Mul - unesdoc - Unesco
Mul - unesdoc - Unesco
Mul - unesdoc - Unesco
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The implications of integrity<br />
Taking the category of cultural landscapes as a<br />
typical example, it is a condition for enlistment on<br />
the World Heritage List that there be sensible,<br />
logical and identifiable boundaries in terms of<br />
nature, people and management to ensure the<br />
integrity of the cultural landscape as well as<br />
ensuring that intensive development does not<br />
take place in a way that impacts negatively on<br />
the landscapes. How cari such integrity be<br />
recognisable when there are no boundaries<br />
traditionally demarcating the world of the Creator<br />
from that of humanity and from that of nature? In<br />
the area around the Great Zimbabwe World<br />
Heritage site constant problems have arisen<br />
when the boundaries of the World Heritage site<br />
have been asserted and legally enforced against<br />
a surrounding community who have always<br />
known that “Duma harina muganhu” (the Duma<br />
have no boundary). Therefore problems Will<br />
always exist using the legalistic modes. The<br />
solution lies in recognising that indigenous<br />
communities are at heart ecosystem people,<br />
integrally linked to the ecosystem they inhabit.<br />
They are part of the integrity equation. It is they<br />
who cari sanction utilitarian space and through<br />
their systems of checks and balances are the<br />
underwriters of that integrity. It is in this context<br />
that their customs and beliefs need to be<br />
encouraged and reinforced. Cases abound<br />
where success stories hinge on this approach<br />
e.g. the survival of sacred groves of Kaya<br />
(Kenya), Oshun (Nigeria), Tali (Ghana).<br />
Again, as in the issues of authenticity, one<br />
cannot but accept the powerful influence of the<br />
spiritual realm in issues of integrity: all else is<br />
incidental. From thousands of years ago, as<br />
evidenced by the Stone Age peoples through<br />
their rock art, the world has been perceived as<br />
one based on spiritual energies that cari create,<br />
transform and override many physical<br />
limitations. These energies reside in some form<br />
of everything: fire, air, sounds, lightning, bees,<br />
land. The art shows that the human and the<br />
spiritual world are one. It also shows that the<br />
world of things and people is equally one. This<br />
was and continues to be in the second<br />
millennium. Authenticity of the cultural landscape<br />
cannot be distinguished from the integrity of the<br />
same. The foregoing sections try to show that in<br />
many cases in Africa and elsewhere, there are<br />
societies who shun those demarcations.<br />
D. Munjeri - The notions of integrity and authenticity: the emerging patterns in Africa<br />
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