book one redone - Coldbacon

book one redone - Coldbacon book one redone - Coldbacon

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Now Lane’s Jack Nicholson-versus-Steve McQueen comment is just not true. “...but the sight of a weary, begrimed Steve McQueen emerging from the tower is burned into my mind with a fierceness that Jack Nicholson, with his nicked nostril, can never match.” He’s talking about Nicholson in Chinatown, but I choose to read this as a direct attack on The Shining. Jack Nicholson in The Shining is so riveting you could not possibly name a more riveting performance. And neither can Anthony Lane. And he knows it. I submit he is lying. For flow. Something which apparently gets the blind eye over at The New Yorker. Now I didn’t see The Shining as a 3T (teddy-toting toddler) thus developing some sort of needful, regressive relationship with the film. I first saw it at the non-tender age of (thinking/guessing/would I lie to you) twenty-four. But over many viewings (I call them mini-screenings), I’ve come to appreciate the Jack Nicholson moments in full. “Who is the caretaker?” “Yes, and What is the gardener.” “Who?” “No, What.” “What is the gardener?” “Precisely.” “Well then what about the ghost?” “I don’t know.” “You don’t know?” “No, I don’t know.” “What?” “No, he’s the gardener.” “Well who directed the film then?” “No, he’s the caretaker.” “Ahh!” There is no film that I saw as a child which invokes more awe and terror than The Shining. I have thought about this. I have run down a short list of films that were a big deal way back when. Attack of the Killer Tomatoes, Godzilla Versus Mothra, Godzilla Versus Fractalgodzilla. Sure I have nostalgic feelings for them, but I now realize how silly those first two were. My first girlfriend, however, was not silly. She was hot. I was a fool. I was fourteen. Okay, I was fifteen. My second girlfriend was also hot and probably still is even though someone just told me she’s pregnant now (and married). I had stupidly traded her in for a life of crime. “Hello, my name is Bacon. I am sixteen years old, and I’m a fool.” You really should be able to develop new and powerful emotional responses, while most of your childhood memories should fade further and further away—not to be let go or forgotten—nothing and no one is to be forgotten—but not at the cost of laying down new tracks. But Lane’s psychological ex-lap-dressed-up-as-film-review goes on to explore the notion of tastes changing over time. 152

“What we feel about a movie—or, indeed, about any work of art, high or low—matters less than the rise and fall of our feelings over time. The King Lear that we see as sons and daughters (of Cordelia’s age, say) can never be the same play that we attend as parents; the sound of paternal fury, and of the mortal fears that echo beyond it, will knock ever more insistently at our hearts. Weekly critics cannot do justice to that process; when we are asked to nominate favorite films, all we can say is ‘Well, just now I quite like Citizen Kane or Police Academy 4, but ask me again next year.’” – Anthony Lane This idea that Lane parrots, like any pithy point, is as much not true as it is true. Yes, we do see things through different eyes. As we grow old, the lens becomes more squishy. And yes, it’s true tastes change over time. Some cheeses become more and less rewarding as taste buds rearrange according to God’s plan. But friends, I solemnly swear by all that is living I will never say Police Academy 4 is my favorite movie. And I’m still waiting with childlike curiosity for that day to come when I no longer think Eliot is a great poet and Kubrick is more than just some overfed photographer. So, on the surface, there does seem to be an inconsistency between the idea that taste is always changing, yet at the same time we are fixed in love and appreciation of bad movies we saw as children. However, these two seemingly disparate notions can be taken together as evidence of Lane’s supremely disempowering MO to have us as mere passive witness to our biological trends. I no longer eat spicy food, but by God I still love The Sound of Music. Is Anthony Lane the only person capable of willfully cultivating an evolving critical approach only to throw it all away in an heroic act of faux humanism? While the rest of us are merely along for the ride? I don’t know. Let’s wait and see. 153

Now Lane’s Jack Nicholson-versus-Steve McQueen comment is just not<br />

true. “...but the sight of a weary, begrimed Steve McQueen emerging from<br />

the tower is burned into my mind with a fierceness that Jack Nicholson,<br />

with his nicked nostril, can never match.” He’s talking about Nicholson in<br />

Chinatown, but I choose to read this as a direct attack on The Shining.<br />

Jack Nicholson in The Shining is so riveting you could not possibly name<br />

a more riveting performance. And neither can Anthony Lane. And he<br />

knows it. I submit he is lying. For flow. Something which apparently gets<br />

the blind eye over at The New Yorker.<br />

Now I didn’t see The Shining as a 3T (teddy-toting toddler) thus<br />

developing some sort of needful, regressive relationship with the film. I<br />

first saw it at the non-tender age of (thinking/guessing/would I lie to you)<br />

twenty-four. But over many viewings (I call them mini-screenings), I’ve<br />

come to appreciate the Jack Nicholson moments in full. “Who is the<br />

caretaker?” “Yes, and What is the gardener.” “Who?” “No, What.” “What<br />

is the gardener?” “Precisely.” “Well then what about the ghost?” “I don’t<br />

know.” “You don’t know?” “No, I don’t know.” “What?” “No, he’s the<br />

gardener.” “Well who directed the film then?” “No, he’s the caretaker.”<br />

“Ahh!” There is no film that I saw as a child which invokes more awe and<br />

terror than The Shining. I have thought about this. I have run down a short<br />

list of films that were a big deal way back when. Attack of the Killer<br />

Tomatoes, Godzilla Versus Mothra, Godzilla Versus Fractalgodzilla. Sure<br />

I have nostalgic feelings for them, but I now realize how silly those first<br />

two were. My first girlfriend, however, was not silly. She was hot. I was a<br />

fool. I was fourteen. Okay, I was fifteen. My second girlfriend was also<br />

hot and probably still is even though some<strong>one</strong> just told me she’s pregnant<br />

now (and married). I had stupidly traded her in for a life of crime. “Hello,<br />

my name is Bacon. I am sixteen years old, and I’m a fool.”<br />

You really should be able to develop new and powerful emotional<br />

responses, while most of your childhood memories should fade further<br />

and further away—not to be let go or forgotten—nothing and no <strong>one</strong> is to<br />

be forgotten—but not at the cost of laying down new tracks. But Lane’s<br />

psychological ex-lap-dressed-up-as-film-review goes on to explore the<br />

notion of tastes changing over time.<br />

152

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