book one redone - Coldbacon

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From: Sarah Gordon Subject: i looked at your page again to find the picture, you are a much bigger nerd than anyone i know. your webpage seems infinite, however, i noticed that you put links to red meat and the damned jbm inc up...no one gives me any credit...." french, on the other hand, i have a big problem with. i love the language and the art and lit but i have yet to meet a french person who i do not despise. 140
movies/rulesofthegame.html The Rules of the Game (1939) Jean Renoir Now it doesn’t make me cry. And it doesn’t make my stomach turn. It isn’t in color. And it barely has music. It doesn’t even make me want to watch it again right away. There is, however, something I must tell you about The Rules of the Game, and that is that it’s perfect. The Rules of the Game possesses a level of frenetic energy and cine-stage choreography, which is in a league by itself except perhaps Clouzot on a good day. The play scene with the skeleton costume dancers—how Renoir is able to cold start the momentum with the “play within play” and then seamlessly transition from that eerie performance (black magic/religious trance/alcohol, prob. rum) into a scene of multiple undressings (the way she yanks off his belt in a whip-like motion as though it were a giant snake, as well as the Citizen Kane-like perspective of the shot of the table from across the room) and scurryings off by the revelers into the various mouse holes (a repeat of the earlier scene where everyone darts and dashes off to their rooms at evening’s close the night before). Only this time it’s no dress rehearsal—someone is going to die—we can sense it. Octave running around frantically trying to get anyone to help him out of his bear costume—and how everyone is unwilling or too preoccupied to lift a finger verges on Buñuelian tactics à la Exterminating Angel. Proving once and for all that every great satire of the idle rich must have a brown bear somewhere loose in the house. The film even has goddamn physical comedy, from Renoir himself (as Octave), climbing on the bed, throwing pillows around, and struggling to get off his bear suit. (Did I mention the bear suit?) Sometimes I wonder exactly how much all this physical comedy adds to the big concepts, but I don’t see how it detracts either. 141
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