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September 2019 final

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  • September
  • Asheville
  • Arts
  • Rapid
  • Artists
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  • Riverview
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RAD FINE ART The usage

RAD FINE ART The usage of light and color in local art BY STAFF REPORTS • RIVER ARTS DISTRICT, ASHEVILLE Artists in the River Arts District capture the light with various mediums, from ink, encaustic, watercolor, and all kinds of jewelry that is wearable art. Here are a few selections you can find as you explore the district. Studios are opened every day of the week, with a Second Saturday Celebration Sept 14, 10-5 pm. Ride the free trolley around the district on a lovely fall day and bask in the color and light all around. Here is a preview of what you can find. TANYA FRANKLIN, glass, Philip DeAngelo Studio, Wedge Building Smokey Ridges’ captures the essence of Light and Color in the mountains. It lights up the color of the blue ridges as it captures the mystery of the smoky clouds moving amongst them. NADINE CHARLSEN, 310 ART at Riverview Station, studio 310 ground floor “Night Street in Venezia” — In 2016, I made a two-week bicycle trip from Verona to Venice, Italy. This is from one of my photographs of Nadine Charlsen, “Night Street in Venezia,” watercolor 23x30 Tanya Franklin, “Smokey Ridges Lamp,” glass, 12L x 5W x 8H an evening in Venice. A beautiful sinking city of water “streets.” The evening light down the canals always reflects the light and water. “Showtime Moulin Rouge” — In 2007 I spent a week walking Paris. This watercolor is from my 6 |RAPIDRIVERMAGAZINE.COM | RAPID RIVER’S ARTS & CULTURE | VOL. 23, NO. 1 SEPTEMBER 2019 photograph as I walked the Mont Martre area as the show was about to begin. Red is the color of the Moulin Rouge. BRIDGET BENTON, 310 ART at Riverview Station, Ground Floor #310 Encaustic medium has its quality of light, allowing a beautiful Bridget Benton, “She Loved The Sound luminous Of The Rain,” encaustic 16x36 glow to emerge from the depths of the painting. I combined this effect with nature prints in this figurative piece, evoking the colors and light of a gentle rainfall. PHILIP DEANGELO, Wedge Building In “Above It All,” Philip conveys a great use of Light and Color in several ways. You can see the sunlight reflecting off the top of the mountains on the far left and also how it highlights the morning fog rising over the trees. The red barn roof offers just a pop of color to draw the viewer into this rural scene of serenity. JANE MOLINELLI, 310 ART at Riverview Station, Ground Floor #310 Color is a glorious and endless playground for me. The changing aspects of light create an infinite palette from which I choose the mood and energy of the painting. Philip DeAngelo, “Above It All,” acrylic painting 59x59 Jane Molinelli, “The Secret Lives Of Lillies,”charcoal & acrylic on canvas, 24 x 30

CATHERINE CER- VAS HEATON, Riverview Station #213 Soul Sidewalk “Festival Friends” is a study of two stuffed Catherine Heaton, “Festival Friends,” watercolor & gouache on paper, toys that were “Birthday Game” booth Pentalic Aqua Journal prizes. I chose the colors reminiscent of cotton candy and used pink to be part of the highlights to carry it through more than the local color of pink in the puppy. The dark color in the animal’s spots use the pink, and the same pink is used in highlights on the frog. I enjoy the continuity color can bring to a subject to indicate light using it to convey an overall influence/”filter” for the viewer. LORELLE BACON, 310 ART at Riverview Station, Ground Floor #310 It always amazes me how colors look in different lighting situations. Sometimes making it look even better - in this wire wrapped piece, everything is very blue! This is a clear Swarovski faceted heart, with small blue Swarovski crystals as accents. It casts a blue glow; the color blue is for royalty! GAYLE RAY, 310 ART at Riverview Station, Ground Floor #310 My jewelry is always created with an eye to unique color and texture combinations, as well as the light within each stone. Semi-precious stones, sterling silver ear wires, soft flex wire, and blessings are combined to create unique pieces to bring peace, harmony, and joy to those that wear them. Lorelle Bacon silver & crystal wire-wrapped pendant Gayle Ray — fine jewelry ERIN KEANE, 310 ART at Riverview Station, Ground Floor #310 In “Forest Bathing,” I photographed leaves with my camera set to slow shutter speed. The slow shutter speed captured an extra amount of light, which blurred the imagery RAD FINE ART and overexposed the colors into brilliant greens, teals, yellows, and corals. Light is elastic, bending around edges and overlapping in ethereal ways. It is intriguing how the camera lens “sees” differently than the eye. NORA JULIA, Ignite Jewelry Studios, Riverview Station #262 My jewelry is an exploration of color and light. By fusing transparent glass enamel to polished silver, it allows light to reflect off the silver and back toward the viewer, making the color glow. FLETA MONAGHAN, 310 ART at Riverview Station, Ground Floor #310 Colors define the time of year, and the light seems to shift toward different hues as the earth tilts. I love the quiet that comes as fall delights us with a whole new color palette. ANNE ALLEN, pastel artist, at 310 Art at Riverview Station, Ground Floor #310 She serves on the board of the Appalachian Pastel Society and is a member of Erin Keane “Forest Bathing,” encaustic , 40x40 Nora Julia, “Bubbles,” silver & enamel earrings Fleta Monaghan, “Autumn Hush,” 16x20, Ink Anne Allen,“Joy I Feel,” pastel, 18x24, the Southeastern Pastel Society and the International Association of Pastel Societies (IAPS). art opening! Seen and Unseen: Guardians in Glass September 21 5:30 pm – 7:30 pm 123 Roberts Street, Asheville Wedge Studios Building • Open Daily (941) 587-9502 www.markbettisgallery.com www.markbettisart.com VOL. 23, NO. 1 — SEPTEMBER 2019 | RAPIDRIVERMAGAZINE.COM | RAPID RIVER’S ARTS & CULTURE | 7