book one redone - Coldbacon
book one redone - Coldbacon
book one redone - Coldbacon
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
writing/anthonylane-mariaproblem.html<br />
Anthony Lane’s essay, “The Maria Problem” (sous-titled “Going Wild for<br />
The Sound of Music”) is okay, but it has problems. I will explain them. It<br />
starts off like this:<br />
“Let’s start at the very beginning (it’s a very good place to start.) Maria<br />
Augusta Kutschera was born in 1905.”<br />
This is the best reference to The Sound of Music in the history of writing.<br />
(It’s a very good reference to start.) This beginning reminds me of the<br />
time David Lynch’s Dune, which may or may not be a bad film, kicked<br />
off with the Padishaw Emperor’s daughter: “The beginning is a delicate<br />
time. Know then that it is the year ten something.” But I digress. So Maria<br />
Augusta Kutschera was born in 1905. My childhood friend and archnemesis<br />
T seems to think Anthony Lane is the greatest film critic since<br />
Von Kesselstat, and The New Yorker can and has d<strong>one</strong> nothing wrong,<br />
ever. Yes, well.<br />
Herr Lane then goes on to spend the next eight pages of my life<br />
establishing context. Using def journalistic skillz and his usual divine<br />
inspiration, he describes the phenomenon wherein a bunch of dedicated<br />
fanatics dress up in various Sound of Music-inspired costumes and<br />
participate in ritualistic beatings. This all happens at the Prince Charles<br />
Cinema.<br />
The problem here is if you know what the hell he’s talking about, then<br />
you don’t really need this explanation, or at least, you don’t need this<br />
much explanation. If you’ve ever been to <strong>one</strong> of these cult-audience<br />
participation things, like church, you’d know that being there is at least<br />
twice as good as watching it on DVD and eight times better than reading<br />
about it in The New Yorker. In fact, the only reason to read the first eight<br />
pages is to be reminded that Mr. Lane lives in London, and you don’t.<br />
And he knows a lot about movies. Why won’t he write about them? If he<br />
wanted he could use his vast knowledge of film to draw connections, to<br />
explain, to teach, to challenge. If he wanted. Or perhaps you are reading<br />
him in hopes of scoring some cut-rate cultural insight. After all, there was<br />
that <strong>one</strong> time where he pointed out:<br />
147