Compendio bio-bibliografico dei Soci dell'Accademia ... - BOLbusiness

chords by I.C. Gerlach and H.A. and J.A. Hass. De Clavicordio
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Magnano, 9-11 September 1993 («Istituto per i Beni
Musicali in Piemonte», Turin 1994: 23); Una filosofia di
restauro. Convegni Triennali Internazionali sulla Liuteria
(1984-1987-1990) (Bellona CE, 1994); Two virginals by
Gian Francesco Antegnati. A comparaison of the instruments
of the Ateneo of Brescia and the Museo teatrale alla
Scala di Milan. In: Gli Antegnati: studi e documenti su una
stirpe di organari bresciani del Rinascimento; a cura di O.
Mischiati («Biblioteca di Cultura Organaria e Organistica»
9, Bologna 1995: 51); The Clavichord by G.C. Rackwitz,
Stockholm, 1796. A Preliminary Study with a View to Possible
Restoration. In: De Clavicordio . Proceedings of the
International Clavichord Symposium / Atti del congresso
internazionale sul clavicordo. Magnano, 21-23 September
1995 («Istituto per i Beni Musicali in Piemonte», Turin,
1996); Tuning and Temperament (in: «NetMuse», Scottish
Universities High Speed Network, http: // netmuse. gla. ac.
uk /, 1997); Bartolomeo Cristofori / Giovanni Ferrini as
restorers and re-builders. A ‘Neapolitan’ connection in two
Italian harpsichords in Britain (paper presented at the Galpin
Society Conference, Edinburgh, July, 1997); Robert
Smith’s ‘Equal Harmony’ and the harpsichord built for it
by Jacob Kirckman, paper presented at the conference
Notes that wing their heav’nly ways, August 15, 1998 (published
at
http://www.music.ed.ac.uk/russell/conference/robertsmithk
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details of them relevant to the 1599 Ioannes Ruckers double-manual
harpsichord, Händel-Haus Halle, MS-65. Kielinstrumente
aus der Werkstatt Ruckers zu Ko nzeption,
Bausweise und Ravalement sowie Restaurierung und Ko nservierung.
Bericht über die Internationale Konferenz vom
13. bis 15. Septmeber 1996 Im Händel-Haus Halle, («Händel-Haus»,
Halle 1998: 48); The original state and later alterations
of the double-manual Ruckers harpsichord, Antwerp
1599, Kielinstrumente aus der Werkstatt Ruckers zu
Konzeption, Bausweise und Ravalement sowie Restaurierung
und Konservierung. Bericht über die Internationale
Konferenz vom 13. bis 15. Septm eber 1996 Im Händel-
Haus Halle, (in collab.; «Händel-Haus», Halle, 1998: 187);
The use of simple geometry and the local unit of measurement
in the design of Italian stringed keyboard instruments
: an aid to attribution and to organological analysis (in:
«The Galpin Society Journal» 52, 1999: 108); The “H.
Ruckers” double virginal in Milan. Two important new
discoveries (in collab.; in: «The Galpin Society Journal»
52, 1999: 314); Translation from the Italian of a paper by
Andreas Gatti: Moulding castings in musical instruments:
the approach to the problem, the scientific investigations
and the methodology used at the Collection of Musical Instruments
of the Castello Sforzesco in Milan (in: «Galpin
Society Journal» 52 (1999: 202); Italian stringed keyboard
instruments and simple geometry: Some new developments
at the Russell Collection of Early Keyboard Instruments
(paper presented at the Galpin Society Conference, Edinburgh,
July, 1999); Towards establishing the original state
of the three-manual harpsichord by Stefano Bolcioni, Flo rence,
1627. In: The Russell Collection of Early Keyboard
Instruments, Edinburgh (in: «The Galpin Society Journal»
53, 2000: 168); Translation from the Italian of a paper by
Francesco Nocerino: Evidence for Italian mother-andchild
virginals: an important document signed by Onofrio
Guarracino (in: «The Galpin Society Journal» 53, 2000:
317); The Catalogue of the Russell Collection of Early
Keyboard Instruments at the University of Edinburgh,
(published at: http://www.music. ed. ac. uk/ russell/catalogue/catalogue.html);
Problemi tipici di un pic-
PIERFRANCO BLESIO
colo museo di strumenti musicali a tastiera (in: «Musica e
Museo», Dipartim. di Musica e Spettacolo, Univ. degli Studi
di Bologna, 2001, in print); Marco Jadra. A Venetian
harpsichord and virginal maker?. In: Festschrift für Kurt
Wittmayer (Munich, 2001, in print); The unit of measurement
used to ascertain where Iberian harpsichords are
made. (paper given to the 1. Festival Internacional de
Música de Tecla Española “Diego Fernandez” held in
Almería, Spain in October, 2000. printed in 2001); The
case, stringing and fretting design of the 1543 Venetian
clavichord by Dominicus Pisaurensis. De Clavicordio,
Proceedings of the 5. Internat. Clavichord Symposium /
Atti del 5. Congr. Internaz. sul clavicordo. Magnano, 5-5
September 2001, («Musica antica a Magnano», Magnano,
2002: 91); Il percorso di un’idea: dal progetto allo strumento/The
development of an idea: from the design to the
instrument. Bartolomeo Cristofori. La spinetta del
1690/The 1690 oval spinet (in: «Sillabe for the Galleria
dell’Accademia», Florence 2002: 62); The conservation of
the 1690 ‘spinetta ovale’ by Bartolomeo Cristofori - an
approach based on an archaeological analogy (paper
given at the Accademia in Florence on the conservation
and preservation of the 1690 oval virginal by Bartolomeo
Cristofori, 2002); Analysis of the origins of a large Franco-
Flemish double-manual harpsichord. Would a Ruckers by
any other name sound as sweet? (paper given to the combined
meeting of the Galpin Society and the American Musical
Instrument Society in Edinburgh, August 8, 2003);
Four Variations on an old Neapolitan theme. (paper given
to the 3. Festival Internacional de Música de Tecla
Española “Diego Fernandez” held in Mojácar, Spain in October,
2003); The ‘Tiorbino: an unrecognised instrument
type built by harpsichord makers, with possible evidence
for a surviving instrument (in collab.; in: «Galpin Society
Journal» 57., 2005: 184); An Analysis of the Origins of a
Large Franco-Flemish Double-manual Harpsichord.
Would a Ruckers by any Other Name Sound as sweet? (in:
«Early Keyboard Journal» 20., 2005: 49); The 1791 Lin dholm
clavichord in Stockholm, De Clavicordio, Proceedings
of the 7.I International Clavichord Symposium / Atti
del 7. Congr. Internaz. sul clavicordo. Magnano, 7-10 September
2005, («Musica antica a Magnano», Magnano
2006: 29); The Statistical Analysis of the Lateral String
Spacing in Some Neapolitan and Flemish Seventeenth-
Century Harpsichords (paper presented to the combined
meeting of AMIS, The Galpin Society and CIMCIM in
Vermillion, SD, June, 2006); Schede dei pianoforti moderni
/ Schedules of the modern pianos', Alla ricerca dei
suoni perduti - In the search for lost sounds. Arte e musica
negli strumenti della collezione di Fernanda Giulini - Art
and music in the instrument collection of Fernanda Giulini
(Villa Medici Giulini, Briosco 2006: 282); “XI The Virginal”,
A Magnificent Roman Baroque Cabinet by Giacomo
Herman, («Sotheby's Catalogue for the Sale of Important
Continental Furniture», London, 2007: 38); Relazione organologica.
Un fortepiano di Johann Schanz, Vienna, ca.
1816. Collezione Fernanda Giulini, Brioso, Italia. Organological
Report. Viennese fortepiano Johann Schanz, Vienna,
c. 1816. Collection of Fernanda Giulini, Briosco, Italy,
Schanz. Lo strumento dei Principi/Schanz the instrument of
Princes. Arte e musical nella Milano dell' Ottocento al
tempo di Cristina Archinto Trivulzio/Art and music in the
nineteenth Milan at the time of Cristina Archinto Trivulzio
(Villa Medici Giulini, Briosco 2008: 88); The singlemanual
Italian harpsichord in the Royal College of Music,
London, Cat. No. 175: an organological analysis «Galpin
Society Journal» 62., 2009: 55); Criteria for the determin ation
of original stringing in historical keyboard instruments:
The cautionary tale of a 1785 Longman and Broderip
harpsichord . In: The Historical Harpsichord, A Mono-