The Records of Baden Powell - Complete on vinyl - Brazil on Guitar ...
The Records of Baden Powell - Complete on vinyl - Brazil on Guitar ...
The Records of Baden Powell - Complete on vinyl - Brazil on Guitar ...
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<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - <str<strong>on</strong>g>Complete</str<strong>on</strong>g> On Vinyl<br />
by <strong>Brazil</strong>On<strong>Guitar</strong><br />
This document may be reproduced, re-transmitted, redistributed and otherwise<br />
propagated at will, provided that this notice remains intact and in place.<br />
For comments, correcti<strong>on</strong>s and additi<strong>on</strong>s please c<strong>on</strong>tact <strong>Brazil</strong>On<strong>Guitar</strong>, April 2005
Apresentando <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> e seu Violão - Philips (Br) 630 415 L – 1961 (recorded 1959)<br />
1 Stella by starlight (Ned Washingt<strong>on</strong> – Victor Popular Young) 2´43<br />
2 Amor sincopado (Marino Pinto - Chico Feitosa) 2´54<br />
3 Estrellita (Manuel P<strong>on</strong>ce) 2´30<br />
4 Na Baixa do Sapateiro (Ary Barroso) 3´41<br />
5 Lover (Lorenz Hart – Richard Rodgers) 2´05<br />
6 Maria (Ary Barroso – Luiz Peixoto) 2´46<br />
7 My funny valentine (L.Hart - R.Rodgers) 3´27<br />
8 Love letters (Edward Heyman – Victor Popular Young) 2´31<br />
9 Samba triste (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Billy Blanco) 2´21<br />
10 Aquellos ojos verdes (N. Menendez) 2´21<br />
11 Carinhoso (Pixinguinha) 2´31<br />
12 All the things you are (Jerome Kern – Oscar Hammerstein II) 2´57<br />
<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g><br />
M<strong>on</strong>teiro de Souza e sua Orquestra<br />
Directi<strong>on</strong> and Producti<strong>on</strong>: <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g><br />
Linernotes: Fernando Lobo, 1961 (in Portuguese)
Um Violão na Madrugada - Philips (Br) 630 445 L – 1961<br />
1 Do jeito que a gente quer (Ed Lincoln) 2´35<br />
2 Minha palhoça (J. Cascata) 2´03<br />
3 Fluido de saudade (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 4´00<br />
4 Luz negra (Irahy Barros - Nels<strong>on</strong> Cavaquinho) 2´32<br />
5 Insônia (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 2´53<br />
6 Improviso em bossa nova (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 2´06<br />
7 Lição de baião (Jadir de Castro - Daniel Marechal) 2´32<br />
8 D<strong>on</strong>a Baratinha (Almeida. Rêgo - Newt<strong>on</strong> Ramalho) 2´23<br />
9 Prelúdio ao coração (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 1´15<br />
10 Luar de agosto (Nilo Queiroz - <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 3´14<br />
11 Dum... dum... dum... dum... (Luiz Bittencourt - <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 1´19<br />
12 Linda (Pixinguinha) 2´56<br />
<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g><br />
M<strong>on</strong>teiro de Souza e sua Orquestra<br />
Directi<strong>on</strong> and Producti<strong>on</strong>: Armando Pittiglani<br />
Linernotes: Fernando Lobo, 1961 (in Portuguese)
<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> swings with Jimmy Pratt - Elenco (Br) ME 04 – 1963 (2 nd release 1967)<br />
1 Deve ser amor (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes) 2´33<br />
2 Coisa nº 1 (Moacyr Santos – Clóvis Mello) 3´00<br />
3 Rosa flor (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Geraldo Vandré) 2´55<br />
4 Tema nº 1 (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 2´54<br />
5 Enc<strong>on</strong>tro com a saudade (Nilo Queiroz - Billy Blanco) 2´17<br />
6 Manequim 46 (M<strong>on</strong>teiro de Souza - Alberto Paz) 1´55<br />
7 Samba de uma nota só (Newt<strong>on</strong> Mend<strong>on</strong>ça - Tom Jobim) 1´37<br />
8 Coisa nº 2 (Moacyr Santos) 2´52<br />
9 Não é bem assim (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 2´17<br />
10 Canção do amor sem fim (Alaide Costa - Geraldo Vandré) 2´15<br />
<strong>Guitar</strong>: <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g><br />
Bass: Sergio Barroso<br />
Clar<strong>on</strong>e: Sandoval<br />
Flutes: Jorginho Ferreira da Silva, Copinha<br />
Sax and Vocal <strong>on</strong> 2 & 8: Moacyr Santos<br />
Drums: Jimmy Pratt<br />
Arrangements: Carlos M<strong>on</strong>teiro De Souza<br />
Directi<strong>on</strong>: Jimmy Pratt<br />
Producti<strong>on</strong>: Aloysio de Oliveira<br />
Recorded End-1962/Early-1963 at the Philips Studio, <strong>Brazil</strong><br />
Linernotes: Aloysio de Oliveira, 1963 (in Portuguese)
<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> a V<strong>on</strong>tade - Elenco (Br) ME 11 - 1963<br />
1 Garota de Ipanema (Tom Jobim - Vinicius de Moraes) 3´02<br />
2 Berimbau (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes) 3´24<br />
3 O astr<strong>on</strong>auta (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes) 2´27<br />
4 C<strong>on</strong>solação (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes) 2´27<br />
5 Sor<strong>on</strong>gaio (Pedro dos Santos) 5´31<br />
6 Samba do avião (Tom Jobim) 3´07<br />
7 Saudade da Bahia (Dorival Caymmi) 2´23<br />
8 Candomblé (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 4´35<br />
9 C<strong>on</strong>versa de poeta (Moacyr Santos - Nilo Queiroz - Vinicius de Moraes) 4´24<br />
10 Samba triste (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Billy Blanco) 4´10<br />
<strong>Guitar</strong>: <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g><br />
Flute: Jorge Ferreira da Silva<br />
Sor<strong>on</strong>go: Pedro dos Santos<br />
Drums: Joao Batista, Stockler Pimentel<br />
Directi<strong>on</strong> and Producti<strong>on</strong>: Aloysio de Oliveira<br />
Recorded 1963 in <strong>Brazil</strong><br />
Linernotes: Aloysio de Oliveira, 1963 (in Portuguese)
Le M<strong>on</strong>de Musical de <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Barclay (F) - 80.235 S -1964<br />
Gatefold cover Cover <str<strong>on</strong>g>of</str<strong>on</strong>g> Barclay/Serie Vendettes,1964<br />
� Cover <str<strong>on</strong>g>of</str<strong>on</strong>g> Barclay/Serie Vendettes, 1964<br />
This two records has the same<br />
Recordnumber.<br />
<str<strong>on</strong>g>The</str<strong>on</strong>g> backcover <str<strong>on</strong>g>of</str<strong>on</strong>g> the Barclay/Serie<br />
Vendettes-Record is blanco.
Le M<strong>on</strong>de Musical de <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Barclay (F) - 80.235 S -1964<br />
1 Deve ser amor (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes) 3´47<br />
2 Choro para metr<strong>on</strong>ome (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 2´55<br />
3 Adágio (Giazotto – Albin<strong>on</strong>i – arr.: <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 3´04<br />
4 Berimbau (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes) 2´58<br />
5 Samba em prelúdio (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes) 3´25<br />
6 Chans<strong>on</strong> d'Hiver (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 2´23<br />
7 Samba triste (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Billy Blanco) 3´27<br />
8 Berceuse a Jussara (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 2´32<br />
9 Prelude (J.S.Bach – arr.: <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 2´50<br />
10 Euridice (Vinicius de Moraes) 3´00<br />
11 Bachiana (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 4´07<br />
12 Garota de Ipanema (Tom Jobim - Vinicius de Moraes) 2´57<br />
<strong>Guitar</strong>: <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g><br />
Bass: Alph<strong>on</strong>se Masselier<br />
Drums: Arthur Motta<br />
Percussi<strong>on</strong>: Silvio Silveira<br />
Paul Mauriat et s<strong>on</strong> Orchestre<br />
Vocal <strong>on</strong> „Samba Em Preludio“: Francoise Waleh<br />
Directi<strong>on</strong> and Linernotes: Jacques Lubin<br />
Linernotes: Jacques Lubin, 1964 (in French)<br />
Date <str<strong>on</strong>g>of</str<strong>on</strong>g> recording:<br />
2 April: Choro para metr<strong>on</strong>ome, Chans<strong>on</strong> d'Hiver, Berceuse<br />
3 April: Samba triste<br />
16 April: Deve ser amor, Bachiana<br />
17 April: Euridice<br />
19 June: Samba em preludio, Garota de Ipanema<br />
22 June: Prelude<br />
30 June: Adagio, Berimbau
Le M<strong>on</strong>de Musical de <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Barclay (F) - 80.235 S -1964<br />
First Linernotes from the "Le M<strong>on</strong>de Musical de <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>" (80.235 S) , 1964<br />
<strong>Brazil</strong>ian music is, as its country which is 16 times as big as France, diverse, varied, surprising,<br />
subtle and simple all at the same time. This music <strong>on</strong>ly asks, as <strong>Brazil</strong>, for regogniti<strong>on</strong> and love.<br />
With this album, which is the first he releases in Europe, the guitarist & composer BP presents us<br />
a complete palette <str<strong>on</strong>g>of</str<strong>on</strong>g> his musical world. From African rythms to his pers<strong>on</strong>al perceiving <str<strong>on</strong>g>of</str<strong>on</strong>g><br />
classical european composers, and through delicate reminiscence <str<strong>on</strong>g>of</str<strong>on</strong>g> melodies from the<br />
Antilles, to negro american jazz accents: BP reminds all these influences <strong>on</strong> his guitar.<br />
He's 27 years old. Born in Rio. He played since 8 y.o. After having studied in Rio academy,<br />
where he improved his style and learned compositi<strong>on</strong>, he started like many other, in clubs<br />
with little rythmic entities. He eventually showed up in several Tv & radio broadcasts, and his<br />
compositi<strong>on</strong>s became very popular. He teamed with Tom Jobim, Carlos Lyra, Roberto<br />
Menescal for work and tours in several big cities in <strong>Brazil</strong>. He recorded with Herbie Mann and<br />
Jimmy Pratt just before his departure to the US. After some c<strong>on</strong>certs in the Village Vanguard,<br />
his friend and poet Vinicius de Moraes made him come to Paris in the late <str<strong>on</strong>g>of</str<strong>on</strong>g> 63. He gave<br />
recitals and tv shows: Living room, musicorama etc... Asked for his guitaristic influences he<br />
answers: Segovia, Van Eps, Django are people that are part <str<strong>on</strong>g>of</str<strong>on</strong>g> the musical world i love. With<br />
this record you'll be able to discover samples from this musical universe.<br />
Here are the themes: DEVE SER AMOR: was recorded using play back device. <str<strong>on</strong>g>Baden</str<strong>on</strong>g> first<br />
recorded the rythmic part with the bass & drums. Afterwards he recorded the melody. <str<strong>on</strong>g>The</str<strong>on</strong>g><br />
same process was involved with BACHIANA.<br />
CHORO PARA METRONOME is quite a challenge. <str<strong>on</strong>g>The</str<strong>on</strong>g> choro which was originally an<br />
improvisati<strong>on</strong> over folkoric patterns, turns here into a guitar piece. <str<strong>on</strong>g>The</str<strong>on</strong>g> metr<strong>on</strong>ome replaces<br />
the whole rythm secti<strong>on</strong>. Fitting perfectly with this souless rythm, BP shows here its astounding<br />
technique.<br />
<str<strong>on</strong>g>The</str<strong>on</strong>g> Albin<strong>on</strong>i ADAGIO and the Bach PRELUDE so seduced the guitarist, that he did want to<br />
give a respectful homage to these composers by playing these two pieces.<br />
BERIMBAU is the name <str<strong>on</strong>g>of</str<strong>on</strong>g> a musical instrument looking like an arc, which is used in the<br />
Capoeira. This is a dance which partly look like wrestle, and is d<strong>on</strong>e by Nordeste youth,<br />
especially in the Bahia area. It is undoubtly <str<strong>on</strong>g>of</str<strong>on</strong>g> African inspirati<strong>on</strong>.<br />
SAMBA EM PRELUDIO is made <str<strong>on</strong>g>of</str<strong>on</strong>g> two distincts melodies. <str<strong>on</strong>g>Baden</str<strong>on</strong>g> plays the first which is in turn<br />
played by the orchestra. <str<strong>on</strong>g>The</str<strong>on</strong>g>n the guitar plays the sec<strong>on</strong>d theme, and then the two parts are<br />
played together, and taken by cello and Francoise Waleh's voice. CHANSON D'HIVER is the<br />
first s<strong>on</strong>g that <str<strong>on</strong>g>Baden</str<strong>on</strong>g> wrote when he came to Paris in December 63.<br />
SAMBA TRISTE opens <strong>on</strong> a very dark climate and dramatic first part, then the repetitive rythm<br />
takes over and leads to the c<strong>on</strong>clusive chords. BERCEUSE A JUSSARA is a delicate<br />
compositi<strong>on</strong>, dedicated to his little niece "Sobrinha" Jussara. EURIDICE is a Vinicius de Moraes<br />
compositi<strong>on</strong>, which illustrates the Orphee myth. BACHIANA is a piece written with, <strong>on</strong>ce<br />
again, Johann S. Bach in mind. GAROTA is a new compositi<strong>on</strong> from Tom Jobim and Vinicius.<br />
<str<strong>on</strong>g>Baden</str<strong>on</strong>g> takes it as a basis for a free improvisati<strong>on</strong>, with a complete command <strong>on</strong> the<br />
instrument. - Jacques Lubin, 1964
…et la femme…créa l´amour - <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> et Ray Ventura Barclay (F) 70.769 – 1964<br />
1 Pour S<strong>on</strong>ia (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 2´04<br />
2 Generique (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 1´42<br />
3 Mais Party (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Ray Ventura) 1´12<br />
4 Pour Clo (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 1´51<br />
5 Swimming Bossa Nova (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Ray Ventura) 1´22<br />
<strong>Guitar</strong>: <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g><br />
Date <str<strong>on</strong>g>of</str<strong>on</strong>g> recording: Paris, 1964
Billy Nencioli et <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Barclay (F) 80.263 S - 1965<br />
1 Si rien ne va 2´26<br />
2 Cet hiver à courchevel 2´24<br />
3 Quel métier 2´52<br />
4 On peut me dire du mal de toi 1´57<br />
5 Mais ne rigole pas 1´56<br />
6 Pour toi Marie 2´50<br />
7 Un vieux refrain 3´30<br />
8 Jean Marie Juana 3´07<br />
9 Tiens b<strong>on</strong>jour 2´39<br />
10 La dernière fois<br />
11 Souviens-toi m<strong>on</strong> frèere 2´45<br />
12 M<strong>on</strong> ami pierrot 3´06<br />
Vocal: Billy Nencioli<br />
<strong>Guitar</strong>: <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g><br />
Bass: Michel Gaudry<br />
Drums: Daniel Humair Molinetti<br />
Flute: Hernandez<br />
trumpet: Roger Guerin<br />
Tenor-Sax: B. Garcia<br />
Percussi<strong>on</strong>: Ceret<br />
Strings: Les Viol<strong>on</strong>s de Paris<br />
Orchestra arrangement: Yvan Jullien<br />
Date <str<strong>on</strong>g>of</str<strong>on</strong>g> Recording: 1965, Paris<br />
All s<strong>on</strong>gs composed by Billy Nencioli and <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>
Os Afro-Sambas de <str<strong>on</strong>g>Baden</str<strong>on</strong>g> & Vinicius - Forma (Br) FM 16 - 1966<br />
1 Canto de Ossanha 3´24<br />
2 Canto de Xangô 6´31<br />
3 Bocochê 2´36<br />
4 Canto de Iemanjá 4´49<br />
5 Tempo de amor 4´30<br />
6 Canto do caboclo Pedra Preta 3´41<br />
7 Tristeza e solidão 4´35<br />
8 Lamento de Exu * 2´16<br />
Vinicius de Moraes (vcl)<br />
Dulce Nunes (vcl) *<br />
Quarteto em Cy (vcl)<br />
<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> (git)<br />
Nicolino Copia (fl)<br />
Jorge Marinho (b)<br />
Reisinho (dr)<br />
Alfredo Bessa (atabaque)<br />
Nels<strong>on</strong> Luis (atabaque pequeno) / Pedro Luiz de Assis (t-sax) / Aurino Ferreira (bar-sax) /<br />
Alexandre Silva Martins (b<strong>on</strong>go) / Gils<strong>on</strong> de Freitas (pandeiro) / Mineirinho (agogo) / Adyr<br />
Jose Raymundo (afoche)<br />
Quarteto em Cy: Cyva, Cybele, Cynara e Cylene<br />
Coro Misto (vcl): Eliana Sabino / Betty Faria / Tereza Drumm<strong>on</strong>d / Nelita / Dr. Cesar Augusto<br />
Parga Rodrigues / Otto G<strong>on</strong>calves Filho (vcl, git)<br />
Directi<strong>on</strong> and Producti<strong>on</strong>: Roberto Quartin and Wadi Gebara<br />
Date <str<strong>on</strong>g>of</str<strong>on</strong>g> recording: 3 – 6 th January 1966, Rio de Janeiro<br />
Linernotes: Vinicius de Moraes, Februrary 1966 (in Portuguese)<br />
All s<strong>on</strong>gs written by <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes
Tempo Feliz - Forma (Br) - VDL 100 - 1966<br />
1 Vou por aí (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Aloysio de Oliveira) 6´31<br />
2 Apelo (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes) 4´15<br />
3 A chuva (Pedro Camargo - Durval Ferreira) 4´40<br />
4 Deixa (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes) 3´53<br />
5 C<strong>on</strong>solação (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes) 7´43<br />
6 Sem saber (Otto G<strong>on</strong>çalves Filho) 3´17<br />
7 Pro forma (Arnaldo Costa - Maurício Einhorn) 4´27<br />
8 Tempo feliz (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes) 4´19<br />
<strong>Guitar</strong>: <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g><br />
Harm<strong>on</strong>ica: Mauricio Einhorn<br />
Bass: Edis<strong>on</strong> Lobo<br />
Drums: Chico Batera<br />
Directi<strong>on</strong> and Producti<strong>on</strong>: Roberto Quartin and Wadi Gebara<br />
Date <str<strong>on</strong>g>of</str<strong>on</strong>g> recording: 24 - 25 th January 1966, Rio de Janeiro<br />
Linernotes: Roberto Quartin, 1966 (in Portuguese)
<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> ao Vivo no Teatro Santa Rosa - Elenco (Br) ME 30 - 1966<br />
1 Abertura (Berimbau) - Chôro para metrônomo (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 2´54<br />
2 Astr<strong>on</strong>auta (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes) 2´41<br />
3 Valsa de Euridice (Vinicius de Moraes) 3´30<br />
4 Prelúdio em ré menor (J. S. Bach) 2´09<br />
5 Berimbau (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes) 3´30<br />
6 C<strong>on</strong>solação (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes) 6´28<br />
7 Lamento (Vinicius de Moraes - Pixinguinha) 3´25<br />
8 Samba de uma nota só (Newt<strong>on</strong> Mend<strong>on</strong>ça - Tom Jobim) 1´54<br />
9 Tempo feliz (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes) 3´06<br />
<strong>Guitar</strong>: <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g><br />
Piano: Oscar Castro Neves<br />
Bass: Carlinhos<br />
Drums: Victor Manga<br />
Directi<strong>on</strong> and Producti<strong>on</strong>: Aloysio de Oliveira<br />
Date <str<strong>on</strong>g>of</str<strong>on</strong>g> recording: Live at the Teatro Santa Rosa, 1966<br />
Linernotes: Aloysio de Oliveira, 1966 (in Portuguese)
Tristeza <strong>on</strong> <strong>Guitar</strong> - Saba (D) - SB 15090 ST - 1966<br />
Gatefoldcover <str<strong>on</strong>g>of</str<strong>on</strong>g> the original SABA pressing
Tristeza <strong>on</strong> <strong>Guitar</strong> - Saba (D) - SB 15090 ST - 1966<br />
1 Tristeza (Haroldo Lobo - Niltinho) 3´18<br />
2 Canto de Xangô (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes) 4´43<br />
3 Round about midnight (Hanighen - T.M<strong>on</strong>k - C.Williams) 5´33<br />
4 Saravá (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes) 3´35<br />
5 Canto de Ossanha (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes) 3´38<br />
6 Manhã de carnaval (Antônio Maria - Luiz B<strong>on</strong>fá) 3´10<br />
7 Invenção em 7 ½ (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 5´12<br />
8 Das rosas (Dorival Caymmi) 5´28<br />
9 Som do carnaval (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Copinha) 3´30<br />
10 O Astr<strong>on</strong>auta (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes) 2´25<br />
<strong>Guitar</strong>, Agogo, Surdo: <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g><br />
Flute, Agogo: Copinha<br />
Bass: Sergio Barroso<br />
Atabaque, Cuica: Alfredo Bessa<br />
Pandeiro, Atabaque: Amauri Coelho<br />
Drums: Milt<strong>on</strong> Banana<br />
Producti<strong>on</strong>: Joachim E. Berendt and Wadi Gebara Netto<br />
Recorded <strong>on</strong> 1 st June at the Studio RioSom and 2 st June at the Studio At<strong>on</strong>al, <strong>Brazil</strong><br />
Linernotes: Joachim E. Berendt, 1966 (in German and English)
<str<strong>on</strong>g>Baden</str<strong>on</strong>g> – O Som de <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Elenco (Br) ME 48 – released 1968 (recorded 1966)<br />
1 Canto de Ossanha * (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes) 6´53<br />
2 Tristeza (Haroldo Lobo - Niltinho) 3´10<br />
3 Manhã de carnaval (Antônio Maria - Luiz B<strong>on</strong>fá) 3´00<br />
4 Round about midnight * (Hanighen - T.M<strong>on</strong>k - C.Williams) 5´18<br />
5 Invenção em 7 ½ * (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 5´00<br />
6 Canto de Xangô (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes) 4´32<br />
7 Percussão e batuque ** (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 3´07<br />
8 Lamento ** (Vinicius de Moraes - Pixinguinha) 3´27<br />
9 Saravá (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes) 3´25<br />
10 Das rosas* (Dorival Caymmi) 5´26<br />
<strong>Guitar</strong>, Agogo, Surdo: <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g><br />
Flute, Agogo: Copinha<br />
Bass: Sergio Barroso<br />
Atabaque, Cuica: Alfredo Bessa<br />
Pandeiro, Atabaque: Amauri Coelho<br />
Drums: Milt<strong>on</strong> Banana<br />
Producti<strong>on</strong>: Joachim E. Berendt and Wadi Gebara Netto<br />
Recorded <strong>on</strong> 1 st June at the Studio Riosom S/A and 2 nd June at the Studio At<strong>on</strong>al.<br />
Linernotes: Aloysio de Oliveira, 1968 (in Portuguese)<br />
Outtake Album with different * or other tracks** <str<strong>on</strong>g>of</str<strong>on</strong>g> the 1966 original album:<br />
Tristeza <strong>on</strong> <strong>Guitar</strong>
Berlin Festival <strong>Guitar</strong> Workshop - Saba (D) 15146 ST – 1968 (recorded 1967)<br />
Gatefoldcover
Berlin Festival <strong>Guitar</strong> Workshop - Saba (D) 15146 ST – 1968 (recorded 1967)<br />
1 Lazy River performed by Elmer Snowden (Hoagy Carmichael) 2´30<br />
2 Elmer's boogie performed by Elmer Snowden (Elmer Snowden) 2´00<br />
3 First time I met the blues performed by Buddy Guy (Buddy Guy) 4´00<br />
4 Drinking Muddy Water performed by Buddy Guy (Jimmy Witherspo<strong>on</strong>) 2´48<br />
5 On a clear day performed by Barney Kessel (Barney Kessel) 2´45<br />
6 Manhã de carnaval / Samba performed by Barney Kessel (Antônio Maria - Luiz B<strong>on</strong>fá) 5´12<br />
7 Careful performed by Jim Hall (Jim Hall) 6´15<br />
8 You stepped out <str<strong>on</strong>g>of</str<strong>on</strong>g> a dream performed by Barney Kessel and Jim Hall (Kahn - Brown) 5´49<br />
9 Garota de Ipanema performed by <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> (Tom Jobim – V. de Moraes)<br />
10 Samba triste performed by <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Billy Blanco)<br />
11 Berimbau performed by <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes)<br />
<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> (git)<br />
Steve Swallow (b)<br />
Bobby Moses (dr)<br />
Producti<strong>on</strong>: Joachim E. Berendt and George Wein<br />
Date <str<strong>on</strong>g>of</str<strong>on</strong>g> recording: 5 th November 1967, Philharm<strong>on</strong>ic Hall, Berlin<br />
Linernotes: Joachim E. Berendt (in German and English)<br />
<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> played as solo-encore in Berlin: Samba de uma nota so (1’56 min.)<br />
This track is unreleased.
Poema <strong>on</strong> <strong>Guitar</strong> - Saba (D) - 15150 ST – 1968 (recorded 1967)<br />
Gatefoldcover <str<strong>on</strong>g>of</str<strong>on</strong>g> the original pressing
Poema <strong>on</strong> <strong>Guitar</strong> - Saba (D) - 15150 ST – 1968 (recorded 1967)<br />
1 Feitinha pro poeta (Lula Freire - <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 5´58<br />
2 Dindi (Tom Jobim - Aloysio de Oliveira) 3´05<br />
3 C<strong>on</strong>solação (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes) 6´15<br />
4 Tristeza e solidão (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes) 2´30<br />
5 Samba triste (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Billy Blanco) 4´15<br />
6 Eurídice (Vinicius de Moraes) 4´05<br />
7 All the things you are (J.Kerr - O.Jammerstein II) 4´20<br />
8 Reza (Ruy Guerra - Edu Lobo) 3´45<br />
<strong>Guitar</strong>: <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g><br />
Flute: Sidney Smith<br />
Bass: Eberhard Weber<br />
Drums: Charly Antolini<br />
Directi<strong>on</strong> and Producti<strong>on</strong>: Joachim E. Berendt<br />
Date <str<strong>on</strong>g>of</str<strong>on</strong>g> recording: 11 th November 1967, Villingen (Blackforest, Germany)<br />
Linernotes: Joachim E. Berendt, 1968 (in German and English)
<str<strong>on</strong>g>Baden</str<strong>on</strong>g> - Marcia - Os Originais Do Samba - Show / Recital - Philips (Br) - 765.052 L - 1968<br />
1 Vento vadio (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 2´54<br />
2 Marcha escocesa (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 2´44<br />
3 Carinhoso (Pixinguinha - João de Barro) 3´59<br />
4 Eurídice (Vinicius de Moraes) 3´59<br />
5 Berimbau (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes) 9´07<br />
6 Canto do Caboclo Pedra Preta (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes) 3´36<br />
7 Só por amor (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes) 4´52<br />
8 Apelo (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes) 4´01<br />
9 Samba da bênção (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes) 9´26<br />
Vocal: Marcia<br />
<strong>Guitar</strong>, Vocal: <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g><br />
Bass: Ernesto Ribeiro-G<strong>on</strong>calves<br />
Flute: Manoelzinho<br />
Drums: Helio Schiavo<br />
<strong>Brazil</strong>ian Percussi<strong>on</strong>s, Vocal: Alfredo Bessa<br />
Os Originais do Samba:<br />
Pandeiro: Bigode / Tamborim: Lelei / Surdo: Rubens / Agogo Chiquinho / Reco-Reco:<br />
Mussum / Cuica: Zeca<br />
Directi<strong>on</strong> and Producti<strong>on</strong>: Manuel Berembeim<br />
Date <str<strong>on</strong>g>of</str<strong>on</strong>g> recording: 5 July - 4 August 1968, Teatro Bela Vista
27 Horas de Estúdio - Elenco (Br) ME 57 – 1969 (recorded 1968)<br />
1 Lótus (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 4´48<br />
2 Iemanjá (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes) 2´28<br />
3 All the things you are (O.Hammerstein II - J.Kern) 3´33<br />
4 Um abraço no Codó (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 1´32<br />
5 Violão (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 5´55<br />
6 O cego Aderaldo [Nordeste] (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 3´42<br />
7 A lenda do Abaeté (Dorival Caymmi) 4´14<br />
8 Alô, Ernesto (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 2´59<br />
9 Viagem (Paulo César Pinheiro - João de Aquino) 2´59<br />
10 Double (J.S.Bach) 3´36<br />
<strong>Guitar</strong>: <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g><br />
Bass: Ernesto Ribeiro-G<strong>on</strong>calves<br />
Drums: Helio Schiavo<br />
<strong>Brazil</strong>ian Percussi<strong>on</strong>s: Alfredo Bessa<br />
Directi<strong>on</strong> and Producti<strong>on</strong>: Joao Mello<br />
Date <str<strong>on</strong>g>of</str<strong>on</strong>g> Recording: 1968, <strong>Brazil</strong><br />
Linernotes: Vinicius de Moraes, 1968 (in Portuguese)
Le M<strong>on</strong>de Musical de <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> Vol 2 - Barclay (F) 80385 - 1969<br />
� Backcover is the same.<br />
A french Barclay pressing with the number 80385 exist too, but without Gatefoldcover.
Le M<strong>on</strong>de Musical de <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> Vol 2 - Barclay (F) 80385 - 1969<br />
1 Lapinha (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Paulo César Pinheiro) 4´15<br />
2 Nocturne nº 13, Opus 48, nº 1 (Chopin) 5´00<br />
3 Lamento (Pixinguinha) 3´35<br />
4 A volta (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 3´03<br />
5 Ao meu amigo Pedro Santos (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 3´00<br />
6 Formosa (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes) 2´48<br />
7 Ária (J. S. Bach) 3´40<br />
8 Iemanjá (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes) 3´08<br />
9 Três histórias (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 2´09<br />
10 Largo (Handel) 2´15<br />
11 Marítima (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 4´31<br />
<strong>Guitar</strong>, Vocal: <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g><br />
Flute: Raym<strong>on</strong>d Guiot<br />
Trumpet: Ivan Jullien<br />
Percussi<strong>on</strong>: Silvio Silviera<br />
Drums: Nels<strong>on</strong> Serra de Castro<br />
Directi<strong>on</strong> and Producti<strong>on</strong>: Jacques Lubin<br />
Date <str<strong>on</strong>g>of</str<strong>on</strong>g> recording: 12-13 th January 1969, Paris
As Músicas de <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> e Paulo César Pinheiro - Elenco (Br) ME 63 – 1970<br />
„Os Cantores da Lapinha“<br />
1 Aviso aos navegantes 2´36<br />
2 Quaquaraquaquá (Vou deitar e rolar) 3´16<br />
3 Refém da solidão 4´38<br />
4 Carta de poeta 3´03<br />
5 Lapinha 4´11<br />
6 É de lei 3´22<br />
7 Falei e disse 3´45<br />
8 P<strong>on</strong>to 4´02<br />
9 Violão vadio 3´33<br />
10 Samba do perdão 3´15<br />
<strong>Guitar</strong>, Vocal: <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g><br />
Percussi<strong>on</strong>, Vocals: Os Cantores da Lapinha<br />
Directi<strong>on</strong> and Producti<strong>on</strong>: Joao Mello<br />
Linernotes: Paulo César Pinheiro, 1970 (in Portuguese)<br />
All s<strong>on</strong>gs composed by <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> and Paulo César Pinheiro
<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> Live in Japan - King Record/Barclay (J) GP35 – 1971 (recorded 1970)<br />
Gatefoldcover left side Booklet page 1<br />
Booklet page 2-3 Linernotes in japanese
<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> Live in Japan - King Record/Barclay (J) GP35 – 1971 (recorded 1970)<br />
Booklet page 4 Gatefoldcover right side<br />
1 Garota de Ipanema (Tom Jobim - Vinicius de Moraes) 2´50<br />
2 Samba triste (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Billy Blanco) 6´14<br />
3 Jesus bleibet meine Freude (J. S. Bach) 4´17<br />
4 Marche écossaise (Traditi<strong>on</strong>al) 2´47<br />
5 C<strong>on</strong>solação (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes) 7´04<br />
6 Tristeza (Haroldo Lobo - Niltinho) 2´40<br />
7 Eurídice (Vinicius de Moraes) 4´12<br />
8 Berimbau (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes) 6´26<br />
9 Chans<strong>on</strong> de l'Adieu (Frederic Chopin, arr. <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 4´07<br />
<strong>Guitar</strong>, Vocal: <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g><br />
Bass: Ernesto Ribeiro-G<strong>on</strong>calves<br />
Drums: Helio Schiavo<br />
<strong>Brazil</strong>ian Percussi<strong>on</strong>s, Vocal: Alfredo Bessa<br />
Japanese Linernotes by Mamoru Oshima, an Japanese Jazz expert.<br />
Date <str<strong>on</strong>g>of</str<strong>on</strong>g> recording: 5-6 th October 1970 at the "Sankei Hall", Japan<br />
Mamoru Oshima passed away in 1997.
<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> – Barclay (J) HIT 1836 – 1971 (recorded 1970)<br />
1 Manha de carnaval (Luiz B<strong>on</strong>fa – Ant<strong>on</strong>io Maria) 3´56<br />
2 Itsuki-No-Komoriuta (Lullaby <str<strong>on</strong>g>of</str<strong>on</strong>g> Itsuki) (Japanese Folklore) 3´07<br />
<strong>Guitar</strong>: <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g><br />
Flute: Toshiaki Yokota<br />
Bass: Masaoki Terakawa<br />
Drums: Chito Kawachi<br />
Date <str<strong>on</strong>g>of</str<strong>on</strong>g> studio recording: October 1970, Japan<br />
Backcover translati<strong>on</strong> <str<strong>on</strong>g>of</str<strong>on</strong>g> the single:<br />
On Sep. 27, 1970 finally <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> came to Japan. In the past, there were a<br />
couple <str<strong>on</strong>g>of</str<strong>on</strong>g> rumor which he would come to Japan, but never happened before, so his<br />
visiting Japan made many people be very interested in. He attended sec<strong>on</strong>d New<br />
Port Jazz Festival In Japan, and he was much better than other veteran Jazz<br />
musicians like M<strong>on</strong>k, Carmen Mcrae. Many people could not hide their exciting<br />
feeling, because finally we could listen his live performance which was called<br />
Legend <str<strong>on</strong>g>of</str<strong>on</strong>g> Bossa Nova <strong>Guitar</strong> Poet. Specially, it seems the best from midnight to<br />
5:00am <strong>on</strong> Oct.3, Sat. his guitar sound was very fluent and fantasy like aid from<br />
heaven for me who was drinking very bad test <str<strong>on</strong>g>of</str<strong>on</strong>g> c<str<strong>on</strong>g>of</str<strong>on</strong>g>fee and had sleepy eyes at the<br />
dawn.<br />
<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> was born <strong>on</strong> Aug.6 1937 at the small village in Rio de Janeiro states. His<br />
family moved to downtown in Rio de Janeiro, after he was born. His talent <str<strong>on</strong>g>of</str<strong>on</strong>g> music<br />
was bloomed from when he was young because his father was violinist. And also<br />
because he grown up in the center <str<strong>on</strong>g>of</str<strong>on</strong>g> music city. He started to play the guitar when<br />
he was 3-4 year old, and trained with the his father's music score <str<strong>on</strong>g>of</str<strong>on</strong>g> violin. And when<br />
he was 8 year old, he took pr<str<strong>on</strong>g>of</str<strong>on</strong>g>essi<strong>on</strong>al class <str<strong>on</strong>g>of</str<strong>on</strong>g> guitar. He passed tough course which<br />
has 4 hours less<strong>on</strong> a day, so that he mastered playing guitar in very short time.
<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> – Barclay (J) HIT 1836 – 1971 (recorded 1970)<br />
He played guitar in the small festival when he was 8 year old, and he started to play<br />
guitar in the club when he was 15 year old. And he was getting popular after he<br />
played with female star singer Dolores Duran. He played as sideman for Sylvia Telles<br />
in 1960, and the road for star was opened for him. Also play with Ant<strong>on</strong>io Carlos<br />
Jobim, Joao Gilberto and others in club at Copacabana made him be more<br />
popular. And also meeting with Vinicius de Moraes who is the author <str<strong>on</strong>g>of</str<strong>on</strong>g> Manha De<br />
Carnaval, pianist, guitarist and s<strong>on</strong>g writer made him more grow and be more<br />
famous. It means that Vinicius loved his guitar and he wrote poem for his s<strong>on</strong>gs, and<br />
gave him many advice. Those above experience or relati<strong>on</strong>ship with above people<br />
made his status as No.1 Bossa Nova <strong>Guitar</strong>ist all over the world.<br />
+ Manha De Carnaval / Lullaby <str<strong>on</strong>g>of</str<strong>on</strong>g> Itsuki<br />
<str<strong>on</strong>g>Baden</str<strong>on</strong>g> recorded those 2 s<strong>on</strong>gs when he was in Japan.<br />
Of course this is his first recording in Japan. I hope the Japanese audience love those<br />
s<strong>on</strong>gs, because this s<strong>on</strong>gs were selected and arranged for Japanese audience.<br />
Side A is Manha De Carnaval which was written by Vinicius De Moraes [sic!] as<br />
above. Back musicians are Toshiaki Yokota (Flute) who is much popular than Sadao<br />
Watanabe now, Terakawa (bass) and Chito Kawauchi (drums)<br />
On Side B, <str<strong>on</strong>g>Baden</str<strong>on</strong>g> play guitar with scat sometimes, and it's very beautiful and<br />
w<strong>on</strong>derful. - Mari Mizuki, January 1971
Canto <strong>on</strong> <strong>Guitar</strong> - MPS (D) 15.300 ST – 1971 (recorded 1970)<br />
1 Samba em prelúdio (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes) 3´00<br />
2 Três temas da fé afro-brasileira: Pai 4´36 / Filho 9´10 / Espírito Santo 4´35 (B. P.)<br />
3 Marcha escocesa (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 2´00<br />
4 Tributo a um amigo (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 6´41<br />
5 Quaquaraquaqua (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Paulo César Pinheiro) 4´06<br />
6 Cegos do nordeste (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 5´45<br />
<strong>Guitar</strong>, Vocal: <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> / Bass: Ernesto Ribeiro-G<strong>on</strong>calves<br />
Drums: Helio Schiavo / <strong>Brazil</strong>ian Percussi<strong>on</strong>s: Alfredo Bessa<br />
Producti<strong>on</strong>: Joachim E. Berendt<br />
Date <str<strong>on</strong>g>of</str<strong>on</strong>g> recording: 2 – 3 th December 1970 , MPS-Studio in Villingen, Germany<br />
Linernotes: Joachim E. Berendt (in German and English)
Lotus - Festival (F) - FLDX 598 – 1971 (recorded 1970)<br />
1 Pai (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 6´34<br />
2 Tristeza (Haroldo Lobo - Niltinho) 3´49<br />
3 Round about midnight (B.Hanighen - T.M<strong>on</strong>k - C.Williams) 4´25<br />
4 Nega do cabelo duro (Rubens Soares - David Nasser) 4´40<br />
5 Aos pés da Santa Cruz (Marino Pinto - Zé da Zilda) 3´26<br />
6 Lotus (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 5´05<br />
<strong>Guitar</strong>, Vocal: <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g><br />
Bass: Ernesto Ribeiro-G<strong>on</strong>calves<br />
Drums: Helio Schiavo<br />
<strong>Brazil</strong>ian Percussi<strong>on</strong>s: Alfredo Bessa<br />
Directi<strong>on</strong> and Producti<strong>on</strong>: Andre Francis, Henri Renaud, Bernard Li<strong>on</strong><br />
Date <str<strong>on</strong>g>of</str<strong>on</strong>g> TV recording: 9 th December 1970, Paris<br />
Date <str<strong>on</strong>g>of</str<strong>on</strong>g> first TV-Release: 28 th December 1971 by ORTF, France.<br />
Linernotes: Extract <str<strong>on</strong>g>of</str<strong>on</strong>g> a interview with <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> (in French)
<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> Quartet Vol.1 - Barclay (F) 80.428 U – 1971 (recorded 1970)<br />
1 Pra que chorar (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes) 4´45<br />
2 Refém da solidão (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Paulo César Pinheiro) 7´05<br />
3 Do jeito que a gente quer (Ed Lincoln) 4´05<br />
4 Rapaz de bem (Johnny Alf) 4´10<br />
5 Atirei o pau no gato (Folclore, Arr. <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 2´50<br />
6 Dora (Dorival Caymmi) 3´00<br />
7 Batuque No "B" (Folclore, Arr. <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 6´03<br />
<strong>Guitar</strong>, Vocal: <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g><br />
Bass: Ernesto Ribeiro-G<strong>on</strong>calves<br />
Drums: Helio Schiavo<br />
<strong>Brazil</strong>ian Percussi<strong>on</strong>s: Alfredo Bessa<br />
Vocal: Janine de Waleyne<br />
Basse-Flute: Lou Game<br />
Tromb<strong>on</strong>e: Charles Verstraete<br />
Tenor-Sax: Pierre Gossez<br />
Arrangements: Jean-Michel Defaye<br />
Producti<strong>on</strong>: Jacques Lubin<br />
Date <str<strong>on</strong>g>of</str<strong>on</strong>g> recording: 10 –12 th December 1970 at the Studio Barclay-Hoche, Paris<br />
Linernotes: Jacques Lubin (in French and English)
<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> Quartet Vol.2 - Barclay (F) 80.429 U – 1971 (recorded 1970)<br />
1 Samba do perdão (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Paulo César Pinheiro) 5´48<br />
2 Cidade vazia (Lula Freire - <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 3´08<br />
3 Canção do filho (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Paulo César Pinheiro) 7´00<br />
4 Pai (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 4´57<br />
5 Ingênuo (Pixinguinha) 5´29<br />
6 Vou deitar e rolar (Quaquaraquaqua) (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Paulo César Pinheiro) 5´46<br />
<strong>Guitar</strong>, Vocal: <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g><br />
Bass: Ernesto Ribeiro-G<strong>on</strong>calves<br />
Drums: Helio Schiavo<br />
<strong>Brazil</strong>ian Percussi<strong>on</strong>s: Alfredo Bessa<br />
Vocal: Janine de Waleyne<br />
Basse-Flute: Lou Game<br />
Tromb<strong>on</strong>e: Charles Verstraete<br />
Tenor-Sax: Pierre Gossez<br />
Arrangements: Jean-Michel Defaye<br />
Producti<strong>on</strong>: Jacques Lubin<br />
Date <str<strong>on</strong>g>of</str<strong>on</strong>g> recording: 10 –12 th December 1970 at the Studio Barclay-Hoche, Paris<br />
Linernotes: Jacques Lubin (in French and English)
<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> Quartet Vol.3 - Barclay (F) 80.430 U – 1971 (recorded 1970)<br />
1 Coisa nº 1 (Moacyr Santos) 3´14<br />
2 Terra de Katmandou (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 9´20<br />
3 A primeira vez (Marçal - Bide) 3´03<br />
4 Ferro de passar (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Paulo César Pinheiro) 4´35<br />
5 Falei e disse (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Paulo César Pinheiro) 5´35<br />
6 Lua aberta (P. Frederico - João de Aquino) 5´24<br />
<strong>Guitar</strong>, Vocal: <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g><br />
Bass: Ernesto Ribeiro-G<strong>on</strong>calves<br />
Drums: Helio Schiavo<br />
<strong>Brazil</strong>ian Percussi<strong>on</strong>s, Vocal: Alfredo Bessa<br />
Vocal: Janine de Waleyne<br />
G-Flute: Lou Game<br />
Wooden-Flute: Ariel Kalma<br />
Arrangements: Jean-Michel Defaye<br />
Producti<strong>on</strong>: Jacques Lubin<br />
Date <str<strong>on</strong>g>of</str<strong>on</strong>g> recording: 10 –12 th December 1970 at the Studio Barclay-Hoche, Paris<br />
Linernotes: Jacques Lubin (in French and English)
<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Barclay (F) 80.431 U – 1971<br />
1 Carinhoso (Pixinguinha - João de Barro) 2´31<br />
2 Violão vadio (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Paulo César Pinheiro) 4´26<br />
3 Bom de dedo (Garoto) 2´04<br />
4 Naquele tempo (Benedito Lacerda - Pixinguinha) 4´37<br />
5 Gente humilde (Chico Buarque - Garoto - Vinicius de Moraes) 2´46<br />
6 Rosa (Pixinguinha) 4´00<br />
7 Pausa para meditação (Garoto) 2´24<br />
8 Márcia meu amor (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 5´19<br />
9 Filho de furinha * (Garoto) 2´15<br />
10 Um a zero (Flamengo – Vasco) (Benedito Lacerda - Pixinguinha) 2´42<br />
<strong>Guitar</strong>, Vocal: <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g><br />
Bass: Cesario Alvim<br />
Percussi<strong>on</strong>: Luis Agudo, Silvio Silveira<br />
Drums: Nels<strong>on</strong> Serra de Castro<br />
Vocal: Janine de Waleyne<br />
Orchestra: Jean Michel Defaye<br />
Directi<strong>on</strong> and Producti<strong>on</strong> : Jacques Lubin<br />
Date <str<strong>on</strong>g>of</str<strong>on</strong>g> recording: 20-22 th January 1971 at the Barclay Studio Hoche, Paris<br />
Linernotes: Jacques Lubin, (in French and English)<br />
* Furinha is the nick name <str<strong>on</strong>g>of</str<strong>on</strong>g> the brazilian composer Demerval F<strong>on</strong>seca Neto.
Shiretokoryojou - Hanayome - Cany<strong>on</strong> (J) Cal-5004 – 1971<br />
<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> plays modern japanese s<strong>on</strong>gs.<br />
Gatefoldcover <str<strong>on</strong>g>of</str<strong>on</strong>g> „Shiretokoryojou“
Shiretokoryojou - Hanayome - Cany<strong>on</strong> (J) Cal-5004 – 1971<br />
<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> plays modern japanese s<strong>on</strong>gs.<br />
1 Shiretokoryojou (Tedium Of A Journey In Shiretoko) 2´33<br />
2 Hanayome (Bride) 2´51<br />
3 Daremo inai umi (<str<strong>on</strong>g>The</str<strong>on</strong>g> Sea Which Is In Nobody) 3´00<br />
4 Ikigai (Definite Aim In Life) 2´53<br />
5 Kyoutobojou (Affecti<strong>on</strong> In Kyoto) 2´26<br />
6 Dekigoto (Occurrence) 3´10<br />
7 Wakareta atode (After Unrequited Love) 2´53<br />
8 Boukyou (Homesickness) 2´51<br />
9 Onna no iji (A Woman's Temper) 2´45<br />
10 Hana no meruhen (<str<strong>on</strong>g>The</str<strong>on</strong>g> Fairy Tale Of A Flower) 2´39<br />
11 Aki demo nai n<strong>on</strong>i (It Is Not Autumn, Either) 2´40<br />
12 Ai de kurunda iiwake (<str<strong>on</strong>g>The</str<strong>on</strong>g> Excuse Covered With Love) 2´37<br />
13 Memai (Giddiness) 3´09<br />
14 Houyou (An Embrace) 2´58<br />
<strong>Guitar</strong>: <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g><br />
and Orchestra.<br />
Date <str<strong>on</strong>g>of</str<strong>on</strong>g> recording: April 1971, Japan<br />
Linernotes: Biography and Lyrics in Japanese
<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> On Stage - Cany<strong>on</strong> (J) C - 5005 - 1971<br />
Gatefoldcover <str<strong>on</strong>g>of</str<strong>on</strong>g> the „<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> <strong>on</strong> Stage“, 1971
<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> On Stage - Cany<strong>on</strong> (J) C - 5005 - 1971<br />
1 Garota de Ipanema (Tom Jobim - Vinicius de Moraes) 3´35<br />
2 C<strong>on</strong>solação (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes) 6´16<br />
3 Manhã de carnaval (Antônio Maria - Luiz B<strong>on</strong>fá) 3´56<br />
4 Na Baixa do Sapateiro (Ary Barroso) 3´26<br />
5 Samba da minha terra (Dorival Caymmi) 3´42<br />
6 Berimbau (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes) 10´10<br />
7 Samba triste (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Billy Blanco) 6´07<br />
8 Formosa (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes) 1´55<br />
9 Itsuki-No-Komoriuta (<str<strong>on</strong>g>The</str<strong>on</strong>g> Lullaby Of Itsuki) 2´42<br />
(Trad. japanese s<strong>on</strong>g, arr. <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>)<br />
10 Chans<strong>on</strong> De L'Adieu (Chopin, arr. <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 4´11<br />
<strong>Guitar</strong>, Vocal: <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g><br />
Bass: Isao Suzuki<br />
<strong>Brazil</strong>ian Percussi<strong>on</strong>s, Vocal: Alfredo Bessa<br />
Date <str<strong>on</strong>g>of</str<strong>on</strong>g> recording: 19 th – 20 th April 1971, Live at the Sankai Hall, Japan
Estudos - Elenco (Br) SE 1007 / MPS (D) 15.381 - 1971/1974 (recorded 1971)<br />
German MPS LP release, 1974
Estudos - Elenco (Br) SE 1007 / MPS (D) 15.381 - 1971/1974 (recorded 1971)<br />
1 Encosta para vê se dá ** (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 3´09<br />
2 Pra valer (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Paulo César Pinheiro) 2´52<br />
3 Pai (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Paulo César Pinheiro) 3´25<br />
4 Serenata do adeus (Vinicius de Moraes) 4´18<br />
5 Tapiilraiauara (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 3´30<br />
6 Valsa sem nome (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes) 2´35<br />
7 É isso aí (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 1´51<br />
8 Chão de estrelas (Silvio Caldas - Orestes Barbosa) 3´20<br />
9 Crepúsculo (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 3´34<br />
10 Tema triste (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 4´25<br />
11 Baixo de pau (Um abraço, Ernesto) ** (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 2´40<br />
12 Último porto (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 5´40<br />
<strong>Guitar</strong>, Bass**, Vocal: <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g><br />
<strong>Brazil</strong>ian Percussi<strong>on</strong>s, Vocal: Alfredo Bessa<br />
Directi<strong>on</strong> and Producti<strong>on</strong>: Joao Mello<br />
Date <str<strong>on</strong>g>of</str<strong>on</strong>g> recording: 1970 at the "Hawaii Studios", Rio de Janeiro<br />
<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>s last record for Elenco. Re-released 1974 by the German Label MPS.
Images <strong>on</strong> <strong>Guitar</strong> - MPS (D) 15.328 – 1972 (recorded 1971)<br />
Gatefoldcover <str<strong>on</strong>g>of</str<strong>on</strong>g> the original german pressing, 1972
Images <strong>on</strong> <strong>Guitar</strong> - MPS (D) 15.328 – 1972 (recorded 1971)<br />
E dei lei (Images <strong>on</strong> guitar) - Philips (Br) 6349036 – released 1972<br />
1 Até eu (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Paulo César Pinheiro) 4´32<br />
2 Petite waltz (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 3´58<br />
3 Violão vagabundo (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Paulo César Pinheiro) 4´33<br />
4 C<strong>on</strong>versacao comigo mesmo (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 7´32<br />
5 Blues à vol<strong>on</strong>té (Janine de Waleyne - <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 8´53<br />
6 Sentimentos, se você pergunta nunca vai saber (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 4´12<br />
7 É de lei (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Paulo César Pinheiro) 2´24<br />
8 Canto (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 4´58<br />
<strong>Guitar</strong>, Vocal: <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g><br />
Vocal: Janine de Waleyne<br />
Bass: Ernesto Ribeiro-G<strong>on</strong>calves<br />
Drums: Joaquim Paes Henriques<br />
<strong>Brazil</strong>ian Percussi<strong>on</strong>s: Alfredo Bessa<br />
Producti<strong>on</strong>: Joachim E. Berendt with Cany<strong>on</strong> <str<strong>on</strong>g>Records</str<strong>on</strong>g>, Tokyo for MPS-<str<strong>on</strong>g>Records</str<strong>on</strong>g><br />
Date <str<strong>on</strong>g>of</str<strong>on</strong>g> recording: 25 – 26 th October 1971, Villingen (Blackforest, Germany)<br />
Linernotes: Joachim E. Berendt (in German and English)<br />
Also exist a japanese press <str<strong>on</strong>g>of</str<strong>on</strong>g> the Images <strong>on</strong> <strong>Guitar</strong> <strong>on</strong> Cany<strong>on</strong> Label, 1972.
Solitude <strong>on</strong> <strong>Guitar</strong> - CBS (D) S 65494 - 1973 (recorded 1971)<br />
<str<strong>on</strong>g>The</str<strong>on</strong>g> German pressing has <strong>on</strong>e text-insert in English and German.
Solitude <strong>on</strong> <strong>Guitar</strong> - CBS (D) S 65494 - 1973 (recorded 1971)<br />
1 Introdução ao Poema dos Olhos da Amada<br />
(<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes - Paulo Soledade) 3´27<br />
2 Chará (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 2´14<br />
3 Se todos fossem iguais a você (Tom Jobim - Vinicius de Moraes) 2´10<br />
4 Márcia, eu te amo (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 5´10<br />
5 Na gafieira do Vidigal (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 5´20<br />
6 Kommt ein Vogel geflogen (Tradici<strong>on</strong>al) 1´33<br />
7 Fim da linha (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 2´55<br />
8 <str<strong>on</strong>g>The</str<strong>on</strong>g> shadow <str<strong>on</strong>g>of</str<strong>on</strong>g> you smile (Johnny Mandel) 2´00<br />
9 Brasiliana (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 3´27<br />
10 Bassamba (Eberhard Weber) 4´41<br />
11 Por causa de você (Dolores Duran - Tom Jobim) 2´56<br />
12 Solitário (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 2´52<br />
<strong>Guitar</strong>: <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g><br />
Bass: Eberhard Weber<br />
Drums: Joaquim Paes Henriques<br />
Producti<strong>on</strong>: Joachim E. Berendt and Julio Medaglia<br />
Date <str<strong>on</strong>g>of</str<strong>on</strong>g> recording: 10 – 11 th December 1971 at Studio Walldorf (Germany)<br />
Linernotes: Joachim E. Berendt (in German and English)
Grandezza <strong>on</strong> <strong>Guitar</strong> - CBS (NL) 80 141- 1974 (recorded 1971)<br />
1 Apelo (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes) 4´52<br />
2 Tributo ao Julio (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 8´18<br />
3 Samba de lamento (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 5´23<br />
4 Labareda (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 8´53<br />
5 It was a w<strong>on</strong>derful year (Drake) 2´44<br />
6 Improvisati<strong>on</strong> before breakfast (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 8´34<br />
<strong>Guitar</strong>, Vocal: <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g><br />
Bass: Eberhard Weber<br />
Flute: Herb Geller<br />
Drums: Joaquim Paes Henriques<br />
Producti<strong>on</strong>: Joachim E. Berendt and Julio Medaglia<br />
Date <str<strong>on</strong>g>of</str<strong>on</strong>g> recording: 10 – 11 th December 1971 at Studio Walldorf (Germany)<br />
Linernotes: Julio Medaglia (in German)
L'ame de <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> Vol.1- Festival (F) FLD 618 - 1973 (recorded 1972)<br />
Gatefold cover <str<strong>on</strong>g>of</str<strong>on</strong>g> the original Festival pressing
L'ame de <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> Vol.1- Festival (F) FLD 618 - 1973 (recorded 1972)<br />
1 Barquinho (Roberto Menescal - R<strong>on</strong>aldo Bôscoli) 6´22<br />
2 Eu e a brisa (Johnny Alf) 2´57<br />
3 Vento vadio (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 3´10<br />
4 Palpite infeliz (Noel Rosa) 5´17<br />
5 Samba do avião (Tom Jobim) 3´05<br />
6 Retrato brasileiro (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 3´08<br />
7 Triste (Tom Jobim) 6´30<br />
8 Eu não tenho ninguém (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 5´37<br />
<strong>Guitar</strong>, Vocal: <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g><br />
Bass: Guy Pedersen<br />
Drums: Joaquim Paes Henriques<br />
Percussi<strong>on</strong>: Luis Agudo<br />
Vocal: Janine de Waleyne<br />
Directi<strong>on</strong>: Arnauld de Froberville<br />
Producti<strong>on</strong>: Philippe Thomas<br />
Date <str<strong>on</strong>g>of</str<strong>on</strong>g> recording: Begin <str<strong>on</strong>g>of</str<strong>on</strong>g> Dezember 1972, Studio Frem<strong>on</strong>tel, Paris<br />
Linernotes in French and English
L´art de <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> Vol.2 - Festival (F) FLD 624 – 1973 (recorded 1972)<br />
Gatefold cover <str<strong>on</strong>g>of</str<strong>on</strong>g> the original Festival pressing
L´art de <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> Vol.2 - Festival (F) FLD 624 – 1973 (recorded 1972)<br />
1 Discussão (Tom Jobim) 3´58<br />
2 Tristeza e solidão (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes) 3´24<br />
3 C<strong>on</strong>solação (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes) 5´47<br />
4 Apelo (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes) 4´23<br />
5 Samba (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 7´55<br />
6 Pra dizer adeus (Edu Lobo - Torquato Neto) 4´12<br />
7 Upa neguinho (Gianfrancesco Guarnieri - Edu Lobo) 3´32<br />
8 Último porto (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 2´22<br />
<strong>Guitar</strong>, Vocal: <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g><br />
Bass: Guy Pedersen<br />
Drums: Joaquim Paes Henriques<br />
Percussi<strong>on</strong>: Luis Agudo<br />
Vocal: Janine de Waleyne<br />
Directi<strong>on</strong>: Arnauld de Froberville<br />
Producti<strong>on</strong>: Philippe Thomas<br />
Date <str<strong>on</strong>g>of</str<strong>on</strong>g> recording: Begin <str<strong>on</strong>g>of</str<strong>on</strong>g> Dezember 1972, Studio Frem<strong>on</strong>tel, Paris<br />
Linernotes in French and English
Le Genie de <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> Vol.3 - Festival (F) FLD 627 – 1973 (recorded 1972)<br />
Gatefold cover <str<strong>on</strong>g>of</str<strong>on</strong>g> the original Festival pressing
Le Genie de <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> Vol.3 - Festival (F) FLD 627 – 1973 (recorded 1972)<br />
1 Amélia (Ataulfo Alves - Mário Lago) 3´58<br />
2 O mar (Dorival Caymmi) 4´45<br />
3 Vem chegando a madrugada (Zuzuca - Noel Rosa de Oliveira) 5´35<br />
4 Meditação (Newt<strong>on</strong> Mend<strong>on</strong>ça - Tom Jobim) 5´14<br />
5 Eu sei que vou te amar (Tom Jobim - Vinicius de Moraes) 3´39<br />
6 Corcovado (Tom Jobim) 3´50<br />
7 Saudades de Márcia (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 3´15<br />
8 Abração em Madrid (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 6´00<br />
<strong>Guitar</strong>, Vocal: <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g><br />
Bass: Guy Pedersen<br />
Drums: Joaquim Paes Henriques<br />
Percussi<strong>on</strong>: Luis Agudo<br />
Vocal: Janine de Waleyne<br />
Directi<strong>on</strong>: Arnauld de Froberville<br />
Producti<strong>on</strong>: Philippe Thomas<br />
Date <str<strong>on</strong>g>of</str<strong>on</strong>g> recording: Begin <str<strong>on</strong>g>of</str<strong>on</strong>g> Dezember 1972, Studio Frem<strong>on</strong>tel, Paris<br />
Linernotes: Alain Lacombe (French and English)
Le Cœur de <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> Vol.4 - Festival (F) FLD 633 – 1973 (recorded 1972)<br />
Gatefoldcover <str<strong>on</strong>g>of</str<strong>on</strong>g> the original festival pressing
Le Cœur de <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> Vol.4 - Festival (F) FLD 633 – 1973 (recorded 1972)<br />
1 Xangô (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 5´27<br />
2 Simplesmente (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes) 3´28<br />
3 Samba do pintinho (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 4´30<br />
4 Asa branca (Luiz G<strong>on</strong>zaga - Humberto Teixeira) 4´40<br />
5 Chão de estrelas (Silvio Caldas - Orestes Barbosa) 4´34<br />
6 <strong>Brazil</strong>iense (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 8´50<br />
7 À la Claire F<strong>on</strong>taine (Tradici<strong>on</strong>al) 3´05<br />
<strong>Guitar</strong>, Vocal: <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g><br />
Bass: Guy Pedersen<br />
Drums: Joaquim Paes Henriques<br />
Percussi<strong>on</strong>: Luis Agudo<br />
Vocal: Janine de Waleyne<br />
Directi<strong>on</strong>: Arnauld de Froberville<br />
Producti<strong>on</strong>: Philippe Thomas<br />
Date <str<strong>on</strong>g>of</str<strong>on</strong>g> recording: Begin <str<strong>on</strong>g>of</str<strong>on</strong>g> Dezember 1972, Studio Frem<strong>on</strong>tel, Paris<br />
Handwritten Words: <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> (in French)
Apaix<strong>on</strong>ado - MPS (D) 15.443- 1975 (recorded 1973)<br />
1 Casa velha 5´05<br />
2 Alcântara 4´10<br />
3 Igarapé 6´40<br />
4 Estórias de Alcântara 7´55<br />
5 Waltzing 2´47<br />
6 Lembranças 6´03<br />
7 Abstrato 3´47<br />
8 As flores 5´45<br />
9 Bala T<str<strong>on</strong>g>of</str<strong>on</strong>g>fe ( wr<strong>on</strong>g titled as Balant<str<strong>on</strong>g>of</str<strong>on</strong>g>e) 4´37<br />
10 Brisa do mar 6´15<br />
<strong>Guitar</strong>, Vocal: <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g><br />
Bass: Gabriel Bezerra de Melo<br />
Drums: Joaquim Paes Henriques<br />
Cuica: Nels<strong>on</strong> Franca Guimaraes<br />
Percussi<strong>on</strong>s: Paulo Humberto Pizziali<br />
Oboe: Braz Limoge Filho<br />
Flute: Jorge Ferreira da Silva<br />
All compositi<strong>on</strong>s by <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>.<br />
Date <str<strong>on</strong>g>of</str<strong>on</strong>g> recording: 1973, Rio de Janeiro<br />
Linernotes: Claus Schreiner (in German and English)
La Grande Reuni<strong>on</strong> - Festival (F) FLD 634 – 1974/1975 (recorded 1974)<br />
Gatefoldcover <str<strong>on</strong>g>of</str<strong>on</strong>g> the original Festival pressing
La Grande Reuni<strong>on</strong> - Festival (F) FLD 634 – 1974/1975 (recorded 1974)<br />
1 Eu vim da Bahia (Gilberto Gil) 5´12<br />
2 Meditação (Newt<strong>on</strong> Mend<strong>on</strong>ça - Tom Jobim) 3´25<br />
3 Berimbau (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes) 5´42<br />
4 Desafinado (Newt<strong>on</strong> Mend<strong>on</strong>ça - Tom Jobim) 4´40<br />
5 Samba de uma nota só (Newt<strong>on</strong> Mend<strong>on</strong>ça - Tom Jobim) 5´22<br />
6 Isaura (Roberto Roberti - Herivelto Martins) 3´40<br />
7 Amor em paz (Tom Jobim - Vinicius de Moraes) 6´07<br />
8 Brasil (Ary Barroso) 4´18<br />
Violin: Stephane Grapelli<br />
<strong>Guitar</strong>, Vocal: <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g><br />
Bass: Guy Pedersen<br />
Percussi<strong>on</strong>s: Jorge G. Rezende, Clement de Waleyne<br />
Drums: Pierre-Alain Dahan<br />
Directi<strong>on</strong> and Producti<strong>on</strong>: Arnauld de Froberville<br />
Date <str<strong>on</strong>g>of</str<strong>on</strong>g> recording: 4-5 th September 1974 at the Studio Damiens, Paris
La Grande Reuni<strong>on</strong> Vol.2 - Young (Br) 320.733 – 1989 (recorded 1974)<br />
1 Michelle (McCartney - Lenn<strong>on</strong>) 3´14<br />
2 Yesterday (McCartney - Lenn<strong>on</strong>) 2´44<br />
3 Summer 42 (Michel Legrand) 2´45<br />
4 Fumette (Stephane Grapelli) 3´10<br />
5 You are the sunshine <str<strong>on</strong>g>of</str<strong>on</strong>g> my life (Stevie W<strong>on</strong>der) 4´00<br />
6 O pato (Neuza Teixeira - Jaime Silva) 4´08<br />
7 Recado (Djalma Ferreira – Luiz Ant<strong>on</strong>io) 4´00<br />
Violin: Stephane Grapelli<br />
<strong>Guitar</strong>: <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g><br />
Bass: Guy Pedersen<br />
Percussi<strong>on</strong>s: Jorge G. Rezende, Clement de Waleyne<br />
Drums: Pierre-Alain Dahan<br />
Directi<strong>on</strong> and Producti<strong>on</strong>: Arnauld de Froberville<br />
Date <str<strong>on</strong>g>of</str<strong>on</strong>g> recording: 4-5 th September 1974 at the Studio Damiens, Paris
Samba Triste Vol.5 - Festival (F) FLD 636 – 1975 (recorded 1974/1975)<br />
Gatefoldcover <str<strong>on</strong>g>of</str<strong>on</strong>g> the original Festival pressing
Samba Triste Vol.5 - Festival (F) FLD 636 – 1975 (recorded 1974/1975)<br />
1 Samba triste (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Billy Blanco) 7´30<br />
2 Do jeito que a gente quer (Ed Lincoln) 3´25<br />
3 Valsa nº 1 (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 3´59<br />
4 Babel (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 2´25<br />
5 Samba de deixa (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 5´17<br />
6 Chico Ferreira e Bento (Dorival Caymmi) 3´40<br />
7 Casa velha (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 4´15<br />
8 Tempo feliz (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes) 4´42<br />
<strong>Guitar</strong>, Vocal: <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g><br />
Vocal: Janine de Waleyne<br />
Bass: Guy Pedersen<br />
Drums: Jean Arpino<br />
Strings: Jacques Denjean<br />
Producti<strong>on</strong>: Philippe Thomas<br />
Directi<strong>on</strong>: Arnauld de Froberville<br />
Date <str<strong>on</strong>g>of</str<strong>on</strong>g> recording: probably 1974/1975 at the Studio Frem<strong>on</strong>tel, Paris
Melancolie - Festival (F) FLD 645 - 1975<br />
Gatefoldcover <str<strong>on</strong>g>of</str<strong>on</strong>g> the original Festival pressing, 1975
Melancolie - Festival (F) FLD 645 - 1975<br />
1 Ano e meio (Ary Barroso) 5´29<br />
2 Se todos fossem iguais a você (Tom Jobim - Vinicius de Moraes) 4´03<br />
3 Midjao (Guy Pedersen) 2´30<br />
4 Acalanto das n<strong>on</strong>as (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 5´24<br />
5 Rosa Maria (Luiz Soberano) 5´41<br />
6 Aos pés da Santa Cruz (Marino Pinto - Zé da Zilda) 4´20<br />
7 Horiz<strong>on</strong> (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 4´33<br />
8 Saudade da Bahia (Dorival Caymmi) 5´07<br />
<strong>Guitar</strong>, Vocal: <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g><br />
Vocal: Janine de Waleyne<br />
Bass: Guy Pedersen<br />
Drums: Jean Arpino<br />
Producti<strong>on</strong>: Philippe Thomas<br />
Directi<strong>on</strong>: Arnauld de Froberville<br />
Date <str<strong>on</strong>g>of</str<strong>on</strong>g> recording: 1975 at the Studio Frem<strong>on</strong>tel, Paris
<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> 1976 Tristeza (aka Tristeza´76) - Festival (F) FLD 649 - 1976<br />
Gatefoldcover <str<strong>on</strong>g>of</str<strong>on</strong>g> the original Festival pressing, 1976
<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> 1976 Tristeza (aka Tristeza´76) - Festival (F) FLD 649 - 1976<br />
1 Tristeza (Haroldo Lobo - Niltinho) 3´32<br />
2 A primeira vez (Marçal - Bide) 1´43<br />
3 Canto de Ossanha (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes) 5 ´18<br />
4 Samba da minha terra (Dorival Caymmi) 6´40<br />
5 Só danço samba (Tom Jobim - Vinicius de Moraes) 4´58<br />
6 Cidade vazia (Lula Freire - <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 3´21<br />
7 Bahia (Ary Barroso) 3´39<br />
8 Imagem (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 4´59<br />
<strong>Guitar</strong>, Vocal: <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g><br />
Bass: Guy Pedersen<br />
Percussi<strong>on</strong>: Jorge Arena<br />
Drums: Jean Arpino<br />
Directi<strong>on</strong>: Phillipe Thomas<br />
Producti<strong>on</strong>: Arnauld de Froberville<br />
Date <str<strong>on</strong>g>of</str<strong>on</strong>g> recording: (more probably recorded 1975) 1976 at the Studio Frem<strong>on</strong>tel
<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> canta Vinicius de Moraes e Paulo César Pinheiro - Festival (F) - FLD 670 - 1977<br />
Gatefoldcover <str<strong>on</strong>g>of</str<strong>on</strong>g> the original Festival pressing, 1977
<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> canta Vinicius de Moraes e Paulo César Pinheiro - Festival (F) - FLD 670 - 1977<br />
1 Labareda 4´46<br />
2 Linda baiana 2´48<br />
3 Cavalo marinho 3´58<br />
4 Samba da bênção 9´02 )<br />
5 É de lei 4´20<br />
6 Canci<strong>on</strong>eiro 3´42<br />
7 Figa de Guiné 3´38<br />
8 Falei e disse 3´08<br />
9 Besouro Mangangá 3´00<br />
<strong>Guitar</strong>, Vocal: <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g><br />
Bass: Louis Felix Angelo "Luigi" Trussardi<br />
Flute: Raym<strong>on</strong>d Guiot<br />
Tromb<strong>on</strong>e: Raym<strong>on</strong>d Katarzynski<br />
Percussi<strong>on</strong>s: Sam Kelly, Nilt<strong>on</strong> Marcelino, Vils<strong>on</strong> Vasc<strong>on</strong>celos<br />
Drums: Andre Arpino<br />
Directi<strong>on</strong>: Arnauld de Froberville<br />
Date <str<strong>on</strong>g>of</str<strong>on</strong>g> recording: April 1977, Paris<br />
Tracks 1-5 composed by <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes<br />
Tracks 6-9 composed by <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Paulo César Pinheiro
Maria D'Apparecida chante <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Carabine (F) 26513 Y - 1977<br />
Gatefoldcover <str<strong>on</strong>g>of</str<strong>on</strong>g> the original Carabine pressing, 1977
Maria D'Apparecida chante <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Carabine (F) 26513 Y - 1977<br />
1 Deixa 4´05<br />
2 A volta 4´13<br />
3 Carta ao poeta 3´47<br />
4 Quaquaraquaqua 3´21<br />
5 Violão vadio 4´50<br />
6 Amanhecer 4´10<br />
7 Refém da solidão 3´43<br />
8 Sermão 4´20<br />
9 Samba do perdão 3´37<br />
10 As verdades 3´18<br />
Vocal: Maria d´Apparecida<br />
<strong>Guitar</strong>, Vocal: <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g><br />
Bass: Louis Felix Angelo "Luigi" Trussardi<br />
Percussi<strong>on</strong>, Drums: Sam Kelly, Miguel da Costa, Nilt<strong>on</strong> Marcelino, Nitochris Padhila,<br />
José Abreu de Oliveira, Haroldo de Oliveira, Carlos A.S. de Oliveira<br />
Producti<strong>on</strong>: Mary Melody<br />
Directi<strong>on</strong> and Arrangements: <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g><br />
Date <str<strong>on</strong>g>of</str<strong>on</strong>g> recording: July 1977 at the Studio Johanna, Paris<br />
All s<strong>on</strong>gs composed by <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> and Paulo César Pinheiro.
Grande Show ao Vivo no Procopio Ferriera - WEA (Br) 20.050/1 - 1979<br />
Gatefoldcover <str<strong>on</strong>g>of</str<strong>on</strong>g> the original WEA pressing, 1979
Grande Show ao Vivo no Procopio Ferriera - WEA (Br) 20.050/1 - 1979<br />
1 Canto de Ossanha (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes) 4´42<br />
2 Samba novo (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 3´35<br />
3 Refém da solidão (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Paulo César Pinheiro) 3´44<br />
4 Petit valsa (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 3´07<br />
5 Tempo feliz (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes) 3´14<br />
6 Se todos fossem iguais a você (Tom Jobim - Vinicius de Moraes) 4´12<br />
7 Asa branca (Luiz G<strong>on</strong>zaga - Humberto Teixeira) 7´20<br />
8 Eurídice (Vinicius de Moraes) 5´57<br />
9 Samba da benção (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes) 9´36<br />
10 A lenda do Abaeté (Dorival Caymmi) 5´19<br />
11 Valsa número um (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 3´34<br />
12 Tributo a Juazeiro (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 5´51<br />
13 Berimbau (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes) 13´02<br />
<strong>Guitar</strong>, Vocal: <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g><br />
Bass: Saulo Bezerra de Melo<br />
Percussi<strong>on</strong>s: D<strong>on</strong> Bira, Jorginho Cebi<strong>on</strong><br />
Drums: Lilian Carm<strong>on</strong>a<br />
Directi<strong>on</strong> and Producti<strong>on</strong>: Sergio Cabral<br />
Date <str<strong>on</strong>g>of</str<strong>on</strong>g> recording: 18-19 th August 1979, Teatro Procopio Ferreira, Sao Paulo<br />
Linernotes: Sergio Cabral (in Portuguese)
Nosso <str<strong>on</strong>g>Baden</str<strong>on</strong>g> - Atlantic (Br) 30.140 - 1980<br />
Insert with Lyrics<br />
LP with EP
Nosso <str<strong>on</strong>g>Baden</str<strong>on</strong>g> - Atlantic (Br) 30.140 - 1980<br />
1 Mesa red<strong>on</strong>da (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Paulo César Pinheiro) 3´41<br />
2 J<strong>on</strong>go (João Pernambuco) 3´02<br />
3 Até eu (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Paulo César Pinheiro) 4´30<br />
4 Cai dentro (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Paulo César Pinheiro) 3´07<br />
5 Ode<strong>on</strong> (Ernesto Nazareth) 4´35<br />
6 Queixa (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes) 3´43<br />
7 Abismo de rosas (Canhoto) 6´04<br />
8 Ingênuo (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Pixinguinha) 5´12<br />
9 Canção das flores (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Paulo César Pinheiro) 3´55<br />
<strong>Guitar</strong>, Vocal: <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g><br />
Percussi<strong>on</strong>s, Vocal: Os Originais do Samba<br />
Producti<strong>on</strong>: Sergio Cabral<br />
Date <str<strong>on</strong>g>of</str<strong>on</strong>g> recording: December 1979 – May 1980 at the Studio Vice Versa, Sao Paulo<br />
Nosso <str<strong>on</strong>g>Baden</str<strong>on</strong>g> EP Track<br />
1 A estrela e a cruz 5´35 (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>)<br />
2 A estrela e a cruz 5´35 (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>)<br />
<strong>Guitar</strong>, Vocal: <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g><br />
<str<strong>on</strong>g>The</str<strong>on</strong>g> lyrics for this s<strong>on</strong>g will written by Billy Blanco.
De <str<strong>on</strong>g>Baden</str<strong>on</strong>g> para Vinicius - Atlantic (Br) 30.151- 1980<br />
Papersleeve with lyrics
De <str<strong>on</strong>g>Baden</str<strong>on</strong>g> para Vinicius - Atlantic (Br) 30.151- 1980<br />
1 Velho amigo / Bom dia, amigo / Samba em prelúdio (B. P. – V. de Moraes) 3´46<br />
2 Feitinha pro poeta (Lula Freire - <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 2´31<br />
3 Se todos fossem iguais a você (Tom Jobim - Vinicius de Moraes) 5´50<br />
4 Tempo feliz (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes) 3´21<br />
5 O poeta e a lua / Serenata do adeus (Vinicius de Moraes) 3´55<br />
6 Apelo (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes) 2´46<br />
7 Além do amor / Deixa (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes) 2´57<br />
8 Formosa (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes) 2´32<br />
9 Samba da benção (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes) 9´36<br />
<strong>Guitar</strong>, Vocal: <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g><br />
Bass: Saulo Bezerra de Melo<br />
Pandeiro, Cuica: Ovidio<br />
Percussi<strong>on</strong>: Alfredo Bessa<br />
Drums: Helio Schiavo<br />
Producti<strong>on</strong>: Sergio Cabral and Kauê<br />
Date <str<strong>on</strong>g>of</str<strong>on</strong>g> recording: July-August 1980, Teatro Clara Nunes, <strong>Brazil</strong>
Felicidades - Pläne (D) 88 318 – 1983 (recorded 1982)<br />
1 Baixa do Sapateiro (Ary Barroso) 4´40<br />
2 A felicidade (Tom Jobim - Vinicius de Moraes) 4´13<br />
3 Cântico nordestino (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 5´22<br />
4 Variações brasileiras (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Luiz G<strong>on</strong>zaga) 6´14<br />
5 Variação (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 3´00<br />
6 Samba do avião (Tom Jobim) 3´44<br />
7 Valsinha (Chico Buarque - Vinicius de Moraes) 3´50<br />
8 Alodê (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 2´31<br />
9 Só danço samba (Tom Jobim - Vinicius de Moraes) 2´00<br />
10 Cai dentro (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Paulo César Pinheiro) 5´34<br />
<strong>Guitar</strong>, Vocal: <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g><br />
Producti<strong>on</strong>: Ulrich Maske<br />
Date <str<strong>on</strong>g>of</str<strong>on</strong>g> recording: 6 th September 1982 at the Auditorium Maximum, Hamburg,<br />
Germany
<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> Live 1982 - Maracana (I) CGD 25045 - 1982<br />
1 Petite Valse (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 3´00<br />
2 Variacoes Sobre "Asa branca" (Luiz G<strong>on</strong>zaga - Humberto Teixeira) 6´11<br />
3 Variacoes Sobre "Abaete" (Dorival Caymmi) 5´27<br />
4 A primeira vez (Marçal - Bide) 2´29<br />
5 O cego Aderaldo (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 5´09<br />
6 Desafinado (Newt<strong>on</strong> Mend<strong>on</strong>ça - Tom Jobim) 1´39<br />
7 Samba Da Minha Terra - Nega Do Cabelo Duro<br />
(Dorival Caymmi / Rubens Soares - David Nasser) 2´56<br />
8 Garota De Ipanema (Tom Jobim - Vinicius de Moraes) 3´10<br />
9 A felicidade (Tom Jobim - Vinicius de Moraes) 3´14<br />
10 Hommage A Vinicius: Meu Velho Amigo - Samba em prelúdio<br />
(<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes) 3´38<br />
11 Berimbau (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes) 4´58<br />
12 Marcha Escocesa (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g>) 2´43<br />
<strong>Guitar</strong>, Vocal: <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g><br />
Date <str<strong>on</strong>g>of</str<strong>on</strong>g> recording: 20 January 1981, Teatro Sistina, Rome<br />
Producti<strong>on</strong>: Sergio Bardotti
Brani Rari e Inediti - <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> e Vinicius de Moraes - Maracana (I) - CGD 25046 - 1982<br />
1 Canção de enganar tristeza 3´40<br />
2 Canção de ninar tristeza 3´39<br />
3 Canção de amor em paz 2´01<br />
4 Só por amor 2´52<br />
5 A Linda Bahiana 1´50<br />
6 Pra que chorar 2´42<br />
7 Formosa 1´54<br />
8 Deixa 2´01<br />
9 Samba do café 1´53<br />
10 Além do amor 3´01<br />
11 Tempo Feliz 2´43<br />
12 Seja Feliz 3´43<br />
13 Velho Amigo 1´55<br />
<strong>Guitar</strong>, Vocal: <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g><br />
Producti<strong>on</strong>: Sergio Bardotti<br />
Date <str<strong>on</strong>g>of</str<strong>on</strong>g> recording: October 1982 at Studio TM Roma, Italy<br />
All s<strong>on</strong>gs composed by <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> and Vinicius de Moraes.
Rio das Valsas - Ideia Livre (Br) 992 730-1 - 1988<br />
1 Rosa (Pixinguinha) 5´38<br />
2 Serenata do adeus (Vinicius de Moraes) 5´15<br />
3 Valsa sem nome (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes) 3´36<br />
4 Primeiro amor (Pattápio Silva) 1´52<br />
5 Velho amigo (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes) 4´16<br />
6 O que tinha de ser (Tom Jobim - Vinicius de Moraes) 4´24<br />
7 Chão de estrelas (Silvio Caldas - Orestes Barbosa) 4´51<br />
8 Canção do amor ausente (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes) 3´40<br />
9 Revendo o passado (Freire Jr.) 5´33<br />
10 Valsa de Eurídice (Vinicius de Moraes) 4´49<br />
<strong>Guitar</strong>: <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g><br />
Directi<strong>on</strong> and Producti<strong>on</strong>: Franco Paulino<br />
Date <str<strong>on</strong>g>of</str<strong>on</strong>g> recording: November 1988 at the Studio Transamérica, Sao Paulo
Live at the Rio Jazz Club - Caju Music (Br) 847111-1 - 1990<br />
1 Introdução: Valsa de Eurídice (Vinicius de Moraes) 5´53<br />
2 Samba do avião (Tom Jobim) 3´51<br />
3 Tributo a Dorival Caymmi: Rosas de abril • Dora (Dorival Caymmi) 8´00<br />
4 J<strong>on</strong>go (João Pernambuco) 3´45<br />
5 Formosa (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes) 2´45<br />
6 Variações sobre "Asa branca" (Luiz G<strong>on</strong>zaga - Humberto Teixeira) 9´15<br />
7 Naquele tempo (Benedito Lacerda - Pixinguinha) 4´32<br />
8 Rosa (Pixinguinha) 5´00<br />
9 Gente humilde (Chico Buarque - Garoto - Vinicius de Moraes) 4´05<br />
10 Samba em prelúdio (<str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g> - Vinicius de Moraes) 3´00<br />
<strong>Guitar</strong>, Vocal: <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g><br />
Artistic Producti<strong>on</strong>: <str<strong>on</strong>g>Baden</str<strong>on</strong>g> <str<strong>on</strong>g>Powell</str<strong>on</strong>g><br />
Producti<strong>on</strong>: Peter Klam and Barry Poweley<br />
Date <str<strong>on</strong>g>of</str<strong>on</strong>g> recording: May, 1990 at the Rio Jazz Club, Brasil<br />
Linernotes: Herminio Bello De Carvalho (in Portuguese and English)
1959, 78 rqm, Samba Triste / Estrellita