strong> sky isn't<br />

always blue in Scilly. This<br />

climate produces some<br />

spectacular skies. I have<br />

chosen to concentrate this<br />

series of paintings on our<br />

forever changing skies and<br />

subsequent affect on our<br />

landscape.<br />

There is something<br />

overwhelming about <strong>the</strong><br />

uninterrupted view we have<br />

of our sky that gives you a<br />

sense of freedom and<br />

openness.<br />

I hope this comes across in<br />

my paintings.<br />

Imogen Bone<br />

The moment I step from <strong>the</strong><br />

helicopter onto <strong>Tresco</strong>’s soil<br />

time is suspended, I have<br />

never been away. As I ride<br />

on <strong>the</strong> tractor trailer to <strong>the</strong><br />

artist’s chalet I begin to<br />

wonder about <strong>the</strong> paintings<br />

which will emerge in <strong>the</strong><br />

days ahead. Some ideas<br />

creep up unsuspected,<br />

slowly intruding upon <strong>the</strong><br />

artist’s inner eye.<br />

Sometimes I work in my<br />

studio in a state of<br />

frustration, knowing that<br />

<strong>the</strong> painting is not achieving<br />

its full potential. Often it<br />

takes time to emerge <strong>the</strong>n I<br />

suddenly capture its<br />

essence recalling a memory<br />

of something I had always<br />

wanted to say.<br />

This creative process can<br />

only flower when <strong>the</strong> mind<br />

is set free from all stress<br />

and flies like one of <strong>Tresco</strong>’s<br />

oystercatchers free and<br />

wild in <strong>the</strong> sky.<br />

Rosemary Trestini<br />

Over <strong>the</strong> years of visiting<br />

<strong>the</strong> Scilly Isles I've become<br />

more interested in <strong>the</strong><br />

geography and topography<br />

features of <strong>the</strong> islands<br />

when painting, especially<br />

<strong>Tresco</strong> and Bryher.<br />

I think <strong>the</strong>se features<br />

combined with <strong>the</strong> unique<br />

atmosphere of <strong>the</strong> place<br />

are evident in my work in<br />

this year's show.<br />

David Rust

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