DE MESTIZAJES, INDIGENISMOS, NEOINDIGENISMOS Y OTROS ...

important breaks in relation to the two aforementioned works and to other novels of orthodox
indigenism. In it, the interweaving of literature and politics marks an enrichment of the discourse.
Counter-representational or de-representational postures and strategies of reversion are
achieved through actively discordant textualities in relation to earlier classical indigenist
propositions in the four other narratives under study: Manchay Puytu, el amor que quiso ocultar dios
(1977); Manuel y Fortunato: una picaresca andina (1997); Chojcho con audio de rock p’sshado (1993) and
Cuando Sara Chura despierte (2003). These works offer an “other” way of looking that makes
possible the “translation” of diversity.
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