L'hipocrisie dans Dom Juan de MoliÃ¨re - RepositÃ³rio CientÃfico do ...

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Cerqueira, Carina – Work in Progres: Representar o outro segundo o pensamento antropofágico.Casos de estudo – Hans Staden e Les maîtres Fous 75 -97George Whalley (1953) has described memory, considering it to be thecentral factor in the process of image making: without memory there can be nopoetic creation (p.73). Historicists have always privileged memory as thenutriment of History and the ultimate shaper of identities, either collective orindividual, and cognitive psychologists have created different stages to analysethe impact of memory. In Pinter’s canon memory is, along with time, bafflingenigmatic and moulded to serve the ultimate purpose of illustrating that life canbe a daunting experience which accounts for the necessity of including pausesand silences in his discourse: In the absence of an appropriate ‘voice’, Pinterdignifies the moment introducing a new sense – that of the unsaid - and uses it asa form of discourse, showing that in the end there are some memories whichcannot be translated into full words.Referências bibliográficasBATTY, Mark. 2005. About Pinter: the Playwright & the Work. England:Faber and Faber Limited.CAHN, Victor L. 1994. Gender and Power in the Plays of Harold Pinter. GreatBritain: MacMillan Press Ltd.CAROLL, Lewis. 1970. The Annotated Alice: Alice's Adventures in Wonderland& Through the Looking Glass. Great Britain: Penguin Books.COHEN, R. 2001. “The Economy of Betrayal”. In L. Gordon, Pinter at70. New York and London: Routledge.ESSLIN, Martin. 1970. The People Wound: The Work of Harold Pinter. NewYork: Anchor Books.GALE, Steven H. (003. Sharp Cut: Harold Pinter's Sreenplays and the ArtisticProcess. USA: The University Press of Kentucky.GUSSOW, Mel. 1994. Conversations with Pinter. New York: Grove Press.Polissema – Revista de Letras do ISCAP – Vol. 12 -201296
Cerqueira, Carina – Work in Progres: Representar o outro segundo o pensamento antropofágico.Casos de estudo – Hans Staden e Les maîtres Fous 75 - 97HALL, Peter. 2001. “Directing the Plays of Harold Pinter”. In TheCambridge Companion to Harold Pinter. Ed. P. Raby. UK: Cambridge UniversityPress. Pp. 144-154.HOLLIS, James R. 1970. Harold Pinter: The Poetics of Silence. USA: SouthernIllinois University Press.MENGEL, E. 2001. "Yes! In the sea of Life Enisled": Harold Pinter’sOther Places. In Pinter at 70. Ed. L. Gordon. London: Routledge: (pp.161-188)Press Ltd.PINTER, Harold. 1998. Plays Four. London: Faber and Faber.1996. Plays Three. London: Faber and Faber.1991. Plays One. London: Faber and Faber.REGAL, Martin S. 1995. A Question of Timing. Great Britain: MacMillanSACKS, O. 1990. The Man Who Mistook his Wife for a Hat and Other ClinicalTales. USA: Harper Perennial.Paul.WHALLEY, George. 1953. Poetic Process. London: Routledge and Kegan97 Polissema – Revista de Letras do ISCAP – Vol. 12 -2012
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PolissemaRevista de Letras do Insti
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EDITORIALO número 12 da Revista PO
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LÍNGUA ADICIONAL: CONTEXTOS E CONT
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L'HYPOCRISIE DANS DOM JUAN DE MOLI
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Cerqueira, Carina - Literary texts
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Cerqueira, Carina - Literary texts
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