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PORTFÓLIO TIAGO CASANOVA

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(EN)<br />

The universe of the photographic image never<br />

transmits us enough knowledge about reality. What it<br />

transmits are temporal and spatial fragments about a<br />

certain reality that make us imagine the real moment.<br />

Therefore, for those who see the photographic<br />

image almost everything is imagination, and for<br />

those who make it, it becomes fragmentation. For<br />

that simple reason, an expedition to reality through<br />

photography would be a utopian process, and just<br />

as talking about truth is objectively talking about lie,<br />

when we talk about reality we talk about fiction.<br />

One concept does not exist without the other, and<br />

within the sphere of our knowledge it is fiction that<br />

often teaches us what is real, namely in the universe<br />

of the image. Thus, my expedition to reality is an<br />

expedition to our imaginary, a mental exercise that<br />

returns to the origins and intends to understand<br />

how does the human being search for logical and<br />

empirical answers through the fictional narrative, in<br />

order to justify the reality.<br />

absorb and interpret, but also because it is in some<br />

way formatted for certain judgments and values<br />

due to preconceived ideas we built throughout our<br />

experience. But it is through the dream that we can<br />

more naturally access to that subconscious, that sea of<br />

truths and realities. What we paradoxically dream of,<br />

then, is at the same time fiction and reality. It is unreal<br />

within the parameters by which we know the world,<br />

but the purest reality within the individual thought and<br />

feeling.<br />

This way, this exercise presents itself to the public<br />

based on fictional compositions built by my own<br />

dreams, exactly as a pure exercise of individual search<br />

for the subconscious reality, so the spectator can<br />

thenceforth make his own fiction or imaginary, leaving<br />

the significance still totally open for what will be, now<br />

and always, a personal interpretation, and never – the<br />

reality.<br />

Having as base or principle the method used by<br />

the native people before the emergence of the<br />

concept of science, the intention is to imagine how<br />

myths and legends are created, fictional stories that<br />

explain the surrounding reality. But, instead of trying<br />

to understand the natural and the autochthonous,<br />

this exercise tries to understand the contemporary,<br />

having as a starting point reality fragments that<br />

together help creating a highly subjective and<br />

personal story. In fact, it is an exercise that we<br />

unconsciously do every day, but here the intention<br />

is to put this reality into perspective and to make<br />

us think about how we use the subconscious to<br />

understand what surrounds us.<br />

I say subconscious because, in my opinion, it is the<br />

most pure state of perception of reality, since it has<br />

the ability to absorb everything we try, think of, feel<br />

and live; This is something that conscious cannot<br />

do, not only because it is limited in its ability to

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