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CDEA 6146<br />

billy mayerl A MISCELLANY FOR SOLO PIANO<br />

Leprechaun’s Leap (1940)<br />

Meadowsweet from In My Garden:<br />

Summertime (1947)<br />

Alpine Bluebell from In My Garden:<br />

Summertime (1947)<br />

Amber Leaves from In My Garden:<br />

Autumntime (1946)<br />

6am – The Milkman: Scherzo<br />

from Three Syncopated Rambles (1933)<br />

Postman’s Knock (1951)<br />

Ladybird Lullaby from Insect Oddities (1940)<br />

Praying Mantis from Insect Oddities (1940)<br />

Beguine Impromptu (1952)<br />

Pas<strong>to</strong>ral from Three Contrasts op.24 (1929)<br />

Minuet for Pamela (1945)<br />

April’s Fool (1945)<br />

Weeping Willow: An Idylle (1932)<br />

Antiquary from Piano Exaggerations (1926)<br />

Siberian Lament (1934)<br />

From a Spanish Lattice:<br />

A Sou<strong>the</strong>rn Tone Picture (1938)<br />

Clowning from The Big Top (1948)<br />

Entrance of <strong>the</strong> Trick Cyclists<br />

from The Big Top (1948)<br />

Trapeze from The Big Top (1948)<br />

The Forgotten Forest: A Poem (1945)<br />

The Cherry Dance<br />

from Three Japanese Pictures op.25 (1931)<br />

Song of <strong>the</strong> Fir-tree: A Swedish Impression (1938)<br />

Jill all Alone (1955); Phil <strong>the</strong> Fluter’s Ball (1938)<br />

Leslie De’Ath (piano)<br />

Recorded at Maureen Forrester Recital Hall, Faculty of Music, Wilfrid Laurier University, Waterloo,<br />

Ontario, Canada, 24 November & 9 December 2007<br />

briTiSH liGHT mUSiC PremiereS VOLUME 5<br />

Roy Budd<br />

Tricolor Overture (1988)<br />

MUSIC FROM THE MOVIES<br />

BRITISH FIlMS SOUNDTRACKS 1937-57<br />

Music from <strong>the</strong> movies – march (Levy) (1937) Gaumont<br />

British Symphony conducted by Louis Levy<br />

Spitfire fugue (Wal<strong>to</strong>n) from film “The First of <strong>the</strong><br />

Few” (1942) with Laurance Turner (violin solo) Hallé<br />

Orchestra William Wal<strong>to</strong>n; Seascape (Parker) “Western<br />

Approaches” (1944) London Symphony Orchestra<br />

Muir Mathieson; Calypso music (Alwyn) “The Rake’s<br />

Progress” (1945) London Symphony Orchestra Muir<br />

Mathieson; The last walk (Williamson) “The Edge of<br />

<strong>the</strong> World” (1937) London Symphony Orchestra Muir<br />

Mathieson; Waltz in<strong>to</strong> jig (Greenwood) “Hungry Hill”<br />

(1946) London Symphony Orchestra Muir Mathieson<br />

Incidental music from “The Overlanders” (1946)<br />

(Ireland) London Symphony Orchestra Muir Mathieson<br />

Prelude from “49th Parallel” (1941) (Vaughan Williams)<br />

London Symphony Orchestra Muir Mathieson<br />

Theme music from “Cure for Love” (1949) (Alwyn)<br />

with Sidney Crook (piano solo) London Symphony<br />

Orchestra Muir Mathieson; Romance (Green) “The<br />

Magic Bow” (1946) with Reginald Leopold (violin solo)<br />

Music from <strong>the</strong> Movies Orchestra Louis Levy<br />

Francis Chagrin<br />

Aquarelles (Portraits of Five Children) (1950)<br />

Paul Carr<br />

Concer<strong>to</strong> for oboe & string orchestra (2007)<br />

Nicholas Daniel (solo oboe)<br />

Air for Strings (2006)<br />

Theme from “Es<strong>the</strong>r Waters” (1947) (Jacob) Royal<br />

Philharmonic Orchestra Muir Mathieson<br />

Derby Day 1886 (Jacob) “Es<strong>the</strong>r Waters” (1947) Royal<br />

Philharmonic Orchestra Muir Mathieson; London<br />

scene (Wilkinson) “The Weaker Sex” (1948) London<br />

Symphony Orchestra Muir Mathieson; Sleeping car<br />

train (Frankel) “Sleeping Car <strong>to</strong> Trieste” (1948) London<br />

Symphony Orchestra Muir Mathieson; Waltz from<br />

film “Sleeping Car <strong>to</strong> Trieste” (1948) (Frankel) London<br />

Symphony Orchestra Muir Mathieson; Dinner at Lady<br />

Datchett’s (Williamson) “Woman Hater” (1949) John<br />

Hollingsworth Royal Philharmonic Orchestra<br />

Joanna’s <strong>the</strong>me (Veale) “High Tide at Noon” (1957)<br />

Alec’s <strong>the</strong>me (Veale) “High Tide at Noon” (1957)<br />

Title music from “High Tide at Noon” (1957) (Veale)<br />

Title music from “The Spanish Gardener” (1956)<br />

(Veale); Theme and incidental music from “Yangtse<br />

Incident” (1957) (Lucas) Leigh<strong>to</strong>n Lucas; Incidental<br />

music from “The Loves of Joanna Godden” (1947)<br />

(Vaughan Williams) Philharmonia Orchestra Ernest<br />

Irving<br />

CDlX 7211<br />

Gavin Su<strong>the</strong>rland<br />

Clarinet Concer<strong>to</strong> (2003)<br />

Verity Butler (solo clarinet)<br />

Richard Addinsell<br />

Ring Round <strong>the</strong> Moon Suite (1949)<br />

CDlX 7209<br />

Recorded at Angel Studios, London, 16 March 2007, 10 July 2007, 7 January 2008 & 18 March 2008<br />

Royal Ballet Sinfonia Gavin Su<strong>the</strong>rland (conduc<strong>to</strong>r), Barry Wordsworth (conduc<strong>to</strong>r)<br />

Recorded at The Colosseum, Town Hall, Watford, 12 February 2008<br />

BBC Concert Orchestra Roderick Dunk (conduc<strong>to</strong>r)<br />

eriC CoaTeS SOUNd ANd VISION<br />

joHn wilSon & THe bbC ConCerT orCHeSTra<br />

ORCHESTRAl MUSIC<br />

MUSIC FOR VOICE AND ORCHESTRA<br />

Sound and Vision (ATV March) (1955)<br />

World premiere recordings<br />

From <strong>the</strong> Countryside (Suite) (1915): In <strong>the</strong><br />

in <strong>the</strong> composer’s orchestrations<br />

Meadows (Early Morning); Among <strong>the</strong> Poppies with Richard Edgar-Wilson (tenor):<br />

(Afternoon); At <strong>the</strong> Fair (Evening)<br />

The Mill O’ Dreams (Song Cycle) (1915): Back<br />

First complete recording<br />

o’ <strong>the</strong> Moon; Dream o’ Nights; The Man in <strong>the</strong><br />

Holborn (March) (1950)<br />

Moon; Blue Bells; Song of Summer (1943); Your<br />

Moresque (Dance Interlude) (1921)<br />

Name (1938)<br />

First complete recording<br />

Four Ways (Suite) (1928): Northwards: March;<br />

Southwards: Valse; Eastwards: Eastern Dance;<br />

Westwards: Rhythm<br />

Valse from The Three Bears (Phantasy) (1926)<br />

The Eighth Army (March) (1942)<br />

with Sir Thomas Allen (bari<strong>to</strong>ne):<br />

Green Hills of Somerset (1916); I Heard You<br />

Singing (1923); The Fairy Tales of Ireland (1918);<br />

Bird Songs at Eventide (1926)<br />

Recorded at The Colosseum, Town Hall, Watford, 16, 18-19 July & 19 September 2007<br />

BBC Concert Orchestra, John Wilson (conduc<strong>to</strong>r)<br />

Richard Edgar-Wilson (tenor), Sir Thomas Allen (bari<strong>to</strong>ne) CDlX 7198<br />

VOCAlION lTD PO BOX 609 wATFORD wD18 7YA ENGlAND T: (01923) 803 001 F: (01923) 803 002<br />

<strong>Vocalion</strong> 20 reserves <strong>the</strong> right <strong>to</strong> alter track listings, titles or artwork. Correct at time of going <strong>to</strong> press.<br />

Secure ordering at www.dut<strong>to</strong>nvocalion.co.uk

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