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minimal.kaks

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Minimalism describes movements in various art forms, especially visual art

and music, where the aim of the work is to reveal the content, nature or identity

of the subject, eliminating any insignificant forms, features or concepts.

The exhibition presents four different authors; four different directions on a map of the

minimalist painting.

The birth of minimalism is considered to be the beginning of the 20th

century, when the adaptation to the modernist syndrome of progress and the spiritual

demand to “jump over” the powerlines of the machinery of that era became the

basis for the endeavor of the phenomenological absolute.

The black icon of minimalism: square as an absolute emptiness and chaos,

containing the universe, is a positive counterpart to the nihilistic ultimate

goal of the modernism. In the course of cyclical art developments, the style

vigorously re-emerged in American art of the 1960s and 1970s. Inspired by constructivism;

from the preliminary projects of Kazimir Malevich, De Stijli´ and

Marcel Duchamp, minimalist artists brought the narratives of abstract expressionism

back to purely self-referential geometric forms. Emptyed from external references, in the

second half of the 20th century the direct formal presence of an art object came to the

fore - the physical properties of the work, the relationship with the

surroundings and the cognitive experience of the viewer became primary.

Today’s Estonian minimalist painting has both formal and substantive features of

minimalism; the solipsistic spiritual vector, the feeling of slowing down, stopping

and jumping over time, and the refined aesthetic approach in the formulation of the

message are constantly present here. Much based on aesthetic as on the philosophical

principles makes Estonian minimalism a deeply spiritually enjoyable experience.

Exhibition takes a look at four different authors, allowing the viewer to delve into

the depths of “laconicism”, to assume the initial impulses of art style rhetorics, its basic

structures; to perceive the slowly working meditative and tuning effect of the works.

Tiiu Rebane

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