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Tetelestai - Andrew Boss

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Transposed Score

Τετέλεσται

A Symphony for Wind Ensemble

Written for and dedicated to Jerry Junkin and the University of Texas Wind Ensemble

In Loving Memory of Vincent R. DiNino

ANDREW BOSS

2014


Transposed Score

Instrumentation

Piccolo/Flute

4 Flutes (doubled Fl.1, 2)

2 Oboes

2 Bassoons

Contrabassoon +

6 Clarinets in Bb (doubled Cl.1, 2, 3)

Bass Clarinet in Bb

Contrabass Clarinet in Bb

Soprano Saxophone

Alto Saxophone

Tenor Saxophone

Baritone Saxophone

4 Trumpets in C

4 Horns

3 Trombones

Bass Trombone

Euphonium

Tuba

Contrabass (string bass)

Harp + (doubling encouraged +)

Piano/Celesta (if a celesta is unavailable, perform the celesta part on the piano in the appropriate transposed octave)

Organ (Finale only; optional but encouraged)*

Timpani

Percussion 1 – snare drum III +, 2 bongos, 4 tom-toms, large suspended cymbal (share with 2), medium suspended cymbal I, crash cymbals

Percussion 2 – bass drum I, large suspended cymbal (share with 1),

Percussion 3 – snare drum II, congas, small tam-tam, glockenspiel, chimes, anvil +

Percussion 4 – triangle, large suspended cymbal, log drum**, tambourine, marimba, xylophone, vibraphone, bass drum II +

Percussion 5 – 4 temple blocks, snare drum I, tam-tam***, crotales (2 octaves), medium suspended cymbal II

*An optional antiphonal brass choir (3 horns, 3 trumpets) is provided for performance in the case that an organ is unavailable. This brass choir is to be placed

around the auditorium in order to maximize spatial effects. If the resources are available, both the organ and brass choir may be used in performance. This

work may also be performed effectively without either option, though at least one of these options is encouraged.

**If unavailable, the log drum may be substituted for an auxiliary un-pitched percussion instrument, such as a gourd drum.

***the tam-tam part does indicate the use of both a superball and a chain (not simultaneously) at various portions in the piece. Though encouraged, in the

case that a superball is unavailable, it may be substituted with a tam-tam roll with normal mallets.

Instruments marked or with this symbol (+) to its right are strongly encouraged but optional. This is to permit some flexibility of instrumentation in order to

accommodate ensembles with limited instrumentation who desire to perform this piece or one of its movements.

The 1 st and 2 nd movements to this work may be programmed separately in any given concert.

Program Notes

Tetelestai – Greek for “It is finished” – is supposedly the last word that Yahashua, the man Christians praise as Jesus Christ, spoke among

the people of Jerusalem before his death. The nature of this word – in the perfect indicative mood of its verbal form teleō –suggests having

completed an action that is both irreversible and infinite. Within the context Yahashua used, it meant that he perfectly fulfilled the demands of the

Mosaic Law on behalf of his people, and that he took the punishment his people deserved and placed it onto his own shoulders by his death. The

biblical account of the resurrection adds a rich meaning to the word tetelestai, that which not even death can undo what has been completed.

Throughout this symphony, I attempted to capture images of how I interpret these series of biblical events. This is not a programmatic

work because I am not retelling the story of this account. Rather, I am portraying images based on how this story makes me feel. The main body of

the 1 st movement portrays images of betrayal, despair, suffering, and death – which are how I interpret the crucifixion. This movement begins and

ends with a linear theme in the horn representing a promise waiting to be fulfilled, which returns intimately later in the piece. The 2 nd movement

portrays images of conflict between two opposing forces, such as life vs. death or dark vs. light. This is how I interpret the war between heaven

and sin since “in the beginning” up through Yahashua’s death. The 3 rd movement is subdivided into two separate sections; it begins with a short

Interlude, followed by the Finale. The Finale begins in a reflective mood and slowly intensifies toward a climactic conclusion that portrays images

of victory and rebirth – which is how I interpret the resurrection.

Because the music of this symphony portrays images rather than adhering to a strict narrative, it allows for a different interpretation of

these images from each listener as he or she engages in a unique aural experience as the music unfolds. The listener brings forth their own life

experiences and beliefs as to how they relate to the music that they are hearing, and how each listener relates to these images is based on those

experiences or beliefs – whether it is suffering through the loss of a dear friend or loved one, which relates to the images associated in the 1 st

movement; personal obstacles or battles, relating to the 2 nd movement; or a personal rebirth and reawakening, relating to the Finale.

This work was written for Jerry Junkin to be performed by the University of Texas (UT) wind ensemble in November 23, 2014, and I have

dedicated the piece to him and all the performers within this ensemble. It was written in loving memory of the recent death of the former beloved

UT band director, Vincent R. DiNino, whose immense contributions will never be forgotten. A small en memoriam was also incorporated as a

passing theme in the 3 rd movement to my dear friend Dmitry Volkov, a brilliant young cellist who recently died at 26 of heart failure.


Piccolo

Flute 1

Flute 2

Oboe 1 + 2

Bassoon 1 + 2

Contrabassoon

Clarinet in Bb 1

Clarinet in Bb 2

Clarinet in Bb 3

Bass Clarinet

in Bb

Contrabass

Clarinet in Bb

Soprano Saxophone

Alto Saxophone

Tenor Saxophone

Baritone Saxophone

Trumpet in C 1 + 2

Trumpet in C 3 + 4

Horn in F 1 + 2

Horn in F 3 + 4

Trombone 1 + 2

Trombone 3 +

Bass Trombone

Euphonium

Tuba

Adagio Pastorale q=60









p n p

stagger breathe, if necessary

sim.

n

a2

a2




p

sim.



a2 stagger breathe, if necessary

a2


p

















p ppp n p ppp n







p ppp n p ppp n


p








Written for and dedicated to Jerry Junkin and the University of Texas Wind Ensemble for their Fall 2014 season

In loving memory of Vincent R. DiNino

a2 stagger breathe, if necessary








mp

mp

mp

mp

Τετέλεσται

1. Homage







p

p

p

mp

mp

mp

mp

ANDREW BOSS

























1. solo

3





























mp pp

mp pp





















1. solo

3




















































Contrabass


Piano


Harp

Timpani

Percussion 1

Percussion 2

Percussion 3

Percussion 4

Percussion 5

pizz.






3

p












f

f



















f

f














large suspended cymbal






(scrape, very fast)

f



anvil


f

p

(scrape, very fast)

f

vibraphone


- medium mallets

vibraphone







f

f



crotales


crotales






f

soft mallets



pp

3

4 muted tom-toms; with sticks

anvil


f

f



large. sys. cym.

p 3

























Copyright © 7/24/2014 by Andrew Boss. All Rights Reserved


2

Picc.

Fl. 1

Fl. 2

Ob. 1 + 2

Bsn. 1 + 2

Cbsn.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Cb. Cl.

Sop. Sax.

A. Sax.

T. Sax.

Bari. Sax.

C Tpt. 1 + 2

C Tpt. 3 + 4

Hn. 1 + 2

Hn. 3 + 4

Tbn. 1 + 2

Tbn. 3 +

B. Tbn.

Euph.

Tba.

Cb.


Pno.

Hp.

Timp.

Perc. 1

Perc. 2

Perc. 3

Perc. 4

Perc. 5

11

poco rit. A tempo, with feeling


flute









p n p

a2

a2

a2












p






p



a2

1.













p ppp n p


a2




















p














A

p n p

a2

1.

a2

p ppp n

p

n

pp mf n p

pp mf n

n p p

pp mf n p

n

pp mf n p p

1. cup mute

f

3

pp

mp pp p

3.

p

p

p

p

p

p

1. cup mute

p





f

f

p

vibraphone






f


crotales





11















f




















pp mf n p







































pizz.






3


p

p







f



























large. sys. cym.






(scrape, very fast)

anvil










1.solo

3 2.







3







2.

a2









p



p

a2 (cup mute)



p









3. cup mute








arco













* slurs in contrabass always provided only for melodic shaping; never intended for bowing


Fl.

Fl. 1

Fl. 2

Ob. 1 + 2

Bsn. 1 + 2

Cbsn.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Cb. Cl.

Sop. Sax.

A. Sax.

T. Sax.

Bari. Sax.

C Tpt. 1 + 2

C Tpt. 3 + 4

Hn. 1 + 2

Hn. 3 + 4

Tbn. 1 + 2

Tbn. 3 +

B. Tbn.

Euph.

Tba.

Cb.

Pno.

Hp.

Timp.

Perc. 1

Perc. 2

Perc. 3

Perc. 4

Perc. 5

23 poco rit. A tempo

marc.









mf

marc.

a2






















p



p

mf


a2

marc.




















p

p






mf










mf

p







p

marc.































1.






p













23

B

p p mf

p

p

a2

p

p

p

p

p

p

p mf mf

pp p p mf

pp p mf

pp

p

p p mf

a2

p p mf mf

senza sord.

marc.

p p mf mf

senza sord.

p p mf

pp

p

p

p

p

p

p

n

mf

mf

a2


mf



a2












p

mf





mf

mf




marc.










marc.










1.




mf

mf

mf


3. cup mute

a2, senza sord. marc.












mf

mf

mf

p

mp

mf

mf

f

f

f

mf


1.




























large sus. cym.



B.D.











t-tam






p










chimes.








a2


marc.

marc.

1. marc.









a2









marc.

a2, senza sord. marc.


















med. sus. cym.


vibraphone






a2

marc.


marc.

a2

marc.













3


4

Fl.

Fl. 1

Fl. 2

Ob. 1 + 2

Bsn. 1 + 2

Cbsn.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Cb. Cl.

Sop. Sax.

A. Sax.

T. Sax.

Bari. Sax.

C Tpt. 1 + 2

C Tpt. 3 + 4

C

poco rit. A tempo poco rit. A tempo

38







3 3

f

a2


1.















3 3

f

3

f

3

mp p n p











3




mp

f mp p n

f

3

f

3 3

f

3

f

mp

mp

mp

f mp p n

3

f

3

mp

p

p

p

n

n mf n

f mp n mf n

f p pp n mf n

a2

1. solo 3 3

3

3

f mf mp


1.











1.










mp



















a2












3

n mf n











f


mp



p


n mf n











3

mp




f

p












n mf n






























f 3

mp p pp n mf n














3















p

p

1.

p








3















































Hn. 1 + 2

Hn. 3 + 4

Tbn. 1 + 2

Tbn. 3 +

B. Tbn.

Euph.

Tba.

Cb.

Pno.

Hp.

Timp.

Perc. 1

Perc. 2

Perc. 3

Perc. 4

Perc. 5

f mf p

1.







f

mf mp n

3.

3.

f mf mp n

f

p

3

















mp

p












3



mp

p

pp









ff

f








3






ff


f











pp

mf n

muted t-toms;sticks








38

ff





f



n



mf

p

p

mp






f

(scrape, very fast)

f

f

f

p 3 3










anvil










vibraphone

triangle











1.





2.













f 3


mf p






3.








p

f 3

3

p













3






large sus. cym.


t-tam

large. sus. cym

crotales




p


Fl.

Fl. 1

Fl. 2

Ob. 1 + 2

Bsn. 1 + 2

Cbsn.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Cb. Cl.

Sop. Sax.

A. Sax.

T. Sax.

Bari. Sax.

C Tpt. 1 + 2

C Tpt. 3 + 4

Hn. 1 + 2

Hn. 3 + 4

Tbn. 1 + 2

Tbn. 3 +

B. Tbn.

Euph.

Tba.

Cb.


Pno.

Hp.

Timp.

Perc. 1

Perc. 2

Perc. 3

Perc. 4

Perc. 5

D

49

poco rit. Pushing forward q=69















p mp


dolce














5



5

1.

1.

1.

1.










mp n pp 3

5

1.

1. 5

7









mp n pp

5 6



1.

dolce a2


mp

n

mf

1. dolce









p

3

pp

mf

p

mp

mp

n

1.



pp



6


3

1.

1.

5





pp





pp

mf



pp

mf

mf

dolce


mp

3




3 n

3 dolce

a2

3

5













f

p 3

3

n

p

3. dolce








p 3



3.





n

pp


B. Tbn. pp

mp




pp

mp



pp

mp

pp

mp




p mp



to celesta

celesta










f

3


mp

3

mp

mf











3

3

f f mp

gliss. gliss.


mp


3 3 3 3 3

soft yarn mallets dampen on beat 3




n

mp

anvil


f


vibraphone- soft mallets






vibraphone

3








pp

mp

f




crotales- with bass bow

crotales





49

f mp mp mp


6

Fl.

Fl. 1

Fl. 2

Ob. 1 + 2

Bsn. 1 + 2

Cbsn.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Cb. Cl.

Sop. Sax.

A. Sax.

T. Sax.

Bari. Sax.

C Tpt. 1 + 2

58

dolce












f ff p

a2dolce

f ff p










5 6 7 6 5 3

mp

ff

f ff p

5

5 6 6 5 3

3 3 7 3

mp

dim.

mp


p


ff

3

2.

3





mp








p

3








p

a2 dolce

1.














pp

pp

p

p

p

3

3






3

3

3













mp

p





a2 3




























3

3

3

3
















1.
















1.




p





3







C Tpt. 3 + 4

Hn. 1 + 2

Hn. 3 + 4

Tbn. 1 + 2

Tbn. 3 +

B. Tbn.


1.

3

3






3











pp 3

p pp

3

3





3

3


p



3

pp



Euph.

Tba.

Cb.


Cel.

Hp.

Timp.

Perc. 1

Perc. 2

Perc. 3

Perc. 4

Perc. 5


3










p

3







p

















58




n

6

large sus. cym.

7

6

3







p

5

f p mp

mf

mf pp

p

mf

3

3 3



3 3

3

3




















3











mp









t-tam

p


Fl.

Fl. 1

Fl. 2

Ob. 1 + 2

Bsn. 1 + 2

Cbsn.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Cb. Cl.

Sop. Sax.

A. Sax.

T. Sax.

Bari. Sax.

C Tpt. 1 + 2

C Tpt. 3 + 4

Hn. 1 + 2

Hn. 3 + 4

Tbn. 1 + 2

Tbn. 3 +

B. Tbn.

Euph.

Tba.

Cb.


Cel.

Hp.

Timp.

Perc. 1

Perc. 2

Perc. 3

Perc. 4

Perc.5

poco rit.

65


























E

A tempo, sneaky

With feeling




7


3

n

a2 espress.







3

n

p

sfp mp

3

a2

3







3

n sfp mp

1. espress.







3

n

p


3


3

sfp mp









sfp

n

sfp

espress.

a2












3

n

pp

p

sfp mp

espress.

a2













p

n

pp

sfp mp


espress.

3





















p


n

pp

espress.

sfp mp





p




mp

n

pp

espress.

sfp









pp

p sfp mp

espress.











pp

p sfp mp

espress.




















n

pp

p

3

sfp mp

espress.








pp

p

mp

a2

3


p







n

a2

3


p









n

3


a2




sfp

3

n


a2




n

sfp


sfp


sfp



pp



to piano




3 mp


3






mp

mf


p

pp


B.D.

B.D.

B.D.


p p mp

vibraphone- medium mallets
























p

crotales- with bass bow

mp




65





mp


8

Fl.

Fl. 1

Fl. 2

Ob. 1 + 2

Bsn. 1 + 2

Cbsn.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Cb. Cl.

Sop. Sax.

A. Sax.

T. Sax.

Bari. Sax.

C Tpt. 1 + 2

C Tpt. 3 + 4

Hn. 1 + 2

Hn. 3 + 4

Tbn. 1 + 2

Tbn. 3 +

B. Tbn.

Euph.

Tba.

Cb.

Cel.

Hp.

Timp.

Perc. 1

Perc. 2

Perc. 3

Perc. 4

Perc. 5

77



























3

3

mf












mp

mp

mp

3

mf

3

3

mf

3

mf

3

mf

mf

mf

mf

mf

mf

3

mf

mf

mf

mf

F




ff

6 6 ff 5 5

6 6 6 ff 5

6 6 6

5

6 6 6 ff 5

mp mf f

mp

mf

mp

3

3

mf f

3. 3 3


mp

mp

mp

p

p

mf

mf

mf

mf



small t-tam

mf





n

mp










3

pp mf 3 3 3 3

mf



77

3





3










3



3


3


a2











3

3


3


3























3












3











3

3

3






3


3

3













3


3









3 3






















3

3






3

3












1.


























3









3
























piccolo

a2
















a2














6 6

6 6

6 6


















6 6


3 6 6 6

6



7


ff

a2

ff



ff



















ff




ff

ff

mp






f

5

7

gliss.


5

































7







5

5


5


Picc.

Fl. 1

Fl. 2

Ob. 1 + 2

Bsn. 1 + 2

Cbsn.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Cb. Cl.

Sop. Sax.

A. Sax.

T. Sax.

Bari. Sax.

C Tpt. 1 + 2

C Tpt. 3 + 4

Hn. 1 + 2

Hn. 3 + 4

Tbn. 1 + 2

Tbn. 3 +

B. Tbn.

Euph.

Tba.

Cb.

Pno.


Hp.

Timp.

Perc. 1

Perc. 2

Perc. 3

Perc. 4

Perc. 5

poco rit. A tempo, unleashing

84
























































3 a2






3















f

f

ff








3



3
















f

ff

































a2





a2

3











3





ff



















f

f
























f





ff
































































3

3

f

3

f

ff

f



3


1. 1.









mf



3

ff mf ff

f



3


3.









mf


ff

ff 3

f




a2

1.




ff










a2

3.















ff




3




a2


















ff mf ff 3

mf f



3

f


3


mf


3.





3







ff








f

f

f








ff

3




3





f ff 3

3

f

f 3

3

3











f ff




f f












mf

f


f

ff




piano











ff


f


3

3



























f

mf f ff ff

t-toms- yarn mallets

n mf f



chimes f

chimes




f

mf


vibraphone



f ff t-tam

f



S.D.



84


gliss.

gliss.

gliss.

gliss.

gliss.



3

3















med.. sus. cym

large


sus. cym


ff ff pp mp pp mp

pp

mf

9


10

Picc.

Fl. 1

Fl. 2

Ob. 1 + 2

Bsn. 1 + 2

Cbsn.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Cb. Cl.

Sop. Sax.

A. Sax.

T. Sax.

Bari. Sax.

C Tpt. 1 + 2

C Tpt. 3 + 4

Hn. 1 + 2

Hn. 3 + 4

Tbn. 1 + 2

Tbn. 3 +

B. Tbn.

Euph.

Tba.

Cb.

Pno.

Hp.

Timp.

Perc. 1

Perc. 2

Perc. 3

Perc. 4

Perc.5

rit.

95




















ff

sfp

3
















ff

sfp

3















sfp

ff









ff



sfp



1. no trill



















ff


sfp















a2, trill







sfp

ff







3








3





ff

sfp














sfp

ff














ff

sfp























3




ff

sfp

3



















3

f

ff

sfp

3













ff







3

bells up

sfp

3 f

non. cresc.

a2







f



fff

sfp

3

fff

3



bells up

non. cresc.

a2








f

fff fff sfp

3


3

3


a2










3






fff fff

3

sfp






















ff

sfp








ff

sfp












ff

sfp






















A tempo, with strong affection











3

f




95





G

ff

ff

3

f ff sfp

3

f


















ff

fff fff sfp

p mf f ff sfp


pp f n mf pp


pp mf n mp pp









3

ff








B.D.

pp

3

large. sus. cym



t-tam

3

3

ff






ff

S.D.



mf

med. susp. cym





B.D.






f

f


sfp

sfp

sfp

sfp


Picc.

Fl. 1

Fl. 2

Ob. 1 + 2

Bsn. 1 + 2

Cbsn.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Cb. Cl.

Sop. Sax.

A. Sax.

T. Sax.

Bari. Sax.

C Tpt. 1 + 2

C Tpt. 3 + 4

Hn. 1 + 2

Hn. 3 + 4

Tbn. 1 + 2

Tbn. 3 +

B. Tbn.

Euph.

Tba.

Cb.




Cel.


Hp.

Timp.

Perc. 1

Perc. 2

Perc. 3

Perc. 4

Perc. 5

102







gradually slow down trills, a2

fff

staggerbreathe if needed 1. molto espress.









fff


























Cadenza

gradually slow down trill


staggerbreathe if needed


fff

p


fff mp p

fff

fff

fff mp p pp

gradually slow down trills, a2

fff mp p

fff

fff

fff

fff

fff

fff

fff

fff

fff

fff

fff

fff

fff

fff

fff play more or less proportionally as notated within the bar.

This passage is not intended to be strictly counted


celesta




5

5

3

5

ff legato dim. 5

5

p

3 3

ff

legato

ff

dim.

solo, molto espress.

B.D.

ff p n







ff n p

anvil

102

staggerbreathe if needed


1. molto espress.

gradually slow down trills, a2




fff mp p

pp


staggerbreathe if needed

gradually slow down trills, a2
















staggerbreathe if needed













































circular glisses






gliss.




gliss.







ff

ff

ff









play more or less proportionally as notated within the bar.

This passage is not intended to be strictly counted






play more or less proportionally as notated within the bar.

This passage is not intended to be strictly counted

3






crotales- play around these notes; gradually slow down while descending

p



3 6 3







3




3

p





p

pp













p

pp







mp


Chimes

p

crotales - with bass bow


11


12

Picc.

Fl. 1

Fl. 2

Ob. 1 + 2

Bsn. 1 + 2

Cbsn.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Cb. Cl.

Sop. Sax.

A. Sax.

T. Sax.

Bari. Sax.

C Tpt. 1 + 2

H

105

poco rit.

A tempo






3

1.















mp mp p

3

mp mp

1.


mf



3


3


















mp mp p

mf




p


1.













mf

p

mp p p




3
















p

p

p




p

p




mp

3

3


3

1.


1.

3

p

p

p

3







3

3

3

p

C Tpt. 3 + 4

Hn. 1 + 2

Hn. 3 + 4

Tbn. 1 + 2

Tbn. 3 +

B. Tbn.








Euph.

Tba.

Cb.

Cel.

Hp.

Timp.

Perc. 1

Perc. 2

Perc. 3

Perc. 4

Perc. 5











n

n

p

p












105




med. sus. cym.








mf mf mf




p





p


Picc.

Fl. 1

Fl. 2

Ob. 1 + 2

Bsn. 1 + 2

Cbsn.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Cb. Cl.

Sop. Sax.

A. Sax.

T. Sax.

Bari. Sax.

C Tpt. 1 + 2

C Tpt. 3 + 4

Hn. 1 + 2

Hn. 3 + 4

Tbn. 1 + 2

Tbn. 3 +

B. Tbn.

Euph.

Tba.

Cb.

poco rit.

q=54 rit.

A tempo

113










p no cresc.

stagger breathe if necessary



1. a2









1.




















Cel.


Hp.

Timp.

Perc. 1

Perc. 2

Perc. 3

Perc. 4

Perc. 5

solo, molto espress.







p

p

mp f p

molto espress.

p n pp








1. 1.







1.





mp p no cresc.

p

mp

mp

mp

mp

p

p

mp p p

pp mp p

3.

n

n

n




113

p

n

p p ppp n










p

mp





n p ppp n

p

1. a2 stagger breathe if necessary





3

mp p p n

mp

mp

mp

mp

p

p

t-tam


p

p

p

p

p

p

p

n

n

n

n

n

n








1.

4.





pp mp p p

1.




n

I








pp

pp

n

f

(scrape, very fast)

f

f

f

f

mp





3















n

mp

p


piano







f


























no cresc.










3









p

p

mp





















a2 stagger breathe if necessary









2.

1.solo





3







med. sus. cym.



B.D.


























large. sys. cym.

anvil

3







p

muted t-toms; sticks


p 3





vibraphone

crotales












13


14

Picc.

Fl. 1

Fl. 2

Ob. 1 + 2

Bsn. 1 + 2

Cbsn.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Cb. Cl.

Sop. Sax.

A. Sax.

T. Sax.

Bari. Sax.

C Tpt. 1 + 2

C Tpt. 3 + 4

Hn. 1 + 2

Hn. 3 + 4

Tbn. 1 + 2

Tbn. 3 +

B. Tbn.

Euph.

Tba.

Cb.


Pno.


Hp.

Timp.

Perc. 1

Perc. 2

Perc. 3

Perc. 4

Perc. 5

123

Attaca subito


























p p p










p

p

p
















n mf n






































pp

p

p

pp

p

p

n

1.

n

mf

mf

n mf n

n mf n

n mf n

pp

3.

pp

pp

pp

mf

mf

mf

mf

pp mf



f


123

p

1.



3 3 pp

3



















































f

f

f

f

pp

mp









f





















1.






chimes

3



3

1.

1.

large. sys. cym.





(scrape, very fast)




anvil











vibraphone








crotales


1.


II. Toccata

15

Picc.

Fl. 1

Fl. 2

Ob. 1 + 2

Bsn. 1 + 2

Cbsn.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Cb. Cl.

Sop. Sax.

Alto Sax.

Ten. Sax.

Bari. Sax.

C Tpt. 1 + 2

C Tpt. 3 + 4

Hn. 1 + 2

Hn. 3 + 4

Tbn. 1 + 2

Tbn. 3 +

B. Tbn.

Euph.

Tba.

Cb.


Pno.


Hp.

Timp.

Perc. 1

Perc. 2

Perc. 3

Perc. 4

Allegro Fugato q=150









































**soft mallets may also be used







mp

4 t-toms

mp


**strum bass strings throughout

entire note value; no fingernail

n

mp





medium mallets


harder yarn mallets

2 bongos



large. sys. cym.



pp

(scrape, rather slow)




soft mallets





(scrape, rather slow)

mp



bring out


large. sys. cym.

congas (with hands)

pp







B.D.

pp



triangle

mp

mf

mp


mp




molto

Perc. 5




t-tam, with superball



n mp mp

temple blocks


16

Picc.

11

A



*percussion MUST NOT cover solo wind instruments (mm.11-27)



Fl. 1

Fl. 2



Ob. 1 + 2

Bsn. 1 + 2

Cbsn.


1.































p



p




Cl. 1



Cl. 2



Cl. 3

B. Cl.

Cb. Cl.

Sop. Sax.













mp




Alto Sax.


Ten. Sax.


Bari. Sax.

C Tpt. 1 + 2




C Tpt. 3 + 4

Hn. 1 + 2

Hn. 3 + 4

Tbn. 1 + 2





Tbn. 3 +

B. Tbn.

Euph.



Tba.



Cb.


Pno.

Hp.

Timp.





ppp

pp

Perc. 1





ppp

Perc. 2



ppp

Perc. 3



ppp

Perc. 4


Perc. 5




11

ppp


Picc.

19

B



17

Fl. 1

Fl. 2

Ob. 1 + 2




Bsn. 1 + 2

Cbsn.

Cl. 1



























mp

p





mp

Cl. 2

Cl. 3

1.



p











mp


B. Cl.

Cb. Cl.

Sop. Sax.






























p




mp






Alto Sax.













p

mp

Ten. Sax.


Bari. Sax.

C Tpt. 1 + 2




C Tpt. 3 + 4

Hn. 1 + 2

Hn. 3 + 4

Tbn. 1 + 2

Tbn. 3 +

B. Tbn.



a2


n

mf






Euph.

Tba.

Cb.


Pno.






pizz.


p








p












p













Hp.

Timp.

Perc. 1

Perc. 2










pp

p

pp

Perc. 3

Perc. 4




log drum



p

pp

Perc. 5


19


temple blocks


p


18

Picc.

Fl. 1

Fl. 2

Ob. 1 + 2

Bsn. 1 + 2

Cbsn.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Cb. Cl.

Sop. Sax.

Alto Sax.

Ten. Sax.

Bari. Sax.

C Tpt. 1 + 2

C Tpt. 3 + 4

Hn. 1 + 2

Hn. 3 + 4

Tbn. 1 + 2

Tbn. 3 +

B. Tbn.

Euph.

Tba.

Cb.

27






mf

1.

a2

























mf

poco a poco cresc.

























mf





























mp poco a poco cresc. mf























poco a poco cresc.

mf
















Pno.

Hp.

Timp.

Perc. 1

Perc. 2

Perc. 3

Perc. 4

Perc. 5




p poco a poco cresc. mf

p poco a poco cresc. mf

a2

1.


poco a poco cresc.

mp poco a poco cresc. mf

pp

p

poco a poco cresc.

poco a poco cresc.

mp poco a poco cresc. mf

p

poco a poco cresc.

poco a poco cresc.

poco a poco cresc.

p

p



27


1.


C

a2















p poco a poco cresc. mf










poco a poco cresc.













mf












p poco a poco cresc.




mf

a2






mf




































poco a poco cresc.


mf


1.



























straight mute























straight mute pp poco a poco cresc.

3.

mf
















pp poco a poco cresc. mf

a2










































arco















mf

mf

mf

mp

mp

mp

mf

mp

mf

3.














tambourine- damped, with mallet






S.D.




























p poco a poco cresc. mf




























mf


Picc.

Fl. 1

Fl. 2

Ob. 1 + 2

Bsn. 1 + 2

Cbsn.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Cb. Cl.

Sop. Sax.

Alto Sax.

Ten. Sax.

Bari. Sax.

C Tpt. 1 + 2

C Tpt. 3 + 4

Hn. 1 + 2

Hn. 3 + 4

Tbn. 1 + 2

Tbn. 3 +

B. Tbn.

Euph.

Tba.

Cb.


34




























































































p sub

poco a poco cresc.


a2










a2 p sub poco a poco cresc.













Pno.


Hp.

Timp.

Perc. 1




























p sub

poco a poco cresc.





































p sub

p sub

p sub

pp

MMMONNNM mp

p sub

pp sub

pp sub

p sub

poco a poco cresc.

poco a poco cresc.

poco a poco cresc.





senza sord.

1.

poco a poco cresc.

p sub poco a poco cresc.







pp

poco a poco cresc.


























1.







poco a poco cresc.







1.(play)





poco a poco cresc.





























































poco a poco cresc.

poco a poco cresc.





6






















19

Perc. 2

Perc. 3


large susp cym.




p



Perc. 4


Perc. 5


34


20

Picc.

Fl. 1

Fl. 2

Ob. 1 + 2

Bsn. 1 + 2

Cbsn.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Cb. Cl.

Sop. Sax.

Alto Sax.

Ten. Sax.

Bari. Sax.

C Tpt. 1 + 2

C Tpt. 3 + 4

Hn. 1 + 2

Hn. 3 + 4

Tbn. 1 + 2

Tbn. 3 +

B. Tbn.

Euph.

Tba.

Cb.


Pno.


Hp.

Timp.

Perc. 1

Perc. 2

Perc. 3

Perc. 4

Perc. 5

40


















3

6

cresc.

f

6










3






mp

f


t-toms





mp

f

B.D.





p

f

small t-tam

Congas (hands)






40

D















mf

f











mf

f



a2











mf




















mf

f a2





f






f

























mf

f






















mf

f




fp






















mf


























f



mf








f


























mf

f





















mf

f






























mf

f

































mf

f






1.






















2. senza sord.








p

mf

3. senza sord.

















p

mf






















p mf p sub









p

f






a2
























f

mp







f














mp

f





















mp

f



arco

pizz.
















mf


n mp tambourine- damped, with mallets

f

S.D.- rim shot



mp

mp

mf



mf

f

f


Picc.

Fl. 1

Fl. 2

Ob. 1 + 2

Bsn. 1 + 2

Cbsn.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Cb. Cl.

Sop. Sax.

Alto Sax.

Ten. Sax.

Bari. Sax.

C Tpt. 1 + 2

C Tpt. 3 + 4

Hn. 1 + 2

Hn. 3 + 4

Tbn. 1 + 2

Tbn. 3 +

B. Tbn.

Euph.

Tba.

Cb.

Pno.

Hp.

Timp.

Perc. 1

Perc. 2

Perc. 3

46




















21






ff

5








a2














ff

(a2 trill)

5









1.












(a2 trill)

2..

ff

5













a2























(a2 trill)

5

ff



a2












(a2 trill)


























sfp





a2




















(a2 trill)







5

ff



a2













ff

(a2 trill)







5

a2







mf (a2 trill)

ff (a2 trill)






























sfp















sfp























ff




















ff






























sfp
















mf

sfp
















mf

sfp




















mp sfp sfp








mp




sfp


sfp





















sfp

sfp






















sfp














sfp























sfp
















sfp






























large susp. cym.



bongos


mf

hard mallets




p mf pp












pp









medium mallets

B.D.


ff






gliss.

5



















Perc. 4

Perc. 5

Xylophone















f






46


gliss.


22

Picc.

Fl. 1

Fl. 2

Ob. 1 + 2

Bsn. 1 + 2

Cbsn.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Cb. Cl.

Sop. Sax.

Alto Sax.

Ten. Sax.

Bari. Sax.

C Tpt. 1 + 2

C Tpt. 3 + 4

Hn. 1 + 2

Hn. 3 + 4

Tbn. 1 + 2

Tbn. 3 +

B. Tbn.

Euph.

Tba.

Cb.

Pno.

Hp.

Timp.

Perc. 1

Perc. 2

Perc. 3

Perc. 4

Perc. 5

E

With Compulsion

52




a2






ff



























ff
















a2





















ff


a2













ff







ff
























ff













ff























f






























ff














ff



























ff















t-toms


f





f













52

ff

ff

f

f

f

ff

ff

S.D., modo ordl

f

ff





a2
















ff



a2























ff


























ff




a2































a2

f




















f


























f


















































f













































































a2


Picc.

Fl. 1

Fl. 2

Ob. 1 + 2

Bsn. 1 + 2

Cbsn.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Cb. Cl.

Sop. Sax.

Alto Sax.

Ten. Sax.

Bari. Sax.

C Tpt. 1 + 2

C Tpt. 3 + 4

Hn. 1 + 2

Hn. 3 + 4

Tbn. 1 + 2

Tbn. 3 +

B. Tbn.

Euph.

Tba.

Cb.

Pno.

Hp.

Timp.

Perc. 1

Perc. 2

Perc. 3

Perc. 4

Perc. 5

cresc.

F

59




































































































































































































































































































































































cresc.

ff



f fp f






























cresc.

ff






f fp f


a2



1.



















cresc.

ff





a2











cresc.

ff


























ff


cresc.

f












cresc.

ff


























ff




























cresc.

ff


























































ff







ff f

med. susp. cym.







pp

f




congas (hands)

f







ff















t-tam





59

ff

f

23

bongos

t-toms

S.D., rim shot


24

Picc.

Fl. 1

Fl. 2

Ob. 1 + 2

Bsn. 1 + 2

Cbsn.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Cb. Cl.

Sop. Sax.

Alto Sax.

Ten. Sax.

Bari. Sax.

C Tpt. 1 + 2

C Tpt. 3 + 4

Hn. 1 + 2

Hn. 3 + 4

Tbn. 1 + 2

Tbn. 3 +

B. Tbn.

Euph.

Tba.

Cb.

Pno.

Hp.

Timp.

Perc. 1

65



































a2







































































a2































































































5

5

5










3

3












8va not included in LH- actual pitch







f













sfp
















a2


















sfp



























4.


















sfp

sfp




a2









sfp





a2

















sfp


sfp


Perc. 2

Perc. 3

Perc. 4

Perc. 5

f



f

congas (with mallets)





f




















65

crotales


Picc.

Fl. 1

Fl. 2

Ob. 1 + 2

Bsn. 1 + 2

Cbsn.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Cb. Cl.

Sop. Sax.

Alto Sax.

Ten. Sax.

Bari. Sax.

C Tpt. 1 + 2

C Tpt. 3 + 4

Hn. 1 + 2

Hn. 3 + 4

Tbn. 1 + 2

Tbn. 3 +

B. Tbn.

Euph.

Tba.

Cb.

Pno.

Hp.

Timp.

Perc. 1

Perc. 2

Perc. 3

Perc. 4

Perc. 5


70

Introspective
























































































1.











mp













1.







mp







1.









mp


















mp










mp




























































f








f







f












f








f










f









p

f









sfp

f










sfp

f



5

5












3

3

3



































mp

mp








pp dampen

mp f

small t-tam



mp



















70







large susp. cym.

p







mf

f

f

G



25


26

Picc.

76



Fl. 1

Fl. 2

Ob. 1 + 2




Bsn. 1 + 2

Cbsn.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Cb. Cl.

Sop. Sax.







p

p

pp

pp

pp

pp











mp

1.






































































































pp



Alto Sax.

Ten. Sax.



Bari. Sax.

C Tpt. 1 + 2




C Tpt. 3 + 4

Hn. 1 + 2

Hn. 3 + 4

Tbn. 1 + 2







mp

4.




mp










Tbn. 3 +

B. Tbn.


Euph.


Tba.

Cb.


Pno.


Hp.

Timp.

Perc. 1

Perc. 2

Perc. 3

Perc. 4

Perc. 5




NNNOMNMM

p






76

pizz.

p
















































temple blocks



p mf mp


Picc.

86



27

Fl. 1

Fl. 2

Ob. 1 + 2




Bsn. 1 + 2

Cbsn.






























































Cl. 1



























Cl. 2























Cl. 3






B. Cl.

Cb. Cl.

Sop. Sax.

















Alto Sax.

Ten. Sax.



Bari. Sax.

C Tpt. 1 + 2




C Tpt. 3 + 4

Hn. 1 + 2

Hn. 3 + 4

Tbn. 1 + 2

Tbn. 3 +

B. Tbn.

Euph.












mp





mp









Tba.




Cb.















Pno.


Hp.

Timp.

Perc. 1




































Perc. 2

Perc. 3

Perc. 4




Perc. 5



86

temple blocks

mp

pp


28

Picc.

Fl. 1

Fl. 2

96





H


1.


p




Ob. 1 + 2



Bsn. 1 + 2

Cbsn.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Cb. Cl.

Sop. Sax.
















































































































































Alto Sax.

Ten. Sax.





Bari. Sax.

C Tpt. 1 + 2






C Tpt. 3 + 4

Hn. 1 + 2

Hn. 3 + 4

Tbn. 1 + 2

Tbn. 3 +

B. Tbn.

Euph.


















cresc.

mf


p










cresc.

mf








p










Tba.

Cb.


Pno.


Hp.

Timp.

Perc. 1

Perc. 2

Perc. 3

Perc. 4

























p




































Perc. 5


96

temple blocks



mp

p


Fl.

Fl. 1

Fl. 2

Ob. 1 + 2

106

flute




























p

mp




























mp





















p






















mp




mf


29

Bsn. 1 + 2

Cbsn.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Cb. Cl.

Sop. Sax.

Alto Sax.

Ten. Sax.

Bari. Sax.

C Tpt. 1 + 2

2.

mp












poco a poco cresc.

p









p

poco a poco cresc.



1.










p












mp

1.






















p



mp

2. 1.















p












p



mp




































p

poco a poco cresc.




p
























p

mp














p



p










mp

mp

mp

C Tpt. 3 + 4

Hn. 1 + 2

Hn. 3 + 4

Tbn. 1 + 2

Tbn. 3 +

B. Tbn.



a2






mp

poco a poco cresc.

mf

3.



a2


mf


p

cresc.

Euph.

Tba.

Cb.


Pno.


Hp.

Timp.

Perc. 1


mp poco a poco cresc. p sub. cresc.





arco







p



poco a poco cresc.










p

cresc.

Perc. 2

Perc. 3

Perc. 4



n

p


small t-tam






n

Large susp. cym.


Perc. 5


106



t-tam







n

pp


30

Fl.

Fl. 1

Fl. 2

Ob. 1 + 2

Bsn. 1 + 2

Cbsn.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Cb. Cl.

Sop. Sax.

Alto Sax.

Ten. Sax.

Bari. Sax.

C Tpt. 1 + 2

C Tpt. 3 + 4

Hn. 1 + 2

Hn. 3 + 4

Tbn. 1 + 2

Tbn. 3 +

B. Tbn.

Euph.

Tba.

Cb.

Pno.

Hp.

Timp.
















mf












mf










mf













mf


























113




mf

mf

cresc.

mf cresc.

f

f

mf f dim.

mf
































mf

1.






mf f dim.


1.
















mf


































mf

























mf

a2






mf f dim.

a2 a2




f

















f




















f











f














f









f












f










mf cresc. f dim.
























dim.

dim.

dim.


dim.

dim.

dim.

dim.








Perc. 1

Perc. 2

Perc. 3

Perc. 4

Perc. 5




p


113


Med. susp. cym.



n

mf



soft mallets

B.D.










mf


crotales




mp


Fl.

Fl. 1

Fl. 2

Ob. 1 + 2

Bsn. 1 + 2

Cbsn.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Cb. Cl.

Sop. Sax.

Alto Sax.

Ten. Sax.

Bari. Sax.

C Tpt. 1 + 2

C Tpt. 3 + 4

Hn. 1 + 2

Hn. 3 + 4

Tbn. 1 + 2

Tbn. 3 +

B. Tbn.

Euph.

Tba.

Cb.











p



a2












Pno.

Hp.

Timp.

Perc. 1

Perc. 2

Perc. 3

Perc. 4

Perc. 5


















mp

p

p






pp








p

p


















2.
















120

poco rit. With feeling q=55



31

to piccolo








mp

a2















p mp p

1.


a2














p mp p

1.








p mp p





















p

mp

pp

p




mp

p



a2











mp

p

a2










mp

p





mp

p














mp

p



p

pp

3.









pp

p














p
















p

1.















p n pp














p










p


p









p

































n

pp








marimba- soft mallets






pp
































Large susp. cym.












120

I


32

Fl. 1

Fl. 2

Ob. 1 + 2

Bsn. 1 + 2

Cbsn.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Cb. Cl.

Sop. Sax.

Alto Sax.

Ten. Sax.

Bari. Sax.

C Tpt. 1 + 2

C Tpt. 3 + 4

Hn. 1 + 2

Hn. 3 + 4

Tbn. 1 + 2

Tbn. 3 +

B. Tbn.

Euph.

Tba.

Cb.


Pno.


Hp.

Timp.

Perc. 2

Perc. 3

Perc. 4

Perc. 5

129 poco rit.

q=55 poco rit. Heavy q=55


















pp

mf

mf

mf













n





B.D.


small t-tam.





129

n

n






n












n

mf n mf n pp

3

mf n mf n pp

mf p f n

mf

n

mf p n mf n p

3 3

mf

p

mf

mf n pp

mp n mf n pp

mp pp n

mp pp n

a2 3

mf f mp

3

mp pp n

3

p pp

p mp n mp n p

3

mp

mp

p


3
















3







3













3

3

3













































pp mp pp mp n pp

3

3








mp










pp

pp mp p with a growling sound

3

3

3

3










pp









mp pp f p

3


play around lowest 2 octaves, keep pedal competely down













3




mf

3







B.Tbn

3

3




mp

p

p p molto cresc. f

ppp mp n

n

increase in speed

LLMOMNLM pp f

n p n

small t-tam.



3




3

3






n mp pp

t-tam, superball

mp

















3





mf


3







soft mallets








Marimba





3

3

3

3













p

f



mf







mf

n







3

p










mf

n


mf n

pp





3


a2





3

3 3


























gliss.










3

3







(circular glisses)

p

gliss.

gliss.

modo ord.

gliss.

gliss.



n

3 3


















3










3


Fl.

Fl. 1

Fl. 2

Ob. 1 + 2

Bsn. 1 + 2

Cbsn.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Cb. Cl.

Sop. Sax.

Alto Sax.

Ten. Sax.

Bari. Sax.

C Tpt. 1 + 2

C Tpt. 3 + 4

Hn. 1 + 2

Hn. 3 + 4

Tbn. 1 + 2

Tbn. 3 +

B. Tbn.

Euph.

Tba.

Cb.

134

poco rit.












Pno.


Hp.

Timp.

Perc. 1

Perc. 2

Perc. 3

Perc. 4

Perc. 5


a2






mp

1.





mp
















f

p








134

f

p mf p













f p f p

mf

p


3












mp pp mp 3 pp mf p















mp

pp mp pp mf p

3 3 3

mp pp mp

3

f

p

f p f p mf p

mp pp mp pp mf p mp

mp pp mp pp mf p

mf

p

f

pp

f mf p

mp pp mp pp mp p

mp p mp

mp p mp p mp p

mp

p

ff p p mf ff p

play around lowest 2 octaves, keep pedal competely down

p molto cresc.

pp

sim.

f

f

f

p

mp p mp p

mp n mp mp

p n n p n n p

p n p

mp n pp mp n pp mp

pp

p

sim.

p

p

p

mf

mp

mf

mf

mp

mf


p

p

p

p

mp

mp

MNMOMNNM

n

a2





a2















mp



3 3 3

3 3








mp pp mp pp


3

3

3














3

mp









3










f

p










































gliss.

gliss.

gliss.

gliss.






increase in speed

3







breath only


a2 breath only


a2


pedal up

to celesta



gliss.

gliss.

med. sus. cym.




















































































near edge




















mp





33


34

Picc.

Fl. 1

Fl. 2

Ob. 1 + 2

Bsn. 1 + 2

Cbsn.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Cb. Cl.

J

Transcending q=55

139

piccolo

cloudy











cloudy

mp

pp

pp

play more or less proportionally as notated within the bar. These lines are not

to be strictly counted, but should be played within the measure they are placed.

play more or less proportionally as notated within the bar. These lines are not

to be strictly counted, but should be played within the measure they are placed.





































a2



















f





f















Sop. Sax.

Alto Sax.

Ten. Sax.

Bari. Sax.

C Tpt. 1 + 2

C Tpt. 3 + 4

Hn. 1 + 2

Hn. 3 + 4

Tbn. 1 + 2

Tbn. 3 +

B. Tbn.

Euph.

Tba.

Cb.









Cel.


Hp.

Timp.

Perc. 1

Perc. 2

Perc. 3

Perc. 4

Perc. 5




mf

1.


pp 3.