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Mul - unesdoc - Unesco

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The implications of integrity<br />

Taking the category of cultural landscapes as a<br />

typical example, it is a condition for enlistment on<br />

the World Heritage List that there be sensible,<br />

logical and identifiable boundaries in terms of<br />

nature, people and management to ensure the<br />

integrity of the cultural landscape as well as<br />

ensuring that intensive development does not<br />

take place in a way that impacts negatively on<br />

the landscapes. How cari such integrity be<br />

recognisable when there are no boundaries<br />

traditionally demarcating the world of the Creator<br />

from that of humanity and from that of nature? In<br />

the area around the Great Zimbabwe World<br />

Heritage site constant problems have arisen<br />

when the boundaries of the World Heritage site<br />

have been asserted and legally enforced against<br />

a surrounding community who have always<br />

known that “Duma harina muganhu” (the Duma<br />

have no boundary). Therefore problems Will<br />

always exist using the legalistic modes. The<br />

solution lies in recognising that indigenous<br />

communities are at heart ecosystem people,<br />

integrally linked to the ecosystem they inhabit.<br />

They are part of the integrity equation. It is they<br />

who cari sanction utilitarian space and through<br />

their systems of checks and balances are the<br />

underwriters of that integrity. It is in this context<br />

that their customs and beliefs need to be<br />

encouraged and reinforced. Cases abound<br />

where success stories hinge on this approach<br />

e.g. the survival of sacred groves of Kaya<br />

(Kenya), Oshun (Nigeria), Tali (Ghana).<br />

Again, as in the issues of authenticity, one<br />

cannot but accept the powerful influence of the<br />

spiritual realm in issues of integrity: all else is<br />

incidental. From thousands of years ago, as<br />

evidenced by the Stone Age peoples through<br />

their rock art, the world has been perceived as<br />

one based on spiritual energies that cari create,<br />

transform and override many physical<br />

limitations. These energies reside in some form<br />

of everything: fire, air, sounds, lightning, bees,<br />

land. The art shows that the human and the<br />

spiritual world are one. It also shows that the<br />

world of things and people is equally one. This<br />

was and continues to be in the second<br />

millennium. Authenticity of the cultural landscape<br />

cannot be distinguished from the integrity of the<br />

same. The foregoing sections try to show that in<br />

many cases in Africa and elsewhere, there are<br />

societies who shun those demarcations.<br />

D. Munjeri - The notions of integrity and authenticity: the emerging patterns in Africa<br />

- 19-

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