ASH-FLEX VERSION

Jennifer Jolley
Ash
for Adaptable Ensemble in Five Parts
arranged by Patrick Dunnigan

Instrumentation
Part 1: Flute, Oboe, Clarinet, Trumpet
Part 2: Clarinet, Trumpet, Alto Saxophone
Part 3: Clarinet, Trumpet, Alto Saxophone, French Horn
Part 4: Tenor Saxophone, French Horn, Trombone, Euphonium, Bassoon
Part 5: Bass Clarinet, Baritone Saxophone, Trombone, Euphonium, Bassoon, Tuba
Timpani
Percussion 1: Snare Drum, Vibraphone, Suspended Cymbal
Percussion 2: Crash Cymbals, Marimba, Tubular Bells
Duration: 6 minutes
Program Note
I never saw snowfall as a child growing up in Southern California; it was more a phenomenon
that I saw in cartoons or read in children’s books.
I did, however, witness my first ash-fall when I was in elementary school. I looked up into the
clouded sky and saw specks of ash falling from it. Excited but puzzled, I looked to my
elementary school teacher during recess and held out my hand. “Oh, that’s ash from the
wildfires,” she said. At that time, I couldn’t comprehend how an enormous forest fire could
create a small flurry of ash-flakes.
Now I have the ominous understanding that something so magical and beautiful comes from
something so powerful and destructive.
Dedicated to the Fresno Pacific University Symphonic Band, Eric Leung, director.
Adaptable Version © 2020, Original Version © 2018 by Jennifer Jolley (BMI)
All Rights Reserved
www.jenniferjolley.com

Conductor’s Notes
This version of Ash is playable with as few as five players, one per part. When assigning parts,
strive to achieve a balance across the ensemble for proper musical effect.
Across the parts, there are measures where some notes are doubled in octaves. When one note
is smaller than the other (cued size), the regular-size note is the preferred note. Use the cued
note if the player is unable to play the regular-size note. When both notes are the same size,
the choice of which note to play is up to the conductor. In most cases, the choice will be
obvious as some extremely high or low notes may be out-of-range of younger players. It may
also be appropriate to cover both octaves (regular size notes), if multiple players are available.
The designations 'solo' and 'tutti' apply across the parts, not the staves. Thus in Part 1, one
player covers the 'solo' for all assigned to Part 1, and so forth. Of course, this may be adjusted
for proper balance at the discretion of the conductor. Designations for ‘1 or 2 Players’ or ‘2 or 3
Players’ may include mixed instruments on the same part.
The percussion parts are optional in this version. If percussionists are available, the order of
preference for part assignments would be Percussion 1, Percussion 2, then Timpani. Switching
between parts is also possible as there are never more than three instruments sounding at any
given time. The percussion parts provided here are identical to the original version.
In Part 2, Alto Saxophone, there are numerous notes doubled in octaves between measures 72
and 83. Use the upper octave only with a player capable of playing with control and excellent
intonation. If more than one alto saxophone will be assigned to this part, then no more than
one player should play the upper octave. When in doubt, ask all players to play the lower notes.
Although not specified in the score, a Bb Soprano Saxophone could play the Bb Part 1. Octave
choices are left up to the conductor.
If a Bass Trombone is available, consider using the Part 5 Tuba part for this purpose. The tuba
part has been edited for potential use by bass trombone.
If enough players are available, consider using woodwinds only for the first 22 measures. In the
original version, brasses do not enter until the pick-up notes to measure 23. Using woodwinds
only in these opening measures will retain some of the sonority and musical intent of the
original. Player availability and skill level will determine if this option is possible.
Similarly, the original version closes without trumpets, saxophones, or tuba in the final seven
measures (pickups to 90 through 96). Again depending upon player availability, consider not
using these instruments for the closing. Player availability and skill level will determine if this
option is possible.

Commissioned by
a consortium of wind ensembles, whose members include
Duke University Wind Symphony & The Paul R. Bryan Music Department Endowment Fund,
Verena Mösenbichler-Bryant, director
Columbus State Community College, Thomas Lloyd, director
Concordia University Ann Arbor Wind Ensemble, William M. Perrine, director
Nazareth College, Jared Chase, director
Henderson State University Wind Ensemble, Steven M. Knight, director
Women Band Director International, Arizona Chapter/Jill Sullivan, Jill Sullivan, state chair
St. Olaf College/Dr. Timothy Mahr, Timothy Mahr, director
Indiana University Concert Band, Jason H. Nam, Director
Caltech-Occidental Wind Orchestra/Dr. Glenn D. Price, Glenn Price, director
Washburn University Wind Ensemble/Robert M. Schwartz, Robert M. Schwartz, director
University of Minnesota/University Band/Betsy McCann, Betsy McCann, conductor
SUNY Geneso Wind Ensemble/Leah McGray, Leah McGray, conductor
University of Wisconsin-Stevens Pointe Wind Ensemble, Michael Butler, conductor
Nu Chapter of Kappa Kappa Psi and the Lambda Chapter of Tau Beta Sigma at
The University of Michigan, John Pasquale, director
Southeastern Louisiana University Wind Symphony, Derek Stoughton, director
Fresno Pacific University Symphonic Band, Eric Leung, lead organizer and commissioner.

Dedicated to the Fresno Pacific University Symphonic Band, Eric Leung, Director
Five-Part Adaptable Ensemble
arranged
PART 1
Flute
Oboe
Bb Clarinet
Bb Trumpet
PART 2
Bb Clarinet
Bb Trumpet
Eb Alto Sax
PART 3
Bb Clarinet
Bb Trumpet
Eb Alto Sax
F Horn
PART 4
Bb Tenor Sax
F Horn
Trombone
Euphonium
Bassoon
PART 5
Bass Clarinet
Languid, q = 66
solo
& b
#
&
#
&
#
& #
#
&
#
& #
&
#
&
&
?
b
#
&
˙.
p
solo
˙.
p
solo
˙.
p
solo
˙.
p
solo
˙.
p
solo
˙.
p
solo
˙.
p
∑
∑
∑
∑
˙
˙
˙
˙
˙
˙
˙
∑
∑
∑
∑
,
,
,
,
,
,
,
˙.
˙.
˙.
˙.
˙.
˙.
˙.
∑
∑
∑
∑
˙
˙
˙
˙
˙
˙
˙
Ash
∑
∑
∑
∑
,
,
,
,
,
,
,
. ˙
˙.
w
w
w
w
w
∑
∑
∑
∑
œ œ œ œ
œ œ œ œ
rit.
œ
œ
˙
˙
˙
˙
˙
∑
∑
∑
∑
œ
œ
U
˙.
U
˙.
U
Œ Œ œ
˙.
U
˙.
U
˙.
˙.
#˙.
U
n˙.
#˙.
U
#˙.
n˙.
n˙.
solo
U
˙.
p
solo
U
˙.
p
solo
U˙.
Jennifer Jolley
by Patrick Dunnigan
A tempo q = 66
Œ Œ œ
˙.
˙.
˙.
p
U
∑ ∑
Eb Bari Sax
#
& #
∑
∑
∑
∑
∑
∑
U
∑
∑
Trombone
Euphonium
Bassoon
?
b
∑
∑
∑
∑
∑
∑
U
∑
∑
Tuba
?
b
∑
∑
∑
∑
∑
∑
U
∑
∑
Timpani
?
b
F#, A, E, F
∑
∑
∑
∑
∑
∑
U
∑
∑
Percussion 1
÷
∑
∑
∑
∑
∑
∑
U
∑
∑
Percussion 2
÷
4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3
∑
1
∑
2
∑
3
∑
4
Adaptable Version © 2020, Original Version © 2018, Jennifer Jolley (BMI) All Rights Reserved.
www.jenniferjolley.com
∑
5
∑
6
U
∑
7
∑
8

2
PART 1
Fl.
Ob.
Bb Cl.
Bb Tpt.
9
& b
#
&
˙
˙
œ œ
œ œ
4
2
4
2
œ
œ
œ œ œ œ
œ œ œ œ
4
4
. ˙
˙.
,
,
bœ
nœ
bw
nw
rit.
w
w
œ Œ
œ Œ
œ
p
œ
tutti
p
15
A tempo q = 66
tutti
œ œ ˙
œ œ ˙
˙.
˙.
PART 2
Bb Cl.
Bb Tpt.
Eb A. Sx.
#
&
#
& #
˙.
˙.
4
2
4
2
˙
˙
4
4
w
w
w
w
#w
#w
œ Œ
œ
Œ
Œ
Œ
tutti
œ
p
tutti
œ
p
˙
˙
˙.
˙.
PART 3
Bb Cl.
Bb Tpt.
Eb A. Sx.
F Hn.
PART 4
Bb T. Sx.
#
&
#
& #
&
#
&
#˙.
#˙.
#˙.
˙.
4
2
4
2
4
2
4
2
˙
˙
˙
˙
4
4
4
4
nw
∑
∑
∑
œ œ œ œ œ
p
œ œ œ œ œ
p
œ œ œ œ œ
p
w
œ
J
œ
œ
J
œ
œ
J
œ
œ
J
œ
J
œ
J
w
w
w
w
œ Œ
œ Œ
œ Œ
œ
Œ
Œ
Œ
Œ
Œ
tutti
œ
p
tutti
œ
p
tutti
œ
p
n˙
n˙
b˙
∑
˙.
˙.
˙.
∑
F Hn.
&
˙.
4
2
˙
4
bw
w
w
œ Œ
Œ
∑
∑
Tbn.
Euph.
Bssn.
?
b
˙.
4
2
˙
4
bw
w
w
w
œ
œ
Œ Œ
∑
∑
PART 5
Bs. Cl.
#
&
∑
4
2
∑
4
∑
∑
∑
∑
∑
∑
Eb B. Sax
#
& #
∑
4
2
∑
4
∑
∑
∑
∑
∑
∑
Tbn.
Euph.
Bssn.
?
b
∑
4
2
∑
4
∑
∑
∑
4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
∑
∑
∑
Tuba
?
b
∑
4
2
∑
4
∑
∑
∑
∑
∑
∑
Timp.
?
b
∑
4
2
∑
4
∑
∑
∑
∑
∑
∑
Perc. 1
÷
∑
4
2
∑
4
∑
∑
∑
∑
∑
∑
Perc. 2
÷
∑
4
2
∑
4
∑
∑
∑
∑
∑
∑
9
10
11
12
13
14
15
16

PART 1
Fl.
Ob.
Bb Cl.
Bb Tpt.
& b
#
&
4
4
œ œ ˙.
P
œ œ ˙.
P
˙.
˙.
˙.
˙.
˙.
˙.
nw
F
#w
F
23
˙ Œ nœ
# œ
P
˙ Œ # œ # œ
P
˙.
˙.
˙.
˙.
3
PART 2
Bb Cl.
Bb Tpt.
Eb A. Sx.
#
&
#
& #
4
4
œ œ ˙.
P
œ œ ˙.
P
˙.
˙.
˙.
˙.
˙.
˙.
#w
F
#w
F
˙
˙
Ó
Ó
˙.
P
˙.
P
˙.
˙.
PART 3
Bb Cl.
Bb Tpt.
Eb A. Sx.
#
&
#
& #
4
4
nœ
œ ˙.
P
nœ
œ ˙.
P
˙.
˙.
˙.
˙.
˙.
˙.
#w
F
#w
F
˙
˙
Ó
Ó
˙.
P
˙.
P
˙.
˙.
F Hn.
PART 4
Bb T. Sx.
F Hn.
Tbn.
Euph.
Bssn.
&
#
&
&
?
b
4
4
4
4
bœ
œ ˙.
P
∑
∑
∑
˙.
1 or 2 players
˙.
P
1 or 2 players
˙.
P
˙.
1 or 2 players
P
˙.
˙.
˙.
˙.
˙.
˙.
˙.
˙.
#w
F
#w
F
#w
F
nw
F
˙
˙
˙
˙
Ó
Ó
Ó
Ó
˙.
P
tutti
˙.
P
tutti
˙.
P
tutti
˙.
P
˙.
˙.
˙.
˙.
PART 5
Bs. Cl.
Eb B. Sax
#
&
#
& #
4
4
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
˙
P
˙
P
œ - œ -
œ - œ -
Tbn.
Euph.
Bssn.
?
b
4
∑
∑
∑
∑
∑
∑
∑
˙
P
œ - œ -
Tuba
?
b
4
∑
∑
∑
∑
∑
∑
∑
˙
P
œ - œ -
Timp.
?
b
4
∑
∑
∑
∑
∑
∑
∑
∑
Perc. 1
÷
4
∑
4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3
∑
∑
∑
∑
∑
∑
∑
Perc. 2
÷
4
∑
∑
∑
∑
∑
∑
∑
∑
17
18
19
20
21
22
23
24

4
PART 1
Fl.
Ob.
Bb Cl.
Bb Tpt.
PART 2
Bb Cl.
Bb Tpt.
Eb A. Sx.
& b ˙.
F
# ˙.
&
F
#
& ˙.
F
#
& # ˙.
F
˙.
˙.
˙.
˙.
˙.
f
˙.
f
˙.
f
˙.
f
˙.
˙.
˙.
˙.
˙- .
ƒ
˙- .
ƒ
˙- .
˙- .
4
4
4
4
˙
˙
˙
˙
> ˙
ƒ
> ˙
ƒ
>
˙
ƒ
> ˙
ƒ
˙.
˙.
˙.
˙.
rit.
˙
ƒ
˙
ƒ
˙
ƒ
˙
ƒ
U w "
Ï
U w "
Ï
U
w "
Ï
U w "
Ï
4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3
PART 3
Bb Cl.
Bb Tpt.
Eb A. Sx.
F Hn.
PART 4
Bb T. Sx.
F Hn.
Tbn.
Euph.
Bssn.
#
& ˙.
F
#
& # ˙.
F
& ˙.
F
# ˙.
&
F
& ˙.
F
˙.
?
b
F
˙.
˙.
˙.
˙.
˙.
˙.
˙.
f
˙.
f
˙.
f
˙.
f
˙.
f
˙.
f
˙.
˙.
˙.
˙.
˙.
˙.
# ˙. -
# ˙ - .
#- ˙.
˙- .
˙- .
˙- .
4
4
4
4
4
4
˙
˙
˙
˙
˙
˙
n˙
>
ƒ
n>
˙
ƒ
n
>
˙
ƒ
> ˙
ƒ
˙
>
ƒ
> ˙
ƒ
˙.
˙.
˙.
˙.
˙.
˙.
˙
ƒ
˙
ƒ
˙
ƒ
∑
∑
∑
U "
w
ƒ Ï
U w "
ƒ Ï
U
w "
ƒ Ï
U w "
Ï
U
w
"
Ï
Uw
"
Ï
PART 5
Bs. Cl.
Eb B. Sax
Tbn.
Euph.
Bssn.
Tuba
Timp.
Perc. 1
Perc. 2
#
&
F
˙- .
#
& # . ˙-
F
?
b . ˙-
F
?
b . ˙-
F
?
b
÷
÷
∑
∑
∑
25
˙ œ - œ -
˙ œ - œ -
˙ œ - œ -
˙ œ - œ -
∑
∑
∑
26
˙- .
f
˙- .
f
˙- .
f
˙- .
f
∑
Snare Drum
˙.
æ
F
∑
27
˙
˙
˙
œ
œ -
œ
œ -
œ
œ -
œ
œ -
œ - œ-
˙ œ - œ -
˙.
æ
∑
∑
28
˙ .
# # ˙-
.
ƒ
˙ .
# # ˙-
.
ƒ
# ˙. -
ƒ
# ˙-
.
ƒ
# ˙. æ f
˙.
æ
f
é.
f
Crash Cymbals
29
4
4
4
4
4
4
4
w
w
w
w
w
w
wæ
˙
æ
> ˙
æ
ƒ
∑
To Marimba
30
˙.
æ
∑
∑
∑
∑
∑
∑
31
#˙
ƒ
#˙
ƒ
#˙
ƒ
#˙
ƒ
#˙
ƒ
∑
∑
32
U "
w
Ï
U "
w
Ï
U "
w
Ï
U "
w
Ï
U "
w
Ï
w " æ
f ƒ
∑ "
33

PART 1
Fl.
Ob.
Bb Cl.
Bb Tpt.
PART 2
Bb Cl.
Bb Tpt.
Eb A. Sx.
PART 3
Bb Cl.
Bb Tpt.
Eb A. Sx.
F Hn.
PART 4
Bb T. Sx.
F Hn.
Tbn.
Euph.
Bssn.
34
& b
#
&
#
&
#
& #
#
&
#
& #
&
#
&
&
?
b
A tempo q = 66
solo
˙.
p
solo
˙.
p
solo
˙.
p
˙.
solo
p
solo
˙.
p
˙.
p
solo
solo
˙.
p
˙.
solo
p
∑
∑
solo
˙
p
solo
˙
p
˙
˙
˙
˙
˙
˙
˙
˙
˙
˙
œ œ œ œ ˙
œ œ œ œ ˙
˙
˙
˙
˙.
˙.
˙.
œ œ œ
œ œ œ
œ
œ
œ
œ
œ
˙
˙
˙
˙
˙
˙
˙
˙
œ œ
œ œ
œ œ ˙
P
œ œ ˙
P
˙.
P
˙.
P
˙
P
˙
P
˙
P
˙.
P
˙.
P
˙.
P
Œ
Œ
Œ
˙.
˙.
œ
œ
˙.
˙.
˙.
˙.
˙.
˙.
œ œ œœœ
œ œ œœœ
˙
˙
œ.
œ.
˙
˙
˙
˙
˙
˙
j
œ
œ
J
U
#˙.
F
#˙. U
F
U
˙.
F
U
˙.
F
U
˙.
F
U
˙.
F
U
˙.
F
U
˙.
F
U
˙.
F
U˙.
F
5
4
4
4
4
4
4
4
4
4
4
PART 5
Bs. Cl.
#
&
∑
∑
∑
∑
∑
∑
∑
∑
4
Eb B. Sax
#
& #
∑
∑
∑
∑
∑
∑
∑
∑
4
Tbn.
Euph.
Bssn.
?
b
4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 2 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 b
∑
∑
∑
∑
∑
∑
∑
∑
4
Tuba
?
b
∑
∑
∑
∑
∑
∑
∑
∑
4
Timp.
?
b
F# to G
∑
∑
∑
∑
∑
∑
∑
∑
4
Perc. 1
÷
To Vibraphone
∑
∑
∑
∑
∑
∑
∑
∑
&
4
Perc. 2
÷
∑
∑
∑
∑
∑
∑
∑
∑
b
4
34
35
36
37
38
39
40
41

6
PART 1
Fl.
Ob.
Bb Cl.
Bb Tpt.
42
& b
#
&
4
4
2 or 3 players
˙.
p
2 or 3 players
˙.
p
œ
P
œ
P
œ œ œœœœ Œ
œ œ œœœœ Œ
Œ
Œ
Œ
Œ
œ
tutti
P
œ
tutti
P
œ œ œ œ œ œ œ œ œ œ œ œ
œ œ œ œ œ œ œ œ œ œ œ œ
œ œ œ œ œ œ œ œ œ
œ œ œ œ œ œ œ œ œ
œ
œ
PART 2
Bb Cl.
Bb Tpt.
Eb A. Sx.
#
&
#
& #
4
4
2 or 3 players
w
p
2 or 3 players
w
p
Ó Œ œ
Ó
Œ
P
œ
P
œ œ œ œ œ œ œ œ
œ œ œ œ œ œ œ œ
tutti
œ œ œ œ œ œ œ œ œ œ œ œ
P
tutti
œ œ œ œ œ œ œ œ œ œ œ œ
P
œ œ œ œ œ œ œ œ œ œ œ
œ œ œ œ œ œ œ œ œ œ œ
PART 3
Bb Cl.
Bb Tpt.
Eb A. Sx.
F Hn.
#
&
#
& #
&
4
4
4
Ó Œ œ
P
Ó Œ
œ
P
Ó Œ œ
P
2 or 3 players
œ
œ
2 or 3 players
œ
2 or 3 players
œ œœœœ
œ œœœœ
œ œœœœ
œ
P
œ
P
œ
P
œ œ œ œ œ œ œ œ
œ œ œ œ œ œ œ œ
œ œ œ œ œ œ œ œ
tutti
œ¯
P
œ <
œ <
tutti
œ¯ œ¯ œ¯
P
tutti
œ¯
P
œ¯
œ¯
œ <
œ <
˙<
œ¯
œ¯
œ¯
˙<
œ <
˙<
PART 4
Bb T. Sx.
F Hn.
Tbn.
Euph.
Bssn.
#
&
&
?
b
4 w
p
4
w
p
4
2 or 3 players
2 or 3 players
w
2 or 3 players
p
∑
∑
∑
∑
∑
∑
tutti
tutti
tutti
œ¯ œ¯ œ¯
P
œ¯
œ¯
œ
P <
œ¯ œ¯ œ¯
P
œ¯
œ¯
˙¯
œ <
œ <
˙<
œ¯ œ¯ ˙¯
PART 5
Bs. Cl.
Eb B. Sax
Tbn.
Euph.
Bssn.
Tuba
#
&
#
& #
?
b
?
b
4
4
4
4
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
tutti
œ
P <
œ <
œ <
tutti
œ¯
P
œ <
œ <
tutti
œ¯
P
œ <
œ <
tutti
œ¯
P
œ <
œ <
œ <
œ <
˙<
œ <
œ <
˙<
œ <
œ <
˙<
œ <
œ <
˙<
Timp.
?
b
4
∑
∑
∑
∑
∑
Vib.
Mrb.
& b
÷ b
4
4
∑
∑
42
Vibraphone
œ œ
P œ
∑
43
œ
P
&
4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3
œ
œ
44
œ
Marimba
Œ Œ œ
P
œ
œ
œ
œ
45
œ
œ
œ
œ
œ
œ
46
œ
œ
Œ
Œ

7
PART 1
Fl.
Ob.
Bb Cl.
Bb Tpt.
PART 2
Bb Cl.
Bb Tpt.
Eb A. Sx.
& b
#
&
#
&
#
& #
œ œ œ œ œ œ œ œ
F
œ œ œ œ œ œ œ œ
F
˙.
F
˙.
F
#w
f
#w
f
w
f
w
f
w
w
∑
∑
#w
#w
w
w
U˙
U˙
U
˙
U˙
Ó
Ó
Ó
Ó
PART 3
Bb Cl.
Bb Tpt.
Eb A. Sx.
F Hn.
#
&
#
& #
&
∑
∑
∑
#w
f
#w
f
#w
f
nw
nw
nw
#w
#w
#w
U
n˙
Œ
œ
p
nU˙
Œ œ
p
U
n˙
Œ
œ
p
PART 4
Bb T. Sx.
F Hn.
Tbn.
Euph.
Bssn.
#
&
&
?
b
˙.
F
˙.
F
˙.
F
w
f
w
f
w
f
w
w
w
w
w
w
U
˙ Œ œ
p
U
˙
Œ
œ
p
U˙
Œ
œ
p
PART 5
Bs. Cl.
Eb B. Sax
Tbn.
Euph.
Bssn.
Tuba
#
&
#
& #
?
b
?
b
∑
∑
∑
∑
w
f
w
f
w
f
w
f
∑
∑
∑
∑
w
w
w
w
U
˙
U
˙
U
˙
U
˙
Ó
Ó
Ó
Ó
?
b
4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 n
4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3
Timp.
∑
∑
∑
∑
∑
Vib.
Mrb.
& b
& b
œ
œ
f
œ
œ
f
Œ
Œ
47
œ
œ
œ
œ
œ
œ
œ
œ
Œ
To Sn. Dr.
Œ
48
Ó
To Tubular Bells
Ó
∑
∑
49
∑
∑
50
∑ ÷
∑ ÷
51
n

8
PART 1
Fl.
Ob.
Bb Cl.
Bb Tpt.
PART 2
Bb Cl.
Bb Tpt.
Eb A. Sx.
52
& b
#
&
#
&
#
& #
Œ
Œ
∑
∑
œ
p
Œ Œ œ
p
∑
∑
œ œ ˙
œ œ ˙
∑
∑
œ œ ˙
œ œ ˙
Fl.
Ob.
Cl.
Trp.
˙
˙
P
˙
˙
P
œ œ ˙
P
œ œ ˙
P
˙
˙
˙
˙
œ
œ
œ
œ
F
œ
œ
F
œ ˙.
F
œ ˙.
œ
œ œ œ œ œ œ œ œ œ
œ
œ œ œ œ œ œ œ œ œ
F
œ
œ
œ
œ
w
w
f
w
w
f
w
w
PART 3
Bb Cl.
Bb Tpt.
Eb A. Sx.
F Hn.
#
&
#
& #
&
œ œ ˙
œ œ ˙
œ œ ˙
œ œ ˙
œ œ ˙
œ œ ˙
œ œ ˙
P
œ œ ˙
P
œ œ ˙
P
œ œ ˙
œ œ ˙
œ œ ˙
œ
œ
œ
œ ˙.
F
œ ˙.
F
œ ˙.
F
w
w
w
PART 4
Bb T. Sx.
#
&
œ œ ˙
œ œ ˙
œ œ ˙
P
˙
˙
F
˙ œ œ
w
f
F Hn.
Tbn.
Euph.
Bssn.
&
?
b
œ œ ˙
œ œ ˙
œ œ ˙
œ œ ˙
œ œ ˙
P
œ œ ˙
P
˙
˙
˙
F
˙
F
˙ œ œ
˙ œ œ
w
f
w
f
PART 5
Bs. Cl.
Eb B. Sax
Tbn.
Euph.
Bssn.
#
&
#
& #
?
b
Œ Œ œ
Œ
Œ
Œ
Œ
p
œ
p
œ
p
œ œ ˙
œ œ ˙
œ œ ˙
œ œ ˙
œ œ ˙
œ œ ˙
œ œ ˙
P
œ œ ˙
P
œ œ ˙
P
œ
œ
œ
œ . ˙
œ . ˙
œ . ˙
w
F
w
F
w
F
Tuba
?
b
Œ Œ œ
p
œ œ ˙
œ œ ˙
œ œ ˙
P
œ
œ
˙.
w
F
Timp.
?
b
∑
∑
∑
∑
∑
∑
Perc. 1
Perc. 2
÷
÷
4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
œ œ œ
p
Snare Drum
∑
œ œ œ
œ œ œ
∑
œ œ œ
œ œ œ
∑
œ œ œ
œ œ œ œ œ œ œ œ œ œ œ æ
P
∑
œ œ œ œ æ
∑
œ œ œ œ æ
œ œ œ œ œ œ œ œ œ œ œ æ
F
∑
52
53
54
55
56
57

PART 1
Fl.
Ob.
Bb Cl.
Bb Tpt.
& b
#
&
w
w
w
w
rit.
w
w
F
w
w
F
61
˙.
˙.
œ # œ
˙
˙.
œ # œ
A tempo q = 66
4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3
˙.
F
˙.
F
˙
˙
œ œ
œ œ
˙.
f
˙.
f
9
PART 2
Bb Cl.
Bb Tpt.
Eb A. Sx.
#
&
#
& #
w
f
w
f
w
F
w
F
# ˙. Œ
#˙.
Œ
˙.
F
˙.
F
˙.
˙.
˙.
f
˙.
f
PART 3
Bb Cl.
Bb Tpt.
Eb A. Sx.
F Hn.
PART 4
Bb T. Sx.
#
&
#
& #
&
#
&
w
f
w
f
w
f
w
w
F
w
F
w
F
w
F
#˙.
Œ
# ˙. Œ
# ˙. Œ
. ˙
Œ
˙.
F
˙.
F
˙.
F
˙.
F
˙
˙
˙
˙.
œ œ
œ œ
œ œ
˙.
f
˙.
f
˙.
f
˙.
f
F Hn.
Tbn.
Euph.
Bssn.
&
?
b
w
w
w
F
w
F
˙.
˙.
Œ
Œ
˙.
F
˙.
F
˙.
˙.
˙.
f
˙.
f
PART 5
Bs. Cl.
Eb B. Sax
#
&
#
& #
w
f
w
f
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
Tbn.
Euph.
Bssn.
?
b
w
f
∑
∑
∑
∑
∑
Tuba
?
b
w
f
∑
∑
∑
∑
∑
Timp.
?
b
∑
∑
∑
∑
∑
∑
Perc. 1
Perc. 2
÷
÷
œ œ œ œ œ ˙æ
f
∑
58
∑
∑
59
∑
∑
60
&
b
˙.
F
∑
Tubular Bells
61
˙.
∑
62
˙.
f
∑
63

10
PART 1
Fl.
Ob.
Bb Cl.
Bb Tpt.
& b
#
&
˙.
˙.
˙.
˙.
˙
ƒ
˙
ƒ
œ œ
œ œ
rit.
˙.
˙.
˙
˙.
˙
˙
˙
˙
nœ
nœ
# œ
#œ
# ˙.
#˙.
Ï
# ˙
#˙.
Ï
4
4
w
w
w
w
"
"
PART 2
Bb Cl.
Bb Tpt.
Eb A. Sx.
#
&
#
& #
˙.
˙.
˙.
˙.
˙
ƒ
˙
ƒ
˙.
˙.
˙.
˙.
˙.
Ï
˙.
Ï
4
4
w
w
"
"
PART 3
Bb Cl.
Bb Tpt.
Eb A. Sx.
F Hn.
PART 4
Bb T. Sx.
F Hn.
Tbn.
Euph.
Bssn.
#
&
#
& #
&
#
&
&
?
b
˙.
˙.
˙.
˙.
˙.
˙.
˙.
˙.
˙.
˙
˙
˙
>
œ
>
œ
œ
>
œ
>
> œ > œ
˙.
ƒ
˙.
ƒ
˙.
ƒ
˙.
ƒ
˙.
ƒ
˙.
ƒ
˙.
˙.
˙.
˙.
˙.
˙.
˙
˙
˙
˙
˙
˙
œ œ
œ œ
œ œ
œ œ
œ œ
œ œ
˙.
Ï
˙.
Ï
˙.
Ï
˙.
Ï
˙.
Ï
˙.
Ï
4
4
4
4
4
4
#w
#w
#w
w
w
w
"
"
"
"
"
"
PART 5
Bs. Cl.
Eb B. Sax
Tbn.
Euph.
Bssn.
Tuba
#
&
#
& #
?
b
?
b
Œ Œ
œ
>
œ
f
>
Œ Œ œ œ
> >
f
Œ Œ œ œ
> >
f
Œ Œ œ œ
> >
f
˙.
˙.
˙.
˙.
˙.
ƒ
˙.
ƒ
˙.
ƒ
˙.
ƒ
˙.
˙.
˙.
˙.
˙.
˙.
˙.
˙.
˙.
Ï
˙.
Ï
˙.
Ï
˙.
Ï
4
4
4
4
w
w
w
w
"
"
"
"
Timp.
Perc. 1
T.B.
?
b
÷
& b
˙.
∑
∑
64
∑
˙. ˙.
æ æ
F f
Œ Œ œ œ ˙.
> > >
ƒ
65
∑
66
˙.
æ
f
˙.
æ
˙.
67
˙.
æ
˙.
æ
˙
68
nœ
˙.
æ
ƒ
˙.
æ
ƒ
#˙.
69
4
4
wæ
w æ
70
"
"
4 É Œ To Cr. Ó Cym. "
÷ n
4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3

PART 1
Fl.
Ob.
Bb Cl.
Bb Tpt.
PART 2
Bb Cl.
Bb Tpt.
Eb A. Sx.
71
& b
#
&
#
&
#
& #
A tempo q = 66
∑
∑
∑
∑
˙.
˙. ˙.
˙ .
ƒ
˙
˙
˙.
˙.
ƒ
˙
˙
˙.
˙.
ƒ
˙
˙
˙.
˙.
ƒ *see conductor's notes
˙
˙
˙
˙
˙
˙
˙
˙
œ
œ œ œ œ œ
œ
œ œ œ œ œ
œ
œ
˙
˙
˙
˙
˙.
˙.
œ
œ œ œ
œ
œ œ œ
œ
œ œ œ
œ
œ œ œ
w
w
w
w
˙
˙.
˙.
˙.
11
4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
PART 3
Bb Cl.
Bb Tpt.
Eb A. Sx.
#
&
#
& #
˙.
ƒ
˙.
ƒ
˙.
˙.
œ œ œ œ ˙
œ œ œ œ ˙
˙.
˙.
˙.
˙.
˙.
˙.
œ œ œ œ
œ œ œ œ
F Hn.
&
˙.
ƒ
˙.
œ œ œ œ ˙
˙.
˙.
. ˙
œ œ œ œ
PART 4
Bb T. Sx.
#
&
ƒ
˙.
˙.
˙.
˙.
˙.
w
F Hn.
Tbn.
Euph.
Bssn.
&
?
b
˙.
ƒ
˙.
ƒ
˙.
˙.
˙.
˙.
˙.
˙.
˙.
˙.
w
w
PART 5
Bs. Cl.
#
&
˙.
ƒ
˙.
˙.
˙.
˙.
w
Eb B. Sax
Tbn.
Euph.
Bssn.
Tuba
Timp.
Perc. 1
Perc. 2
#
& #
?
b
?
b
?
b
÷
÷
˙.
ƒ
˙.
ƒ
˙.
ƒ
G, Bb, C, D
∑
∑
∑
71
˙.
˙.
˙.
œ œ É Œ Œ
ƒ
œ œœ Œ Œ
ƒ
Cr. Cym.
É Œ Œ
ƒ
72
˙.
˙.
˙.
∑
∑
∑
73
˙.
˙.
˙.
œ œ Ñ Œ Œ
œ œœ Œ Œ
É Œ Œ
74
˙.
˙.
˙.
∑
∑
∑
75
w
w
w
œ œ Ñ Œ Ó
œ œœ Œ Ó
É Œ Ó
76
Bb to A, C to B

12
PART 1
Fl.
Ob.
Bb Cl.
Bb Tpt.
PART 2
Bb Cl.
Bb Tpt.
Eb A. Sx.
& b
#
&
#
&
#
& #
˙
˙.
˙.
˙.
w
w
w
w
œ
œ œ œ œ œ œ œ
œ
œ œ œ œ œ œ œ
˙.
˙.
˙
˙.
w
w
w
w
œ
œ
œ
œ
w-
w
w-
w
w-
w
w-
w
˙-
.
˙.
˙-
˙.
# ˙.
#˙-
.
#- ˙.
#˙.
Œ
Œ
Œ
Œ
81
˙.
˙.
f
˙
˙.
f
nw
nw
f
nw
nw
f
œ
œ
œ
œ
˙.
˙.
˙
˙.
w
w
w
w
œ
œ
œ
œ
PART 3
Bb Cl.
Bb Tpt.
Eb A. Sx.
#
&
#
& #
. ˙
. ˙
œ
œ
w
w
w -
w -w -
˙- .
Œ
˙- . Œ
w
f
w
f
#w
#w
F Hn.
&
˙.
œ
w
. ˙- Œ
w
f
#w
PART 4
Bb T. Sx.
#
&
w
w
# ˙. - Œ
nw
f
w
4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3
F Hn.
Tbn.
Euph.
Bssn.
&
?
b
w
w
w
w
# w - w
# -
# w-
# ˙. Œ -
#- ˙.
Œ
nw
f
nw
f
w
w
PART 5
Bs. Cl.
Eb B. Sax
#
&
#
& #
w
w
w
w
w -
w -
˙- .
˙- .
Œ
Œ
w
f
w
f
w
w
w
Tbn.
Euph.
Bssn.
?
b
w
w
w -
˙- .
Œ
w
f
w
w
Tuba
?
b
w
w
w -
˙- .
Œ
w
f
w
Timp.
?
b
∑
∑
œ œ Ñ Œ Ó
˙æ .
(dampen)
Œ
œ œ Ñ Œ Ó
Perc. 2
÷
∑
∑
É Œ Ó
. é
(dampen)
Œ
To Tubular Bells
∑
Perc. 1
÷
∑
∑
œ œœ Œ Ó
˙.
æ
Œ
œ œœ Œ Ó
w æ
w æ
∑
82
77
78
79
80
81

PART 1
Fl.
Ob.
Bb Cl.
Bb Tpt.
& b
#
&
˙
˙
˙
˙
œ
œ œ œ œ œ œ œ
œ
œ œ œ œ œ œ œ
nw
nw
# w
#w
˙
˙.
˙.
˙.
b- œ
bœ
n- œ
nœ
bw-
bw
nw-
nw
w
w
w
w
Uw
w
Uw
w
13
"
"
PART 2
Bb Cl.
Bb Tpt.
#
&
˙
˙.
Ó ˙-
w-
œ œ œ œ ˙.
˙
˙
U
w
"
Eb A. Sx.
#
& #
˙
˙.
Ó ˙-
w-
œ œ œ œ ˙.
˙
˙
U
w
"
PART 3
Bb Cl.
Bb Tpt.
#
&
˙.
Ó
˙-
w -
n w-
w
U "
#w
Eb A. Sx.
#
& #
˙.
Ó ˙-
nw-
w
U "
#w
F Hn.
&
˙.
Ó ˙-
PART 4
Bb T. Sx.
#
&
˙.
Ó
#- ˙
F Hn.
Tbn.
Euph.
Bssn.
&
?
b
˙.
˙.
Ó
Ó
# ˙-
n- ˙
PART 5
Bs. Cl.
Eb B. Sax
#
&
#
& #
4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
w -w -
bw
- w - w -
w-
w
U "
#w
nw-
w
U
w
"
n w-
bw-
w
w
U "
w
U w "
˙.
˙.
Ó ˙-
Ó ˙-
w -
w -
w -
w -
w
w
U "
#w
U "
#w
Tbn.
Euph.
Bssn.
?
b
˙.
Ó ˙-
w -
w -
w
U "
nw
Tuba
?
b
˙.
Ó ˙-
w -
w -
w
U "
nw
Timp.
?
b
˙.
æ
∑
wæ
wæ
wæ
U
nwæ
"
Perc. 1
Perc. 2
÷
÷
˙.
æ
∑
∑
∑
w æ
∑
85
w æ
∑
86
w æ
∑
87
To Sus. Cym.
U w " æ
U
∑ "
88
83
84

14
PART 1
Fl.
Ob.
Bb Cl.
Bb Tpt.
PART 2
Bb Cl.
Bb Tpt.
Eb A. Sx.
& b
#
&
#
&
#
& #
Ó
Ó
90
Œ œ#
œ
œ# œ
p
Œ œ#
œ
œ# œ
∑
∑
p
w
w
w
w
w
p
w
p
Defeated q = 60
w
w
w
w
w
w
w
w
P
w
w
P
w
P
w
P
w
w
w
w
w
w
rit.
w
w
F
w
w
F
bw
F
nw
F
w
w
p
w
w
p
bw
p
nw
p
Uw
w
P
Uw
w
P
Uw
P
Uw
P
PART 3
Bb Cl.
Bb Tpt.
Eb A. Sx.
F Hn.
#
&
#
& #
&
∑
∑
∑
nw
p
nw
p
bw
p
nw
nw
bw
w
P
w
P
w
P
w
w
w
w
F
w
F
w
F
w
p
w
p
w
p
U
nw
P
#w U
P
nw U
P
PART 4
Bb T. Sx.
F Hn.
Tbn.
Euph.
Bssn.
#
&
&
?
b
∑
∑
∑
w
p
w
p
w
p
w
w
w
bw
P
bw
P
bw
P
w
w
w
bw
F
bw
F
bw
F
bw
p
bw
p
bw
p
Uw
P
U
w
P
Uw
P
PART 5
Bs. Cl.
Eb B. Sax
Tbn.
Euph.
Bssn.
Tuba
Timp.
#
&
#
& #
?
b
?
b
?
b
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
Ó
Ó
Ó
Ó
Œ
œ œ
p
Œ œ œ
p
Œ œ œ
p
Œ œ œ
p
∑
bw
P
bw
P
bw
P
bw
P
∑
. ˙
. ˙
. ˙
. ˙
∑
bœ
œ
bœ
œ
bœ
œ
bœ
œ
w
F
w
F
w
F
w
F
∑
˙
p
˙
p
˙
p
˙
p
˙
˙
˙
˙
∑
U
w
P
U
w
P
U
w
P
U
w
P
U
∑
Perc. 1
Perc. 2
÷
÷
∑
∑
89
&
b
∑
Tubular Bells
Ñ Œ Ó
p
90
∑
∑
91
Sus. Cym.
w
P
æ Ñ Œ Ó
P
92
w æ 93
Ñ Œ Ó
w æ
F
Ñ Œ Ó
F
94
w æ p
∑
95
é UÓ
P
Ñ Œ U
Ó
P
96