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the abbreviated reign of “neon” leon spinks

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OOPS 140<br />

kind <strong>of</strong> disaster familiar to those who have studied fan violence in sporting<br />

cultures around <strong>the</strong> world: frustrated fans <strong>of</strong> a hardscrabble team, simmering<br />

resentment <strong>of</strong> <strong>the</strong> opposing players, and alcohol. Lots and lots <strong>of</strong><br />

alcohol. The echoes <strong>of</strong> that single game gone wild continue today in many<br />

ways, including stricter guidelines for serving alcohol at stadium events <strong>of</strong><br />

all kinds, and a federally mandated nationwide minimum drinking age <strong>of</strong><br />

twenty- one.<br />

But Ten-Cent Beer Night wasn’t just an isolated example <strong>of</strong> poor<br />

judgment and planning. When you consider <strong>the</strong> strange times in which it<br />

occurred and <strong>the</strong> long, beer-fueled history <strong>of</strong> baseball, <strong>the</strong>re seems a weird<br />

inevitability to <strong>the</strong> moment when, in <strong>the</strong> game’s second inning, a stout and<br />

apparently drunken woman kicked <strong>of</strong>f <strong>the</strong> festivities by making her way<br />

from <strong>the</strong> grandstands into <strong>the</strong> Indians’ on-deck circle. There, she lifted<br />

her shirt—<strong>the</strong> literal flash point for an eve ning <strong>of</strong> ribald revelry that, inning<br />

by inning, slid inexorably toward mayhem. But <strong>the</strong>n, in Vietnam-era<br />

America, substance abuse, casual sexuality, and violence were always a<br />

potent mix.<br />

Beer and Baseball: A Love Story<br />

As relationships go, <strong>the</strong> one between beer and baseball is particularly<br />

long and pr<strong>of</strong>ound. This should surprise no one, given that today <strong>the</strong><br />

sport includes a Milwaukee team named <strong>the</strong> Brewers that plays in a stadium<br />

named after Miller Beer, and o<strong>the</strong>r landmark stadiums bear <strong>the</strong><br />

names Busch and Coors. Television viewers have grown accustomed to<br />

<strong>the</strong> kind <strong>of</strong> full- saturation sponsorship deals that, during one recent<br />

American League Championship Series, introduced <strong>the</strong>m to <strong>the</strong> “Budweiser<br />

Starting Lineup,” aerial coverage by <strong>the</strong> Bud One blimp, and long,<br />

loving shots <strong>of</strong> play against <strong>the</strong> backdrop <strong>of</strong> red-and-white Anheuser-<br />

Busch stadium billboards—accommodations to one <strong>of</strong> Major League<br />

Baseball’s most loyal sponsors. The November 1, 2004, World Series issue<br />

<strong>of</strong> Sports Illustrated was dominated by beer advertising, including a back<br />

cover and a special insert from Miller. But <strong>the</strong>re was a frothy presence in

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