book one redone - Coldbacon
book one redone - Coldbacon book one redone - Coldbacon
From: Sarita Date: Thursday, July 17, 2003 5:42 AM Subject: Re: Re: i just listened to the stereolab cds you sent and one of them is non stereolab absolute shite until around track 6. on the other cd you glued two songs together - not sure if theyre like that on the original but no matter, your flippant attitude towards music sharing is hardly appreciated 104
movies/alice.html Alice in Wonderland (1951) Walt Disney I haven’t seen all the other old Disney films, but if this movie is any indication, I need to seriously think about it. This movie is in a galaxy far far away from the Lion King’s and Little Mermaid’s of today. Not that those movies aren’t great for children and adults who are like children, but this Alice movie is really something else. Packed with memorable scenes and a totally off-the-wall script. The last time a cartoon had near this level of animatory wit and flare would be the great cartoons from Warner Brothers in the Chuck Jones/Michael Maltese period. For those of you who’ve been living under a rock, that means Pepe Le Peu, Road Runner, Foghorn Leghorn and, not least, some choice incarnations of Bugs and Daffy. Of course, everyone knows good cartoons are made for adults, particularly the perceptive ones, who collectively enable certain films to become classics. Dude, Where’s My Car has not yet achieved this status, but these things take time. If you haven’t seen Alice In Wonderland and expect to see The Prince of Egypt only with Diana Ross instead of Whitney Houston on the soundtrack, think again. 105
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movies/alice.html<br />
Alice in Wonderland (1951)<br />
Walt Disney<br />
I haven’t seen all the other old Disney films, but if this movie is any<br />
indication, I need to seriously think about it. This movie is in a galaxy far<br />
far away from the Lion King’s and Little Mermaid’s of today. Not that<br />
those movies aren’t great for children and adults who are like children, but<br />
this Alice movie is really something else. Packed with memorable scenes<br />
and a totally off-the-wall script. The last time a cartoon had near this level<br />
of animatory wit and flare would be the great cartoons from Warner<br />
Brothers in the Chuck J<strong>one</strong>s/Michael Maltese period. For those of you<br />
who’ve been living under a rock, that means Pepe Le Peu, Road Runner,<br />
Foghorn Leghorn and, not least, some choice incarnations of Bugs and<br />
Daffy. Of course, every<strong>one</strong> knows good cartoons are made for adults,<br />
particularly the perceptive <strong>one</strong>s, who collectively enable certain films to<br />
become classics. Dude, Where’s My Car has not yet achieved this status,<br />
but these things take time. If you haven’t seen Alice In Wonderland and<br />
expect to see The Prince of Egypt only with Diana Ross instead of<br />
Whitney Houston on the soundtrack, think again.<br />
105
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