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Museum Pieces - Beloit Poetry Journal

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ALBERT GOLDBARTH<br />

■<br />

At one point, shore becomes a stony tendril<br />

extending into the ocean. Follow this, eventually<br />

you’re standing on the dot below a question mark<br />

—just you, a rock beneath you,<br />

and an endlessness of blue that goes down to Atlantis<br />

and up to the coalsack black of outer space.<br />

It ends here; there’s no further step to take.<br />

Except . . . it sometimes seems there is. I don’t mean<br />

drowning; or astral projection; or anything that<br />

dramatically metamorphic. But: isn’t there an inch<br />

beyond, that’s still you . . . but a fog of you,<br />

a foam of you . . . a you that isn’t beat every day<br />

by the whisk of waking up human. . . .<br />

■<br />

Of hundreds of luscious and nearly naked<br />

nineteen-year-old tanners on this beach, the one<br />

whose poses take my wildly roving fancy<br />

deepest into her is a woman with an arrogantly careless<br />

squat, her ass become the reckless cleft<br />

a fuchsia thong’s slim, spandex grip accentuates . . .<br />

ooo, yumyum: girl; ooo, zero-in: girl.<br />

Is this<br />

what happened to D. and M.?—this common greed<br />

monogamy won’t tolerate. Or could it be more<br />

complicated?<br />

—one of them did get within reach<br />

of stepping into a fog-self, into a foam-self,<br />

and (so often the case) was frightened by it,<br />

or bored by it, was faced with a self<br />

too alien, and so there was no antidote<br />

but running back to the messiest part<br />

of being human again.<br />

■<br />

Now Spring has returned, enticing boats<br />

to dance upon the waves once more. . . .<br />

in The Greek Anthology [X:2].<br />

Here, they’re lined up in the marina:<br />

30 <strong>Beloit</strong> <strong>Poetry</strong> <strong>Journal</strong> Fall 2002<br />

—Antipater of Sidon,<br />

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