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POSTMODERN CULTURE AS A SUM OF CULTURAL MODELS = falocentrism + logocentrism – withdraws from the implications of its own analysis in textual autonomy, clinging to the modern rejection of the signified (in Ross 1989: 157-66). The author considers that French feminism is postmodernist but fails to fulfill its political potential because it turns its back on the popular, about in the same way as Western Marxism turned its back on the masses. Whereas commentators such as Callinicos see in postmodernism the cultural expression of a new middle-class and of a new conservatism, Kipnis brings forward arguments in favour of the idea that “deconstructivist, feminist and leftist postmodernism can and must fight against this new elitism, specific to modernism, and which it has not been able to detach from yet”; this, in her opinion, would mean giving up the luxury of textual and theoretical preoccupations that continue to ensure the dominance and priviledge of the First World. The same as Baudrillard, but going in a different direction, Kipnis takes as a basis the “subject”, fragmented, talking, gendered, socially constructed or just a linguistic effect, and, in a bitter-ironical tone, disapproving of the depoliticization of a Western Marxism inclined towards aestheticization, theoretical autonomy and distance from political practice, she postulates that “in the current hysteria over ‘international terrorism’ […] the reaction to any decentring telos is symptomatic blindness rather than insight: […] unwillingness and inability to fully comprehend this phenomenon of shifts in power and spheres of influence, and of new forms of political struggle in which civilian tourists are held responsible for the actions of their governments. When retaliation is taken […] for ‘American arrogance’, this is the postmodern critique of the Enlightenment; it is, in fact, a decentring; it is the margin, the absence, the periphery, rewriting the rules from its own interest.” (in Ross, 1989: 164). All positions retained, one might conclude that, while in modernity, with the flag of Enlightenment waving, the subject was ‘centred’ and, through its synecdochic relation with the political centrality of the West, the rest of the world became the object for conquest, knowledge or plusvalue, on a postmodern stage lacking a postmodern political discourse, the ‘decentred’ subject hides from the decline of the great imperialist powers of modernity, from the traumatizing loss of hegemony, sometimes creating compensating fantasies which sustain culture making and culture breaking myths. 1 Just as the study of the concept of modernism, defining a late nineteenth century artistic attitude and practice, cannot overlook the discussion on the philosophical, historical, socio-cultural background of modernity, […] postmodernism, one of the concepts most frequently used in present day artistic theory (and not only), simply cannot be understood – or may even be wrongly interpreted – outside the understanding of the world having generated it. (our translation) 2 … a peak of demonic modernity; … a modernity which had been overcome eventually. (our translation) 3 Modern man (i.e. de-doubled, de-fragmented, de-multiplied, de-formed) … is the first human type assembled in keeping with a technical functioning scheme: namely that of the mass media, essentially rightful owner of the absence of privileged content. (our translation) 199
STELUŢA STAN, MICHAELA PRAISLER 4 … the sense of denaturalisation, of dis-insertion of man in the world through the gradual loss of the sense of reality. (our translation) References: Brooker, P. (ed.) 1992. Modernism/Postmodernism, London & New York: Longman Callinicos, A. 1989. Against Postmodernism, Cambridge: Polity Press / Basil Blackwell . Călinescu, M. 1987/1995. Cinci feţe ale modernităţii, Bucureşti: Univers Cărtărescu, M. 1999. Postmodernismul românesc, Bucureşti: Humanitas Currie, M. 1998. Postmodern Narrative Theory, New York: St. Martin’s Press Eagleton, T. 1996. The Illusions of Postmodernism, Oxford & Cambridge: Blackwell Harvey, D. 1997. The Condition of Postmodernity: An Enquiry into the Origins of Cultural Change, Oxford & Cambridge: Basil Blackwell Jameson, F. 1991. Postmodernism, or, The Cultural Logic of Late Capitalism, Durham: Duke UP McHale, B. 1987. Postmodernist Fiction, London & New York: Routledge Muşat, C. 2002. Strategiile subversiunii. Descriere şi naraţiune în proza postmodernă românească, Piteşti: Paralela 45 Patapievici, H. R. 2004. Omul recent. O critică a modernităţii din perspectiva întrebării , Bucuresti: Humanitas Ross, A. (ed.) 1989. Universal Abandon? The Politics of Postmodernism, Edinburgh: University Press Sontag, S. 1969. Against Interpretation and Other Essays, New York: Dell Publishing Co Vattimo, G. 1995. Societatea transparentă, Ştefania Mincu (trans.), Constanţa: Pontica 200
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CULTURE, SUBCULTURE, COUNTERCULTURE
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GENERAL EDITORS: Michaela Praisler
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Doiniţa Milea On the Plurilinguist
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EDITORS’ NOTE The papers in the p
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PETRU IAMANDI National fandom reall
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PETRU IAMANDI NBC started broadcast
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PETRU IAMANDI those searching simpl
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MICHAELA PRAISLER, STELUŢA STAN ch
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MICHAELA PRAISLER, STELUŢA STAN ma
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MICHAELA PRAISLER, STELUŢA STAN mu
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KATHY ACKER’S PIERCING METHOD: DO
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RUXANDA BONTILĂ machine at the lev
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RUXANDA BONTILĂ head on every desk
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RUXANDA BONTILĂ language that was
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RUXANDA BONTILĂ pernicious charact
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LIDIA MIHAELA NECULA writing Englis
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LIDIA MIHAELA NECULA very beginning
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LIDIA MIHAELA NECULA a forceful veh
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(RE)CREATING CULTURAL IDENTITY - SA
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ANCA MIHAELA DOBRINESCU oscillate b
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ANCA MIHAELA DOBRINESCU commands of
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THE POWER OF PLACE: THE POLITICS OF
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REMUS BEJAN Representational space
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REMUS BEJAN step out of the backs o
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REMUS BEJAN Store and spread itself
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CROSSING BORDERS THROUGH MUSIC IN R
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TITUS POP in 1937, and Vina Apsara,
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TITUS POP book’s pages. Some are
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TITUS POP westward, he not only rev
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TITUS POP Conclusion To conclude, m
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GABRIELA IULIANA COLIPCĂ Yet, thes
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GABRIELA IULIANA COLIPCĂ open, pub
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GABRIELA IULIANA COLIPCĂ in the fi
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GABRIELA IULIANA COLIPCĂ perversel
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GABRIELA IULIANA COLIPCĂ despair a
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CULTURAL TYPES AND THEIR DISCOURSE
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MIHAELA CULEA fortune hunter, the r
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MIHAELA CULEA interference of women
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MIHAELA CULEA Europe on foot. Thus,
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MIHAELA CULEA her as if she were an
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ON THE PLURILINGUISTIC AND THE MULT
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DOINIŢA MILEA The transformation o
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DOINIŢA MILEA After a synthesis de
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DOINIŢA MILEA revolutionary Vilniu
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THE FRUSTRATION OF THE JEWISH SPIRI
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ALINA BEATRICE CHEŞCĂ of somewhat
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ALINA BEATRICE CHEŞCĂ down in it
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(PSEUDO-)MYTHS OF THE 20 TH CENTURY
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ANDREIA IRINA SUCIU enacting some p
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ANDREIA IRINA SUCIU in the religiou
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ANDREIA IRINA SUCIU exchange betwee
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ANDREIA IRINA SUCIU consequence is,
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ANDREIA IRINA SUCIU Englishman who
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ANDREIA IRINA SUCIU impatient to mo
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A MYTH-ANALYSIS OF POLITICAL AND NO
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ALINA CRIHANĂ, DANIELA ŞORCARU su
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ALINA CRIHANĂ, DANIELA ŞORCARU th
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SIMONA ANTOFI critics may relate th
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SIMONA ANTOFI nici o pudoare, făr
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THE WOUNDEDNESS OF SYLVIA PLATH’S
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ELENA CIOBANU answers waiting to be
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ELENA CIOBANU reference of such met
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ELENA CIOBANU Merleau Ponty, M. 199
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NICOLETA IFRIM, ISABELA MERILĂ den
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NICOLETA IFRIM, ISABELA MERILĂ the
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DANIELA ŢUCHEL meaning listed: “
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DANIELA ŢUCHEL Theme with variatio
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DANIELA ŢUCHEL have.” In like ma
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MARIANA NEAGU 1.3 Purpose In this p
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MARIANA NEAGU stories have been pas
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MARIANA NEAGU we will see later in
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MARIANA NEAGU Radden (2006) argues
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MARIANA NEAGU Lent, Advent and wint
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Page 163 and 164: FLORIANA POPESCU, DANIELA ŞORCARU
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Page 181 and 182: ELENA CROITORU speech differing fro
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Page 187 and 188: TRANSLATING DRAMA: THE MAIN ISSUES
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Page 221 and 222: FREDERIK STIERNSTEDT, LINUS ANDERSS
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DANIELA ŞORCARU violent”. The ly
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DANIELA ŞORCARU Although the album
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DANIELA ŞORCARU In 2007 they settl
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LIGIA PÎRVU opposed by many other
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LIGIA PÎRVU famous people of this
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GABRIELA DIMA Rembrandt’s Lucreti
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APPROACHES TO THE CULTURE OF THE ED
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SIMONA ALECU external pressures hav
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SIMONA ALECU This is the reason why
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THE ROLE AND PLACE OF ECOLOGICAL ET
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VIORICA - TORII CACIUC and the Univ
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VIORICA - TORII CACIUC inscribe env
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IULIANA BARNA In the present paper,
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IULIANA BARNA cigarettes will be ex
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IULIANA BARNA References: Stanciu,
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