Tetelestai - Andrew Boss

Transposed Score
Τετέλεσται
A Symphony for Wind Ensemble
Written for and dedicated to Jerry Junkin and the University of Texas Wind Ensemble
In Loving Memory of Vincent R. DiNino
ANDREW BOSS
2014

Transposed Score
Instrumentation
Piccolo/Flute
4 Flutes (doubled Fl.1, 2)
2 Oboes
2 Bassoons
Contrabassoon +
6 Clarinets in Bb (doubled Cl.1, 2, 3)
Bass Clarinet in Bb
Contrabass Clarinet in Bb
Soprano Saxophone
Alto Saxophone
Tenor Saxophone
Baritone Saxophone
4 Trumpets in C
4 Horns
3 Trombones
Bass Trombone
Euphonium
Tuba
Contrabass (string bass)
Harp + (doubling encouraged +)
Piano/Celesta (if a celesta is unavailable, perform the celesta part on the piano in the appropriate transposed octave)
Organ (Finale only; optional but encouraged)*
Timpani
Percussion 1 – snare drum III +, 2 bongos, 4 tom-toms, large suspended cymbal (share with 2), medium suspended cymbal I, crash cymbals
Percussion 2 – bass drum I, large suspended cymbal (share with 1),
Percussion 3 – snare drum II, congas, small tam-tam, glockenspiel, chimes, anvil +
Percussion 4 – triangle, large suspended cymbal, log drum**, tambourine, marimba, xylophone, vibraphone, bass drum II +
Percussion 5 – 4 temple blocks, snare drum I, tam-tam***, crotales (2 octaves), medium suspended cymbal II
*An optional antiphonal brass choir (3 horns, 3 trumpets) is provided for performance in the case that an organ is unavailable. This brass choir is to be placed
around the auditorium in order to maximize spatial effects. If the resources are available, both the organ and brass choir may be used in performance. This
work may also be performed effectively without either option, though at least one of these options is encouraged.
**If unavailable, the log drum may be substituted for an auxiliary un-pitched percussion instrument, such as a gourd drum.
***the tam-tam part does indicate the use of both a superball and a chain (not simultaneously) at various portions in the piece. Though encouraged, in the
case that a superball is unavailable, it may be substituted with a tam-tam roll with normal mallets.
Instruments marked or with this symbol (+) to its right are strongly encouraged but optional. This is to permit some flexibility of instrumentation in order to
accommodate ensembles with limited instrumentation who desire to perform this piece or one of its movements.
The 1 st and 2 nd movements to this work may be programmed separately in any given concert.
Program Notes
Tetelestai – Greek for “It is finished” – is supposedly the last word that Yahashua, the man Christians praise as Jesus Christ, spoke among
the people of Jerusalem before his death. The nature of this word – in the perfect indicative mood of its verbal form teleō –suggests having
completed an action that is both irreversible and infinite. Within the context Yahashua used, it meant that he perfectly fulfilled the demands of the
Mosaic Law on behalf of his people, and that he took the punishment his people deserved and placed it onto his own shoulders by his death. The
biblical account of the resurrection adds a rich meaning to the word tetelestai, that which not even death can undo what has been completed.
Throughout this symphony, I attempted to capture images of how I interpret these series of biblical events. This is not a programmatic
work because I am not retelling the story of this account. Rather, I am portraying images based on how this story makes me feel. The main body of
the 1 st movement portrays images of betrayal, despair, suffering, and death – which are how I interpret the crucifixion. This movement begins and
ends with a linear theme in the horn representing a promise waiting to be fulfilled, which returns intimately later in the piece. The 2 nd movement
portrays images of conflict between two opposing forces, such as life vs. death or dark vs. light. This is how I interpret the war between heaven
and sin since “in the beginning” up through Yahashua’s death. The 3 rd movement is subdivided into two separate sections; it begins with a short
Interlude, followed by the Finale. The Finale begins in a reflective mood and slowly intensifies toward a climactic conclusion that portrays images
of victory and rebirth – which is how I interpret the resurrection.
Because the music of this symphony portrays images rather than adhering to a strict narrative, it allows for a different interpretation of
these images from each listener as he or she engages in a unique aural experience as the music unfolds. The listener brings forth their own life
experiences and beliefs as to how they relate to the music that they are hearing, and how each listener relates to these images is based on those
experiences or beliefs – whether it is suffering through the loss of a dear friend or loved one, which relates to the images associated in the 1 st
movement; personal obstacles or battles, relating to the 2 nd movement; or a personal rebirth and reawakening, relating to the Finale.
This work was written for Jerry Junkin to be performed by the University of Texas (UT) wind ensemble in November 23, 2014, and I have
dedicated the piece to him and all the performers within this ensemble. It was written in loving memory of the recent death of the former beloved
UT band director, Vincent R. DiNino, whose immense contributions will never be forgotten. A small en memoriam was also incorporated as a
passing theme in the 3 rd movement to my dear friend Dmitry Volkov, a brilliant young cellist who recently died at 26 of heart failure.

Piccolo
Flute 1
Flute 2
Oboe 1 + 2
Bassoon 1 + 2
Contrabassoon
Clarinet in Bb 1
Clarinet in Bb 2
Clarinet in Bb 3
Bass Clarinet
in Bb
Contrabass
Clarinet in Bb
Soprano Saxophone
Alto Saxophone
Tenor Saxophone
Baritone Saxophone
Trumpet in C 1 + 2
Trumpet in C 3 + 4
Horn in F 1 + 2
Horn in F 3 + 4
Trombone 1 + 2
Trombone 3 +
Bass Trombone
Euphonium
Tuba
Adagio Pastorale q=60
p n p
stagger breathe, if necessary
sim.
n
a2
a2
p
sim.
a2 stagger breathe, if necessary
a2
p
p ppp n p ppp n
p ppp n p ppp n
p
Written for and dedicated to Jerry Junkin and the University of Texas Wind Ensemble for their Fall 2014 season
In loving memory of Vincent R. DiNino
a2 stagger breathe, if necessary
mp
mp
mp
mp
Τετέλεσται
1. Homage
p
p
p
mp
mp
mp
mp
ANDREW BOSS
1. solo
3
mp pp
mp pp
1. solo
3
Contrabass
Piano
Harp
Timpani
Percussion 1
Percussion 2
Percussion 3
Percussion 4
Percussion 5
pizz.
3
p
f
f
f
f
large suspended cymbal
(scrape, very fast)
f
anvil
f
p
(scrape, very fast)
f
vibraphone
- medium mallets
vibraphone
f
f
crotales
crotales
f
soft mallets
pp
3
4 muted tom-toms; with sticks
anvil
f
f
large. sys. cym.
p 3
Copyright © 7/24/2014 by Andrew Boss. All Rights Reserved

2
Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
A. Sax.
T. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
Pno.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
11
poco rit. A tempo, with feeling
flute
p n p
a2
a2
a2
p
p
a2
1.
p ppp n p
a2
p
A
p n p
a2
1.
a2
p ppp n
p
n
pp mf n p
pp mf n
n p p
pp mf n p
n
pp mf n p p
1. cup mute
f
3
pp
mp pp p
3.
p
p
p
p
p
p
1. cup mute
p
f
f
p
vibraphone
f
crotales
11
f
pp mf n p
pizz.
3
p
p
f
large. sys. cym.
(scrape, very fast)
anvil
1.solo
3 2.
3
2.
a2
p
p
a2 (cup mute)
p
3. cup mute
arco
* slurs in contrabass always provided only for melodic shaping; never intended for bowing

Fl.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
A. Sax.
T. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
Pno.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
23 poco rit. A tempo
marc.
mf
marc.
a2
p
p
mf
a2
marc.
p
p
mf
mf
p
p
marc.
1.
p
23
B
p p mf
p
p
a2
p
p
p
p
p
p
p mf mf
pp p p mf
pp p mf
pp
p
p p mf
a2
p p mf mf
senza sord.
marc.
p p mf mf
senza sord.
p p mf
pp
p
p
p
p
p
p
n
mf
mf
a2
mf
a2
p
mf
mf
mf
marc.
marc.
1.
mf
mf
mf
3. cup mute
a2, senza sord. marc.
mf
mf
mf
p
mp
mf
mf
f
f
f
mf
1.
large sus. cym.
B.D.
t-tam
p
chimes.
a2
marc.
marc.
1. marc.
a2
marc.
a2, senza sord. marc.
med. sus. cym.
vibraphone
a2
marc.
marc.
a2
marc.
3

4
Fl.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
A. Sax.
T. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
C
poco rit. A tempo poco rit. A tempo
38
3 3
f
a2
1.
3 3
f
3
f
3
mp p n p
3
mp
f mp p n
f
3
f
3 3
f
3
f
mp
mp
mp
f mp p n
3
f
3
mp
p
p
p
n
n mf n
f mp n mf n
f p pp n mf n
a2
1. solo 3 3
3
3
f mf mp
1.
1.
mp
a2
3
n mf n
f
mp
p
n mf n
3
mp
f
p
n mf n
f 3
mp p pp n mf n
3
p
p
1.
p
3
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
Pno.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
f mf p
1.
f
mf mp n
3.
3.
f mf mp n
f
p
3
mp
p
3
mp
p
pp
ff
f
3
ff
f
pp
mf n
muted t-toms;sticks
38
ff
f
n
mf
p
p
mp
f
(scrape, very fast)
f
f
f
p 3 3
anvil
vibraphone
triangle
1.
2.
f 3
mf p
3.
p
f 3
3
p
3
large sus. cym.
t-tam
large. sus. cym
crotales
p

Fl.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
A. Sax.
T. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
Pno.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
D
49
poco rit. Pushing forward q=69
p mp
dolce
5
5
1.
1.
1.
1.
mp n pp 3
5
1.
1. 5
7
mp n pp
5 6
1.
dolce a2
mp
n
mf
1. dolce
p
3
pp
mf
p
mp
mp
n
1.
pp
6
3
1.
1.
5
pp
pp
mf
pp
mf
mf
dolce
mp
3
3 n
3 dolce
a2
3
5
f
p 3
3
n
p
3. dolce
p 3
3.
n
pp
B. Tbn. pp
mp
pp
mp
pp
mp
pp
mp
p mp
to celesta
celesta
f
3
mp
3
mp
mf
3
3
f f mp
gliss. gliss.
mp
3 3 3 3 3
soft yarn mallets dampen on beat 3
n
mp
anvil
f
vibraphone- soft mallets
vibraphone
3
pp
mp
f
crotales- with bass bow
crotales
49
f mp mp mp

6
Fl.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
A. Sax.
T. Sax.
Bari. Sax.
C Tpt. 1 + 2
58
dolce
f ff p
a2dolce
f ff p
5 6 7 6 5 3
mp
ff
f ff p
5
5 6 6 5 3
3 3 7 3
mp
dim.
mp
p
ff
3
2.
3
mp
p
3
p
a2 dolce
1.
pp
pp
p
p
p
3
3
3
3
3
mp
p
a2 3
3
3
3
3
1.
1.
p
3
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
1.
3
3
3
pp 3
p pp
3
3
3
3
p
3
pp
Euph.
Tba.
Cb.
Cel.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
3
p
3
p
58
n
6
large sus. cym.
7
6
3
p
5
f p mp
mf
mf pp
p
mf
3
3 3
3 3
3
3
3
mp
t-tam
p

Fl.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
A. Sax.
T. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
Cel.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc.5
poco rit.
65
E
A tempo, sneaky
With feeling
7
3
n
a2 espress.
3
n
p
sfp mp
3
a2
3
3
n sfp mp
1. espress.
3
n
p
3
3
sfp mp
sfp
n
sfp
espress.
a2
3
n
pp
p
sfp mp
espress.
a2
p
n
pp
sfp mp
espress.
3
p
n
pp
espress.
sfp mp
p
mp
n
pp
espress.
sfp
pp
p sfp mp
espress.
pp
p sfp mp
espress.
n
pp
p
3
sfp mp
espress.
pp
p
mp
a2
3
p
n
a2
3
p
n
3
a2
sfp
3
n
a2
n
sfp
sfp
sfp
pp
to piano
3 mp
3
mp
mf
p
pp
B.D.
B.D.
B.D.
p p mp
vibraphone- medium mallets
p
crotales- with bass bow
mp
65
mp

8
Fl.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
A. Sax.
T. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
Cel.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
77
3
3
mf
mp
mp
mp
3
mf
3
3
mf
3
mf
3
mf
mf
mf
mf
mf
mf
3
mf
mf
mf
mf
F
ff
6 6 ff 5 5
6 6 6 ff 5
6 6 6
5
6 6 6 ff 5
mp mf f
mp
mf
mp
3
3
mf f
3. 3 3
mp
mp
mp
p
p
mf
mf
mf
mf
small t-tam
mf
n
mp
3
pp mf 3 3 3 3
mf
77
3
3
3
3
3
a2
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3
3
3
3
3
1.
3
3
piccolo
a2
a2
6 6
6 6
6 6
6 6
3 6 6 6
6
7
ff
a2
ff
ff
ff
ff
ff
mp
f
5
7
gliss.
5
7
5
5
5

Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
A. Sax.
T. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
Pno.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
poco rit. A tempo, unleashing
84
3 a2
3
f
f
ff
3
3
f
ff
a2
a2
3
3
ff
f
f
f
ff
3
3
f
3
f
ff
f
3
1. 1.
mf
3
ff mf ff
f
3
3.
mf
ff
ff 3
f
a2
1.
ff
a2
3.
ff
3
a2
ff mf ff 3
mf f
3
f
3
mf
3.
3
ff
f
f
f
ff
3
3
f ff 3
3
f
f 3
3
3
f ff
f f
mf
f
f
ff
piano
ff
f
3
3
f
mf f ff ff
t-toms- yarn mallets
n mf f
chimes f
chimes
f
mf
vibraphone
f ff t-tam
f
S.D.
84
gliss.
gliss.
gliss.
gliss.
gliss.
3
3
med.. sus. cym
large
sus. cym
ff ff pp mp pp mp
pp
mf
9

10
Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
A. Sax.
T. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
Pno.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc.5
rit.
95
ff
sfp
3
ff
sfp
3
sfp
ff
ff
sfp
1. no trill
ff
sfp
a2, trill
sfp
ff
3
3
ff
sfp
sfp
ff
ff
sfp
3
ff
sfp
3
3
f
ff
sfp
3
ff
3
bells up
sfp
3 f
non. cresc.
a2
f
fff
sfp
3
fff
3
bells up
non. cresc.
a2
f
fff fff sfp
3
3
3
a2
3
fff fff
3
sfp
ff
sfp
ff
sfp
ff
sfp
A tempo, with strong affection
3
f
95
G
ff
ff
3
f ff sfp
3
f
ff
fff fff sfp
p mf f ff sfp
pp f n mf pp
pp mf n mp pp
3
ff
B.D.
pp
3
large. sus. cym
t-tam
3
3
ff
ff
S.D.
mf
med. susp. cym
B.D.
f
f
sfp
sfp
sfp
sfp

Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
A. Sax.
T. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
Cel.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
102
gradually slow down trills, a2
fff
staggerbreathe if needed 1. molto espress.
fff
Cadenza
gradually slow down trill
staggerbreathe if needed
fff
p
fff mp p
fff
fff
fff mp p pp
gradually slow down trills, a2
fff mp p
fff
fff
fff
fff
fff
fff
fff
fff
fff
fff
fff
fff
fff
fff
fff play more or less proportionally as notated within the bar.
This passage is not intended to be strictly counted
celesta
5
5
3
5
ff legato dim. 5
5
p
3 3
ff
legato
ff
dim.
solo, molto espress.
B.D.
ff p n
ff n p
anvil
102
staggerbreathe if needed
1. molto espress.
gradually slow down trills, a2
fff mp p
pp
staggerbreathe if needed
gradually slow down trills, a2
staggerbreathe if needed
circular glisses
gliss.
gliss.
ff
ff
ff
play more or less proportionally as notated within the bar.
This passage is not intended to be strictly counted
play more or less proportionally as notated within the bar.
This passage is not intended to be strictly counted
3
crotales- play around these notes; gradually slow down while descending
p
3 6 3
3
3
p
p
pp
p
pp
mp
Chimes
p
crotales - with bass bow
11

12
Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
A. Sax.
T. Sax.
Bari. Sax.
C Tpt. 1 + 2
H
105
poco rit.
A tempo
3
1.
mp mp p
3
mp mp
1.
mf
3
3
mp mp p
mf
p
1.
mf
p
mp p p
3
p
p
p
p
p
mp
3
3
3
1.
1.
3
p
p
p
3
3
3
3
p
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
Cel.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
n
n
p
p
105
med. sus. cym.
mf mf mf
p
p

Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
A. Sax.
T. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
poco rit.
q=54 rit.
A tempo
113
p no cresc.
stagger breathe if necessary
1. a2
1.
Cel.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
solo, molto espress.
p
p
mp f p
molto espress.
p n pp
1. 1.
1.
mp p no cresc.
p
mp
mp
mp
mp
p
p
mp p p
pp mp p
3.
n
n
n
113
p
n
p p ppp n
p
mp
n p ppp n
p
1. a2 stagger breathe if necessary
3
mp p p n
mp
mp
mp
mp
p
p
t-tam
p
p
p
p
p
p
p
n
n
n
n
n
n
1.
4.
pp mp p p
1.
n
I
pp
pp
n
f
(scrape, very fast)
f
f
f
f
mp
3
n
mp
p
piano
f
no cresc.
3
p
p
mp
a2 stagger breathe if necessary
2.
1.solo
3
med. sus. cym.
B.D.
large. sys. cym.
anvil
3
p
muted t-toms; sticks
p 3
vibraphone
crotales
13

14
Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
A. Sax.
T. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
Pno.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
123
Attaca subito
p p p
p
p
p
n mf n
pp
p
p
pp
p
p
n
1.
n
mf
mf
n mf n
n mf n
n mf n
pp
3.
pp
pp
pp
mf
mf
mf
mf
pp mf
f
123
p
1.
3 3 pp
3
f
f
f
f
pp
mp
f
1.
chimes
3
3
1.
1.
large. sys. cym.
(scrape, very fast)
anvil
vibraphone
crotales
1.

II. Toccata
15
Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
Alto Sax.
Ten. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
Pno.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Allegro Fugato q=150
**soft mallets may also be used
mp
4 t-toms
mp
**strum bass strings throughout
entire note value; no fingernail
n
mp
medium mallets
harder yarn mallets
2 bongos
large. sys. cym.
pp
(scrape, rather slow)
soft mallets
(scrape, rather slow)
mp
bring out
large. sys. cym.
congas (with hands)
pp
B.D.
pp
triangle
mp
mf
mp
mp
molto
Perc. 5
t-tam, with superball
n mp mp
temple blocks

16
Picc.
11
A
*percussion MUST NOT cover solo wind instruments (mm.11-27)
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
1.
p
p
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
mp
Alto Sax.
Ten. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
Pno.
Hp.
Timp.
ppp
pp
Perc. 1
ppp
Perc. 2
ppp
Perc. 3
ppp
Perc. 4
Perc. 5
11
ppp

Picc.
19
B
17
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
mp
p
mp
Cl. 2
Cl. 3
1.
p
mp
B. Cl.
Cb. Cl.
Sop. Sax.
p
mp
Alto Sax.
p
mp
Ten. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
a2
n
mf
Euph.
Tba.
Cb.
Pno.
pizz.
p
p
p
Hp.
Timp.
Perc. 1
Perc. 2
pp
p
pp
Perc. 3
Perc. 4
log drum
p
pp
Perc. 5
19
temple blocks
p

18
Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
Alto Sax.
Ten. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
27
mf
1.
a2
mf
poco a poco cresc.
mf
mp poco a poco cresc. mf
poco a poco cresc.
mf
Pno.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
p poco a poco cresc. mf
p poco a poco cresc. mf
a2
1.
poco a poco cresc.
mp poco a poco cresc. mf
pp
p
poco a poco cresc.
poco a poco cresc.
mp poco a poco cresc. mf
p
poco a poco cresc.
poco a poco cresc.
poco a poco cresc.
p
p
27
1.
C
a2
p poco a poco cresc. mf
poco a poco cresc.
mf
p poco a poco cresc.
mf
a2
mf
poco a poco cresc.
mf
1.
straight mute
straight mute pp poco a poco cresc.
3.
mf
pp poco a poco cresc. mf
a2
arco
mf
mf
mf
mp
mp
mp
mf
mp
mf
3.
tambourine- damped, with mallet
S.D.
p poco a poco cresc. mf
mf

Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
Alto Sax.
Ten. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
34
p sub
poco a poco cresc.
a2
a2 p sub poco a poco cresc.
Pno.
Hp.
Timp.
Perc. 1
p sub
poco a poco cresc.
p sub
p sub
p sub
pp
MMMONNNM mp
p sub
pp sub
pp sub
p sub
poco a poco cresc.
poco a poco cresc.
poco a poco cresc.
senza sord.
1.
poco a poco cresc.
p sub poco a poco cresc.
pp
poco a poco cresc.
1.
poco a poco cresc.
1.(play)
poco a poco cresc.
poco a poco cresc.
poco a poco cresc.
6
19
Perc. 2
Perc. 3
large susp cym.
p
Perc. 4
Perc. 5
34

20
Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
Alto Sax.
Ten. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
Pno.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
40
3
6
cresc.
f
6
3
mp
f
t-toms
mp
f
B.D.
p
f
small t-tam
Congas (hands)
40
D
mf
f
mf
f
a2
mf
mf
f a2
f
f
mf
f
mf
f
fp
mf
f
mf
f
mf
f
mf
f
mf
f
mf
f
1.
2. senza sord.
p
mf
3. senza sord.
p
mf
p mf p sub
p
f
a2
f
mp
f
mp
f
mp
f
arco
pizz.
mf
n mp tambourine- damped, with mallets
f
S.D.- rim shot
mp
mp
mf
mf
f
f

Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
Alto Sax.
Ten. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
Pno.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
46
21
ff
5
a2
ff
(a2 trill)
5
1.
(a2 trill)
2..
ff
5
a2
(a2 trill)
5
ff
a2
(a2 trill)
sfp
a2
(a2 trill)
5
ff
a2
ff
(a2 trill)
5
a2
mf (a2 trill)
ff (a2 trill)
sfp
sfp
ff
ff
sfp
mf
sfp
mf
sfp
mp sfp sfp
mp
sfp
sfp
sfp
sfp
sfp
sfp
sfp
sfp
large susp. cym.
bongos
mf
hard mallets
p mf pp
pp
medium mallets
B.D.
ff
gliss.
5
Perc. 4
Perc. 5
Xylophone
f
46
gliss.

22
Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
Alto Sax.
Ten. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
Pno.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
E
With Compulsion
52
a2
ff
ff
a2
ff
a2
ff
ff
ff
ff
f
ff
ff
ff
t-toms
f
f
52
ff
ff
f
f
f
ff
ff
S.D., modo ordl
f
ff
a2
ff
a2
ff
ff
a2
a2
f
f
f
f
a2

Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
Alto Sax.
Ten. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
Pno.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
cresc.
F
59
cresc.
ff
f fp f
cresc.
ff
f fp f
a2
1.
cresc.
ff
a2
cresc.
ff
ff
cresc.
f
cresc.
ff
ff
cresc.
ff
ff
ff f
med. susp. cym.
pp
f
congas (hands)
f
ff
t-tam
59
ff
f
23
bongos
t-toms
S.D., rim shot

24
Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
Alto Sax.
Ten. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
Pno.
Hp.
Timp.
Perc. 1
65
a2
a2
5
5
5
3
3
8va not included in LH- actual pitch
f
sfp
a2
sfp
4.
sfp
sfp
a2
sfp
a2
sfp
sfp
Perc. 2
Perc. 3
Perc. 4
Perc. 5
f
f
congas (with mallets)
f
65
crotales

Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
Alto Sax.
Ten. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
Pno.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
70
Introspective
1.
mp
1.
mp
1.
mp
mp
mp
f
f
f
f
f
f
p
f
sfp
f
sfp
f
5
5
3
3
3
mp
mp
pp dampen
mp f
small t-tam
mp
70
large susp. cym.
p
mf
f
f
G
25

26
Picc.
76
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
p
p
pp
pp
pp
pp
mp
1.
pp
Alto Sax.
Ten. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
mp
4.
mp
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
Pno.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
NNNOMNMM
p
76
pizz.
p
temple blocks
p mf mp

Picc.
86
27
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
Alto Sax.
Ten. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
mp
mp
Tba.
Cb.
Pno.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
86
temple blocks
mp
pp

28
Picc.
Fl. 1
Fl. 2
96
H
1.
p
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
Alto Sax.
Ten. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
cresc.
mf
p
cresc.
mf
p
Tba.
Cb.
Pno.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
p
Perc. 5
96
temple blocks
mp
p

Fl.
Fl. 1
Fl. 2
Ob. 1 + 2
106
flute
p
mp
mp
p
mp
mf
29
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
Alto Sax.
Ten. Sax.
Bari. Sax.
C Tpt. 1 + 2
2.
mp
poco a poco cresc.
p
p
poco a poco cresc.
1.
p
mp
1.
p
mp
2. 1.
p
p
mp
p
poco a poco cresc.
p
p
mp
p
p
mp
mp
mp
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
a2
mp
poco a poco cresc.
mf
3.
a2
mf
p
cresc.
Euph.
Tba.
Cb.
Pno.
Hp.
Timp.
Perc. 1
mp poco a poco cresc. p sub. cresc.
arco
p
poco a poco cresc.
p
cresc.
Perc. 2
Perc. 3
Perc. 4
n
p
small t-tam
n
Large susp. cym.
Perc. 5
106
t-tam
n
pp

30
Fl.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
Alto Sax.
Ten. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
Pno.
Hp.
Timp.
mf
mf
mf
mf
113
mf
mf
cresc.
mf cresc.
f
f
mf f dim.
mf
mf
1.
mf f dim.
1.
mf
mf
mf
a2
mf f dim.
a2 a2
f
f
f
f
f
f
f
mf cresc. f dim.
dim.
dim.
dim.
dim.
dim.
dim.
dim.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
p
113
Med. susp. cym.
n
mf
soft mallets
B.D.
mf
crotales
mp

Fl.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
Alto Sax.
Ten. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
p
a2
Pno.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
mp
p
p
pp
p
p
2.
120
poco rit. With feeling q=55
31
to piccolo
mp
a2
p mp p
1.
a2
p mp p
1.
p mp p
p
mp
pp
p
mp
p
a2
mp
p
a2
mp
p
mp
p
mp
p
p
pp
3.
pp
p
p
p
1.
p n pp
p
p
p
p
n
pp
marimba- soft mallets
pp
Large susp. cym.
120
I

32
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
Alto Sax.
Ten. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
Pno.
Hp.
Timp.
Perc. 2
Perc. 3
Perc. 4
Perc. 5
129 poco rit.
q=55 poco rit. Heavy q=55
pp
mf
mf
mf
n
B.D.
small t-tam.
129
n
n
n
n
mf n mf n pp
3
mf n mf n pp
mf p f n
mf
n
mf p n mf n p
3 3
mf
p
mf
mf n pp
mp n mf n pp
mp pp n
mp pp n
a2 3
mf f mp
3
mp pp n
3
p pp
p mp n mp n p
3
mp
mp
p
3
3
3
3
3
3
pp mp pp mp n pp
3
3
mp
pp
pp mp p with a growling sound
3
3
3
3
pp
mp pp f p
3
play around lowest 2 octaves, keep pedal competely down
3
mf
3
B.Tbn
3
3
mp
p
p p molto cresc. f
ppp mp n
n
increase in speed
LLMOMNLM pp f
n p n
small t-tam.
3
3
3
n mp pp
t-tam, superball
mp
3
mf
3
soft mallets
Marimba
3
3
3
3
p
f
mf
mf
n
3
p
mf
n
mf n
pp
3
a2
3
3 3
gliss.
3
3
(circular glisses)
p
gliss.
gliss.
modo ord.
gliss.
gliss.
n
3 3
3
3

Fl.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
Alto Sax.
Ten. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
134
poco rit.
Pno.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
a2
mp
1.
mp
f
p
134
f
p mf p
f p f p
mf
p
3
mp pp mp 3 pp mf p
mp
pp mp pp mf p
3 3 3
mp pp mp
3
f
p
f p f p mf p
mp pp mp pp mf p mp
mp pp mp pp mf p
mf
p
f
pp
f mf p
mp pp mp pp mp p
mp p mp
mp p mp p mp p
mp
p
ff p p mf ff p
play around lowest 2 octaves, keep pedal competely down
p molto cresc.
pp
sim.
f
f
f
p
mp p mp p
mp n mp mp
p n n p n n p
p n p
mp n pp mp n pp mp
pp
p
sim.
p
p
p
mf
mp
mf
mf
mp
mf
p
p
p
p
mp
mp
MNMOMNNM
n
a2
a2
mp
3 3 3
3 3
mp pp mp pp
3
3
3
3
mp
3
f
p
gliss.
gliss.
gliss.
gliss.
increase in speed
3
breath only
a2 breath only
a2
pedal up
to celesta
gliss.
gliss.
med. sus. cym.
near edge
mp
33

34
Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
J
Transcending q=55
139
piccolo
cloudy
cloudy
mp
pp
pp
play more or less proportionally as notated within the bar. These lines are not
to be strictly counted, but should be played within the measure they are placed.
play more or less proportionally as notated within the bar. These lines are not
to be strictly counted, but should be played within the measure they are placed.
a2
f
f
Sop. Sax.
Alto Sax.
Ten. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
Cel.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
mf
1.
pp 3.
139
celesta p
mf
mp
mf mf mf
crotales, with bow play more or less proportionally as notated within the bar. These lines are not
to be strictly counted, but should be played within the measure they are placed.
mf mf mf mf
n
n
f
breath only
breath only
breath only
mf
breath only
pp
play more or less proportionally as notated within the bar. These lines are not
to be strictly counted, but should be played within the measure they are placed.
p
breath only a2
breath only
3
play more or less proportionally as notated within the bar. These lines are not
to be strictly counted, but should be played within the measure they are placed.
8va included in LH
Glockenspiel, strike any pitch in F# minor at random- irrhythmically but frequently
play more or less proportionally as notated within the bar. These lines are not
to be strictly counted, but should be played within the measure they are placed.
vibraphone, with bow
mp
f
mp
n
p
3

Picc.
141
35
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
Alto Sax.
Ten. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
3
3
3
mf
mf
mf
mf
mf
3
mf
3
f
f
p
f
3
breath only
breath only
breath only
breath only
breath only
breath only
n
mf
mf
mf
mf
mf
mf
3
3
3
3
3
Cb.
Cel.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
3
f
actual pitch
141
mp
n mf n
mp n p
n
mf
mp
mf mf mf
mf
n

36
Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
Alto Sax.
Ten. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
Cel.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
143
n
p
3
143
mp
3
f
f
f
p
f n mf
mf
mp
mf mp mf
n
n
n
n
n
mf
mp
mf
p
p
mp
p
mp
mp
mp
7 3
p
5
3
3
3
3
3
3 7
6
6 6
pp
mp
3
pp
3
6
mp
cresc. 6
die away
more precise than before, but not exact
6 6 6 6 5
more precise than before, but not exact (a2)
6
6 5 5
3
6
3 3
6
7
5
more precise than before, but not exact
more precise than before, but not exact
3
5 3
more precise than before, but not exact
more precise than before, but not exact
3
3
mf mf mf
6
3
5
3
p
3
5

Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
Alto Sax.
Ten. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
Cel.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
rit.
146
37
3
5 3
5
3
p
mp
3
3
6
5
3 5
3
3
mp
5
p
5
mf
4
mf
4
mf
p
mf
mf
mf
mf
4
mf
3
mp
p
mf
3
p
mf
mf
mf
mf
n p n mf
n
p
p
mp
a2
n
mp
4
mp
p
mp
n p pp mp
n mp pp mp
n p p mp
pp
n
mp
mp
3
3 3
n mf pp
mp
to piano
3
7
5
pp mp pp 7
3
mp
6
pp
mp
pp
mp
6
3
cresc.
cresc. 6
6
p
mp
large sus cym.
mp
p
mp
chimes
mp
mf
mf
146
mf

38
Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
Alto Sax.
Ten. Sax.
Bari. Sax.
C Tpt. 1 + 2
K
152
q=150
a2
mp
fp
mp fp mf
1.
mp
mf
mp fp mf
mp fp mf
mp fp mf
mp
1.
mp fp mf
fp
a2
a2
mp fp mf
p
mf
a2
mp
fp mf
mp
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
Cel.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
p
p
p
152
mp
mp
congas - play with hands
mf
mp
hard mallets

Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
Alto Sax.
Ten. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
Pno.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
160
L
39
160
f fp ff
f f fp ff
a2
f fp ff
a2
f f fp ff
a2
f
f
ff
f ff
f
f f fp fp ff
f f fp fp
ff
a2
f f fp fp ff
mf
ff
f
f
ff
f
f f fp fp f
f f fp fp f
f fp fp f
mf ff
f
1.
mf fp mf
3.
mf
fp
mf
1.
f fp
fp mf
1.
mf
f
fp B.Tbn
f
mf
f
f
ff f
piano
f
ff
mf
ff
t-toms (yarn mallets)
bongos
mf
ff
ff log drum
mf
temple blocks
mf

40
Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
Alto Sax.
Ten. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
Pno.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
167
3 3 3 3 3 3 3 3 3 3 3 3 3
3
a2
3 3 3 3 3 3 3 3 3 3 3 3 3 3
a2
3 3 3 3 3 3 3 3 3 3 3 3 3 3
3
3 3 3
3 3
3
3 3
3 3 3
3 3
3 3 3
3
3 3
3 3
3 3 3
3 3 3
a2
f
f
3 3
3
3
3 3
3 3
3 3 3 3 3 3
3 3 3
3
3 3
3 3
3 3 3
3 3 3
3 3 3 3 3 3
3 3 3 3 3 3 3 3
3 3 3
3
3 3
3 3
3 3 3
3 3 3
3 3 3 3 3 3
3 3 3 3 3 3 3 3
3 3
3
3
3 3
3 3
3 3 3
3 3 3
f
f
3 3
3
3 3 3 3 3
3 3 3
f
3
3
3
3 3
3 3 3
3 3 3
3 3 3 3 3 3 3 3 3 3 3
f 3
3 3
3 3
3 3 3
3
3 3
f
f
f
f
ff
f
167
f
f
f
ff

Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
Alto Sax.
Ten. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
173
3 3 3 3
p sub
M
With Power
3 3 3 3
p sub
3 3 3 3
p sub
3
3
3 3
3
p sub
p sub f ff
p sub f ff
3
3
3 3
1.
3
p sub3
3
3 3
3
3
3 3
p sub
f
ff
p sub
f
p sub
f
f
f
f
ff
f
p sub ff mp
p sub ff mp
p sub ff mp
p sub ff mp
3
3
3 3
3
3
3 3
p sub ff mp
3
3
3 3
3
3
3
3
3
3
f
a2
3
3
3 3
p sub ff mp
mp
3
3
3 3
p sub
f
3
3
3 3
41
Hn. 3 + 4
p sub ff mp
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
Pno.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
p sub
f ff
p sub f ff
p sub f ff
p sub f ff
f
173
p sub ff mp
p sub ff mp
MLMOMMML
crotales
f
8va not included in LH- actual pitch
f Pedal down
mp
med. sus. cym
f
mp
medium mallets
p
f
B.D.
chimes
ff
mp Pedal down
vibraphone

42
Picc.
Fl. 1
Fl. 2
177
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
Alto Sax.
Ten. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
Pno.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc.. 4
Perc. 5
ff
ff
177
a2
ff
ff
a2
ff
ff
ff
ff
ff
ff
fp
ff
ff
ff
3.
ff
a2

Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
Alto Sax.
Ten. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
181
p
p
ff
ff
ff
ff
N
3
3
4.
1.
3
3
3
3
3
3
3
3
43
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
Pno.
Hp.
Timp.
Perc. 1
3
3
f
LMLOMLMM
Perc. 2
Perc. 3
Perc.. 4
B.D.
ff
Perc. 5
181

44
Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
185
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
Alto Sax.
Ten. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
3
Pno.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc.. 4
Perc. 5
f
185
pp
mf
p
a2
3
3
a2
3
p

Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
Alto Sax.
Ten. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
Pno.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc.. 4
Perc. 5
189
play and repeat; not intended to be strictly counted
ff Crash Cymbal
fff
189
p sub
p sub
p sub
p sub
p sub
p sub
p sub
p sub
p sub
p sub
p sub
p sub
p sub
p sub
p sub
p sub
mf
ff
ff
O
Push ahead q=165
5 6
5 6
a2
ff 5
1.
a2
ff
ff
ff
6
5
5
5
ff
ff
f
ff
ff
ff
ff
fff
fff
fff
fff
fff
fff
fff
fff
fff
fff
ff
Play pattern very fast and repeat, not intended to be strictly counted
ff
Play pitches according to given scalar contour;
slurred and very fast (a2)
Play pitches according to given scalar contour;
slurred and very fast (a2)
Play pitches according to given scalar contour;
slurred and very fast (a2)
Play and repeat very fast, not intended to be strictly counted (a2)
Play and repeat very fast, not intended to be strictly counted (a2)
Play and repeat very fast, not intended to be strictly counted (a2)
Play and repeat very fast, not intended to be strictly counted (a2)
a2
1. a2
fff
p sub
fff
gliss.
Play any pitch at random - fast
Play any pitch at random - fast
Play any pitch at random - fast
gliss.
45

46
Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
Alto Sax.
Ten. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
Pno.
Hp.
Timp.
Perc. 1
Perc. 2
194
fff
fff
fff
fff
fff
fff
p
p
sfp
sfp
p
p
sfp
sfp
sfp
sfp
sfp
sfp
mf
mf
ff
ff
ff
(a2 trill)
ff
(a2 trill)
(a2 trill)
ff
ff
(a2 trill)
ff (a2 trill)
cresc.
cresc.
t-tom
Perc. 3
Perc.. 4
Perc. 5
194
mp

Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
Alto Sax.
Ten. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
Pno.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc.. 4
Perc. 5
201
a2
5 5
5
ff
a2
5
5 5
ff
2.
5 5 5
ff
ff
5 5
ff
5
5 5 5
a2
ff
ff fff poco ff
201
pp
5 5 5
5 5
gliss.
P
Relentless
ff
ff fff poco ff
hard mallets
mp
gliss.
mf
mf
gliss.
gliss.
t-tam
ff
ff
a2
sf ff fff poco ff
sf ff fff poco
ff
a2
ff fff poco ff
4,
ff fff poco ff
bells up
lower bells
sf ff fff poco ff
bells up
lower bells
ff
sf ff fff poco
bells up
lower bells
sf ff fff poco ff
lower bells
bells up
sf
ff
fff poco
f
sf ff fff poco ff
sf
ff
poco
ff
fff
ff
ff
bongos
5
gliss.
ff
f
S.D.
ff
mp
ff
47
f

48
Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
Alto Sax.
Ten. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
208
poco a poco cresc.
poco a poco cresc.
poco a poco cresc.
poco a poco cresc.
poco a poco cresc.
poco a poco
cresc.
poco a poco cresc.
poco a poco cresc.
Pno.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc.. 4
Perc. 5
poco a poco cresc.
poco a poco cresc.
poco a poco
cresc.
poco a poco cresc.
poco a poco cresc.
poco a poco cresc.
poco a poco cresc.
poco a poco cresc.
poco a poco cresc.
poco a poco cresc.
poco a poco cresc.
poco a poco cresc.
poco a poco cresc.
poco a poco cresc.
poco a poco
cresc.
poco a poco
cresc.
poco a poco cresc.
circular gliss upward, very fast
poco a poco
cresc.
208
f poco a poco cresc. ff
ff
fff
poco a poco cresc.
poco a poco cresc.
poco a poco cresc.
congas- with mallets
xylophone
f
poco a poco cresc.

Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
Alto Sax.
Ten. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
214
Pno.
Hp.
Timp.
Perc. 1
clusters
Wild!
49
Perc. 2
Perc. 3
Wild!
Perc. 4
Wild!
Perc. 5
214
t-tam
pp p mp mf

50
Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
Alto Sax.
Ten. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
Pno.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
Q
220
fff fff fff
fff fff fff
fff fff fff
fff fff fff
fff fff fff
fff
fff
fff
fff pp pp
fff pp
pp
pp
fff pp
pp
pp
fff fff fff
fff fff fff
fff fff fff n p
fff fff fff n
p
fff fff fff
n
p
fff fff fff
n
p
fff fff fff
fff fff fff
fff fff fff n p
3.
fff fff fff n p
fff fff fff
n
fff fff fff
fff fff fff
fff fff fff
fff
fff
fff
large. sus. cym.
n
fff
220
f
fff
pp
fff
fff fff fff
med. t-tam
fff
n
medium mallet
B.D. 2
p
n
n
f

Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
Alto Sax.
Ten. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
Pno.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
231
Attaca subito
n
p
n
n
p
p
n
p
n p (pp)
n
p
231
p
p
p
p
n
n
p
p
n
n
n
n
n
n p n p
mp
n
p
p
p
p
p
p
1.
1.
n
p
med. sus. cym.
med. sus. cym.
t-tam
51

52
III. Interlude and Finale
Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Introspective q=60
Cadenza A tempo Cadenza
1. solo
pp
f freely and with expression
a2 - staggerbreathe when necessary
f freely and with expression
1. solo
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
A. Sax.
T. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
Pno.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
pp
p
Ped. down (pp)
a2 - staggerbreathe when necessary
p
p
chimes
p
(scrape, rather slow)
mp
B.D.
vibraphone- soft mallets
crotales- with bass bow
med. sys. cym.
soft mallets
mp
p
pp
chimes
p

Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
A. Sax.
T. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
Pno.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
6 A tempo
1.
1.
1.
soft mallets
6
53
pp mf 3
f
pp
p mp pp pp mf
f
3
1.
pp mp pp mp f
3
mf
p mf p
p mp pp pp mf
pp
p mf p mf
p mp p mp
p mp pp pp mf
p mp pp pp mf
p mp pp pp mf
2.
p
pp mp
4.
pp mp
pp mp
pp mp pp mp
play both pitches
(if C attachment is available)
sim.
p mf p mf
pp mp pp mp
med. sys. cym.
(scrape, rather slow)
mp
pp mp pp mp
p
1.
chimes
mp
A

54
Picc.
Fl. 1
Fl. 2
17
a2
ff
Ob. 1 + 2
ff
3
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
A. Sax.
T. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
1.
f
1.
f
f
f
n
ff
ff
ff
ff
mp
3
ff
1.
3
3
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
mp
3. 3.
p
mp
1.
Pno.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
n
med. sys. cym.
mf
chimes
mp
Perc. 5
17

Picc.
Fl. 1
Fl. 2
22
dim.
3
1.
mp
pp
n
55
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
A. Sax.
T. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
dim.
dim.
dim.
mp
mp
dim. p pp
3
dim.
dim.
3
3
p
p
p
mf p mf
pp
3
pp
pp
p
p
n
n
n
mp
mf
mp
pp n p
pp n p
1.
1.
cup mute
p
3.
cup mute
p
p
p
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
dim.
dim.
p
p
Euph.
Tba.
Cb.
Pno.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
mf p pp
B.D.
solo 3
pp
p
pp
pp
mp
sim.
mf
mp
mp
Perc. 5
t-tam
22
p

56
Picc.
30
rit. Translucent q=84
B
*conductor must resist the urge of adding rubato in this section;
conducting pattern needs to be very clear and strict throughout
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
p
mp
p
p
mf
mf
pp
freely and with expression, disregard meter
1. solo
p
mp
1.
pp
A. Sax.
T. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
p
pp
p
pp
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
Pno.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
p
mp
p
p
mp
mf
pp
mp
pp
mp
30
p
sim.
t-tam
pp
marimba-medium mallets
p

Picc.
Fl. 1
38
expressive, yet strictly counted
p
57
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
expressive, yet strictly counted
a2
p
expressive, yet strictly counted
a2
p
expressive, yet strictly counted
p
A. Sax.
T. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
Pno.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
38

58
Picc.
Fl. 1
46
C
p
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
p
p
Cl. 1
Cl. 2
Cl. 3
B. Cl.
p
Cb. Cl.
Sop. Sax.
A. Sax.
T. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
Pno.
3.
p
p
p
p
p
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
46

Picc.
53
59
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
A. Sax.
T. Sax.
Bari. Sax.
C Tpt. 1 + 2
1.
pp
expressive, yet strictly counted
p
expressive, yet strictly counted
p
expressive, yet strictly counted
p
expressive, yet strictly counted
p
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
Pno.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
53

60
Picc.
61
D
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
A. Sax.
T. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
Pno.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
mp
mp
61
p
p
p
p
mp
p
pp
pp
pp
pp
mp
1.
mp
a2
mp
p
mp
mp
pp
mp
pp
n
n
n
n
mp
mp
a2.
mp
mp
1.
3
p
3
p
cresc.
mp
3.
a2
a2
1.
1.senza sord.
1. (play)

Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
A. Sax.
T. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
Pno.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
69
69
mp
mf
mf mp mf
p
mf mp mf
mf mp mf
mf mp mf
mf mp mf
p
mp pp mp
mp
ppp mp pp ppp
ppp
mp
ppp mp pp ppp
ppp mp pp ppp
mp
pp
mf mp mf
mp pp
1.
mp
mp n mp
mp n mp
mp n mp
mp
p
p
mp
mf
mf
n
mf
mf
mp
mp
ppp
3. senza sord.
3
3
p
3
mf
p
a2
a2
a2
a2
3
1.
1.
2. senza sord.
mp
mp
mf
mf
61

62
Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
A. Sax.
T. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
Pno.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
76
mf
a2
a2
p
p
p
p
mp
p
mp
mp
mp
med. sus. cym
76
1.
a2
a2
mp
1.
mp
mp p mp
mp p mp
mp p mp
not brassy
p
3.
p
1.
3
p
p
mf
mp
p
p
p
p
p
n
mf
mf
mf
mf
mp
mf
mp
mp
mp
mf
mp
mp

Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
A. Sax.
T. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
83
E
n mf n
p n mf p
mp mf mp
n mf n
mf mf pp
p sub
p n mf p
mp p p
mf
mf p mp mp mp p mp mp
mp pp n pp
p
mf
pp
mf pp mf
p
a2
1. bring out
1.
mp
mp
bring out
bring
out bring
out
bring out
a2 bring out
63
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
1.
bring out
mp pp n mp
3.
mp pp n pp
1. bring out
mp
Pno.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
p
mf
p
mp mf mp
mp
83

64
Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
A. Sax.
T. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
Pno.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
90
mf
n mf mf
mf
p
n mf mf
pp
pp
mf
pp
mp p n
mf p mp
p
pp
f
large sus. cym
90
bring out
mf
mf
bring out
bring out
mf
mp
p
f
pp
mf
p
pp
f
p
pp
p
pp
p
n
n
mf
mf
p
a2 bring out
mp
bring out
molto espress., soaring
bring out
bring out
3.
1.
1
4. senza sord.
In loving memory
of Dmitry Volkov

Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
A. Sax.
T. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
Pno.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
F
95
p n mp
p n mp
n mf n mp mf
p n mp
mf n p
p
mf
mp
mf
p
mf n mp
mf
n
mp p n p
molto espress., soaring
bring out
mp p n mp p
mp p n p
1
mp p n pp
mp p n
mp p n pp
3.
mp n pp
2.
mp p n pp
mp p n p
p
mp
mf
mf
n
large sus. cym
mf
n
mp
mf
crotales - with bass bow
95
a2
a2
mf
3.
p
mp p n
mf
3
mf
mp
mf
6 6 3
n
mp
mp
1.
p
f
p
p
mf
65

66
Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
A. Sax.
T. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
Pno.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
101
mf p n mp
mf p n mp
n
mf p n mp
mf
mf
mf
1.
mf p n
mp
mf
mf n mp
mf
mp p n
mp p n pp
mp p n
mp p n
mp p n
mp p n
mp
mp p n
B.Tbn.
n
mp p n
mp p pp
mp p pp
3
p
3
3
6
p
mf
mf
101
1.
1.
1.
mf
mp
1.
p
mp
n
n
mp
p
p
mp
crotales - with bass bow
p
p
p
p
mf
n

Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
A. Sax.
T. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
mp
mf
p
mp
4
4 4 4 4
Pno.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
107
107
pp
pp
G
As if breaking from chains
p
mp
f
mf
f
f
mf
mp
mp
mp
mp
mp
mp
bring out
f
pp mp n
n
mf
a2
4.
4 4 4 4
mp
sfp
mf
3
n f sfp
mp n f sfp
a2
a2
3.
a2
a2
chimes
f
mp
mp
f
3
4
4
4
bring out
f 3
sfp
f
sfp
4 4 4 4
4 4 4 4
bring out
3
1. bring out 3
n 1. bring out
B.Tbn.
B.Tbn.
mp
mf
mp
mf
mp
mp
mf
3 3
mp
3
cresc.
mp
med. sus. cym.
B.D. n
mf
soft mallets
cresc.
mp
t-tam - use chain on rim
67

68
Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
A. Sax.
T. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
Pno.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
112
ff
a2
ff
mf
mf
f
mf
a2
ff
mf
mf
mf
mf
mf
med. sus. cym
n
f
B.D.
n
mf
sim.
112
pp
3.
ff
f
4 4 4 4 4 4 4 4 4 4 4 4
mf
4 4 4 4 4 4 4 4 4 4 4 4
mf
4 4 4 4 4 4 4 4 4 4 4 4
mf
4 4 mf 4 4 4 4 4 4 4 4 4 4
bring out f
mf
pp mf n
pp mf n
bring out f 3 sfp
f
ff
sfp
n
mf
mf
f sfp mf
mf
3
mf
1.
bring out 3
1.
pp
mf
n
1. bring out
mf
3.
B.Tbn
f 3 sfp
mf

Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
A. Sax.
T. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
2
2
Pno.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
118
ff mf ff mf
2
2 2
f 2
f
f
f
3.
ff mf ff mf
ff mf ff mf
f
f
f
2
2
mf
2 2 2 2
mf
ff mf ff mf
2 2 2 2
mf
f
mp
4 4 4 4 4 4 4 4 4 4 4
4 4 4 4 4 4 4 4 4 4 4 4 4
4 4 4 4 4 4 4 4 4 4 4 4 4 4
4 4 4 4 4 4 4 4 4 4 4 4 4 4
2 2
2
mf
mp
1.
2
f 2
f
mp
mp
mp
mp
mp
mp
4
69
Perc. 5
118

70
Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
A. Sax.
T. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
125
Ascending q.=q
Pno.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
pp
pp
n
4 4
pp n mp
pp n mp
p
p
p
p
p
p
pp
pp
pp
pp
mp
mp
mp
mp
H
p
p
p
p
p
p
pp
mp
large. sus. cym.
n
mp
125
a2
mp
p
p mp
a2
6 6 6 6 6 6
2.
4.
p
p
a2 6 6 6

Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
A. Sax.
T. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
Pno.
poco a poco cresc.
Hp.
131
a2
mp
mp
a2
p
poco a poco cresc.
poco a poco cresc.
poco a poco cresc.
poco a poco cresc.
poco a poco cresc.
poco a poco cresc.
poco a poco cresc.
poco a poco cresc.
poco a poco cresc.
poco a poco cresc.
poco a poco cresc.
poco a poco cresc.
poco a poco cresc.
poco a poco cresc.
poco a poco cresc.
poco a poco cresc.
mf
6 6
6
p
6
poco a poco cresc.
6 6
6 6 6 6 6
6 6
6 6 6 6 6
6 6
6
poco a poco cresc.
6
3
6
a2
6
6
71
6
6
Timp.
Perc. 1
3
Perc. 2
Perc. 3
Perc. 4
Perc. 5
131

72
Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
134
6
7 6
mf
6 7 6
7
7 7
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
A. Sax.
T. Sax.
Bari. Sax.
C Tpt. 1 + 2
6 6 6 6
6
7
7
6
7
6 6 6 6 6 6 7 7 7
mf
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
B.Tbn.
mp
Tba.
Cb.
Pno.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
6
6
6
6
6
6
pp
medium mallets
6 6
6
6
Perc. 4
Perc. 5
134
Vibraphone - medium mallets
mf
3 3 3

Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
A. Sax.
T. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
Pno.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
137
f
f
f
6 6
f
n mf n
73
6 f
6
6
6 6 6 6
6
f
6
6 6 6 6
6
f
6
6 6
f
6 6 6 6
a2
f
f
6 6 6 6
6
f
6
6
6
6
6
6
f
6
6
6
6
6
6
6
f
f
f
6
6
6
6
6
f
f fp f fp
f fp f fp
f
3
mf f mf f mf
3
3
3
3
3
3
3.
3
3
mf f mf f mf
f
p f p
3.
f p f p
f B. Tbn.
f
f
f
med. sus. cym.
mf f fp mf f fp mf
med. sus. cym.
n
mf
n
small t-tam
small t-tam
1.
137
gliss.
3 3
f
gliss.
gliss.

74
Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
142
I
ff
ff
ff
3 3
3 3
3 3
3 3 3
ff
mf
mf
3 3
ff
Cl. 3
3
ff
3
B. Cl.
Cb. Cl.
Sop. Sax.
A. Sax.
T. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
Pno.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
f
f
ff
ff
f p n mp p n mp
f p n mp p n mp
f p n mp p n mp
p
mf
n
mf
6
6
f
6 6
6
6
6 6
f
6
f
4 t-toms- mallets
142
mf
mf
f
f
3
3 3
f
3
mf
6 6
6 6
6
f
n
f p mp n mp
f p mp n mp n
p
n
mf
6 6
3 3 3
3
3
S.D.- snares on
Vibraphone - medium mallets
6
6 3
6
f
6
6
f
f

Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
A. Sax.
T. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
Pno.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
147
poco a poco cresc.
poco a poco cresc.
poco a poco cresc.
poco a poco cresc. 3 3
a2
poco a poco cresc.
3 3 3 3 3
poco a poco cresc.
a2
poco a poco cresc. 3 3 3 3 3
a2
poco a poco cresc. 3 3 3 3 3
3 3 3
poco a poco cresc.
3 3 3
poco a poco cresc.
3 3 3 3 3
poco a poco cresc.
mf 6 6
poco a poco cresc.
6
poco a poco cresc.
6 6
6
6
3
3
mf
mf
3
3
mf
3
mf
mf
3
3
3
3
3
3
mf
mf
mf
p
3 3 3
poco a poco cresc.
poco a poco cresc.
6 6 6 6
6
6
6 6 6 6 6
poco a poco cresc.
6 6
6
6
6 6
6
6 6 6 6
6
poco a poco cresc.
6
6 6 6 6 6
pp
soft mallets
3 3 3
B.D.
3
f
147
3
mf
mf
mf
fp
n
a2
3 3 3
3 3 3
poco a poco cresc.
6 6 6
3
mf
3
3
6 6
3
3
3
3
3
poco rit.
6 6 6
3
3 3 3 3 6 6
t-tam
3
3
3 3 3 3 3
p
3
75

76
Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
A. Sax.
T. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
Pno.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
150
f
f
3
ff
ff
ff
3
f
ff
3
f
ff
3
bells up
f
ff
3. bells up
3
3
3
f ff
ff
fff
p
3.
fff
p
3
bells up
f
ff
bells up
3.
f
ff
f
f
f
ff
ff f
ff
f
f
f
sfp
mf
ff
J
Meno mosso q=56
poco rit.
f
3 3
3 3
3
6
f 6
cresc. ff
3 3
3 3
3
6 6
f cresc. ff
3 3
3 3
3
6
f 6
cresc. ff
f
f
f
3 3
cresc.
ff
med sus cym.
150
f mf p n
p
3 3
3
3
3
gliss.
3 3
cresc.
3 3
cresc.
3
3
3
3
mp
6 6
6 6
large sus cym.
n f n
gliss.
gliss.
gliss.
gliss.
large sus cym.
3
6
6
gliss.
6
6
ff

Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
A. Sax.
T. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
Pno.
Hp.
Org.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
155
fff
sempre marcato 3
f possible
ff
f possible
ff
3 3
f possible
hard mallet
soft mallets
3
ff
mf
ff
ff
fff
ff
sempre marcato 3 3
fff
sempre marcato 3
fff
fff
p
3
fff
3 3
sempre marcato
fff
p
fff
fff
sempre marcato 3 3
fff
sempre marcato 3
fff
sempre marcato 3 3
fff
sempre marcato 3
155
sempre marcato
ff
ff
Maestoso, Meno mosso q=50
Play pitches according to given scalar contour (preferably B minor
** beat 1
scale); slurred and very fast; not intended to be in strict rhythm
beat 1
play and repeat very fast
**
beat 2
77
play and repeat very fast
**
play and repeat very fast
**
play and repeat very fast
**
ff
ff
a2
**
**
fff
3
fff
sempre marcato
sempre marcato
3
3
3
f possible
f possible
play and repeat very fast
play and repeat very fast
f possible
f possible
f possible
f possible
f possible
f possible
f possible
f possible
f possible
f possible
f possible
f ( ff if organ is used)
beat 2
play and repeat very fast
fff
sempre marcato
fff
f possible
a2 brassy
sempre marcato
3
3
p fff f possible
a2
brassy
sempre marcato
3
3
fff
f possible
sempre marcato
f possible
3
fff
chimes - hit quickly and randomly
gliss.
gliss.
B.D.
soft mallet
mf
vibraphone - hit quickly and randomly in upper 2 octaves
t-tam
sempre marcato
(punch)
sempre marcato a2
3

78
Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
A. Sax.
T. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
Pno.
Hp.
Org.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
160
a2
3
3
3
fff
3
fff
fff
3
3
fff
1.
3
3
3
fff
3.
3
3
3
fff
3
3
fff
3
fff
3
3
3
3
3
3
3
hard mallets 3
f
fff
large sus. cym.
3 n
ff
hard mallet
3
B.D.
f
fff
slow down
slow down
hard mallet
3
B.D.
fff
(punch)
med sus cym.
160
beat 1 beat 3
fff
n
n
n
n
n
n
n
K
fff
fff
fff
fff
ff
3
fff
a2
fff
3
fff
3
fff
a2
3
fff
3
fff
3
n
fff
a2
3
3
beat 1
a2
3
3
fff
3
fff
3
3
fff
gliss.
gliss.
3
3
3
a2
3
fff

Picc.
Fl. 1
Fl. 2
Ob. 1 + 2
Bsn. 1 + 2
Cbsn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Cb. Cl.
Sop. Sax.
A. Sax.
T. Sax.
Bari. Sax.
C Tpt. 1 + 2
C Tpt. 3 + 4
Hn. 1 + 2
Hn. 3 + 4
Tbn. 1 + 2
Tbn. 3 +
B. Tbn.
Euph.
Tba.
Cb.
Pno.
Hp.
Org.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
165
3
3
3
3
3
3
3
3
3
3
3
3
3
3
fff
fff
fff
3
3
fff
fff
fff
fff
f possible
3
3
3
3
3
3
B.D.
165
3
3
3
3
3
3
3
3
3
3
3
3
3
3
f possible
f possible
f possible
f possible
f possible
f possible
f possible
f possible
f possible
f possible
f possible
f possible
f possible
f possible
f possible
f possible
f possible
f possible
f possible
f possible
f possible
f possible
f possible
fff n f possible
S.D. - snares on (3rd snare optional, but encouraged)
sus cym
large
fff n f possible
B.D.
mallets
soft
fff n f possible
S.D. - snares on
t-tam
small
B.D.
B.D.
fff n f possible
fff
S.D. - snares on
t-tam
n
f possible
fff n f possible
79