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Ortodoxia Roja

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Pussy Riot<br />

Peter el Grande<br />

La Catedral de Cristo Salvador<br />

1<br />

2<br />

3<br />

Moscú City<br />

Sochi Olimpicos<br />

<strong>Ortodoxia</strong> <strong>Roja</strong><br />

Cruz +<br />

Laika<br />

Vostok I<br />

Pinturas de cosmonautas<br />

Tandem Triptych<br />

ORTODOXIA ROJA<br />

COSMOGONIA<br />

Agitprop 1917-1988<br />

Gente Amable<br />

ARCHIVO 1965-2012<br />

CONCLUSION<br />

EXPOSICION SUPLEMENTARIO<br />

The structure and iner-dialogue of the works presented on the exposition are aimed to make obvious<br />

parallels in propaganda and brainwashing technologies used by latest “strong” leaders of Russia to<br />

support their image in front of majority of population of the country. <strong>Ortodoxia</strong> <strong>Roja</strong> in this case is<br />

latest communication product, using more or less all previous achievements of the “Industry of<br />

Poder”, as very usual in the actual Vintage Culture of Digital Era of today.<br />

EXPOSICION<br />

INTRODUCCION<br />

ARCHIVO 1941-1961<br />

Video Fresco<br />

ARCHIVO 1917-1924<br />

ORTODOXIA<br />

STALINISMO<br />

Estructura de exposición<br />

Tsar Installation<br />

La Iglesia<br />

Vida cotidiana de familia de Tsar<br />

Lenin Mausoleum<br />

1937 USSR Pabellón en Paris<br />

Palacio de los Soviets<br />

Realismo Socialista<br />

Tamerlan (documental)<br />

Stalinismo Ortodoxo<br />

Estructura<br />

de guion expositivo, ambitos, justificacion, ambitos y eleccion de piezas

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