PIANO Grades and Licentiates - Unisa

PIANO
A General Information
1
Grades and Licentiates
Piano
Teachers should ensure that candidates comply with all the syllabus
requirements as prescribed for each grade. Candidates who do not
comply with these requirements will be penalised.
1 BASIC SYLLABUS
1.1 The basic syllabuses for Pregrade 1 to Grade 8 start on page 5.
1.2 The syllabuses for the Licentiate Examinations and Concert diploma
start on page 7.
2 PERFORMANCE WORKS
2.1 Repertoire lists appear in appendix B (page 28 of the Afrikaans
section of this publication). All piano pieces for all grades must be
chosen from these lists.
2.2 Piano Examination Albums for Pregrade 1 to Grade 7 examinations
are published by Unisa. These albums may be ordered directly
from Unisa or its regional offices by using the official order form.
These albums may also be purchased from various music dealers.
2.3 Under no circumstances will candidates be allowed to use
photocopies of the official examination albums in the examination
room. The examiner may refuse to examine a candidate should he
or she use photocopies in the examination room.
2.4 Prescribed music for the Grade 8 and Licentiate examinations is not
stocked or sold by Unisa. Candidates are expected to buy the
required sheet music from music dealers and to use the printed
sheet music in the examination room.
2.5 Copies of all performance works for the Grade 8 and all licentiate
examinations (Performer's, Teacher's, Chamber Music and Vocal
Accompaniment licentiates) and the Concert Diploma must be
submitted to the examiner on the day of the examination.

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2
2.6 Candidates must note that the Copyright Act 98 of 1978, as
amended, strictly prohibits the photocopying of sheet music without
written permission from the publishers.
2.7 Repetitions need not be played. Da Capo sections should, however,
always be performed.
2.8 Candidates may use any edition of the prescribed performance
works.
2.9 It is not essential to follow dynamic marks such as crescendos,
phrasing, pedal points, time indications and accents appearing in a
specific edition unless they have obviously been inserted by the
composer and not by the editor. This also applies to the University's
printed piano albums. When candidates use a different edition or
follow different dynamic marks they should, however, bring this to
the examiner's attention.
2.10 Page turners
2.10.1 No page turners are allowed in the examination venue for
candidates up to and including Grade 7.
2.10.2 Grade 8 and Licentiate candidates may make use of page turners
without permission from the University, but candidates' teachers are
not allowed to act as page turners. Examiners may not be asked to
turn the pages either.
2.11 Alternative works
2.11.1 Pregrade 1 to Grade 7
No alternative works may be presented for these grades.
2.11.2 Grade 8 and all licentiates
One alternative work will be considered provided that it complies
with the following requirements:
(1) All applications for alternative works must reach the
Directorate Music, Unisa, PO Box 392, Unisa 0003, not later
than the closing date for enrolments (preferably with the
enrolment form).
(2) All applications must include a copy of the alternative work
concerned. These will not be returned.
(3) Every alternative work must match the length, level of
virtuosity, standard and historical period of the work to be
replaced in the current repertoire list.

3
Piano
2.11.3 The University of South Africa reserves the right to refuse
permission for works that are regarded as unsatisfactory.
Requests to present alternative pieces which are received
later than the closing date, will only be considered in highly
exceptional cases.
3 PRACTICAL MUSICIANSHIP
3.1 The requirements for Practical Musicianship are the same for each
grade and all instruments.
3.2 The requirements for each grade appear in a separate publication,
available free of charge from the University.
4 SCALES, BROKEN CHORDS/ARPEGGIOS AND TRIADS/
CHORDS
4.1 The required scales, broken chords/arpeggios and triads/chords for
each grade appear in appendix A (p. 15).
4.2 All scales, broken chords/arpeggios and triads/chords for all grades
must be played from memory.
4.3 All scales and arpeggios must begin and end on the same note
irrespective of whether they started on the highest or lowest notes.
4.4 Any practical and systematic fingering which produces a good result
will be accepted.
4.5 LH = left hand
RH = right hand
5 SIGHT-READING
5.1 Candidates will be required to do one sight-reading test.
5.2 Candidates will be allowed sufficient time to look at the piece
without playing it.
6 PREREQUISITE THEORY OF MUSIC EXAMINATIONS
6.1 The prerequisite Theory of Music examinations for the different
practical grades are as follows:
• Practical Grade 4: Theory of Music Grade 3
• Practical Grade 5: Theory of Music Grade 4
• Practical Grade 6 and 7: Theory of Music Grade 5
• Practical Grade 8: Theory of Music Grade 6
• Practical Licentiate examinations: Theory of Music Grade 7

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4
6.2 If a Theory of Music examination is a prerequisite for a practical
examination, the candidate must enrol for the required theory of
music examination before or during the calendar year in which he or
she plays the practical examination.
The University will withhold the practical certificates of candidates
who play the Practical Grade 4 examination during the first
examination period but pass the required Theory of Music Grade 3
only in the second or any later examination period. As soon as
candidates have passed the required theory of music examination,
their practical certificates will be posted to them. If a candidate has
passed the required theory of music examination at the same time
or during an earlier examination period, the certificate will be issued
automatically.
• Teachers and/or parents should not phone the University
or enquire about certificates if they know that the
candidate has not yet passed the required theory of music
examination.
6.3 In order to pass Theory of Music Grade 5, a candidate must write
both question papers during the same examination period and
obtain a pass mark for both papers.
6.4 Candidates who enrol for Theory of Music Grades 6 or 7 for the first
time must register for both papers and write them during the same
examination period. They will retain unconditional credit for
individual papers passed, but the relevant practical certificates will
only be issued once the candidates have fulfilled the theoretical
requirements.
7 DURATION OF EXAMINATIONS
The duration of the practical examinations are as follows:
Pregrade 1 20 min
Grade 1 20 min
Grade 2 20 min
Grade 3 25 min
Grade 4 30 min
Grade 5 35 min
Grade 6 40 min
Grade 7 45 min
Grade 8 55 min
Teacher's Licentiate 120 min
Performer's Licentiate 90 min
Performer's Licentiate in Chamber Music 105 min
Performer's Licentiate in Vocal Accompaniment 105 min

B
5
Piano
Basic syllabus and allocation of marks for
Pregrade 1 to Grade 8
1 REQUIREMENTS FOR PREGRADE 1
1.1 Scales, broken chords and triads
As prescribed in appendix A.
1.2 Performance
Candidates must be prepared to play a total of four pieces, one from
each of the prescribed lists in appendix B.
1.3 Sight-reading
Candidates will be required to sight-read and play two bars with
each hand separately in the five finger hand position (C-G), in 2/4 or
3/4 or 4/4 time signature consisting only of crotchets and/or minims.
These will be played with the right hand (G clef) and the left hand (F
clef).
1.4 Practical Musicianship
As prescribed.
2 REQUIREMENTS FOR GRADE 1 AND GRADE 2
2.1 Scales, broken chords and triads
As prescribed in appendix A.
2.2 Performance
Candidates must be prepared to play a total of four pieces, one from
each of the prescribed lists in appendix B.
2.3 Sight-reading
Candidates will be required to sight-read one work.
2.4 Practical Musicianship
As prescribed.
3 REQUIREMENTS FOR GRADE 3 TO GRADE 7
3.1 Scales, broken chords/arpeggios and triads/chords
As prescribed in appendix A.
3.2 Performance
Candidates must be prepared to play a total of four pieces, selected
from the prescribed lists in appendix B of the Afrikaans section of
this publication (p. 28): One from List A, List B and List C and one
from List D or List E.
• The pieces from List E are not printed in the official piano
examination albums and must be obtained separately.

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3.3 Sight-reading
Candidates will be required to sight-read one work.
3.4 Practical Musicianship
As prescribed.
6
4 REQUIREMENTS FOR GRADE 8
4.1 Scales and arpeggios
As prescribed in appendix A.
4.2 Performance
Candidates must be prepared to play a total of four pieces, one from
each of the prescribed lists in appendix B.
4.3 Sight-reading
Candidates will be required to sight-read one work.
4.4 Practical Musicianship
As prescribed.
5 ALLOCATION OF MARKS FOR PREGRADE 1 TO GRADE 8
Scales, broken chords/arpeggios
and triads/chords
Performance List A
List B
List C
List D or E (Only for
Grades 3 to 7)
Sight-reading
Practical Musicianship
Total (pass)
Merit
Distinction
Roll of honour
Pregrade 1
to Grade 7
20
15
15
15
15
10
10
100 (50)
70
80
90
Grade 8
15
15
20
15
15
10
10
100 (50)
70
80
90

C
7
Piano
Basic syllabus and allocation of marks for the
Teacher’s Licentiate (Specialist field A)
1 SECTIONS
1.1 The examination consists of three sections:
• practical examination
• viva voce
• written method examination
1.2 Candidates must enter for all three sections during the same
examination period and must pass each section separately.
Candidates who fail any of the three sections will retain
unconditional credit for the other section(s) passed.
1.3 The practical examination and the viva voce sections will be
conducted during the same examination session.
1.4 The written method examination will consist of one paper to be
written, where possible, before the practical examination.
Examples of previous method papers may be ordered from Unisa
Press, University of South Africa, PO Box 392, Unisa 0003.
Prices appear in the Unisa Order Form for Music Examination
Publications. Please consult the Music Examinations Handbook for
admission requirements.
2 SYLLABUS FOR THE TEACHER'S LICENTIATE
2.1 Practical examination
2.1.1 Performance
Candidates must be prepared to play four works, one from each of
the prescribed lists in appendix B (page 41 of the Afrikaans section
of this publication).
2.1.2 Sight-reading
Candidates will be required to sight-read a short work.
2.1.3 Practical Musicianship
As required for the Licentiate Examinations (separate publication).
2.2 Viva voce
2.2.1 Detection/discussion of inaccuracies
Candidates will be required to detect/discuss any inaccuracies in
the rendering of any two contrasting works selected by the
examiner from works in the current piano syllabus (up to Grade 7
standard). The examiner will play a portion of each movement and
will purposely introduce such errors as are likely to be made by the

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8
average pupil, such as wrong notes, wrong durations, wrong
pedalling, omission or addition of notes, wrong tone and touch,
wrong phrasing and rhythm, and inappropriate tempo and style.
The candidate will be asked to point out these errors and suggest
suitable corrections.
2.2.2 Quick study
Candidates will be required to show their musical intelligence and
initiative by discussing and performing two pieces of music
previously unknown to them and not exceeding the Grade 7
standard of the University of South Africa. The insertion of
expression marks is optional. Questions may be asked on the
form and interpretation of the pieces and points relating to the
teaching thereof. Candidates may also be required to indicate the
fingering of typical passages in the pieces and answer questions
on the principles they may contain.
• Candidates will be allowed to study the quick study at the
piano for one hour immediately before the examination.
2.2.3 Teaching method
Candidates will be required to
(1) give an outline of a course of instruction in the art of piano
playing and answer questions on the teaching method and
repertoire of the piano such as would be expected from a
competent teacher
(2) show a thorough knowledge of any one of the following
aspects and, where applicable, give a practical demonstration
on the piano:
(a) piano technique
(b) fingering
(c) theoretical concepts and their practical application
(d) dynamics, expression and articulation
(e) style and interpretation
(f) the art of ornamentation and the application thereof
(g) the construction, origin, evolution and care of the
instrument
(h) knowledge of the mechanism of the pianoforte
(i) important personalities, including composers and
pianists, in the past and present and their contributions to
the development of the instrument
(j) repertoire and literature (for different grades) - candidates
will be required to discuss and illustrate a reasonable
number of the works quoted in this section

9
Piano
(k) aural training and acoustics
(l) the teaching and technique of scale and arpeggio playing
(m) psychological aspects of music teaching:
(i) development of the child
• stages of development
pre-, primary and secondary school child and the
post-school youth
• aspects of development
physical development
physical growth, bodily characteristics, motor
skills
cognitive development
thought development (Piaget), intelligence
affective development
personality development (Erikson), emotions
social development
relationships with parents, teachers and peer
group
(ii) learning
• conditions for effective learning
the role of intelligence, thought-level
development, attention, motivation, self-image,
instruction by the teacher
• types of learning
imitation, acquiring motor skills, acquiring
concepts, problem solution
• result of the learning exercise
memory and memorisation, transfer
• evaluation of learning results
testing and measurement
Presence of a pupil during the explication of teaching methods for
viva voce examination: A pupil may be present in the examination
room so that the candidate can explain specific concepts to him or
her.
2.3 Written method examination
Candidates are required to answer a written method question paper
on any subject listed under 2.2.3 (Teaching Method) of the practical
examination. The duration of the paper is three hours.

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10
3 ALLOCATION OF MARKS FOR THE TEACHER’S LICENTIATE
D
Practical examination Performance List A
List B
List C
List D
Sight-reading
Practical Musicianship
Total (Pass)
Viva voce Detection/discussion of
inaccuracies
Quick study
Teaching method
Total (Pass)
Written Method examination
Total (Pass)
Grand total (Pass/Distinction)
Roll of honour
20
30
15
15
10
10
100 (50)
10
10
30
50 (25)
100
100 (50)
250 (125/188)
200
Basic syllabus and allocation of marks for the
Performer’s Licentiate (Specialist field B)
1 PERFORMANCE
1.1 Candidates must be prepared to play five works, one from each of
the prescribed lists in appendix B (page 44 of the Afrikaans section
of this publication). The fifth must be a work of the candidate's own
choice. At least three of these works are to be performed from
memory.
1.2 The examination takes the form of a public recital.
1.3 The use of any sound, video or photographic apparatus during the
examinations is prohibited.
1.4 Own choice works
(1) All applications for works of the candidate's own choice must
be submitted to the Directorate Music for approval.
Applications must reach the Directorate Music, Unisa, PO Box
392, Unisa 0003, not later than the closing date for enrolments
(preferably with the enrolment form).
(2) All applications must include copies of the selected work
concerned. These will not be returned.

11
Piano
(3) Every work chosen by candidates must match the standard of
the prescribed pieces listed in appendix B. These works may
not appear on the repertoire lists for Grade 8 or the Teacher's
Licentiate.
1.4.1 The University of South Africa reserves the right to refuse
permission for works regarded as unsatisfactory.
1.4.2 The Directorate Music does not make any suggestions for the own
choice works.
2 ALLOCATION OF MARKS FOR THE PERFORMER'S
LICENTIATE
E
Performance List A
List B
List C
List D
List E (Own choice)
Total (Pass/Distinction)
Roll of honour
36
60
36
36
32
200 (100/150)
Basic syllabus and allocation of marks for the
Performer’s Licentiate in Chamber Music
(Specialist field C)
1 PERFORMANCE
1.1 Candidates must be prepared to play four works, one from each of
the prescribed sections in appendix B (page 48 of the Afrikaans
section of this publication).
1.2 The examination takes the form of a public recital.
1.3 The use of any sound, video or photographic apparatus during the
examinations is prohibited.
2 QUICK STUDY
A fast and/or slow movement from a duo sonata of approximately
Grade 7 standard will be handed to the candidate for preparation
one hour before the examination. Unisa will provide the
instrumentalist. This section of the examination will not be
performed in public.
160

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12
3 NOTES ON REPERTOIRE PRESENTED AT THE EXAMINATION
3.1 Different instruments or combinations may be presented during the
various sections of the examination.
3.2 During the examination only one composition by a specific
composer may be presented.
4 ALLOCATION OF MARKS FOR THE PERFORMER'S
LICENTIATE IN CHAMBER MUSIC
F
Section A: Baroque Sonata
Section B: Concert Piece
Section C: Sonata with string/wind instrument
Section D: Trio/Quartet/Quintet/Sextet
Section E: Quick Study
Total (Pass/Distinction)
Roll of honour
25
35
60
60
20
200 (100/150)
Basic syllabus and allocation of marks for the
Performer’s Licentiate in Vocal Accompaniment
(Specialist field C)
1 PERFORMANCE
1.1 Candidates must be prepared to perform the following works, as
prescribed in appendix B of the Afrikaans section of this publication
(p. 50):
Section A: Five art songs
Section B: One song cycle
Section C: Three arias
One aria with vocal line and orchestral
accompaniment
Section D: Quick study and transposition
1.2 Sections A, B and C will be conducted during the public
examination. Section D will not be conducted in public.
1.3 The use of any sound, video or photographic apparatus during the
examinations is prohibited.
160

13
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2 QUICK STUDY AND TRANSPOSITION
An art song will be handed to the candidate one hour before the
start of the examination. During this time the candidate must, with
the help of a piano:
• study the score
• rehearse the song with a singer provided by Unisa
• practise a transposition of the song to a key designated by the
examiners. Transposition must only be to a tone or semitone
higher or lower. This test will therefore consist of two
performances of the song, one in the original key and the
other in a transposed version of the song.
3 NOTES ON REPERTOIRE PRESENTED AT THE EXAMINATION
3.1 Key to voice classification:
SC, SL, SD Soprano (Coloratura, Lyric or Dramatic)
M Mezzo (or Contralto)
TD, TL Tenor (Dramatic or Lyric)
B Baritone (or Bass)
3.2 Candidates may ask any number of singers to perform with them.
3.3 Most of the songs (cycles have been categorised) can be done by
any voice type, and should be performed in an appropriate key.
3.4 In Opera and Oratorio arias a sensible rearrangement of the vocal
score is often necessary or advisable. Candidates will not be
expected to play every note as written.
3.5 During the examination only one composition by a specific
composer may be presented.
4 ALLOCATION OF MARKS FOR THE PERFORMER'S
LICENTIATE IN VOCAL ACCOMPANIMENT
Section A: Five Art Songs
Section B: One Song Cycle
Section C: Three Arias
One Aria with vocal line and orchestral
accompaniment
Section D: Quick Study
Transposition
Total (Pass/Distinction)
Roll of honour
60
60
45
10
15
10
200 (100/150)
160

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G
14
Admission requirements and basic syllabus for
the Concert Diploma
1 ADMISSION REQUIREMENTS
1.1 A candidate must be at least 20 years of age.
1.2 A candidate must be in possession of at least a Performer's
Licentiate from Unisa. (Candidates with Performer's Licentiates
from other institutions will be considered on merit.)
2 PROGRAMME
2.1 A candidate must submit three balanced programmes at least six
months prior to the proposed examination date. The performance
time of these programmes should be between 70 and 90 minutes
each. They must be submitted to the Directorate Music, Unisa, PO
Box 392, Unisa 0003 for approval.
2.2 The examiners will choose one of the programmes three months
before the examination date.
2.3 The composition of the programme is left to the discretion of the
candidate. (Candidates are advised to compile their programmes in
such a way that they comply with international criteria and standard
practice.)
2.4 Copies of all the performance works containing solo parts as well as
the piano accompaniment must be submitted to the panel of
examiners on the day of the examination.
3 EXAMINATION ARRANGEMENTS
3.1 The examination will take the form of a public concert.
3.2 The arrangements for the concert will be made by the University in
collaboration with the candidate.
3.3 The examination date and venue will be decided upon after the
candidate has been consulted.
3.4 The candidate will be responsible for a part of the expenses for the
presentation of the concert.
4 ADJUDICATION
4.1 No written report will be made available after the adjudication.
4.2 The panel of adjudicators will decide whether the candidate's
musical profile (personality, performance, musicality, technique,
style, etc.) complies with international standards as required for a
professional concert career.

Scales
Broken chords
Triads
H
15
Piano
Appendix A: Prescribed scales, broken chords/
arpeggios and triads/chords for all grades
Major
Pregrade 1
Key Motion Hands Compass Articulation
C, G, F From the
lowest note
C Contrary
motion, from
the middle
Beginning
and ending
in unison
Hands separately, memorized
Memorised
Separately 1 octave Legato
Together 1 octave Legato
Minimum
tempo
= 84
= 84

Scales
Broken chords
Triads
Piano
Major
16
Grade 1
Key Motion Hands Interval
distance
C, G, D, A,
F
Similar
motion,
from the
lowest
note
C, G Contrary
motion,
from the
middle
Minor Melodic or
Harmonic:
a, d
Similar
motion,
from the
lowest
note
Hands separately,legato and memorised
Memorised
Separately
and
together
Together Beginning
and ending
in unison
Separately
and
together
1 octave Separately:
2 octaves
Together:
1 octave
Compass Articuation
Legato
1 octave Legato
1 octave Separately:
2 octaves
Together:
1 octave
Legato
Minimum
tempo
= 92
= 86
= 92

Scales
Broken chords
Triads
Major
17
Grade 2
Key Motion Hands Interval
distance
D, A, E, F,
Bb
Similar
motion,
from the
lowest
note
D, A, E Contrary
motion,
from the
middle
Minor Melodic
or
Harmonic:
a, e, d
Chromatic
Similar
motion,
from the
lowest
note
Ab From the
lowest
note
Separately
and
together
Together Beginning
and
ending in
unison
Separately
and
together
C and a
Hands separately, legato and memorised
Memorised
Compass Articulation
1 octave 2 octaves Legato
1 octave Legato
1 octave 2 octaves Legato
Separately - 1 octave Legato
Piano
Minimum
tempo
= 108
= 92
= 108
= 108

Scales
Arpeggios
Broken chords
Triads
Piano
Major
Key
(Position)
B, F#, Bb,
Eb, Ab
18
Grade 3
Motion Hands Interval
distance
Similar
motion,
from the
lowest
note
F, Eb Contrary
motion,
from the
middle
Minor Melodic
and
Harmonic:
c, g, d
Chromatic
Major C, G, D
in root
position
Minor c, g, d
in root
position
Similar
motion,
from the
lowest
note
D, C# From the
lowest
note
From the
lowest
note
From the
lowest
note
Separately
and
together
Together Beginning
and
ending in
unison
Separately
and
together
F, G and c (See example as for Grade 2)
1st and 5th finger must be used on black keys
� = 62
Memorised
Compass Articulation
1 octave 2 octaves Legato
1 octave Legato
1 octave 2 octaves Legato
Separately - 2 octaves Legato
Separately - 2 octaves Legato
Separately - 2 octaves Legato
Minimum
tempo
= 120
= 112
= 120
= 120
= 84
= 84

Scales
Arpeggios
Chords
Major
Key
(Position)
Minor Melodic
and
Harmonic:
e, b, f
Chromatic
B, C#, Eb Similar
motion, from
the lowest
note
B, F# Contrary
motion, from
the middle
Harmonic:
c
Major F, A, Eb
in root
position
and first
inversion
Minor f, a, c#
in root
position
and first
inversion
Memorised
* Scale degree
19
Grade 4
Motion Hands Interval
distance
Similar
motion, from
the lowest
note
Contrary
motion, from
the middle
F#, Bb Similar
motion, from
the lowest
note
Ab, D Contrary
motion, from
the middle
Similar
motion, from
the lowest
note
Similar
motion, from
the lowest
note
Separately
and
together
Together Beginning
and
ending in
unison
Separately
and
together
Together Beginning
and
ending in
unison
Separately
and
together
Together Beginning
and
ending in
unison
Separately
and
together
Separately
and
together
Compass Articulation
1 octave 2 octaves Legato
2 octaves Legato
1 octave 2 octaves Legato
2 octaves Legato
1 octave 2 octaves Legato
2 octaves Legato
1 octave 2 octaves Legato
1 octave 2 octaves Legato
Piano
Minimum
tempo
= 69
= 60
= 69
= 60
= 69
= 60
= 100
= 100

Scales
Arpeggios
Piano
Major
Minor
Chromatic
Key
(Position)
G, A, Bb,
Ab
20
Grade 5
Motion Hands Interval
distance
Similar
motion,
from the
lowest
note
F#, Ab Contrary
motion,
from the
middle
Melodic
and
Harmonic:
bb, ab, f#
Harmonic:
g
Similar
motion,
from the
lowest
note
Contrary
motion,
from the
middle
F, B Similar
motion,
from the
lowest
note
Major D, B, Bb
in root
position
and
inversions
Minor d, b, bb
in root
position
and
inversions
Eb, G Contrary
motion,
from the
extremes
Similar
motion,
from the
lowest
note
Similar
motion,
from the
lowest
note
Separately
and
together
Together Beginning
and
ending in
unison
Separately
and
together
Together Beginning
and
ending in
unison
Separately
and
together
Together Beginning
and
ending on
the tonic
Separately
and
together
Separately
and
together
Compass Articulation
1 octave 3 octaves Legato
2 octaves Legato
1 octave 3 octaves Legato
2 octaves Legato
1 octave 3 octaves Legato
2 octaves Legato
1 octave 2 octaves Legato
1 octave 2 octaves Legato
Minimum
tempo
= 112
= 66
= 112
= 66
= 58
= 66
= 66
= 66

Chords
Memorised
* Scale degree
21
Piano

Scales
Arpeggios
Piano
Major
Minor
Chromatic
Key
(Position)
D, E, C#,
Bb
22
Grade 6
Motion Hands Interval
distance
Similar
motion, from
the lowest
note
C#, Bb Contrary
motion,
from the
middle and
extremes
Melodic
and
Harmonic:
d, e, c#, bb
Harmonic:
d, eb
Major F#, C#, Ab
in root
position
and
inversions
Minor f#, c#, ab
in root
position
and
inversions
Diminished
seventh
Similar
motion, from
the lowest
note
Contrary
motion,
from the
middle and
extremes
Together Third:
Tonic in
LH
Compass Articulation
4 octaves Legato
Together Beginning
and ending
on the
tonic
2 octaves Legato
Together Third:
Tonic in
LH
4 octaves Legato
Together Beginning
and ending
on the
tonic
2 octaves Legato
C#, Ab Similar
motion, from
the lowest
note
Together 1 octave 4 octaves Legato
F, B Contrary
motion,
from the
middle and
extremes
On A, E, F
in root
position
Similar
motion,
from the
lowest note
Together Beginning
and ending
on the
tonic
2 octaves Legato
Together 1 octave 4 octaves Legato
Similar
motion, from
the lowest
note
Together 1 octave 4 octaves Legato
Similar
motion, from
the lowest
note
Together 1 octave 4 octaves Legato
Minimum
tempo
= 84
= 84
= 84
= 84
= 100
= 84
= 80
= 80
= 80

Chords
Memorised
* Scale degree
23
Piano

Scales
Piano
Major
Minor
Chromatic
Key
(Position)
A, F#, F, Ab Similar
motion,
from the
lowest
note
A, Eb Contrary
motion,
from the
middle
and
extremes
C, G, D From the
lowest
note
G, D From the
lowest
note
Melodic
and
Harmonic:
a, f#, f, ab
Harmonic:
c#, bb
24
Grade 7
Motion Hands Interval
distance
Similar
motion,
from the
lowest
note
Contrary
motion,
from the
middle
and
extremes
C, E, Bb Similar
motion,
from the
lowest
note
A, Eb Contrary
motion,
from the
middle
and
extremes
Together Tenth:
Tonic in
LH
Together Beginning
and
ending on
the tonic
Separately
Separately
Double
note third:
Tonic as
lowest
note
Double
note
octave
Together Tenth:
Tonic in
LH
Together Beginning
and
ending on
the tonic
Together Major or
minor third
Together Beginning
and
ending on
the tonic
Compass Articulation
4 octaves Legato
and
non
legato
2 octaves Legato
and
non
legato
Minimum
tempo
= 108
= 100
2 octaves Non
legato = 80
2 octaves Non
legato = 88
4 octaves Legato
and
non
legato
2 octaves Legato
and
non
legato
4 octaves Legato
and
non
legato
2 octaves Legato
and
non
legato
= 108
= 100
= 116
= 100

Arpeggios
Chords
Key
(Position)
Major Eb, F, G,
Ab
in root
position
and
inversions
Minor eb, f, g, ab
in root
position
and
inversions
Dominant
seventh
Diminished
seventh
Memorised
* Scale degree
Of C, D, A
in root
position
On C#,
Eb, Ab
in root
position
25
Motion Hands Interval
distance
Similar
motion,
from the
lowest
note
Similar
motion,
from the
lowest
note
Similar
motion,
from the
lowest
note
Similar
motion,
from the
lowest
note
Compass Articulation
Together 1 octave 4 octaves Legato
Together 1 octave 4 octaves Legato
Together 1 octave 4 octaves Legato
Together 1 octave 4 octaves Legato
Piano
Minimum
tempo
= 92
= 92
= 92
= 92

Scales
Piano
Major
Minor
Chromatic
Key
(Position)
C, C#, Bb, A Similar
motion,
from the
lowest note
D, Eb, B, F# Contrary
motion,
from the
middle and
extremes
A, Bb, B, C# Similar
motion,
from the
lowest note
Eb, E, B Similar
motion,
from the
lowest note
Melodic
e, f, g, ab
Harmonic:
d, eb, b, f#
Harmonic:
e, f, g, ab
26
Grade 8
Motion Hands Interval
distance
Similar
motion,
from the
lowest note
Contrary
motion,
from the
middle and
extremes
Bb, G, E Similar
motion,
from the
lowest note
A, C#, F Contrary
motion,
from the
middle and
extremes
A# From the
lowest note
Together Sixth:
Tonic in
RH
Together Third:
Tonic in
LH
Separately
and
together
Double
note third:
Tonic as
lowest
note
Together Double
note
octave
Together Sixth:
Tonic in
RH
Together Third:
Tonic in
LH
Together Major or
minor
sixth:
Tonic in
RH
Together Major or
Minor
third:
Tonic in
LH
Separately
Double
note minor
third:
Begin on
A#/C#
Compass Articulation
4 octaves Legato
and
non
legato
2 octaves Legato
and
non
legato
Minimum
tempo
= 120
= 112
2 octaves Non
legato = 72
2 octaves Non
legato = 72
4 octaves Legato
and
non
legato
2 octaves Legato
and
non
legato
4 octaves Legato
and
non
legato
2 octaves Legato
and
non
legato
= 120
= 112
= 120
= 120
2 octaves Non
legato = 72

Arpeggios
Key
(Position)
Major F, F#, A,
Ab
in root
position
and
inversions
Minor d, b, bb, g
in root
position
and
inversions
Dominant
seventh
Diminished
seventh
Of C#,
Eb, F, G
in root
position
and
inversions
On B, C,
C#
in root
position
27
Motion Hands Interval
distance
Similar
motion,
from the
lowest
note or
contrary
motion,
from the
middle
Similar
motion,
from the
lowest
note or
contrary
motion,
from the
middle
Similar
motion,
from the
lowest
note
From the
lowest
note
Together 1 octave or
begin and
end on the
tonic
Together 1 octave or
begin and
end on the
tonic
Compass Articulation
4 octaves
(similar
motion)
2 octaves
(contrary
motion)
4 octaves
(similar
motion)
2 octaves
(contrary
motion)
Legato
Legato
Together 1 octave 4 octaves Legato
Separately
Double note
octave
Piano
Minimum
tempo
= 100
= 100
= 100
4 octaves Non
legato = 100

Klavier/Piano
I
28
Bylae B: Voorgeskrewe repertoriumlyste vir Klavier
Appendix B: Prescribed repertoire lists for Piano
PREGRADE 1/VOORGRAAD 1
Four pieces: One from List A, List B, List C and List D
Vier stukke: Een uit Lys A, Lys B, Lys C en Lys D
List A/Lys A
Bach, JS Gavotte
Bach, JS Minuet/Menuet
Handel, GF Allegretto
List B/Lys B
Ryba, JJ Flowing Waters/Vloeiende Water
Türk, DG Spring and Winter/Lente en Winter
Vaňhal, J Allegretto
List C/Lys C
Diabelli, A Strolling/Wandeling
Diabelli, A Bagatelle
Tansman, A Carousel/Mallemeule
List D/Lys D
Hurnik, I Big Dog, Little Dog/Groot Hond, Klein Hond
Olivier, Gerrit We roll down the dune and into the sea!/Ons rol van die
duin af tot onder in die see!
Paciorkiewicz, T March/Mars
Roos, John La-la á la Brahms
Van Namen, Arie A Cat and Mouse/Kat en Muis

29
GRADE 1/GRAAD 1
Four pieces: One from List A, List B, List C and List D
Vier stukke: Een uit Lys A, Lys B, Lys C en Lys D
List A/Lys A
Barrett, J The Holy St Catherine/Die Heilige Katharina
Handel, GF Allegro
Telemann, GP Allegro
List B/Lys B
Kauer, F Minuet/Menuet
Mozart, L Polonaise
Neefe, CG Minuet/Menuet
List C/Lys C
Goedicke, A Playtime, op. 6 no. 6
Gurlitt, C Little Flowers/Blommetjies, op. 205 no. 1
Maykapar/Maikapar, S Prelude
Klavier/Piano
List D/Lys D
Coutts, Diane I Like to Dance/Ek hou van Dans
Kabalevsky/Kabalefski, D Clowns/Narre, op. 39 no. 20
Panebianco-Warrens, Clorinda Dance of the Fireflies/Dans van die
Vuurvliegies
Randell, Edwin Saudade
Świerzyński, M Playing/Speel
GRADE 2/GRAAD 2
Four pieces: One from List A, List B, List C and List D
Vier stukke: Een uit Lys A, Lys B, Lys C en Lys D
List A/Lys A
Handel, GF Air
Kirnberger, JP Minuet/Menuet
Scarlatti, A Mineutto Scherzando
List B/Lys B
Beethoven, L van German Dance/Duitse Dans, WoO 13 no. 2
Beethoven, L van German Dance/Duitse Dans, WoO 13 no. 6
Haydn, FJ Minuet/Menuet

Klavier/Piano
30
List C/Lys C
Czerny, C Allegretto
Czerny, C Andante
Oesten, T Polka-Mazurka, op. 155 no. 2
List D/Lys D
Bell, Dulcie After a shower of rain/Na ‘n reënbui
Khumalo, Andile Let’s Play/Kom ons Speel
Loeb van Zuilenburg, Paul Kweliccia
Reid, Douglas Rain Dance/Reëndans
Starer, R Bright Orange/Helder Oranje
GRADE 3/GRAAD 3
Four pieces: One from List A, List B and List C. One from List D or List E
Vier stukke: Een uit Lys A, Lys B en Lys C. Een uit Lys D of Lys E
List A/Lys A
Rameau, JP Minuet/Menuet
Scarlatti, A Aria, K32/L423
Türk, DG Four sharps? Keep it up!/Vier kruise? Hou so aan!
List B/Lys B
Benda, JA Allegro assai from Sonata in G/uit Sonate in G
Müller, AE Minuet/Menuet
Vaňhal, J Allegretto from Sonatina no. 6/uit Sonatine no. 6
List C/Lys C
Grechaninov/Gretsjaninof, A The Little Would-be Man/Die Kammamannetjie
Kabalevsky/Kabalefski, D Slow Waltz/Stadige Wals, op. 39 no. 23
Tchaikovsky/Tsjaikofski, PI The Barrelorgan Man/Die Draaiorrelspeler
List D/Lys D
De Villiers, Helena 5/8 Dance/5/8 Dans
Pauer, J March/Mars
Rollin, C Cotton King Jazz
Watt, Martin African Lullaby/Afrika Wiegeliedje
Zaidel-Rudolph, Jeanne Times They Are A-Changing

31
Klavier/Piano
List E/Lys E
Kay, U Tender Thought from/uit Piano Music of Africa and the African
Diaspora (Vol. 1) (OUP)
Norton, C Chinese Walk from/uit Microstyles Collection (B&H)
Norton, C Feeling Lazy from/uit Microstyles Collection (B&H)
Norton, C Oriental Flower from/uit Microstyles Collection (B&H)
Norton, C Without a Care from/uit Microstyles Collection (B&H)
Price FB Tinklin’ Toes from/uit Piano Music of Africa and the African
Diaspora (Vol. 1) (OUP)
GRADE 4/GRAAD 4
Four pieces: One from List A, List B and List C. One from List D or List E
Vier stukke: Een uit Lys A, Lys B en Lys C. Een uit Lys D of Lys E
List A/Lys A
Blow, J (?) Courante
Handel, GF Rigaudon
Telemann, GP Fantasia no. 9
List B/Lys B
Benda, G Allegretto from Sonatina in d/uit Sonatine in d
Kuhlau, F Theme and Variations/Tema en Variasies
Vaňhal, JK Allegretto
List C/Lys C
Grieg, E Poetic Sounds/Poëtiese Klankbeelde, op. 3 no. 1
Karganov, G Arabesque/Arabesk
Pachulski/Patsjoelski, H Prelude
List D/Lys D
Benjamin, A Haunted House
Harvey, P Rumba Toccata
Hofmeyr, Hendrik March of the Lilliputians/Mars van die Lilliputters
Klatzow, Peter Bubbles
Temmingh, Henk Ferreira in C
List E/Lys E
Capers, V Sweet Mister Jelly Roll from/uit Piano Music of Africa and the
African Diaspora (Vol. 1) (OUP)
Dett RH Honey from/uit Piano Music of Africa and the African Diaspora
(Vol. 2) (OUP)

Klavier/Piano
Norton, C Clock Rock from/uit Microstyles Collection (B&H)
Norton, C Habanera from/uit Microstyles Collection (B&H)
Norton, C Island Song from/uit Microstyles Collection (B&H)
Norton, C Misty-Eyed from/uit Microstyles Collection (B&H)
32
GRADE 5/GRAAD 5
Four pieces: One from List A, List B and List C. One from List D or List E
Vier stukke: Een uit Lys A, Lys B en Lys C. Een uit Lys D of Lys E
List A/Lys A
Bach, JS Bourrée from English Suite no. 1/uit Engelse Suite no. 1,
BWV806
Handel, GF Allemande
Telemann, GP Vivace from Fantasia no. 5/uit Fantasia no. 5
List B/Lys B
Hummel, JN Polonaise
Kuhlau, F Second Movement from Sonatina/Tweede Beweging uit
Sonatine, op. 88 no. 3
Schubert, F Minuet & Trio from Sonata/Menuet & Trio uit Sonate, op. 122
List C/Lys C
Grieg, EH Folk-tune/Volkswysie from Lyrical Pieces/uit Liriese Stukke, op.
12 no. 5
Maykapar/Maikapar, S Romance/Romanse, op. 8 no. 16
Schumann, R Remembrance/Herinnering, op. 68 no. 28
List D/Lys D
Copland, A Jazzy
Johnson, Alexander Elegie
Kabalevsky/Kabalefski, D Theme and Variations/Tema en Variasies, op.
40 no. 2
Roosenschoon, Hans Rêverie
Van der Watt, Niel Leaving School Blues
List E/Lys E
Norton, C Cha Cha from/uit Microstyles Collection (B&H)
Norton, C Hebridean Song from/uit Microstyles Collection (B&H)
Norton, C In the Sun from/uit Microstyles Collection (B&H)
Norton, C Orchid Garden from/uit Microstyles Collection (B&H)

33
GRADE 6/GRAAD 6
Klavier/Piano
Four pieces: One from List A, List B and List C. One from List D or List E
Vier stukke: Een uit Lys A, Lys B en Lys C. Een uit Lys D of Lys E
List A/Lys A
Bach, JS Prelude no. 9, BWV928
Galuppi, B Adagio from Sonata in D/uit Sonate in D
Handel, GF Courante, HWV441
List B/Lys B
Haydn, FJ Theme and Variations/Tema en Variasies, Hob. XVII:5
Kuhlau, F Allegro Scherzando from Sonatina/uit Sonatine, op. 20 no. 2
Vaňhal, JK Allegro from Sonatina in A/uit Sonatine in A
List C/Lys C
Chopin, F Mazurka, op. 7 no. 1
Mendelssohn, F Song without Words/Lied sonder Woorde, op. 19 no. 1
Schumann, R The Wayside Inn/Herberg langs die pad, op. 82 no. 6
List D/Lys D
Potgieter, Johann Habanera
Roux, Isak Dr Kwela – Mr Ragtime
Tcherepnin/Tsjerepnin, A Bagatelle, op. 5 no. 6
Temmingh, Roelof Prelude for Liezl/Prelude vir Liezl
Von Einem, G Piano Piece from/uit op. 3
List E/Lys E
Gardes AR Preludio Cubano from/uit Piano Music of Africa and the African
Diaspora (Vol. 2) (OUP)
Norton, C Moving Along from/uit Microstyles Collection (B&H)
Norton, C Piano Exchange Rag from/uit Microstyles Collection (B&H)
Norton, C No. 2 (Ramba) or/of no. 5 (Bassa Nova) from/uit Latin Preludes
(B&H)

Klavier/Piano
34
GRADE 7/GRAAD 7
Four pieces: One from List A, List B and List C. One from List D or List E
Vier stukke: Een uit Lys A, Lys B en Lys C. Een uit Lys D of Lys E
List A/Lys A
Bach, JS Allemande from French Suite no. 5/uit Franse Suite no. 5,
BWV816
Bach, JS Three-Part Invention no. 7/Driestemmige Invensie no. 7,
BWV793
Scarlatti, D Sonata/Sonate, K444
List B/Lys B
Beethoven, L van Rondo from Sonata in g/uit Sonate in g, op. 49 no.1
Haydn, F Rondo from Sonata in C/uit Sonate in C, Hob XVI:48
Mozart, WA Six Variations on "Mio caro adone" from "La fiera di Venezia"
(Salieri)/Ses Variasies op "Mio caro adone" uit "La fiera di Venezia"
(Salieri), K180
List C/Lys C
Lyadov/Ljadof, A Prelude, op. 10 no. 1
MacDowell, E Of Br’er Rabbit from/uit Fireside Tales, op. 61 no. 2
Poldini, E She Smiles from “Episodes à la cour”/Sy Glimlag uit “Episodes
à la cour”, op. 93 no. 4
List D/Lys D
Debussy, C Golliwogg’s Cake-walk from/uit Children’s Corner
Grové, Stefans Obstinacy/Hardnekkigheid
Rajna, Thomas Oriental Feast
Van Dijk, Péter Louis On quiet nights starlight pulses gently from your
fingertips…
Weiner, L Hungarian Peasant Song/Hongaarse Boerelied, op.33 no. 24
List E/Lys E
Norton, C No. 6 (Beguine) or/of no. 7(Mambo) from/uit Latin Preludes
(B&H)
Norton, C No. 5 from/uit Latin Preludes 2 (B&H)
Solal, M No. 4 or/of no. 5 from/uit Jazz Preludes (B&H)

35
GRADE 8/GRAAD 8
Four pieces: One from List A, List B, List C and List D
• At least three different style periods must be represented
Vier stukke: Een uit Lys A, Lys B, Lys C en Lys D
• Ten minste drie stylperiodes moet verteenwoordig word
Klavier/Piano
List A/Lys A
Bach, JS Any one of the following 48 Preludes and Fugues/Enigeen van
die volgende 48 Preludes en Fugas:
Bk 1: No. 1, 5, 6, 10, 16, 17, 21, 23
Bk 2: No. 2, 6, 9, 12
Bach, JS Any one of the 4 duettos/Enige een van die 4 duetto's, BWV802-
805
Bach, JS Fantasie in c, BWV906
Bach, JS Praeludium & Gigue from/uit Partita no. 1, BWV825
Bach, JS Allemande & Courante from French Suite no. 2/Allemande &
Courante uit Franse Suite no. 2, BWV813
Bach, JS Sarabande & Gigue from French Suite no. 3/Sarabande & Gigue
uit Franse Suite no. 3, BWV814
Bach, JS First or Third movement from Italian Concerto/Eerste of Derde
beweging uit Italianse Konsert, BWV971
Handel, GF Any two movements from Suite no. 9/Enige twee bewegings
uit Suite no. 9
Handel, GF Suite no. 11 (without the Sarabande/sonder die Sarabande)
Mendelssohn, F Prelude & Fugue/Prelude en Fuga, op.35 no. 6
Pärt, A Toccatina and Fughetta from/uit Partita
Scarlatti, D Sonata/Sonate in a, K54/L241
Scarlatti, D Sonata/Sonate in G, K105/L204
Scarlatti, D Sonata/Sonate in D, K178/L162
Scarlatti, D Sonata/Sonate in A, K209/L428

Klavier/Piano
36
Scarlatti, D Sonata/Sonate in C, K421/L252
Scarlatti, D Sonata/Sonate in C, K502/L3
Scarlatti, D Sonata/Sonate in d, K517/L266
Scarlatti, D Sonata/Sonate in a, K532/L223
Villa-Lobos, H Preludio from/uit Bachianas Brasileiras no. 4
List B/Lys B
Bach, CPE Sonata/Sonate in A no. 5 from/uit Phil E Bach Piano Works, Bk
1 (UE548a)
Beethoven, L van Andante favori
Beethoven, L van Rondo a capriccio, op. 129
Beethoven, L van 12 Variations on the Menuet à la Viganò (WoO68)
Beethoven, L van Sonata/Sonate in f, op. 2 no. 1
Beethoven, L van Sonata/Sonate in c, op. 10 no. 1
Beethoven, L van Sonata/Sonate in F, op. 10 no. 2
Beethoven, L van Sonata/Sonate in E, op. 14 no. 1
Beethoven, L van Sonata/Sonate in G, op. 14 no. 2
Beethoven, L van Sonata/Sonate in F#, op. 78
Clementi, J Sonata/Sonate, op. 47 no. 2
De Groot, C Sonatina/Sonatine (Albersen)
Dello Joio, N Introduction and Fantasies on a chorale tune (AMP)
Fortner, W Sonatina/Sonatine (Schott 2345)
Haydn, FJ Sonata/Sonate in E, H XVI:22
Haydn, FJ Sonata/Sonate in F, H XVI:23

37
Haydn, FJ Sonata/Sonate in D, H XVI:33
Haydn, FJ Sonata/Sonate in Eb, H XVI:49
Klavier/Piano
Hindemith, P Sonata/Sonate no. 2 (Schott 2519)
Ireland, J Sonatina/Sonatine (OUP)
Mendelssohn, F Variations sérieuses, op. 54
Medtner, N Theme and Variations/Tema en Variasies in c#, op. 55
(Zimmermann)
Milhaud, D Sonatina/Sonatine, op. 354 (UMP)
Mozart, WA Sonata/Sonate in C, K279
Mozart, WA Sonata/Sonate in F, K280
Mozart, WA Sonata/Sonate in Bb, K281
Mozart, WA Sonata/Sonate in Eb, K282
Mozart, WA Sonata/Sonate in G, K283
Prokofiev/Prokofjef, S Sonata/Sonate no. 1
Prokofiev/Prokofjef, S Sonatina/Sonatine in G, op. 54 no. 2
Ravel, M Sonatina/Sonatine
Reger, M Any one of Sonatinas 1, 2 or 3/Enigeen van Sonatines 1, 2 of 3,
op. 89
Richardsson, A Sonatina/Sonatine in F, op. 27 (Weinberger) (Elkin)
Schubert, F Sonata/Sonate in B, op. 147
Stravinsky/Strawinski, I Sonata/Sonate (1924) (B&H)
Stravinsky/Strawinski, I Sérénade en la (B&H)
Sutermeister, H Sonatine in Eb (Schott 4119)
Tchaikovsky/Tsjaikofski, P Theme and Variations/Tema en Variasies in
F, op. 19 no. 6 (Peters 4652)
Wegelin, A Sonatina/Sonatine (OW)
List C/Lys C
Albeniz, I El Puerto from/uit Iberia
Brahms, J Capriccio, op. 76 no. 2
Brahms, J Intermezzo, op. 116 no. 4 or/of op. 117 no. 2 or/of op. 118
no. 2
Brahms, J Rhapsody/Rapsodie, op. 119 no. 4
Chabrier, E Danse villageoise from/uit Dix Pièces Pittoresques
Chopin, F Polonaise, op. 26 no. 1

Klavier/Piano
38
Chopin, F Nocturne/Nokturne, op. 9 no. 1 or/of op. 27 no. 1 or/of op. 48
no. 1
Chopin, F Trois Ecossaises, op. 72 no. 3
Chopin, F Valse, op. 42
Chopin, F Grande Valse brillante, op. 34 no. 1
De Falla, M Montañesa (Durand)
Debussy, C Voiles
Debussy, C Feuilles mortes
Debussy, C General Lavine - eccentric
Debussy, C Passepied from/uit Suite Bergamasque
Fauré, G Nocturne/Nokturne, op. 36 no. 4
Fauré, G Impromptu, op. 31 no. 2
Gade, N Any two pieces/Enige twee stukke from/uit Aquarelles, op. 19
(Státní Hudební Vydavatelství)
Granados, E Allegro de Concierto (UME)
Liszt, F Sonetto 123 del Petrarca
Liszt, F Au bord d'une source
Liszt, F Les jeux d’eau à la Villa d’Este from/uit Anées de pèlerinage,
troisième année (Henle)
Liszt, F Sonetto 47 del Petrarca
Medtner, N Contes, op. 20 no. 1 or/of no. 2 (Russe de Musique)
Medtner, N Conte, op. 34 no. 2 (B&H)
Rakhmaninov/Rachmaninof, S No. 4 or/of no. 5 or/of no. 6 from/uit
Preludes, op. 23
Rakhmaninov/Rachmaninof, S No. 1 or/of no. 5 or/of no. 10 or/of no. 12
from/uit Preludes, op. 32
Reger, M Humoresque, op. 36 no. 1 (UE)
Saint-Saëns, C Bouréé from/uit Six Etudes pour la main gauche seule, op.
135 (Durand)
Schubert, F Impromptu, op. 90 no. 3
Schubert, F Impromptu, op. 142 no. 1 or/of no. 3
Schumann, R Arabesque
Schumann, R Any piece/Enige stuk from/uit Intermezzi, op. 4
Schumann, R Any piece/Enige stuk from/uit Fantasiestücke, op. 12
Schumann, R Romanze, op. 28 no. 2
Schumann, R Abschied from/uit Waldscenen, op. 82
Scriabin/Skriabin, A Preludes, op. 33 (performed as one work/as een
werk aangebied)
Scriabin/Skriabin, A Any piece/Enige stuk from/uit Two Poems, op. 32
Scriabin/Skriabin, A Etude, op. 2 no. 1
Suk, J Children’s Play, op. 22 no. 2 (Simrock)
Suk, J Erinnerungen, op. 7 no. 3 (Simrock)
Suk, J Humoresque (Simrock)

Suk, J Romanze, op. 10 no. 3 (Simrock)
Wieck-Schumann, C Notturno, op. 6 no. 2 (Henle)
39
Klavier/Piano
List D/Lys D
Barber, S Any piece/Enige stuk from/uit Excursions, op. 20 (Schirmer)
Bartók, B Any two pieces/Enige twee stukke from/uit Improvisations, op.
20 (B&H)
Bartók, B Bagatelles, op. 6 no. 14
Bernstein, L Any three contrasting pieces/Enige drie kontrasterende
stukke from/uit Seven Anniversaries (Warner)
Bowen, Y A Romp from/uit Second Suite (OUP)
Britten, B No. 3 from/uit Holiday Diary (B&H)
Britten, B Night-piece (B&H)
Ceremuga, J Toccata (1963) (Panton 1833)
Copland, A Any two/Enige twee from/van 4 Piano Blues (B&H 1666)
Dello Joio, N Any two pieces/Enige twee stukke from/uit Suite for Piano
(Schirmer)
Dickenson, P Concert Rag from/uit Rags, Blues and Parodies (Novello
100281)
Du Plessis, H Any two pieces/Enige twee stukke from/uit Six Miniatures,
op. 3 (Studio Holland)
Du Plessis, H No. 2 or/of no. 4 from/uit Four Piano Pieces, op. 1
Du Plessis, H Any piece/Enige stuk from/uit Four Piano Pieces, op. 28
Dutilleux, H Etude from/uit Six petites Pièces pour Piano (Leduc)
Fricker, PR Any piece/Enige stuk from/uit Twelve Studies, op. 58 (Schott)
Gershwin, G Three Preludes (Ricordi)
Ginastera, A Any piece/Enige stuk from/uit Tres Piezas para piano
(Ricordi)
Grové, S Toccata (Unisa)
Hofmeyr, H Chaconne (MS)
Hofmeyr, H Kalunga (Samro)
Kabalevsky/Kabalefski, D Any three pieces/Enige drie stukke from/uit 24
Preludes, op. 38 (Peters 4785)
Kalabis, V Allegro impetuoso (Panton 5030)
Klatzow, P Any two pieces/Enige twee stukke from/uit Moments of Night
(Musications)
Klatzow, P Makoemazaan (Musications)
Makholm, J Any one/Enige een of/van Trois Impressions (Billaudot)
Martinů, B Scherzo pro klavir (Panton)
Menotti, C Ricercare and Toccata (Ricordi)
Mompou, F El carrer, el guitarrista i el vell cavall from/uit Suburbis
(Salabert)
Morillo, RG Danza de Harrild (Ricordi)

Klavier/Piano
40
Poulenc, F No. 1 or/of no. 3 from/uit Suite pour Piano (Chester)
Prokofiev/Prokofjef, S Etude, op. 2 no. 4
Prokofiev/Prokofjef, S Any two contrasting pieces/Enige twee kontrasterende
stukke from/uit Vision fugitives, op. 22
Rowley, A Moto perpetuo (Chester)
Shchedrin/Sjtjedrin, R Basso ostinato (Opus)
Shostakovitch/Sjostakowitsj, D Any three pieces/Enige drie stukke
from/uit 24 Preludes, op. 34 (Anglo-Soviet)
Takács, J Toccata Burlesca from/uit Partita, op. 58 (Doblinger)
Temmingh, R Any three pieces/Enige drie stukke from/uit Ses oorblyfsels
(Musications)
Van Wyk, A Any piece/Enige stuk from/uit Tristia (B&H)
Villa-Lobos, H As trés Marias (performed as one work/as een werk
aangebied) (Fisher)
Villa-Lobos, H Choros no. 5 (Alma Brasiliera) (Eschig)
Villa-Lobos, H Valsa da Dor
Wegelin, A Any piece/Enige stuk from/uit Three Piano Pieces (OW)
Wellesz, E Angelus, op. 14 no. 2 (Doblinger)
Zaidel-Rudolph, J Virtuoso I (Unisa)

41
TEACHER’S LICENTIATE / ONDERWYSERSLISENSIAAT
Klavier/Piano
Four pieces: One from List A, List B, List C and List D
• At least three different style periodes must be represented
Vier stukke: Een uit Lys A, Lys B, Lys C en Lys D
• Minstens drie verskillende stylperiodes moet verteenwoordig word
List A/Lys A
Bach, JS Any one of the French Suites/Enige een van die Franse Suites
Bach, JS Toccata/Tokkate in e, BWV914
Bach, JS Any one of the following Preludes and Fugues/Enige een van die
volgende 48 Preludes en Fugas:
WTC 1: 2, 3, 4, 9, 11, 12, 13, 14, 15, 18, 19, 22, 24
WTC 2: 1, 4, 5, 7, 8, 11, 15, 16, 17, 19, 20, 21, 22, 23, 24
Bach, JS Capriccio B-dur über die abreise seines geliebten Bruders
BWV992
Handel, GF Suite no. 5
Handel, GF Suite no. 13 in Bb
Honeger, A Prélude, Arioso et Fughetta sur le nom B-A-C-H
Shchedrin/Sjtjedrin, R Any Prelude and Fugue/Enige Prelude en Fuga
(MMP)
Shostakovitch/Sjostaskowitsj, D Any one of the 24 Preludes and
Fugues/Enige een van die 24 Preludes en Fugas, op. 87
List B/Lys B
Beethoven, L van Sonata/Sonate in A, op. 2 no. 2
Beethoven, L van Sonata/Sonate in Eb, op. 7
Beethoven, L van Sonata/Sonate in D, op. 10 no. 3
Beethoven, L van Sonata/Sonate in Bb, op. 22
Beethoven, L van Sonata/Sonata in Eb, op. 27 no. 1
Beethoven, L van Sonata/Sonata in c#, op. 27 no. 2
Beethoven, L van Sonata/Sonata in D, op. 28
Beethoven, L van Sonata/Sonata in G, op. 31 no. 1
Beethoven, L van Sonata/Sonata in d, op. 31 no. 2
Beethoven, L van Sonata/Sonata in Eb, op. 31 no. 3
Bennet, RR Sonata for piano (UE)
Clementi, M Sonata/Sonata in b, op. 40 no. 2 (Peters)
Clementi, M Sonata/Sonata in D, op. 40 no. 3 (Peters 146B)
Dello Joio, N Sonata/Sonate no. 2 (Schirmer)
Du Plessis, H Sonata/Sonate no. 2, op. 40 (Samro)
Dukas, P Variations, Interlude and Finale (Durand)
Ginastera, A Sonata/Sonate, op. 22 no. 1 (B&H)

Klavier/Piano
Gorecki, H Sonata/Sonate no. 1 (B&H)
Grieg, E Sonata/Sonate in e, op. 7
Griffes, CT Sonata/Sonate (Schirmer)
Haydn, J Sonata/Sonate in Eb (Hob. XVI:38)
Haydn, J Sonata/Sonate in C (Hob. XVI:50)
Haydn, J Sonata/Sonate in Eb (Hob. XVI:49)
Haydn, J Sonata/Sonate in c (Hob. XVI:20)
Haydn, J Sonata/Sonate in Eb (Hob. XVI:52)
Janačék, L Sonata/Sonate (Supraphon)
Mozart, WA Sonata/Sonate in D (K284)
Mozart, WA Sonata/Sonate in C (K330)
Mozart, WA Sonata/Sonate in F (K332)
Mozart, WA Sonata/Sonate in Bb (K333)
Mozart, WA Sonata/Sonate in D (K576)
Mozart, WA Sonata/Sonate in a (K310)
Rakhmaninov/Rachmaninof, S Variations on a theme by Corelli
Schubert, F Sonata/Sonate in A, op. 120
Schubert, F Sonata/Sonate in a, op. 42
Schumann, R Faschingsschwank aus Wien
Scriabin/Skriabin, A Sonata/Sonate in g#, op. 19
Scriabin/Skriabin, A Sonata/Sonate, op. 30 no. 4
Zaidel-Rudolph, Jeanne Sonata/Sonate no. 1
42
List C/Lys C
Brahms, J Rhapsody/Rapsodie in b, op. 79 no. 1
Brahms, J Ballade, op. 10 no. 1
Brahms, J Scherzo, op. 4
Chopin, F Etude, op. 10 no. 3
Chopin, F Nocturne/Nokturne, op. 15 no. 1
Chopin, F Nocturne/Nokturne, op. 27 no. 2
Chopin, F Impromptu in F#, op. 36
Chopin, F Polonaise, op. 40 no. 2
Chopin, F Berceuse, op. 57
Debussy, C Any Etude/Enige Etude except/behalwe nos 1 & 7
Debussy, C Brouillards
Debussy, C La terrasse des audiences du clair de lune (no. 7) from/uit
Preludes, Bk 2
Debussy, C Reflet dans l'eau from/uit Images
Debussy, C Toccata from/uit Pour le piano
Granados, E El Fandango de Candil from/uit Goyescas
Granados, E Quejas ó la Maja y el Ruiseñor from/uit Goyescas
Liszt, F Un sospiro
Liszt, F Ballade no. 1

43
Klavier/Piano
Liszt, F Waldesrauschen
Liszt, F Gnomenreigen
Liszt, F Sonetto 104 del Petrarca
Liszt, F Jeux d’eau à la Villa d’Este
Liszt, F Spozalizio
Mendelssohn, F Any one/Enige een of/van Songs without Words nos 3, 5,
18, 19, 32 or/of 34
Rakhmaninov/Rachmaninof, S Any piece/Enige stuk from/uit Moments
musicaux, op. 16
Rakhmaninov/Rachmaninof, S Any one of the/Enige een van die Etudes
Tableaux
Ravel, M Une barque sur l'ocean from/uit Miroirs
Ravel, M Alborado del gracioso from/uit Miroirs
Schubert, F Moments musicaux, op. 94 no. 4
Schumann, R Novellete in F, op. 21
Schumann, R Abegg-Variations, op. 1
Scriabin/Skriabin, A Any piece/Enige stuk from/uit Etude, op. 8
Smetana, B Any piece/Enige stuk uit/from/Czech Dances (MMP)
Suk, J In Expectation, op. 22a no. 39 (Simrock)
Suk, J Once in Springtime, op. 28 no. 2 (Simrock)
Suk, J Lullaby, op. 33 no. 1 (Simrock)
Suk, J On a friend’s recovery, op. 33 no. 4 (Simrock)
Szymanowski, K Any piece/Enige stuk from/uit Four Etudes, op. 4 (MMP)
List D/Lys D
Bartók, B Third Movement/Derde Beweging from/uit Sonata (1926)
Ben-Yohanan, A Prelude and Toccata (Israel Music Institute)
Corradini, A Any three pieces/Enige drie stukke from/uit 5 Pezzi Brevi
(Ricordi)
Du Plessis, H No. 5 or/of no. 7 from/uit Sewe Preludes, op. 18 (Novello)
Ginastera, A No. 3 from/uit Danzas Argentinas, op. 2 (Ricordi/Durand)
Griffes, CT Any piece/Enige stuk from/uit Four Roman Sketches, op. 7
(Schirmer)
Grové, S Any two contrasting pieces/Enige twee kontrasterende stukke
from/uit Liedere en danse uit Afrika (Unisa)
Grové, S Any two pieces/Enige twee stukke from/uit Images from Africa
Grové, S Nonyana the Ceremonial Dancer (Samro)
Johnson, A Jazz Impromptu (Unisa)
Klatzow, P Any piece/Enige stuk from/uit From the Poets (Samro)
Malipiero, GF Any piece/Enige stuk from/uit Bianchi e neri (Hans Gerig
688)
Martin, F No. 5 or/of no. 8 from/uit Eight Preludes (UE 11973)
Martinů, B Any piece/Enige stuk from/uit Butterflies and Birds of Paradise
(Panton)

Klavier/Piano
44
Mathias, W Toccata alla Danza (OUP)
Moeran, EJ Toccata (Chester)
Morillo, RG Any piece/Enige stuk from/uit Cuentos para niños traviesos
(Ricordi, BA 11015)
Pijper, W Sonatine no. 2 (OUP)
Prokofiev/Prokofjef, S Scherzo, op. 12 no. 10
Prokofiev/Prokofjef, S Any two pieces/Enige twee stukke from/uit
Sarcasms, op. 17
Rajna, T Any piece/Enige stuk from/uit Piano Preludes (Duet)
Seiber, M Scherzando capriccioso (Schott)
Skalkottas, N Andante Religioso from/uit 10 Piano Pieces (UE 12958)
Villa-Lobos, H Valsa Scherzo, op. 17 (Arthur Napoleão 76 Brazil)
Villa-Lobos, H Any piece/Enige stuk from/uit Ciclo Brasileiro (Consolidated
Music)
Weber, A Variations, op. 27
Wegelin, A Anagram
PERFORMER’S LICENTIATE / VOORDRAERSLISENSIAAT
Five pieces: One from List A, List B, List C and List D and one of the
candidate’s own choice
• Candidates may not present works by the same composer in more than one list.
This includes Own Choice (List E)
• At least three different style periods must be represented
Vyf stukke: Een uit Lys A, Lys B, Lys C en Lys D en een van die kandidaat
se eie keuse
• Kandidate mag nie werke van dieselfde komponis in meer as een lys aanbied nie.
Dit sluit die Eie Keuse (Lys E) in
• Ten minste drie verskillende stylperiodes moet verteenwoordig word
List A/Lys A
Bach, JS Any Toccata/Enige Tokkate (except/uitgesonderd Toccata in e)
Bach, JS Chromatic Fantasia and Fugue, BWV903
Bach, JS Italian Concerto/Italiaanse Konsert, BWV971
Bach, JS Any English Suite/Enige Engelse Suite
Bach, JS Any one of the following 48 Preludes and Fugues/Enige een van
die volgende 48 Preludes and Fugas:
Bk 1: no. 7, 8, 20
Bk 2: no. 3, 10, 13, 14, 18
Bach, JS Prelude and Fugue/Prelude en Fuga in a, BWV894
Bach, JS Any/Enige Partita
Mendelssohn, F Prelude and Fugue/Prelude en Fuga, op. 35 no. 1
Saint-Saëns, C Prelude and Fugue/Prelude en Fuga, op. 52 no. 3

45
Klavier/Piano
List B/Lys B
Barber, S Sonata/Sonate in eb, op. 26
Beethoven, L van Sonata/Sonate in C, op. 2 no. 3
Beethoven, L van Sonata/Sonate in Ab, op. 26
Beethoven, L van Sonata/Sonate in C, op. 53
Beethoven, L van Sonata/Sonate in f, op. 57
Beethoven, L van Sonata/Sonate in Eb, op. 81a
Beethoven, L van Sonata/Sonate in A, op. 101
Beethoven, L van Sonata/Sonate in E, op. 109
Beethoven, L van Sonata/Sonate in Ab, op. 110
Beethoven, L van Sonata/Sonate in c, op. 111
Beethoven, L van 32 Variations in c (WoO 80)
Beethoven, L van 15 Variations on an Original Theme, op. 35
Brahms, J Sonata/Sonate in C, op. 1
Brahms, J Sonata/Sonate in f#, op. 2
Brahms, J Sonata/Sonate in f, op. 5
Brahms, J Variations and Fugue on a theme by Handel, op. 24
Brahms, J Variations on a theme by Paganini, op. 35
Chopin, F Sonata/Sonate in b, op. 58
Chopin, F Sonata/Sonate in bb, op. 35
Chopin, F Etudes, op. 10 (complete/volledig)
Chopin, F Etudes, op. 25 (complete/volledig)
Dutilleux, H Sonata/Sonate
Fauré, G Variations, op. 73
Franck, C Prélude, Choral et Fugue
Hindemith, P Sonata/Sonate no. 3
Liszt, F Sonata/Sonate in b
Mussorgsky/Moessorgski, M Pictures at an Exhibition
Paderewski, I Sonata/Sonate in eb, op. 21
Prokofiev/Prokofjef, S Sonata/Sonate no. 2, op. 14
Prokofiev/Prokofjef, S Sonata/Sonate no. 4, op. 29
Prokofiev/Prokofjef, S Sonata/Sonate no. 6, op. 82
Prokofiev/Prokofjef, S Sonata/Sonate no. 7, op. 83
Prokofiev/Prokofjef, S Sonata/Sonate no. 8, op. 84
Rakhmaninov/Rachmaninof, S Sonata/Sonate no. 1 in d, op. 28
Rakhmaninov/Rachmaninof, S Sonata/Sonate no. 2 in bb, op. 36
Rakhmaninov/Rachmaninof, S Variations on a theme by Chopin, op. 22
Schubert, F Fantasia, op. 15
Schubert, F Sonata in c (D958)
Schubert, F Sonata in A (D959)
Schubert, F Sonata in Bb (D960)
Schumann, R Carnaval, op. 9

Klavier/Piano
46
Schumann, R Sonata in f#, op. 11
Schumann, R Etudes symphoniques, op. 13
Schumann, R Kreisleriana, op. 16
Schumann, R Fantasie, op. 17
Schumann, R Humoresque, op. 20
Schumann, R Sonata in g, op. 22
Scriabin/Skriabin, A Sonata no. 3, op. 23
Scriabin/Skriabin, A Sonata no. 5, op. 53
Vine, C Sonata (1990) (Chester)
List C/Lys C
Albéniz, I Navarra
Albéniz, I Triana
Balakirev/Balakiref, M Islamey
Chopin, F Fantaisie in f, op. 49
Chopin, F Any one of the/Enige een van die 4 Ballades
Chopin, F Any one of the/Enige een van die 4 Scherzi
Chopin, F Barcarolle in F#, op. 60
Chopin, F Polonaise in Ab, op. 53
Chopin, F Polonaise-Fantaisie in Ab, op. 61
Chopin, F Andante Spianato and Grande Polonaise Brillante in Eb, op. 22
Chopin, F Allegro de Concert, op. 46
Fauré, G Ballade, op. 19
Liszt, F Funérailles
Liszt, F Mephisto Waltz no. 1
Liszt, F Vallèe d’Obermann
Liszt, F No. 6 or/of no. 12 or/of no. 15 from/uit Hungarian Rhapsodies
Liszt, F Any two of the/Enige twee van die Paganini Etudes
Liszt, F Mazeppa
Liszt, F Ricordanza
Liszt, F Wilde Jagd
Lyapunov/Ljapoenof, S Any two contrasting pieces from/Enige twee
kontrasterende stukke uit Etudes, op. 11 (Peters 9578)
Rakhmaninov/Rachmaninof, S Nos 2 & 4 from/uit 10 Preludes, op. 23
Schumann, R Toccata, op. 7
Suk, J Nos 4 & 5, op. 22a (Simrock)
Suk, J On the recovery of my son, op. 30 no. 5 (Simrock)
Suk, J Things lived and dreamt, op. 30 no. 9 (Simrock)
Suk, J About Friendship, op. 36 (Simrock)
Tchaikovsky/Tsjaikofski, PI Dumka, op. 59

47
Klavier/Piano
List D/Lys D
Bartók, B Suite, op. 14
Bartók, B Rhapsody, op. 1 (Dover)
Berg, A Sonata op. 1
Bolcom, W Nine Bagatelles (Edward B Marks)
Busoni, F Sonatina seconda (Breitkopf & Härtel 8149)
Casella, A Toccata
Corigliano, J Etude Fantasy (Schirmer)
Dallapiccola, L Sonatina canonica
Debussy, C L'Isle joyeuse
Debussy, C Poissons d'or from/uit Images (2nd series/2de reeks)
Debussy, C Feux d'artifice
Froschauer, H Toccata
Kodály, Z Dances of Marosszék
Ligeti, G Any two/Enige twee Etudes (Schott ED7718)
Messiaen, O Any one of/Enige een van nos 8, 11, 13, 14,15 from/uit Vingt
regards sur l'enfant Jesus
Prokofiev/Prokofjef, S Toccata, op. 11
Prokofiev/Prokofjef, S Sonata in a, op. 28
Ravel, M Valses nobles et sentimentales
Ravel, M Scarbo from/uit Gaspard de la Nuit
Ravel, M Toccata from/uit Le Tombeau de Couperin
Ravel, M La Valse
Roosenschoon, H Fingerprints (Unisa)
Stravinsky/Strawinski, I No. 4 from/uit Four Etudes, op. 7
Stravinsky/Strawinski, I Trois mouvements de Pétrouchka
Van Wyk, A Toccata from/uit Vier Klavierstukke
Van Wyk, A Pastorale en Cappriccio
Van Wyk, A Night Music/Nagmusiek (HAUM)
List E/Lys E
Own Choice/Eie Keuse
Refer to the Basic Syllabus for the Performer’s Licentiate on page 10.
Verwys na die Basiese Leerplan vir die Voordraerslisensiaat op bladsy 10.

Klavier/Piano
48
PERFORMER’S LICENTIATE IN CHAMBER MUSIC
VOORDRAERSLISENSIAAT IN KAMERMUSIEK
Four pieces: One from each of Section A, B, C and D
• Candidates may not present works by the same composer in more than one
section
Vier stukke: Een uit elk van Afdeling A, B, C en D
• Kandidate mag nie werke van dieselfde komponis in meer as een afdeling
aanbied nie
Section A: Baroque Sonata
• (If facilities allow, this section may also be performed on the harpsichord or organ)
A complete sonata for any solo instrument and keyboard by one of the
following composers:
Afdeling A: Baroksonate
• (Hierdie afdeling mag ook op die klavesimbel of orrel uitgevoer word, indien die
fasiliteite beskikbaar is)
‘n Volledige sonate vir enige solo-instrument en klawerbord deur een van
die volgende komponiste:
Bach JS, Corelli F, Handel GF, Marcello A, Telemann GP, Vivaldi A
Section B: Concert Piece
Afdeling B: Konsertstuk
Bartók, B Rhapsody (cello/tjello)
Bozza, E En forêt (French horn/Franse horing)
Brahms, J Sonatansatz (violin/viool)
Debussy, C Première rhapsodie (clarinet/klarinet)
Dukas, P Villanelle (French horn/Franse horing)
Fauré, G Elegie (cello/tjello)
Martin, F Ballade (flute/fluit)
Martinů, B Variations on a theme by Rossini (cello/tjello)
Messiaen, O Variations (violin/viool)
Ravel, M Tzigane (violin/viool)
Section C: Sonata with string/wind instrument
Afdeling C: Sonate met stryk-/blaasinstrument
Beethoven, L van Cello Sonata in g, op. 5 no. 2
Beethoven, L van Violin Sonata in c, op. 30 no. 2
Beethoven, L van Horn Sonata in F, op. 17
Brahms, J Cello Sonata in F, op. 99

49
Klavier/Piano
Brahms, J Clarinet Sonata in f, op. 120 no. 1
Brahms, J Viola Sonata in Eb, op. 120 no. 2
Brahms, J Violin Sonata in G, op. 78
Debussy, C Cello Sonata
Debussy, C Violin Sonata
Fauré, G Violin Sonata in A
Franck, C Violin Sonata in A
Grieg, E Violin Sonata in c, op. 45
Hindemith, P Sonata for trumpet and piano
Hindemith, P Viola Sonata
Martinů, B Flute Sonata
Mozart, WA Violin Sonata in A (K526)
Poulenc, F Clarinet Sonata
Prokofiev/Prokofjef, S Sonata in D for flute and piano
Ravel, M Violin Sonata
Reinecke, C Flute Sonata (Undine)
Schubert, F Sonata for violin and piano in A (Duo), op. 162
Schubert, F Introduction and Variations on ‘Trockne Blumen’ for flute and
piano (D802)
Shostakovitch/Sjostaskowitsj, D Cello Sonata
Weber, CM von Grand Duo for clarinet and piano
Section D: Trio/Quartet/Quintet/Sextet
Afdeling D: Trio/Kwartet/Kwintet/Sekstet
Arensky, A Piano trio
Beethoven, L van Piano trios
Beethoven, L van Quintet for piano and winds
Brahms, J Horn trio
Brahms, J Clarinet trio
Brahms, J Piano trios
Brahms, J Piano quartet
Brahms, J Piano quintet
Chopin, F Piano trio
Dvořák, A Piano trios
Fauré, G Piano trio
Fauré, G Piano quartets
Fauré, G Piano quintets
Martinů, B Sonata for flute, violin and piano
Mendelssohn, F Piano trios
Poulenc, F Trio for oboe, bassoon and piano
Poulenc, F Sextet

Klavier / Piano
50
Ravel, M Piano trio in a
Schubert, F Piano trios
Schumann, R Piano trios
Schumann, R Piano quartet
Schumann, R Piano quintet
Shostakovitch/Sjostaskowitsj, D Piano trios
Shostakovitch/Sjostaskowitsj, D Piano quintet
PERFORMER’S LICENTIATE IN VOCAL ACCOMPANIMENT
VOORDRAERSLISENSIAAT IN VOKALE BEGELEIDING
Section A
Five art songs by five different composers, one selected from each of lists
A.1, A.2, A.3, A.4 en A.5
Afdeling A
Vyf kunsliedere deur vyf verskillende komponiste, een uit elk van lyste A.1,
A.2, A.3, A.4 en A.5
A.1
Brahms, J Meine Liebe ist grün
Brahms, J Von ewiger Liebe
Duparc, H Chanson triste
Duparc, H Le manoir de Rosemonde
Fauré, G Fleur jetée
Liszt, F Die drei Zigeuner
Liszt, F Die Lorelei
Mahler, G Antonius zur Predigt
Mahler, G Wer hat das Liedlein erdacht?
Rakhmaninov/Rachmaninof, S Spring Waters
Rakhmaninov/Rachmaninof, S Loneliness
Schubert, F Die junge Nonne
Strauss, R Heimliche Aufforderung
Strauss, R Schlechtes Wetter
Strauss, R Ständchen
Wolf, H Abschied
Wolf, H Er ist's
Wolf, H Ich hab' in Penna
Wolf, H Kennst du das Land

A.2
Beethoven, L van Adelaïde
Beethoven, L van Mit einem gemalten Band
Brahms, J Vergebliches Ständchen
Debussy, C Claire de lune
Debussy, C Il pleut dans mon coeur
Debussy, C La mer est plus belle
Duparc, H L'invitation au voyage
Fauré, G Clair de lune
Mozart, WA Als Luise die Briefe
Rakhmaninov/Rachmaninof, S In the silent night
Satie, E La diva de l'Empire
Schubert, F Auf dem Wasser zu singen
Schubert, F Gretchen am Spinnrade
Schumann, R Die beiden Grenadiere
Schumann, R Widmung
Strauss, R Zueignung
Vaughan Williams, R Silent noon
Wolf, H Elfenlied
Wolf, H Nimmersatte Liebe
Wolf, H Verborgenheid
51
A.3
Brahms, J Die Mainacht
Brahms, J Wir wandelten
Debussy, C C'est l'extase langoureuse
Duparc, H Elégie
Duparc, H Extase
Poulenc, F C
Poulenc, F Hôtel
Strauss, R Allerseelen
Strauss, R Befreit
Strauss, R Morgen!
Wolf, H Nachtzauber
A.4
Beethoven, L van Der Kuss
Bizet, G Chanson d'Avril
Brahms, J Der Gang zum Liebchen
Fauré, G Notre amour
Mozart, WA An Chloë
Mozart, WA Das Veilchen
Klavier/Piano

Klavier/Piano
Satie, E Je te veux
Schubert, F Die Forelle
Schubert, F Lachen und Weinen
Schumann, R Erstes grün
Wolf, H Mein Liebster ist so klein
52
A.5
Beethoven, L van Ich liebe dich
Beethoven, L van In questa tomba oscura
Brahms, J Dein blaues Auge
Brahms, J Immer leiser wird mein Schlummer
Brahms, J O wüsst' ich doch den Weg zurück
Brahms, J Sapphische Ode
Fauré, G Après un rêve
Hahn, R Si mes vers avaient des ailes
Liszt, F O quand je dors
Mozart, WA Abendempfindung
Reger, M Mariä Wiegenlied
Satie, E Je te veux
Schubert, F An die Musik
Schubert, F Nacht und Träume
Schubert, F Nur wer die Sehnsucht kennt
Schumann, R Die Lotosblume
Schumann, R Mondnacht
Strauss, R Die Nacht
Wolf, H An eine Äolsharfe
Wolf, H Das verlassene Mägdlein
Wolf, H Heb' auf dein blondes Haupt
Section B
A song cycle by a composer other than those chosen in the previous
selection
• Candidates must prepare a complete song cycle. This section will consist of a
maximum of 20 minutes of music. If a selection of material is necessary, this
selection will be made by the examiners two hours before the commencement of
the examination.
Key to voice classification:
SC, SL, SD Soprano (Coloratura, Lyric or Dramatic)
M Mezzo (or Contralto)
TD, TL Tenor (Dramatic or Lyric)
B Baritone (or Bass)

53
Klavier/Piano
Afdeling B
'n Sangsiklus deur 'n komponis wat nie voorheen in die program opgeneem
is nie
• Kandidate moet 'n volledige siklus voorberei. Die afdeling sal uit 'n maksimum van
20 minute musiek bestaan. Indien 'n seleksie nodig is, sal dit ten minste twee uur
voor die aanvang van die eksamen deur die eksaminatore gedoen word.
Sleutel tot stemklassifikasie:
SK, SL, SD Sopraan (Koloratuur, Liries of Dramaties)
M Mezzo (of Kontralto)
TD, TL Tenoor (Dramaties of Liries)
B Bariton (of Bas)
Barber, S Mélodies passagères [M/B]
Beethoven, L van An die ferne Geliebte [T/B]
Brahms, J Die schöne Magelone [T/B]
Brahms, J Vier ernste Gesänge [M/C/B]
Brahms, J Zigeunerlieder [S/M]
De Falla, M 7 Canciones populares españolas [S/M]
Debussy, C Proses lyriques [DL/SD]
Du Plessis, H Die vrou [SD]
Du Plessis, H Elizabeth Barrett Browning sonnets [SD]
Du Plessis, H Five Invocations [TL]
Dvořák, A Zigeunerlieder [S/M]
Mahler, G Kindertotenlieder [M/B]
Mahler, G Lieder eines fahrenden Gesellen [M/B]
Milhaud, D Chansons de Ronsard [SK]
Montsalvatge, X 5 Canciones negras [S/M]
Mussorgsky/Moessorgski, M The nursery [S/T]
Poulenc, F Le bestiaire [M/B]
Poulenc, F Fiançailles pour rire [S]
Ravel, M Histoires naturelles [M/B]
Schubert, F Die schöne Müllerin [T/B]
Schubert, F Winterreise [T/B]
Schumann, R Dichterliebe [T/B]
Schumann, R Frauenliebe und Leben [S/M]
Van Wyk, A Van liefde en verlatenheid [SD/M]
Wagner, R Wesendonck Lieder [SD]

Klavier/Piano
54
Section C
• Three arias by different composers other than those chosen in the
previous selection, one selected from each of lists C.1, C.2 and C.3 plus
• One aria with vocal line and orchestral accompaniment, from list C.4
Afdeling C
• Drie arias deur verskillende komponiste wat nie voorheen in die program
opgeneem is nie, een uit elk van lyste C.1, C.2 en C.3 plus
• Een aria met vokale lyn en orkesbegeleiding, uit lys C.4
C.1 Oratorio/Cantata
Oratorium/Kantate
Bach, JS Recit, Ich habe genug & Recit, Mein Gott & Aria, Ich freue mich
(Cantate 82) [B]
Bach, JS Recit, Ja! freilich will in uns das
Bach, JS Fleisch und Blut & Aria, Komm, süssen Kreuz (Matthauspassion)
[B]
Bach, JS Recit, Der Art verruchter Sünden & Aria, Wer Sünde thut
(Kantate 54) [M/K]
Debussy, C Recit & Aria, de Lia L’anneé en vain chasse l'anneé (L’enfant
prodigue) [S]
Handel, GF Recit, Deeper, and deeper still & Aria, Waft her, angels
(Jephta) [T]
Handel, GF Recit, Comfort ye, my people & Aria, Every valley (Messiah)
[T]
Handel, GF Recit, Behold, I tell you a mystery & Aria, The trumpet shall
sound (Messiah) [B]
Handel, GF Recit nos 14, 15 & 16 & Aria, Rejoice greatly (Messiah;
Novello) [S]
Haydn, FJ Recit, Und Gott sprach: es bringe das Wasser & Aria, Mit
starkem Fittige (Der Schöpfung) [S]
Haydn, FJ Recit, Und Gott sprach: es sammle sich & Aria, Rollend in
schäumenden Wellen (Der Schöpfung) [B]
Mendelssohn, F Hear ye, Israel (Elijah) [S]
C.2 Opera (without recitative)
Opera (sonder resitatief)
Mozart, WA Ach, ich fühl's (Pamina: Die Zauberflöte) [S]
Mozart, WA Non so più (Cherubino: Le nozze di Figaro) [M/S]
Mozart, WA Hai gia vinta la causa (Count: Le nozze di Figaro) [B]
Mozart, WA Porgi amor (Countess: Le nozze di Figaro) [S]
Mozart, WA Il mio tesoro intanto (Ottavio: Don Giovanni) [T]

Mozart, WA Mi tradi (Elvira: Don Giovanni) [S]
Mozart, WA Batti, batti (Zerlina: Don Giovanni) [S]
Rossini, GA Largo al factotum (Figaro: Il barbiere di Siviglia) [B]
Rossini, GA Una voce poco fa (Rosina: Il barbiere di Siviglia) [M]
Rossini, GA Ecco ridente (Rosina: Il barbiere di Siviglia) [T]
C.3 Opera
55
Klavier/Piano
Bizet, G Votre toast (Escamillo: Carmen) [B]
Bizet, G Je dis que rien ne m'épouvante (Micaela: Carmen) [S]
Gounod, CF O Dieu, que de bijoux (Marguerite: Faust) [S]
Gounod, CF Avant de quiter ces lieux (Valentin: Faust) [B]
Gounod, CF Salut! demeure chaste et pure (Faust: Faust) [T]
Leoncavallo, R Qual fiamma (Nedda: I Pagliacci) [S]
Massenet, J Werther!... Werther!.. (Charlotte: Werther) [M]
Massenet, J O nature, pleine de grâce (Werther: Werther) [T]
Puccini, G E lucevan le stelle (Cavaradossi: Tosca) [T]
Puccini, G Sola, perduta, abbandonata (Manon: Manon Lescaut) [S]
Saint-Saëns, C Mon coeur s'ouvre (Dalila: Samson et Dalila) [M]
Saint-Saëns, C Où va la jeune Hondoue (Lakmé: Lakmé) [S]
Strauss, R Es gibt ein Reich (Ariadne: Ariadne auf Naxos) [S]
Strauss, R Die Musik (Komponist: Ariadne auf Naxos) [M]
Strauss, R Grossmächtige Prinzessin (Zerbinetta: Ariadne auf Naxos) [M]
Strauss, R Nach mir wird Einer kommen (Jochanaan: Salome) [B]
Strauss, R Wo ist Salome? (Herod: Salome) [T]
Verdi, G Sempre libera (Violetta: La traviata) [S]
Verdi, G Madre, pietosa Vergine (Leonora: La forza del destino) [S]
Verdi, G Questa o quella (Count: Rigoletto) [T]
Verdi, G O don fatale (Eboli: Don Carlos) [M]
Wagner, R Wahn, Wahn! (Sachs: Die Meistersinger) [B]
Wagner, R Johohoe! Johohoe! (Senta: Der fliegende Holländer) [S]
Wagner, R Morgenlich leuchtend (Walther: Die Meistersinger) [T]
C.4 One aria with vocal line and orchestral accompaniment
(In this section the candidate will be required to play an aria chosen
from Section C.2, without a singer, in a version devised by himself,
with the vocal line incorporated into the orchestral accompaniment.
C.4 Een aria met vokale lyn en orkesbegeleiding
(In hierdie afdeling moet die kandidaat 'n aria uit Afdeling C.2 speel,
sonder 'n sanger, as 'n eie verwerking, waarvan die vokale lyn by die
orkesbegeleiding geïnkorporeer is.)