book one redone - Coldbacon
book one redone - Coldbacon book one redone - Coldbacon
movies/blackhawkdown.html Blackhawk Downer (2001) Ridley Scott 94 I don’t have to tell you why I see certain movies. However, I will describe my reaction to Black Hawk Down from a purely military perspective. Now, you must realize my military background is sweeping. I have logged over one hundred hours on CNN spanning two Gulf Wars and that time Donald Rumsfeld actually changed his mind—about which flavor gelato he liked best. I have also had extensive experience with Risk and Stratego growing up, and I once even read the entire back of the jewel case for the DVD of Patton. So I am obviously more than qualified to comment on whether Black Hawk Down was realistic. Yes, I think it seemed pretty realistic, didn’t you? And it didn’t preach like it might have, thank God. The production value was high, and the actors were all convincing. The sense of chaos and desperation was well done. But if you really want to see some carnage, try watching an uncensored session of the Singapore parliament. I’m serious. There’s chair throwing, kicking, scratching, biting and spitting (and spitting’s not even legal!). In summary, Somalia sucked. Let’s not do that again.
movies/lostintranslation.html Lost In Translation (2003) Sofia Coppola Sofia Coppola’s new film Lost In Translation has a lot going for it. It has Bill Murray, Scarlett Johansson, 1 and more quirky Japanese people than you can shake a Tokyo ball at. LIT offers American audiences a fresh and unparalleled look into modern Japanese culture. Where else can you hang with young Asian chicks in Cossack hats besides…um…Budweiser ads? Then there’s the not-young Asian chicks not in Cossack hats. I for one was fascinated to learn that Japanese prostitutes dress exactly the same as Japanese women execs, who are mainly used for reception lines and holding clipboards. Amazing! Of course Peter Greenaway’s Eight And A Half Women already broke this story, including the deal with loneliness, pre and post mid-life crisis, and especially the deal with pachinko. But that’s okay because Greenaway’s a complete nut job, and besides, he left out the Simon and Garfunkel-tinged hotel bars, positive karaoke, Japanese T.V. ad directors (oh, they have ’em), the So Johnny Carson of Japan (see Telemundo), busy intersections, oversections and tiny green cabs. At least Sofia Coppola still has her sanity. And that is something. Wait—we could start over. Lost In Translation: It’s a decent film, and it doesn’t reek like Personal Velocity. Astute audiences will note the film takes place in modern day Tokyo (formerly Edo, established 16c). Cultural nuances well shown if at times with no clear purpose. Twenty seconds hopping on steps at the Daitoku-ji: four thousand dollars. Thirty seconds of flower arranging footage: six thousand dollars. Fifteen seconds at the Saiho-ji: two thousand dollars. Not having to use your brain while watching a nice little movie about nothing: priceless. I would like to simply accuse LIT of creeping Orientalism and be done with it. But the thing is Coppola truly has nothing against Japan. Her superficiality extends pleasantly to all she touches. The relationship between our little blonde girl and her photographer (was he even an actor?) husband was as 1 Formerly known as the other chick from Ghost World, now known as the actress who has excited more pedophilic corpuscles than I even knew I had. 95
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movies/lostintranslation.html<br />
Lost In Translation (2003)<br />
Sofia Coppola<br />
Sofia Coppola’s new film Lost In Translation has a lot going for it. It has<br />
Bill Murray, Scarlett Johansson, 1 and more quirky Japanese people than<br />
you can shake a Tokyo ball at. LIT offers American audiences a fresh and<br />
unparalleled look into modern Japanese culture. Where else can you hang<br />
with young Asian chicks in Cossack hats besides…um…Budweiser ads?<br />
Then there’s the not-young Asian chicks not in Cossack hats. I for <strong>one</strong><br />
was fascinated to learn that Japanese prostitutes dress exactly the same as<br />
Japanese women execs, who are mainly used for reception lines and<br />
holding clipboards. Amazing! Of course Peter Greenaway’s Eight And A<br />
Half Women already broke this story, including the deal with l<strong>one</strong>liness,<br />
pre and post mid-life crisis, and especially the deal with pachinko. But<br />
that’s okay because Greenaway’s a complete nut job, and besides, he left<br />
out the Simon and Garfunkel-tinged hotel bars, positive karaoke, Japanese<br />
T.V. ad directors (oh, they have ’em), the So Johnny Carson of Japan (see<br />
Telemundo), busy intersections, oversections and tiny green cabs. At least<br />
Sofia Coppola still has her sanity. And that is something.<br />
Wait—we could start over. Lost In Translation: It’s a decent film, and it<br />
doesn’t reek like Personal Velocity. Astute audiences will note the film<br />
takes place in modern day Tokyo (formerly Edo, established 16c).<br />
Cultural nuances well shown if at times with no clear purpose. Twenty<br />
seconds hopping on steps at the Daitoku-ji: four thousand dollars. Thirty<br />
seconds of flower arranging footage: six thousand dollars. Fifteen seconds<br />
at the Saiho-ji: two thousand dollars. Not having to use your brain while<br />
watching a nice little movie about nothing: priceless. I would like to<br />
simply accuse LIT of creeping Orientalism and be d<strong>one</strong> with it. But the<br />
thing is Coppola truly has nothing against Japan. Her superficiality<br />
extends pleasantly to all she touches. The relationship between our little<br />
blonde girl and her photographer (was he even an actor?) husband was as<br />
1 Formerly known as the other chick from Ghost World, now known as the actress<br />
who has excited more pedophilic corpuscles than I even knew I had.<br />
95