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cisana tatiSvili ЦИСАНА ТАТИШВИЛИ TSISANA TATISHVILI

cisana tatiSvili ЦИСАНА ТАТИШВИЛИ TSISANA TATISHVILI

cisana tatiSvili ЦИСАНА ТАТИШВИЛИ TSISANA TATISHVILI

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- In Hermann Wedekind’s<br />

homeland, success<br />

has been truly overwhelming.<br />

Natural proof of the<br />

triumphal activities of Tsisana<br />

Tatishvili in Germany<br />

was that in spite of Soviet<br />

reality, she has traveled<br />

with a tour in Europe and<br />

almost everywhere violated<br />

customary traditions<br />

of opera audience: in reply<br />

to the Senta’s wild criesthe<br />

strongest high notes<br />

of Tsisana Tatishvili the<br />

emotions accumulated in<br />

the audience, went outside,<br />

at the end of each act<br />

... Not often happens in<br />

musical theater, the listener<br />

begins to applaud long<br />

and passionately, as hap-<br />

Leonora<br />

pened in the premiere of<br />

“Lohengrin” and “Flying Dutchman” when Tsisana Tatishvili sang ...<br />

the entire theatrical composition by Herman Wedekind, mise-en-scènes,<br />

Tsisana Tatishvili’s Ortruda and Senta with deep penetration into the<br />

music were given in the European premieres of Wagner’s operas as a<br />

single, continuous process ...<br />

-”Your voice sparked the rays of dawn. In my theater, no one is<br />

singing yet like you. With extraordinary power sang a Georgian Sun.<br />

Friendship, peace, pleasure, freedom, divine love - these are the feelings<br />

that united those who came to the theater that night. Your Herman<br />

bows down before you. Incomparable! Thank you and your Georgia. “<br />

196<br />

Hermann Wedekind

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